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As a Wife, As a Woman

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friends, Miho hires lawyer Minami to claim a severance pay. When her hope to win the case fades, she decides to fight for custody of Keijiro's children Hiroko and Susumu, who are her natural children, raised by Keijiro and the infertile Ayako as their own. In a final confrontation between Keijiro, Ayako and Miho, the children learn that Miho, who had always been introduced to them as their aunt, is their true mother. Hiroko scolds the adults for their insincerity, refusing to get involved in their schemes. Some time later, Hiroko has moved in with a student friend, disappointed with her parents. Miho, compensated with a small sum, plans to open a street food shop, while Ayako contemplates a divorce.
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bar owned by him and his wife Ayako for years, hoping that some day she might be made the owner as appreciation for her efforts. Instead, Ayako mortgages the bar for a new acquisition, leading to a conflict between the women. Keijiro avoids taking sides, continuing his affair with Miho. Encouraged by
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was "intended to have educational value" and "poses some serious questions about women's work and social responsibility, and the gender inequities of a family system that more or less condones extramarital affairs for men." Co-scenarist
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noted in an article that this was the first time that a divorce was accepted as a film's conclusion, other than proposed similar endings of past collaborations by Ide and Naruse like
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was inspired by actual court cases. The film was released in Japan on 30 May 1961 and in the U.S. in a subtitled version in March 1962.
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in 1985 as part of their retrospectives on Mikio Naruse, the latter organised by the Kawakita Memorial Film Institute and film scholar
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Miho, mistress of married professor Keijiro, has been managing the
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The Toho Studios Story: A History and Complete Filmography
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The Cinema of Naruse Mikio: Women and Japanese Modernity
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Durham and London: Duke University Press. 433:Berkeley Art Museum and Pacific Film Archive 516: 514: 695: 681: 673: 487: 485: 20: 550: 548: 546: 544: 542: 393:For Naruse biographer Catherine Russell, 452: 458: 456: 333:as Nishigaki Shino, Miho's grandmother 7: 837:Conduct Report on Professor Ishinaka 493:"妻として女として (As a Wife, As a Woman)" 464:"妻として女として (As a Wife, As a Woman)" 14: 757:Three Sisters with Maiden Hearts 989:When a Woman Ascends the Stairs 321:Kenzaburō Ōsawa as Susumu Kouno 1083:Films directed by Mikio Naruse 1: 997:Daughters, Wives and a Mother 909:Older Brother, Younger Sister 521:Galbraith IV, Stuart (2008). 262:Tsuma to shite onna to shite 1037:The Stranger Within a Woman 781:Morning's Tree-Lined Street 555:Russell, Catherine (2008). 261: 1109: 711: 255: 53: 46: 28: 821:Hideko the Bus Conductor 789:Tsuruhachi and Tsurujiro 468:Japanese Movie Database 1005:The Approach of Autumn 797:The Whole Family Works 377:Production and release 360:Chieko Seki as Toshibo 1021:A Wanderer's Notebook 1013:As a Wife, As a Woman 917:Sound of the Mountain 773:The Girl in the Rumor 765:Wife! 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Index

Kanji
Mikio Naruse
Toshirō Ide
Zenzō Matsuyama
Sanezumi Fujimoto
Hideko Takamine
Masayuki Mori
Chikage Awashima
Ichirō Saitō
Toho
drama film
Mikio Naruse
Ginza
Hideko Takamine
Masayuki Mori
Chikage Awashima
Yuriko Hoshi
Tatsuya Nakadai
Chōko Iida
Keiko Awaji
Chieko Nakakita
Nobuo Nakamura
Kumi Mizuno
Natsuko Kahara
Murasaki Fujima
Toshirō Ide
Repast
Wife
A Wife's Heart
Berkeley Art Museum and Pacific Film Archive

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