566:, "the central idea is not to produce a network of interwoven independent melodic lines, but dense sound complexes." He explained: "a large number of rhythmically independent lines are set against one another by seven wind instruments, with the resultant overlappings. This superimposition produces rapidly moving sound-fields whose rhythmic differentiation is provided as a rule by the rhythm section, rather than coming from within. When seven independent melodic-rhythmic lines coincide, the relationships between them lose clarity, fusing into a field of sound enlivened by irregular accentuations." Jost summarized this as follows: "A new type of group improvisation emerges in which melodic-motivic evolution gives way to the moulding of a total sound.… the macro-structures of the total sound are more important than the micro-structure of the parts." Similarly, Such wrote: "The overall texture in the collectively improvised sections of
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alone in quiet contemplation". Ben
Ratliff wrote that the album suggested "the notion of the jazz band as community, a collective effort to make large-scale textural music rather than an exclusive, carefully structured machine", and offered these comments: "Within the individual group, the leader-with-sidemen idea seemed suddenly old; a freer and more simultaneous notion of group playing was moving in. Jazz had never been less hierarchical. The spirit of musicians' collectives was making obsolete the old story of band-versus-band competition... If there is any truth to the rumors that Coltrane was taking acid between '64 and '67, it would only amount to more similar evidence. LSD commonly encourages the user to see the ideal of life as cooperative and nonhierarchical."
436:, on June 28, 1965. At the start of the session, Coltrane handed out lead sheets. According to Archie Shepp, "The ensemble passages were based on chords, but these chords were optional... In the solo plus quartet parts there are no specified chords. These sections were to be dialogues between the soloists and the rhythm section." Marion Brown added: "Trane had obviously thought a lot about what he wanted to do, but he wrote most of it out in the studio. Then he told everybody what he wanted: He played this line and he said that everybody would play that line in the ensembles. Then he said he wanted crescendi and decrescendi after every solo. We ran through some things together, until we were together, and then we got into it."
29:
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the session as "wildly exciting", the kind of record "you could use... to heat up the apartment on those cold winter days," and stated that both takes "had that kind of thing in them that makes people scream. The people who were in the studio were screaming. I don't know how the engineers kept the screams out of the record." John
Tchicai recalled: "It was a feast, incomparable. On the day of the recording, ecstasy and excitement were the prime movers. All of us did our very best to contribute and to carry out the few instructions the Master had given us. It was very African! Our Ancestors were definitely among us more than usual!"
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is music that emancipates both players and listeners- it challenges at the same time it educates." Chris Baber, in a review for Jazz Views, called the album "one of the most significant recordings in the canon of what people might call 'free-jazz'", and wrote: "it begins by shaking any preconceptions from you and pinning you back so that you are ready to follow the logic and coherence of the piece as it unfolds. After a total immersion in the piece, you emerge, perhaps cleansed, perhaps relaxed, but definitely changed to the way you were before the piece began." He concluded: "there is a strong case to be made that
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were difficult, but "like anything worth investigating the logic and effulgence of this work eventually started to reveal itself with repeated listenings. In the intervening years the elements I first mistook for anger and discord have exposed themselves as those of spirituality and unification. This
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is diametrically opposed to canonical aesthetics, where the iconic genius is presented as the center of creativity and performance practice," and noted that "Coltrane's involvement in the creation of an ensemble sound is somewhat antithetical to the album's cover design, which shows the artist seated
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The group recorded two takes of roughly equal duration. These would become known as
Edition I and Edition II. At the end of the second take, Elvin Jones "flung his snare at the studio wall, signaling his decision that for him, the date was over." Marion Brown was more enthusiastic; later he described
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without a word of caution. It is the single most vexatious work in jazz history. So, a word of caution: It can't hurt you. In fact, contrary to its reputation as the apogee in '60s free-jazz rants, the piece goes down as smooth as bourbon, at least after you've heard it a few times and can no longer
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With regard to the solo sections, Jost also differentiated between players like
Tchicai, who tended to organize their solos motivically, as opposed to "sound" players like Sanders and Shepp, who tended to use extended techniques in an expressive way. According to Jost, Coltrane's solo is a synthesis
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Coltrane later stated that, during the session, "I was so doggone busy; I was worried to death... I couldn't really enjoy the date. If it hadn't been a date, then I would have really enjoyed it." At some point, he called Albert Ayler and explained: "I recorded an album and found that I was playing
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in the history of jazz... It is a work that synthesizes the rules of classic jazz with the freedoms of the New Thing. Its success is difficult to gauge; its impact is total, overwhelming. Only slowly has it been recognized, not just as an iconic record, but a great composition." Regarding the two
915:, Sam Samuelson awarded the album five stars, and wrote: "this can be a difficult listen at first, but with a patient ear and an appreciation for the finer things in life, the reward is a greater understanding of the personal path that the artist was on at that particular time in his development."
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remain distinguishable." Shepp's comments are in agreement: "The emphasis was on textures rather than the making of an organizational entity. There was unity, but it was a unity of sounds and textures rather than like an ABA approach. You can hear...a reaching for sound and an exploration of the
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are minimally differentiated", and wrote that this approach "enables soloists and improvisers to fuse their emotions and personalities more effectively". Similarly, writer Tony Whyton stated that "Although this type of nonhierarchical experiment is typical of several collective practices in the
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was swift and generally intense. ABC executive Alan
Bergman recalled receiving an advance copy of the album prior to its release; he stated: "I listened to about five minutes... I walked into Bob Thiele's office and I can see myself holding this thing up with my mouth open. He says, 'I know, I
263:, Coltrane was the modern jazz star of the 1960s, with a large following of serious jazz fans and great respect from his musician peers. He was in an ideal position to bring into the orbit of the avant-garde fans and musicians who had previously hesitated, been puzzled or mildly hostile."
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The musicians that
Coltrane chose to supplement the members of the classic quartet were a mix of players ranging from established to relatively unknown, all of whom were younger than Coltrane, and many of whom had played with Coltrane in the years preceding the recording of
1015:, 2016). In 2007, 2008, 2010, and 2012, saxophonist Jeremy Strachan organized performances of the work, and documented the experience in an essay. In 2018, the new music group wild Up presented a concert titled "Of Ascension" featuring a set of compositions inspired by
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reveal it as decreasingly monolithic. Fake notes—cackles and hollers and shrieks and squawks—are still notes, and fortuitous harmonies and melodies, forged in the cauldron of chance, will on repeated exposure seem as preordained as composed music." In a review for
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of the two approaches: "Into a context that is melodic-motivic, all possibilities of tone coloration are incorporated, partly as a constructive device—when they serve as a means of formal articulation—and partly to provide for emotional intensification".
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recorded in June 1965 and released in 1966. It is considered a watershed in
Coltrane's work, with the albums recorded before it being more conventional in structure and the albums recorded after it being looser,
385:, whose music Coltrane admired, and had also played and practiced yogic breathing exercises with Marion Brown. In 1964, Coltrane invited Sanders to sit in with his group after hearing his debut recording on the
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wrote that the album "signaled
Coltrane's full embrace of the New Thing and its players", and that, with the album, "he finally became a full-fledged member of the free jazz avant-garde, with no turning back."
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shortly after the album's release called the album "the most impressive example of 'free jazz' that has come my way. Its relationship both to jazz tradition and also to developments in avant-garde music from
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Coltrane but I didn't know what was happening." Audiences began walking out of his concerts, as they did in August 1965, at
Soldier Field in Chicago following the album's recording but prior to its release.
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be intimidated by its shock tactics... Coming to the end of the music's long night, you may blink at the silence in stunned relief and inscrutable rapture. Or you may not. In any case, return visits to
877:. That was the turning point for some musicians who had been Coltrane enthusiasts up to that time; after that they turned off. I thought it was a little extreme, but he was always my man." Violinist
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405:. (Ware and Higgins had both previously recorded with Coltrane.) Sanders was invited to join Coltrane's band in September 1965 and went on to play and record on many of Coltrane's later recordings.
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is
Coltrane’s best, most coherent and clearest statement of what he felt music should be for and what it could achieve." The authors of the Penguin Jazz Guide wrote: "There is nothing else like
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on the recording, and concluded: "The precedent for what John did here goes all the way back to New Orleans... This is like a New Orleans concept, but with 1965 people". (Sun Ra's influence on
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s "Acknowledgment" section; however, this motif is secondary in importance to the presence of descending lines that serve to define and articulate the modes. Jost noted that, in contrast with
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Shepp pointed out that Coltrane "didn't want any stars on this record" and noted that "he took no more solo time than anybody else". Such also commented that "the roles among performers in
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was created using the first take. Impulse! used the same artwork and catalog number A-95 for both editions, but inscribed "EDITION II" on the vinyl runout circle of that edition.
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just like you", to which Ayler replied "No, man, don't you see, you were playing like yourself. You were just feeling what I feel and were just crying out for spiritual unity."
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255:, and was heavily influenced by his music; meanwhile, he had also become somewhat of a father figure for a number of younger avant-garde players, some of whom would appear on
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Editions, they commented: "After a time, they resemble a rock formation seen from a subtly different angle, but still unmistakably the same grand and forbidding outcrop."
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is extremely dense. As a result, the listener has difficulty separating the individual lines of the seven improvisers. In comparison, the three lead soloists in Coleman's
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Both editions are available on the single-CD version released by Impulse!/Verve/Universal in 2000, and were previously available on the 1992 double-disc collection
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320:, and went on to release over a dozen albums on the label. Shepp, along with Art Davis, also appeared on an alternate take of the "Acknowledgement" section of
825:, the album "blew everybody out of the water", and was "the torch that lit the free-jazz thing. I mean, it really begins with Cecil and Ornette in '59, but
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know'... He says, 'It's going to be a classic!'" Since its release, the album has been portrayed as a turning point in the history of jazz. According to
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was recorded, Coltrane's music had become increasingly turbulent, moving further in the direction of free jazz. Coltrane had befriended saxophonist
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was frequently the result of an emphasis on a collective approach to the creation of unique textures, often using non-traditional instruments. The
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recording session, Coltrane was one of the world's most successful jazz artists in both the artistic and commercial sense. His best-selling album
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Two takes were made of "Ascension" during the recording session on June 28, 1965. The second take was released on the album that is now known as
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in jazz-group interaction", and noted that "immediately thereafter, the idea of texture would become very basic to experimental jazz."
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259:. According to writer Bernard Gendron, "At the height of his career, riding on the momentum of the critical and popular triumph of
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is organized around a succession of modes that serve as starting points for the musicians. Ekkehard Jost identified three modes: B
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Gendron, Bernard (2009). "After the October Revolution: The Jazz Avant-garde in New York, 1964–65". In Adlington, Robert (ed.).
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had played with Marion Brown and repeatedly sat in with Coltrane's group before being asked to participate in the recording of
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326:, which was released more than thirty years after the appearance of the original recording. Shortly after the recording of
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was like the patron saint saying, 'It's OK—this is valid.' I think that even had much more of an effect on everybody than
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was recorded, and recalled: "They were playing this music, screaming and ranting and raving, and, Lord - I was so
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583:"the first major piece of work from the jazz avant-garde to valorize the idea not only of sheer volume but of
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magazines. In addition, Coltrane was elected to DownBeat's Hall of Fame, putting him in the company of
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inspired works. In addition, it signaled Coltrane's interest in moving away from the quartet format.
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thing", although it resembles no big band recording made before it. The most obvious antecedent is
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was also invited, but reportedly felt that his skills were not up to the demands of the music.
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2006:
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412:, who would eventually join Coltrane's group, was invited to participate in the recording of
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Lydian. Changes of mode were signalled by Coltrane, Hubbard, and Tyner. The melodic germ of
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336:, a split LP with Coltrane's quartet appearing on side one and Shepp's quartet on side two.
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Years given are for the recording(s), including the soundtrack albums, not first release.
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were well-known and well-recorded by that point, and both had recorded with Coltrane on
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called it "the single recording that placed John Coltrane firmly into the avant-garde".
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is a further step in the development of that form". Shepp also noted the influence of
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Porter, Lewis; DeVito, Chris; Fujioka, Yasuhiro; Wild, David; Schmaler, Wolf (2008).
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Porter, Lewis; DeVito, Chris; Fujioka, Yasuhiro; Wild, David; Schmaler, Wolf (2008).
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Porter, Lewis; DeVito, Chris; Fujioka, Yasuhiro; Wild, David; Schmaler, Wolf (2008).
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but passed up the opportunity, a decision he would soon come to regret. Saxophonist
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1616:"John Coltrane: A Love Supreme: The Complete Masters [2002 Deluxe Edition]"
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862:'s wilder disciples is clear..." In a review for DownBeat, Bill Mathieu called
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1766:"'If You're in the Song, Keep on Playing': An Interview With Pharoah Sanders"
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2670:"John Coltrane – Ascension (Edition II) (Vinyl, LP, Album) at Discogs"
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was nominated for a Grammy Award, and was voted "album of the year" by both
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wrote: "After nearly thirty-five years, it is still impossible to speak of
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Mathieu, Bill (May 5, 1966). "Record Review: John Coltrane, Ascension".
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2573:"Rorschach Audio: Glenn Branca Discusses Reading, Writing & Volume"
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Aeolian, D Phrygian, and F Phrygian, while David Such added a fourth, G
365:, and also sat in with Coltrane during one or more performances at the
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was "when Coltrane turned his back on the money." Coltrane biographer
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Mellers, Wilfrid (October 1966). "Review: John Coltrane: Ascension".
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The Complete Columbia Recordings of Miles Davis with John Coltrane
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36:
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1960s, the role that Coltrane fulfils within the sound world of
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label and attending a concert by Sanders's band, which featured
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2602:: Intertextuality, Improvisation, and Meaning in Performance".
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was also suggested by Coltrane biographer J. C. Thomas, and by
1879:"Frank Wright: Frank Wright: The Complete ESP-Disk Recordings"
1853:"Rashied Ali (1935 – 2009), multi-directional drummer, speaks"
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in its entirety for their audiences prior to their live sets.
3562:
Evenings at the Village Gate: John Coltrane with Eric Dolphy
2393:
A Love Supreme: The Story of John Coltrane's Signature Album
1067:
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Thelonious Monk Quartet with John Coltrane at Carnegie Hall
3657:
The Heavyweight Champion: The Complete Atlantic Recordings
881:
recalled having heard Coltrane's group at around the time
451:
28, 1965, Coltrane and his quartet performed a version of
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The Classic Quartet – Complete Impulse! Studio Recordings
964:, recorded in 1968, was heavily influenced by the album.
924:, Derek Taylor admitted that his initial encounters with
897:
More recent reviews have been positive overall. In 1998,
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Years given are for the recording(s), not first release,
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Freddie Hubbard/Stanley Turrentine in Concert Volume One
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Avant-garde Jazz Musicians : Performing "Out There"
2154:
Avant-garde Jazz Musicians : Performing "Out There"
2089:
Avant-garde Jazz Musicians : Performing "Out There"
1575:
1573:
1564:
The House That Trane Built: The Story of Impulse Records
937:
in Coltrane's work; indeed, there is nothing quite like
866:"possibly the most powerful human sound ever recorded".
1940:(liner notes). John Coltrane. Blue Note Records. AS-95.
1509:(liner notes). John Coltrane. Blue Note Records. AS-95.
3924:
Before John Was a Jazz Giant: A Song of John Coltrane
987:
Association for the Advancement of Creative Musicians
974:
to be a continuation of Coltrane's album, as well as
316:, in 1964 after Coltrane recommended him to producer
1522:
Sound Commitments: Avant-garde Music and the Sixties
1355:. Vol. 78, no. 6. 1968-02-05. p. 40.
459:
in Paris. A recording of the performance appears on
6494:
6433:
6382:
5919:
5657:
4944:
4895:
4830:
4781:
4692:
4643:
4539:
3982:
3863:
3831:
3729:
3571:
3434:
3384:
3250:
3048:
2972:
2943:
2774:
950:A number of younger musicians found inspiration in
140:
128:
116:
95:
79:
64:
56:
48:
35:
21:
1424:"John Coltrane's 'A Love Supreme': For The Record"
558:is a short motif that resembles the main theme of
357:had previously recorded with Shepp as part of the
6397:Archie Shepp & the New York Contemporary Five
5411:MJQ & Friends: A 40th Anniversary Celebration
4489:At Jazz Jamboree Warszawa '91: A Tribute to Miles
4329:The Trumpet Summit Meets the Oscar Peterson Big 4
873:stated: "The main complaint came after the album
1910:. The University of Michigan Press. p. 263.
1458:. The University of Michigan Press. p. 262.
1412:. The University of Michigan Press. p. 232.
2716:: CS1 maint: others in cite AV media (notes) (
2328:. USA: Random House/Rolling Stone. p. 47.
1034:Track listing / order of soloists and ensembles
1022:During their 1985 United States tour, the band
339:Shepp also introduced Coltrane to saxophonist
5886:
5635:
3951:
3534:The Olatunji Concert: The Last Live Recording
3527:The Complete 1961 Village Vanguard Recordings
2743:
1931:
1929:
1927:
1925:
1923:
1921:
1919:
1917:
8:
6423:Archie Shepp and the New York Contemporary 5
4332:(with Terry, Gillespie & Peterson, 1980)
3854:Chasing Trane: The John Coltrane Documentary
2235:
2233:
1975:
1973:
1971:
1969:
1825:"Rashied Ali, Free-Jazz Drummer, Dies at 76"
1494:. Farrar, Straus and Giroux. pp. 94–95.
1476:. Farrar, Straus and Giroux. pp. 91–96.
784:
746:
712:
674:
636:
495:—is a continuous 40-minute performance with
347:to help Brown secure the recording date for
2547:"John Coltrane: Ascension: An Appreciation"
2213:
2211:
2091:. University of Iowa Press. pp. 56–58.
1446:
1444:
1009:Rova Channeling Coltrane Electric Ascension
997:, recording interpretations of the work on
6555:You Can't Do That on Stage Anymore, Vol. 4
5893:
5879:
5871:
5642:
5628:
5620:
3958:
3944:
3936:
3171:Selflessness: Featuring My Favorite Things
2750:
2736:
2728:
2383:
2381:
2379:
2224:: John Coltrane and the Legacy of an Album
2195:
2193:
1949:
1947:
1374:
1372:
1370:
1060:order differs slightly between the takes;
611:
485:'s octet (or "double quartet") recording,
428:The recording took place, unrehearsed, at
343:, and Coltrane soon used his influence at
27:
18:
4301:Live at the North Sea Jazz Festival, 1980
2658:. Farrar, Straus and Giroux. p. 203.
2265:. Farrar, Straus and Giroux. p. 155.
2117:
2115:
2113:
1715:"The Alphabet Of Dewey Johnson 1939–2018"
985:The music produced by the members of the
499:passages and without breaks. However, on
302:, recorded earlier in 1965.) Saxophonist
2621:Ginell, Richard S. (November 13, 2018).
2490:. Farrar, Straus and Giroux. p. 96.
2247:. Farrar, Straus and Giroux. p. 97.
2204:. University of Iowa Press. p. 123.
1987:. Farrar, Straus and Giroux. p. 98.
1764:Friedman, Nathaniel (January 12, 2020).
1690:
1688:
1554:
1552:
1550:
1548:
1546:
247:. At the same time, in the months since
6088:Archie Shepp and the Full Moon Ensemble
3541:Live at the Half Note: One Down, One Up
3234:Both Directions at Once: The Lost Album
2827:John Coltrane with the Red Garland Trio
2508:. Oxford University Press. p. 487.
2156:. University of Iowa Press. p. 58.
1797:. Oxford University Press. p. 488.
1587:. Oxford University Press. p. 486.
1524:. Oxford University Press. p. 219.
1341:
869:Others were less positive. Saxophonist
3397:The Complete 1957 Riverside Recordings
3298:Miles Davis and the Modern Jazz Giants
2709:
2414:Ascension: John Coltrane and His Quest
2404:
2402:
2226:. Oxford University Press. p. 79.
1073:Ascension (Edition II) (John Coltrane)
16:1966 studio album by John Coltrane
5706:Deaf Dumb Blind (Summun Bukmun Umyun)
4513:MMTC: Monk, Miles, Trane & Cannon
2841:Cattin' with Coltrane and Quinichette
1954:Morton, Brian; Cook, Richard (2010).
1223:Davis and Garrison duet (31:36–33:30)
617:
488:Free Jazz: A Collective Improvisation
7:
6626:Albums recorded at Van Gelder Studio
6312:California Meeting: Live on Broadway
5215:Slide Hampton and His Horn of Plenty
3847:The World According to John Coltrane
3375:Miles Davis Quintet at Peacock Alley
2285:The Penguin Guide to Jazz Recordings
6032:Archie Shepp & Philly Joe Jones
3548:Offering: Live at Temple University
3464:Live at the Village Vanguard Again!
3206:The Africa/Brass Sessions, Volume 2
2326:The Rolling Stone Jazz Record Guide
1823:Grimes, William (August 14, 2009).
1668:"Interview with John Tchicai, 1995"
1642:"A Fireside Chat with Marion Brown"
779:The Rolling Stone Jazz Record Guide
465:, incorrectly titled "Blue Valse".
5984:Archie Shepp Live in San Francisco
3425:Thelonious Monk with John Coltrane
3263:Miles: The New Miles Davis Quintet
3075:Duke Ellington & John Coltrane
2623:"Wild Up Riffs on John Coltrane's
2598:Strachan, Jeremy (2013). "Reading
2506:Visions of Jazz: The First Century
1851:Mandel, Howard (August 13, 2009).
1795:Visions of Jazz: The First Century
1585:Visions of Jazz: The First Century
14:
5928:Archie Shepp – Bill Dixon Quartet
4755:V.S.O.P. Tempest in the Colosseum
3913:John W. Coltrane Cultural Society
2885:Kenny Burrell & John Coltrane
2604:Critical Studies in Improvisation
2355:The Encyclopedia of Popular Music
1908:John Coltrane: His Life and Music
1877:Allen, Clifford (July 13, 2005).
1456:John Coltrane: His Life and Music
1410:John Coltrane: His Life and Music
786:
748:
714:
676:
669:The Encyclopedia of Popular Music
638:
6523:The Major Works of John Coltrane
6056:Live at the Pan-African Festival
5447:The Blues and the Abstract Truth
5167:Boss of the Soul-Stream Trombone
4682:The Other Side of Round Midnight
3671:The Major Works of John Coltrane
3096:John Coltrane and Johnny Hartman
2571:Barry, Robert (April 24, 2013).
2519:Taylor, Derek (August 1, 2000).
2171:. Da Capo Press. pp. 90–95.
1170:Ascension (Edition I) (Coltrane)
1051:The Major Works of John Coltrane
805:
800:
795:
790:
785:
767:
762:
757:
752:
747:
728:
723:
718:
713:
695:
690:
685:
680:
675:
657:
652:
647:
642:
637:
4089:Jam Gems: Live at the Left Bank
4049:The Artistry of Freddie Hubbard
3706:To the Beat of a Different Drum
3636:Dial Africa: The Savoy Sessions
3555:A Love Supreme: Live in Seattle
3117:The John Coltrane Quartet Plays
2545:Baber, Chris (August 1, 2000).
299:The John Coltrane Quartet Plays
155:The John Coltrane Quartet Plays
3506:Live Trane: The European Tours
3443:"Live" at the Village Vanguard
2656:Coltrane: The Story of a Sound
2488:Coltrane: The Story of a Sound
2263:Coltrane: The Story of a Sound
2245:Coltrane: The Story of a Sound
1985:Coltrane: The Story of a Sound
1812:. Routledge. pp. 329–330.
1492:Coltrane: The Story of a Sound
1474:Coltrane: The Story of a Sound
1:
6596:Albums produced by Bob Thiele
6269:Niels-Henning Ørsted Pedersen
5527:Once a Thief and Other Themes
3685:Ken Burns Jazz: John Coltrane
3629:Countdown: The Savoy Sessions
2631:San Francisco Classical Voice
1702:. Da Capo Press. p. 121.
1064:does not solo in Edition II.
837:stated that the recording of
741:The Rolling Stone Album Guide
6196:There's a Trumpet in My Soul
4967:The Other Side of Abbey Road
3840:The Church of Saint Coltrane
2698:(CD insert, CD back cover).
2186:. Da Capo Press. p. 95.
2141:. Da Capo Press. p. 94.
2126:. Da Capo Press. p. 89.
2106:. Da Capo Press. p. 88.
2076:. Da Capo Press. p. 87.
1713:Crépon, Pierre (July 2018).
1640:AAJ STAFF (April 11, 2003).
434:Englewood Cliffs, New Jersey
5826:Oh Lord, Let Me Do No Wrong
4763:V.S.O.P. Live Under the Sky
4396:(with Oscar Peterson, 1982)
3340:Miles & Monk at Newport
3333:Someday My Prince Will Come
2022:The John Coltrane Reference
1810:The John Coltrane Reference
1537:The John Coltrane Reference
477:in a radio interview as a "
6642:
6351:(and Annette Lowman, 1988)
5195:Take a Number from 1 to 10
4345:Keystone Bop: Sunday Night
2521:"John Coltrane: Ascension"
1381:"John Coltrane: Ascension"
1208:Tchicai solo (23:11–24:56)
1196:Hubbard solo (14:53–17:50)
1190:Sanders solo (11:15–13:30)
359:New York Contemporary Five
296:. (Davis also appeared on
6616:1960s instrumental albums
6569:
6456:The World of Cecil Taylor
6279:(and Horace Parlan, 1980)
6112:Things Have Got to Change
5908:
3973:
3692:The Last Giant: Anthology
3587:The Best of John Coltrane
2765:
2324:Swenson, J., ed. (1985).
2024:. Routledge. p. 738.
1539:. Routledge. p. 298.
1184:Johnson solo (7:58–10:07)
1178:Coltrane solo (4:05–6:05)
999:John Coltrane's Ascension
707:The Penguin Guide to Jazz
625:
622:
575:possibilities of sound."
148:
26:
5913:unless stated otherwise.
4774:(soundtrack album, 1985)
4734:(soundtrack album, 1966)
4173:Sing Me a Song of Songmy
4101:The Night of the Cookers
3361:Jazz at the Plaza Vol. I
3025:Coltrane Plays the Blues
1220:Tyner solo (29:39–31:36)
1214:Brown solo (26:23–28:31)
1202:Shepp solo (18:55–21:40)
993:has repeatedly explored
968:intended his 1981 album
511:created a new form, and
6611:Impulse! Records albums
6601:Avant-garde jazz albums
6236:On Green Dolphin Street
5786:Pharoah Sanders Live...
5738:Village of the Pharoahs
5079:Muses for Richard Davis
4448:(with Woody Shaw, 1987)
4209:Keep Your Soul Together
4073:The Body & the Soul
3622:The Prestige Recordings
2466:As Serious As Your Life
2360:Oxford University Press
2182:Jost, Ekkehard (1994).
2167:Jost, Ekkehard (1994).
2137:Jost, Ekkehard (1994).
2122:Jost, Ekkehard (1994).
2102:Jost, Ekkehard (1994).
2072:Jost, Ekkehard (1994).
2055:As Serious As Your Life
2039:. Da Capo. p. 195.
2003:As Serious As Your Life
1936:Spellman, A.B. (2000).
1007:(Atavistic, 2005), and
6080:Yasmina, a Black Woman
5503:East Broadway Run Down
3908:5893 Coltrane asteroid
2820:Wheelin' & Dealin'
2706:. 2009. 0602517920248.
1956:The Penguin Jazz Guide
1938:Ascension (CD reissue)
1740:"Pharoah Sanders: Bio"
1600:Deluxe Edition. 2002;
1507:Ascension (CD reissue)
1505:Porter, Lewis (2000).
1349:"New Album Releases".
1044:Ascension (Edition II)
991:Rova Saxophone Quartet
889:. I said 'What?'... I
6526:(John Coltrane, 1965)
6472:New York City R&B
6464:Cell Walk for Celeste
5682:Izipho Zam (My Gifts)
5238:(Slide Hampton, 1962)
5190:(Curtis Fuller, 1962)
5182:(Curtis Fuller, 1961)
5074:(John Coltrane, 1965)
5066:(John Coltrane, 1961)
4747:V.S.O.P.: The Quintet
4497:Live at Fat Tuesday's
4473:Topsy – Standard Book
4225:In Concert Volume Two
3485:Afro Blue Impressions
3270:'Round About Midnight
2218:Whyton, Tony (2013).
2035:Thomas, J.C. (1976).
1604:5899452, liner notes.
1232:(Concluding ensemble)
1163:(Concluding ensemble)
1053:on Impulse!/GRP/MCA.
1040:Ascension (Edition I)
1001:(Black Saint, 1997),
408:In addition, drummer
6621:John Coltrane albums
6128:The Cry of My People
5972:New Thing at Newport
5834:A Prayer Before Dawn
5730:Wisdom Through Music
5610:(Randy Weston, 1972)
5474:(Duke Pearson, 1967)
5310:(Milt Jackson, 1973)
5210:(Benny Golson, 1962)
4955:The Soul of the City
4445:The Eternal Triangle
3457:New Thing at Newport
3388:Thelonious Monk
2200:Such, David (1993).
2152:Such, David (1993).
2087:Such, David (1993).
946:Influence and legacy
613:Professional ratings
455:on a concert at the
333:New Thing at Newport
330:, Shepp appeared on
267:Additional musicians
173:New Thing at Newport
6421:Bill Dixon 7-tette/
6164:Jazz a Confronto 27
5936:The House I Live In
5578:(McCoy Tyner, 1980)
5416:Modern Jazz Quartet
5290:(Andrew Hill, 1965)
5258:(Jimmy Heath, 1962)
5119:Leaving This Planet
5102:(Eric Dolphy, 1964)
5003:God Bless the Child
4309:The Alternate Blues
4285:The Love Connection
4125:High Blues Pressure
3608:The Coltrane Legacy
3601:Coltrane for Lovers
2712:cite AV media notes
614:
473:Coltrane described
381:had performed with
306:recorded his first
217:At the time of the
6304:Down Home New York
6000:The Magic of Ju-Ju
5975:(split album with
5778:Journey to the One
5556:Stanley Turrentine
5207:Pop + Jazz = Swing
4934:The All Seeing Eye
4465:Times Are Changing
4401:Ride Like the Wind
4377:Above & Beyond
4230:Stanley Turrentine
4149:The Hub of Hubbard
3898:Philadelphia house
3404:Thelonious Himself
3220:Dear Old Stockholm
3199:Interstellar Space
3011:My Favorite Things
1830:The New York Times
1744:PharoahSanders.com
1229:solo (33:30–33:55)
1175:(Opening ensemble)
1147:solo (29:55–33:26)
1138:solo (25:10–27:16)
1129:solo (21:10–24:10)
1120:solo (18:50–20:00)
1111:solo (15:40–17:40)
1102:solo (11:55–14:25)
1078:(Opening ensemble)
1004:Electric Ascension
612:
112:79:19 (CD release)
6578:
6577:
6289:Jasper van 't Hof
5868:
5867:
5810:Heart Is a Melody
5698:Jewels of Thought
5617:
5616:
4979:Out of This World
4569:Buhaina's Delight
4133:A Soul Experiment
4041:Ready for Freddie
3933:
3932:
3759:Central Park West
3678:Jupiter Variation
3513:Bye Bye Blackbird
3499:The European Tour
3492:The Paris Concert
3213:First Meditations
2878:Standard Coltrane
2429:The Musical Times
2298:978-0-141-03401-0
2037:Chasin' the Trane
1614:Henderson, Alex.
1298:– tenor saxophone
1292:– tenor saxophone
1241:
1240:
1026:played a tape of
814:
813:
430:Van Gelder Studio
424:Recording session
185:
184:
181:
180:
110:38:30 (Edition I)
6633:
6606:Free jazz albums
6477:Buell Neidlinger
6072:Poem for Malcolm
5895:
5888:
5881:
5872:
5746:Live at the East
5644:
5637:
5630:
5621:
5387:Doin' the Thang!
5351:Echoes of an Era
5327:Reg Strikes Back
5223:Sister Salvation
5187:Cabin in the Sky
5131:Booker 'n' Brass
4877:Walking in Space
4853:The Quintessence
4585:Three Blind Mice
4529:On the Real Side
4385:Back to Birdland
3960:
3953:
3946:
3937:
3876:Coltrane changes
3871:List of sessions
3450:Live at Birdland
3254:Miles Davis
3032:Coltrane's Sound
2992:Bags & Trane
2871:Settin' the Pace
2752:
2745:
2738:
2729:
2722:
2721:
2715:
2707:
2692:
2686:
2685:
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2681:
2666:
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2474:
2473:
2458:
2452:
2451:
2443:
2437:
2436:
2424:
2418:
2417:
2416:. Da Capo Press.
2406:
2397:
2396:
2385:
2374:
2373:
2358:(4th ed.).
2346:
2340:
2339:
2321:
2315:
2314:Info and Review.
2309:
2303:
2302:
2287:(9th ed.).
2273:
2267:
2266:
2255:
2249:
2248:
2237:
2228:
2227:
2215:
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2017:
2011:
2010:
1995:
1989:
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1964:
1963:
1951:
1942:
1941:
1933:
1912:
1911:
1900:
1894:
1893:
1891:
1889:
1883:AllAboutJazz.com
1874:
1868:
1867:
1865:
1863:
1848:
1842:
1841:
1839:
1837:
1820:
1814:
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1710:
1704:
1703:
1692:
1683:
1682:
1680:
1678:
1666:Trouchon, Mike.
1663:
1657:
1656:
1654:
1652:
1637:
1631:
1630:
1628:
1626:
1611:
1605:
1602:Impulse! Records
1595:
1589:
1588:
1577:
1568:
1567:
1556:
1541:
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1532:
1526:
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1420:
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1413:
1402:
1396:
1395:
1393:
1391:
1379:Samuelson, Sam.
1376:
1365:
1364:
1346:
1277:– alto saxophone
1093:solo (7:45–9:30)
1084:solo (3:10–5:48)
1068:
976:Olivier Messiaen
810:
809:
808:
804:
803:
799:
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615:
553:
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547:
546:
450:
150:
149:
107:
106:
102:
90:avant-garde jazz
73:Englewood Cliffs
31:
19:
6641:
6640:
6636:
6635:
6634:
6632:
6631:
6630:
6581:
6580:
6579:
6574:
6565:
6496:
6490:
6484:Jumpin' Punkins
6438:
6435:
6429:
6422:
6387:
6385:
6378:
6320:Little Red Moon
6276:Trouble in Mind
6264:Looking at Bird
5915:
5912:
5904:
5899:
5869:
5864:
5850:Welcome to Love
5666:Pharoah's First
5653:
5651:Pharoah Sanders
5648:
5618:
5613:
5491:Drums Unlimited
5471:The Right Touch
5459:Sweet Honey Bee
5124:Charles Earland
5044:Ornette Coleman
5027:Droppin' Things
4946:
4940:
4910:Wayning Moments
4900:
4897:
4891:
4869:I/We Had a Ball
4835:
4832:
4826:
4786:
4783:
4777:
4697:
4694:
4688:
4648:
4645:
4639:
4551:
4549:
4543:
4535:
4505:Blues for Miles
4409:The Rose Tattoo
4337:Born to Be Blue
4318:Dizzy Gillespie
4178:İlhan Mimaroğlu
4141:The Black Angel
4081:Breaking Point!
3990:
3988:
3986:
3984:
3978:
3969:
3967:Freddie Hubbard
3964:
3934:
3929:
3881:Sheets of sound
3859:
3827:
3801:Moment's Notice
3725:
3580:Alternate Takes
3567:
3471:Live in Seattle
3430:
3386:
3380:
3354:At Newport 1958
3252:
3246:
3227:Stellar Regions
3052:
3044:
3039:The Avant-Garde
2976:
2968:
2947:
2939:
2778:
2770:
2761:
2756:
2726:
2725:
2708:
2694:
2693:
2689:
2679:
2677:
2668:
2667:
2663:
2650:
2649:
2645:
2635:
2633:
2620:
2619:
2615:
2597:
2596:
2592:
2583:
2581:
2570:
2569:
2565:
2555:
2553:
2544:
2543:
2539:
2529:
2527:
2518:
2517:
2513:
2500:
2499:
2495:
2482:
2481:
2477:
2460:
2459:
2455:
2445:
2444:
2440:
2426:
2425:
2421:
2408:
2407:
2400:
2387:
2386:
2377:
2370:
2348:
2347:
2343:
2336:
2323:
2322:
2318:
2312:All Music Guide
2310:
2306:
2299:
2291:. p. 291.
2275:
2274:
2270:
2257:
2256:
2252:
2239:
2238:
2231:
2217:
2216:
2209:
2199:
2198:
2191:
2181:
2180:
2176:
2166:
2165:
2161:
2151:
2150:
2146:
2136:
2135:
2131:
2121:
2120:
2111:
2101:
2100:
2096:
2086:
2085:
2081:
2071:
2070:
2066:
2049:
2048:
2044:
2034:
2033:
2029:
2019:
2018:
2014:
1997:
1996:
1992:
1979:
1978:
1967:
1953:
1952:
1945:
1935:
1934:
1915:
1902:
1901:
1897:
1887:
1885:
1876:
1875:
1871:
1861:
1859:
1857:ArtsJournal.com
1850:
1849:
1845:
1835:
1833:
1822:
1821:
1817:
1807:
1806:
1802:
1789:
1788:
1784:
1774:
1772:
1763:
1762:
1758:
1748:
1746:
1738:
1737:
1733:
1723:
1721:
1712:
1711:
1707:
1694:
1693:
1686:
1676:
1674:
1672:JohnTchicai.com
1665:
1664:
1660:
1650:
1648:
1639:
1638:
1634:
1624:
1622:
1613:
1612:
1608:
1596:
1592:
1579:
1578:
1571:
1566:. W. W. Norton.
1558:
1557:
1544:
1534:
1533:
1529:
1519:
1518:
1514:
1504:
1503:
1499:
1486:
1485:
1481:
1468:
1467:
1463:
1450:
1449:
1442:
1432:
1430:
1422:
1421:
1417:
1404:
1403:
1399:
1389:
1387:
1378:
1377:
1368:
1348:
1347:
1343:
1338:
1290:Pharoah Sanders
1285:tenor saxophone
1251:Freddie Hubbard
1247:
1242:
1036:
956:Peter Brötzmann
948:
851:Wilfrid Mellers
806:
801:
796:
791:
768:
763:
758:
753:
729:
724:
719:
696:
691:
686:
681:
658:
653:
648:
643:
610:
560:A Love Supreme'
550:
549:
544:
543:
503:(and unlike on
483:Ornette Coleman
471:
448:
426:
379:Pharoah Sanders
350:Three for Shepp
278:Freddie Hubbard
269:
241:Coleman Hawkins
215:
176:
167:
158:
111:
109:
104:
100:
99:
44:
17:
12:
11:
5:
6639:
6637:
6629:
6628:
6623:
6618:
6613:
6608:
6603:
6598:
6593:
6583:
6582:
6576:
6575:
6570:
6567:
6566:
6564:
6563:
6551:
6539:
6527:
6513:
6505:A Love Supreme
6500:
6498:
6492:
6491:
6489:
6488:
6480:
6468:
6460:
6452:
6443:
6441:
6431:
6430:
6428:
6427:
6417:
6409:
6401:
6392:
6390:
6380:
6379:
6377:
6376:
6368:
6352:
6344:
6336:
6324:
6316:
6308:
6300:
6292:
6280:
6272:
6260:
6252:
6240:
6232:
6220:
6212:
6200:
6192:
6184:
6176:
6168:
6160:
6148:
6140:
6136:A Sea of Faces
6132:
6124:
6116:
6108:
6100:
6092:
6084:
6076:
6068:
6060:
6052:
6044:
6036:
6028:
6020:
6012:
6004:
5996:
5992:Mama Too Tight
5988:
5980:
5968:
5960:
5952:
5948:Four for Trane
5944:
5932:
5923:
5921:
5917:
5916:
5909:
5906:
5905:
5900:
5898:
5897:
5890:
5883:
5875:
5866:
5865:
5863:
5862:
5854:
5846:
5838:
5830:
5822:
5814:
5806:
5798:
5790:
5782:
5774:
5766:
5758:
5754:Love in Us All
5750:
5742:
5734:
5726:
5718:
5710:
5702:
5694:
5686:
5678:
5670:
5661:
5659:
5655:
5654:
5649:
5647:
5646:
5639:
5632:
5624:
5615:
5614:
5612:
5611:
5603:
5591:
5579:
5575:Quartets 4 X 4
5571:
5559:
5547:
5535:
5523:
5511:
5499:
5487:
5475:
5467:
5455:
5443:
5431:
5428:Wes Montgomery
5419:
5407:
5395:
5392:Ronnie Mathews
5383:
5371:
5359:
5347:
5335:
5323:
5311:
5303:
5291:
5283:
5271:
5259:
5251:
5239:
5231:
5219:
5211:
5203:
5191:
5183:
5175:
5163:
5151:
5139:
5127:
5115:
5103:
5095:
5083:
5075:
5067:
5059:
5047:
5035:
5023:
5015:Cables' Vision
5011:
4999:
4987:
4975:
4963:
4950:
4948:
4942:
4941:
4939:
4938:
4930:
4926:The Soothsayer
4922:
4914:
4905:
4903:
4893:
4892:
4890:
4889:
4881:
4873:
4865:
4857:
4849:
4840:
4838:
4828:
4827:
4825:
4824:
4816:
4808:
4800:
4791:
4789:
4779:
4778:
4776:
4775:
4771:Round Midnight
4767:
4759:
4751:
4743:
4735:
4727:
4719:
4715:Empyrean Isles
4711:
4702:
4700:
4690:
4689:
4687:
4686:
4678:
4670:
4662:
4658:Doin' Allright
4653:
4651:
4641:
4640:
4638:
4637:
4629:
4621:
4613:
4605:
4597:
4589:
4581:
4573:
4565:
4556:
4554:
4537:
4536:
4534:
4533:
4525:
4517:
4509:
4501:
4493:
4485:
4477:
4469:
4461:
4449:
4441:
4433:
4421:
4413:
4405:
4397:
4389:
4381:
4373:
4365:
4357:
4349:
4341:
4333:
4325:
4322:Oscar Peterson
4305:
4297:
4289:
4281:
4273:
4265:
4257:
4249:
4241:
4233:
4221:
4213:
4205:
4197:
4189:
4181:
4169:
4161:
4153:
4145:
4137:
4129:
4121:
4113:
4105:
4097:
4085:
4077:
4069:
4061:
4053:
4045:
4037:
4019:
4011:
4003:
3994:
3992:
3980:
3979:
3974:
3971:
3970:
3965:
3963:
3962:
3955:
3948:
3940:
3931:
3930:
3928:
3927:
3920:
3918:Tribute albums
3915:
3910:
3905:
3903:Dix Hills home
3900:
3895:
3889:
3886:Alice Coltrane
3883:
3878:
3873:
3867:
3865:
3861:
3860:
3858:
3857:
3850:
3843:
3835:
3833:
3829:
3828:
3826:
3825:
3818:
3811:
3804:
3797:
3790:
3783:
3776:
3769:
3762:
3755:
3748:
3741:
3733:
3731:
3727:
3726:
3724:
3723:
3716:
3709:
3702:
3695:
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3681:
3674:
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3660:
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3632:
3625:
3618:
3611:
3604:
3597:
3590:
3583:
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3573:
3569:
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3558:
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3544:
3537:
3530:
3523:
3516:
3509:
3502:
3495:
3488:
3481:
3474:
3467:
3460:
3453:
3446:
3438:
3436:
3432:
3431:
3429:
3428:
3421:
3414:
3407:
3400:
3392:
3390:
3382:
3381:
3379:
3378:
3371:
3364:
3357:
3350:
3343:
3336:
3329:
3322:
3315:
3308:
3301:
3294:
3287:
3280:
3273:
3266:
3258:
3256:
3248:
3247:
3245:
3244:
3237:
3230:
3223:
3216:
3209:
3202:
3195:
3188:
3181:
3174:
3167:
3164:Alice Coltrane
3155:
3148:
3141:
3134:
3127:
3120:
3113:
3110:A Love Supreme
3106:
3099:
3092:
3085:
3078:
3071:
3064:
3056:
3054:
3046:
3045:
3043:
3042:
3035:
3028:
3021:
3014:
3007:
3000:
2988:
2980:
2978:
2970:
2969:
2967:
2966:
2959:
2951:
2949:
2941:
2940:
2938:
2937:
2930:
2927:The Last Trane
2923:
2916:
2909:
2902:
2895:
2888:
2881:
2874:
2867:
2860:
2853:Tommy Flanagan
2844:
2837:
2830:
2823:
2816:
2809:
2802:
2799:Tenor Conclave
2795:
2782:
2780:
2772:
2771:
2766:
2763:
2762:
2757:
2755:
2754:
2747:
2740:
2732:
2724:
2723:
2687:
2661:
2643:
2613:
2590:
2563:
2537:
2525:All About Jazz
2511:
2493:
2475:
2470:Serpent's Tail
2453:
2438:
2419:
2410:Nisenson, Eric
2398:
2375:
2369:978-0195313734
2368:
2341:
2334:
2316:
2304:
2297:
2268:
2250:
2229:
2222:A Love Supreme
2207:
2189:
2174:
2159:
2144:
2129:
2109:
2094:
2079:
2064:
2059:Serpent's Tail
2042:
2027:
2012:
2009:. p. 142.
2007:Serpent's Tail
1990:
1965:
1943:
1913:
1895:
1869:
1843:
1815:
1800:
1782:
1756:
1731:
1705:
1684:
1658:
1646:All About Jazz
1632:
1606:
1598:A Love Supreme
1590:
1569:
1542:
1527:
1512:
1497:
1479:
1461:
1440:
1415:
1397:
1366:
1340:
1339:
1337:
1334:
1333:
1332:
1323:
1320:Jimmy Garrison
1317:
1308:
1299:
1293:
1287:
1278:
1272:
1270:alto saxophone
1263:
1257:
1246:
1243:
1239:
1238:
1234:
1233:
1230:
1224:
1221:
1218:
1215:
1212:
1209:
1206:
1203:
1200:
1197:
1194:
1191:
1188:
1185:
1182:
1179:
1176:
1172:
1171:
1166:
1165:
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1161:
1148:
1142:
1139:
1133:
1130:
1124:
1121:
1115:
1112:
1106:
1103:
1097:
1094:
1088:
1085:
1079:
1075:
1074:
1066:
1035:
1032:
947:
944:
921:All About Jazz
835:George Russell
831:A Love Supreme
812:
811:
782:
774:
773:
744:
736:
735:
710:
702:
701:
672:
664:
663:
634:
628:
627:
624:
620:
619:
609:
606:
538:Structurally,
470:
467:
425:
422:
363:Four for Trane
353:. Saxophonist
323:A Love Supreme
313:Four for Trane
268:
265:
261:A Love Supreme
249:A Love Supreme
224:A Love Supreme
214:
211:
183:
182:
179:
178:
169:
160:
146:
145:
138:
137:
132:
126:
125:
120:
114:
113:
97:
93:
92:
83:
77:
76:
66:
62:
61:
58:
54:
53:
50:
46:
45:
40:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
6638:
6627:
6624:
6622:
6619:
6617:
6614:
6612:
6609:
6607:
6604:
6602:
6599:
6597:
6594:
6592:
6589:
6588:
6586:
6573:
6568:
6561:
6557:
6556:
6552:
6549:
6545:
6544:
6540:
6537:
6533:
6532:
6528:
6525:
6524:
6519:
6518:
6514:
6511:
6510:John Coltrane
6507:
6506:
6502:
6501:
6499:
6493:
6486:
6485:
6481:
6478:
6474:
6473:
6469:
6466:
6465:
6461:
6458:
6457:
6453:
6450:
6449:
6445:
6444:
6442:
6440:
6432:
6425:
6424:
6418:
6415:
6414:
6410:
6407:
6406:
6402:
6399:
6398:
6394:
6393:
6391:
6389:
6381:
6374:
6373:
6369:
6366:
6362:
6361:Richard Davis
6358:
6357:
6356:Body and Soul
6353:
6350:
6349:
6345:
6342:
6341:
6337:
6334:
6333:Horace Parlan
6330:
6329:
6325:
6322:
6321:
6317:
6314:
6313:
6309:
6306:
6305:
6301:
6298:
6297:
6293:
6290:
6286:
6285:
6281:
6278:
6277:
6273:
6270:
6266:
6265:
6261:
6258:
6257:
6253:
6250:
6246:
6245:
6241:
6238:
6237:
6233:
6230:
6229:Horace Parlan
6226:
6225:
6221:
6218:
6217:
6213:
6210:
6206:
6205:
6201:
6198:
6197:
6193:
6190:
6189:
6185:
6182:
6181:
6177:
6174:
6173:
6169:
6166:
6165:
6161:
6158:
6154:
6153:
6152:Body and Soul
6149:
6146:
6145:
6141:
6138:
6137:
6133:
6130:
6129:
6125:
6122:
6121:
6117:
6114:
6113:
6109:
6106:
6105:
6101:
6098:
6097:
6093:
6090:
6089:
6085:
6082:
6081:
6077:
6074:
6073:
6069:
6066:
6065:
6061:
6058:
6057:
6053:
6050:
6049:
6045:
6042:
6041:
6037:
6034:
6033:
6029:
6026:
6025:
6024:The Way Ahead
6021:
6018:
6017:
6013:
6010:
6009:
6005:
6002:
6001:
5997:
5994:
5993:
5989:
5986:
5985:
5981:
5978:
5977:John Coltrane
5974:
5973:
5969:
5966:
5965:
5964:On This Night
5961:
5958:
5957:
5953:
5950:
5949:
5945:
5942:
5938:
5937:
5933:
5930:
5929:
5925:
5924:
5922:
5918:
5914:
5907:
5903:
5896:
5891:
5889:
5884:
5882:
5877:
5876:
5873:
5860:
5859:
5855:
5852:
5851:
5847:
5844:
5843:
5839:
5836:
5835:
5831:
5828:
5827:
5823:
5820:
5819:
5815:
5812:
5811:
5807:
5804:
5803:
5799:
5796:
5795:
5791:
5788:
5787:
5783:
5780:
5779:
5775:
5772:
5771:
5767:
5764:
5763:
5759:
5756:
5755:
5751:
5748:
5747:
5743:
5740:
5739:
5735:
5732:
5731:
5727:
5724:
5723:
5719:
5716:
5715:
5711:
5708:
5707:
5703:
5700:
5699:
5695:
5692:
5691:
5687:
5684:
5683:
5679:
5676:
5675:
5671:
5668:
5667:
5663:
5662:
5660:
5656:
5652:
5645:
5640:
5638:
5633:
5631:
5626:
5625:
5622:
5609:
5608:
5604:
5601:
5597:
5596:
5592:
5589:
5585:
5584:
5580:
5577:
5576:
5572:
5569:
5565:
5564:
5560:
5557:
5553:
5552:
5548:
5545:
5541:
5540:
5536:
5533:
5532:Lalo Schifrin
5529:
5528:
5524:
5521:
5517:
5516:
5512:
5509:
5508:Sonny Rollins
5505:
5504:
5500:
5497:
5493:
5492:
5488:
5485:
5481:
5480:
5476:
5473:
5472:
5468:
5465:
5461:
5460:
5456:
5453:
5452:Oliver Nelson
5449:
5448:
5444:
5441:
5437:
5436:
5432:
5429:
5425:
5424:
5423:Fingerpickin'
5420:
5417:
5413:
5412:
5408:
5405:
5404:Jackie McLean
5401:
5400:
5396:
5393:
5389:
5388:
5384:
5381:
5377:
5376:
5372:
5369:
5365:
5364:
5360:
5357:
5353:
5352:
5348:
5345:
5341:
5340:
5336:
5333:
5329:
5328:
5324:
5321:
5317:
5316:
5312:
5309:
5308:
5304:
5301:
5297:
5296:
5292:
5289:
5288:
5284:
5281:
5277:
5276:
5272:
5269:
5268:Joe Henderson
5265:
5264:
5260:
5257:
5256:
5255:Triple Threat
5252:
5249:
5245:
5244:
5240:
5237:
5236:
5232:
5229:
5228:Slide Hampton
5225:
5224:
5220:
5217:
5216:
5212:
5209:
5208:
5204:
5201:
5197:
5196:
5192:
5189:
5188:
5184:
5181:
5180:
5179:Soul Trombone
5176:
5173:
5172:Curtis Fuller
5169:
5168:
5164:
5161:
5157:
5156:
5152:
5149:
5145:
5144:
5140:
5137:
5133:
5132:
5128:
5125:
5121:
5120:
5116:
5113:
5109:
5108:
5104:
5101:
5100:
5099:Out to Lunch!
5096:
5093:
5089:
5088:
5087:Outward Bound
5084:
5081:
5080:
5076:
5073:
5072:
5068:
5065:
5064:
5060:
5057:
5056:John Coltrane
5053:
5052:
5048:
5045:
5041:
5040:
5036:
5033:
5029:
5028:
5024:
5021:
5020:George Cables
5017:
5016:
5012:
5009:
5008:Kenny Burrell
5005:
5004:
5000:
4997:
4993:
4992:
4988:
4985:
4984:Walter Benton
4981:
4980:
4976:
4973:
4972:George Benson
4969:
4968:
4964:
4961:
4957:
4956:
4952:
4951:
4949:
4943:
4936:
4935:
4931:
4928:
4927:
4923:
4920:
4919:
4918:Speak No Evil
4915:
4912:
4911:
4907:
4906:
4904:
4902:
4894:
4887:
4886:
4882:
4879:
4878:
4874:
4871:
4870:
4866:
4863:
4862:
4858:
4855:
4854:
4850:
4847:
4846:
4845:I Dig Dancers
4842:
4841:
4839:
4837:
4829:
4822:
4821:
4817:
4814:
4813:
4809:
4806:
4805:
4801:
4798:
4797:
4793:
4792:
4790:
4788:
4780:
4773:
4772:
4768:
4765:
4764:
4760:
4757:
4756:
4752:
4749:
4748:
4744:
4741:
4740:
4736:
4733:
4732:
4728:
4725:
4724:
4723:Maiden Voyage
4720:
4717:
4716:
4712:
4709:
4708:
4704:
4703:
4701:
4699:
4691:
4684:
4683:
4679:
4676:
4675:
4671:
4668:
4667:
4663:
4660:
4659:
4655:
4654:
4652:
4650:
4642:
4635:
4634:
4630:
4627:
4626:
4622:
4619:
4618:
4614:
4611:
4610:
4606:
4603:
4602:
4598:
4595:
4594:
4590:
4587:
4586:
4582:
4579:
4578:
4574:
4571:
4570:
4566:
4563:
4562:
4558:
4557:
4555:
4553:
4545:
4538:
4531:
4530:
4526:
4523:
4522:
4518:
4515:
4514:
4510:
4507:
4506:
4502:
4499:
4498:
4494:
4491:
4490:
4486:
4483:
4482:
4478:
4475:
4474:
4470:
4467:
4466:
4462:
4459:
4455:
4454:
4453:Feel the Wind
4450:
4447:
4446:
4442:
4439:
4438:
4434:
4431:
4427:
4426:
4422:
4419:
4418:
4414:
4411:
4410:
4406:
4403:
4402:
4398:
4395:
4394:
4390:
4387:
4386:
4382:
4379:
4378:
4374:
4371:
4370:
4366:
4363:
4362:
4358:
4355:
4354:
4350:
4347:
4346:
4342:
4339:
4338:
4334:
4331:
4330:
4326:
4323:
4319:
4315:
4311:
4310:
4306:
4303:
4302:
4298:
4295:
4294:
4290:
4287:
4286:
4282:
4279:
4278:
4274:
4271:
4270:
4269:Bundle of Joy
4266:
4263:
4262:
4258:
4255:
4254:
4250:
4247:
4246:
4242:
4239:
4238:
4234:
4231:
4227:
4226:
4222:
4219:
4218:
4214:
4211:
4210:
4206:
4203:
4202:
4198:
4195:
4194:
4190:
4187:
4186:
4182:
4179:
4175:
4174:
4170:
4167:
4166:
4165:Straight Life
4162:
4159:
4158:
4154:
4151:
4150:
4146:
4143:
4142:
4138:
4135:
4134:
4130:
4127:
4126:
4122:
4119:
4118:
4114:
4111:
4110:
4106:
4103:
4102:
4098:
4095:
4091:
4090:
4086:
4083:
4082:
4078:
4075:
4074:
4070:
4067:
4066:
4062:
4059:
4058:
4054:
4051:
4050:
4046:
4043:
4042:
4038:
4035:
4031:
4030:
4025:
4024:
4020:
4017:
4016:
4012:
4009:
4008:
4004:
4001:
4000:
3996:
3995:
3993:
3981:
3977:
3972:
3968:
3961:
3956:
3954:
3949:
3947:
3942:
3941:
3938:
3926:
3925:
3921:
3919:
3916:
3914:
3911:
3909:
3906:
3904:
3901:
3899:
3896:
3893:
3892:Ravi Coltrane
3890:
3887:
3884:
3882:
3879:
3877:
3874:
3872:
3869:
3868:
3866:
3862:
3856:
3855:
3851:
3849:
3848:
3844:
3842:
3841:
3837:
3836:
3834:
3832:Documentaries
3830:
3823:
3819:
3816:
3812:
3809:
3805:
3802:
3798:
3795:
3791:
3788:
3784:
3781:
3777:
3774:
3770:
3767:
3763:
3760:
3756:
3753:
3749:
3746:
3742:
3739:
3735:
3734:
3732:
3728:
3722:
3721:
3720:Trane's Modes
3717:
3715:
3714:
3713:Trane's Blues
3710:
3708:
3707:
3703:
3701:
3700:
3696:
3694:
3693:
3689:
3687:
3686:
3682:
3680:
3679:
3675:
3673:
3672:
3668:
3666:
3665:
3661:
3659:
3658:
3654:
3652:
3651:
3647:
3645:
3644:
3640:
3638:
3637:
3633:
3631:
3630:
3626:
3624:
3623:
3619:
3617:
3616:
3612:
3610:
3609:
3605:
3603:
3602:
3598:
3596:
3595:
3591:
3589:
3588:
3584:
3582:
3581:
3577:
3576:
3574:
3570:
3564:
3563:
3559:
3557:
3556:
3552:
3550:
3549:
3545:
3543:
3542:
3538:
3536:
3535:
3531:
3529:
3528:
3524:
3522:
3521:
3517:
3515:
3514:
3510:
3508:
3507:
3503:
3501:
3500:
3496:
3494:
3493:
3489:
3487:
3486:
3482:
3480:
3479:
3478:Live in Japan
3475:
3473:
3472:
3468:
3466:
3465:
3461:
3459:
3458:
3454:
3452:
3451:
3447:
3445:
3444:
3440:
3439:
3437:
3433:
3427:
3426:
3422:
3420:
3419:
3415:
3413:
3412:
3408:
3406:
3405:
3401:
3399:
3398:
3394:
3393:
3391:
3389:
3383:
3377:
3376:
3372:
3370:
3369:
3365:
3363:
3362:
3358:
3356:
3355:
3351:
3349:
3348:
3344:
3342:
3341:
3337:
3335:
3334:
3330:
3328:
3327:
3323:
3321:
3320:
3316:
3314:
3313:
3309:
3307:
3306:
3302:
3300:
3299:
3295:
3293:
3292:
3288:
3286:
3285:
3281:
3279:
3278:
3274:
3272:
3271:
3267:
3265:
3264:
3260:
3259:
3257:
3255:
3249:
3243:
3242:
3238:
3236:
3235:
3231:
3229:
3228:
3224:
3222:
3221:
3217:
3215:
3214:
3210:
3208:
3207:
3203:
3201:
3200:
3196:
3194:
3193:
3189:
3187:
3186:
3182:
3180:
3179:
3175:
3173:
3172:
3168:
3165:
3161:
3160:
3156:
3154:
3153:
3149:
3147:
3146:
3142:
3140:
3139:
3135:
3133:
3132:
3128:
3126:
3125:
3121:
3119:
3118:
3114:
3112:
3111:
3107:
3105:
3104:
3100:
3098:
3097:
3093:
3091:
3090:
3086:
3084:
3083:
3079:
3077:
3076:
3072:
3070:
3069:
3065:
3063:
3062:
3058:
3057:
3055:
3051:
3047:
3041:
3040:
3036:
3034:
3033:
3029:
3027:
3026:
3022:
3020:
3019:
3015:
3013:
3012:
3008:
3006:
3005:
3004:Coltrane Jazz
3001:
2998:
2994:
2993:
2989:
2987:
2986:
2982:
2981:
2979:
2975:
2971:
2965:
2964:
2963:Coltrane Time
2960:
2958:
2957:
2953:
2952:
2950:
2946:
2942:
2936:
2935:
2931:
2929:
2928:
2924:
2922:
2921:
2917:
2915:
2914:
2910:
2908:
2907:
2903:
2901:
2900:
2896:
2894:
2893:
2889:
2887:
2886:
2882:
2880:
2879:
2875:
2873:
2872:
2868:
2866:
2865:
2861:
2858:
2857:Kenny Burrell
2854:
2850:
2849:
2845:
2843:
2842:
2838:
2836:
2835:
2831:
2829:
2828:
2824:
2822:
2821:
2817:
2815:
2814:
2810:
2808:
2807:
2803:
2801:
2800:
2796:
2793:
2789:
2788:
2784:
2783:
2781:
2777:
2773:
2769:
2764:
2760:
2759:John Coltrane
2753:
2748:
2746:
2741:
2739:
2734:
2733:
2730:
2719:
2713:
2705:
2701:
2700:John Coltrane
2697:
2691:
2688:
2675:
2671:
2665:
2662:
2657:
2653:
2647:
2644:
2632:
2628:
2626:
2617:
2614:
2609:
2605:
2601:
2594:
2591:
2580:
2579:
2574:
2567:
2564:
2552:
2548:
2541:
2538:
2526:
2522:
2515:
2512:
2507:
2503:
2502:Giddins, Gary
2497:
2494:
2489:
2485:
2479:
2476:
2472:. p. 48.
2471:
2467:
2463:
2457:
2454:
2450:. p. 25.
2449:
2442:
2439:
2434:
2430:
2423:
2420:
2415:
2411:
2405:
2403:
2399:
2394:
2390:
2384:
2382:
2380:
2376:
2371:
2365:
2361:
2357:
2356:
2351:
2350:Larkin, Colin
2345:
2342:
2337:
2335:0-394-72643-X
2331:
2327:
2320:
2317:
2313:
2308:
2305:
2300:
2294:
2290:
2286:
2282:
2281:Morton, Brian
2278:
2277:Cook, Richard
2272:
2269:
2264:
2260:
2254:
2251:
2246:
2242:
2236:
2234:
2230:
2225:
2221:
2214:
2212:
2208:
2203:
2196:
2194:
2190:
2185:
2178:
2175:
2170:
2163:
2160:
2155:
2148:
2145:
2140:
2133:
2130:
2125:
2118:
2116:
2114:
2110:
2105:
2098:
2095:
2090:
2083:
2080:
2075:
2068:
2065:
2061:. p. 47.
2060:
2056:
2052:
2046:
2043:
2038:
2031:
2028:
2023:
2016:
2013:
2008:
2004:
2000:
1994:
1991:
1986:
1982:
1976:
1974:
1972:
1970:
1966:
1961:
1960:Penguin Books
1957:
1950:
1948:
1944:
1939:
1932:
1930:
1928:
1926:
1924:
1922:
1920:
1918:
1914:
1909:
1905:
1904:Porter, Lewis
1899:
1896:
1884:
1880:
1873:
1870:
1858:
1854:
1847:
1844:
1832:
1831:
1826:
1819:
1816:
1811:
1804:
1801:
1796:
1792:
1791:Giddins, Gary
1786:
1783:
1771:
1770:NewYorker.com
1767:
1760:
1757:
1745:
1741:
1735:
1732:
1720:
1716:
1709:
1706:
1701:
1697:
1691:
1689:
1685:
1673:
1669:
1662:
1659:
1647:
1643:
1636:
1633:
1621:
1617:
1610:
1607:
1603:
1599:
1594:
1591:
1586:
1582:
1581:Giddins, Gary
1576:
1574:
1570:
1565:
1561:
1555:
1553:
1551:
1549:
1547:
1543:
1538:
1531:
1528:
1523:
1516:
1513:
1508:
1501:
1498:
1493:
1489:
1483:
1480:
1475:
1471:
1465:
1462:
1457:
1453:
1452:Porter, Lewis
1447:
1445:
1441:
1429:
1425:
1419:
1416:
1411:
1407:
1406:Porter, Lewis
1401:
1398:
1386:
1382:
1375:
1373:
1371:
1367:
1362:
1358:
1354:
1353:
1345:
1342:
1335:
1331:
1327:
1324:
1321:
1318:
1316:
1312:
1309:
1307:
1303:
1300:
1297:
1294:
1291:
1288:
1286:
1282:
1281:John Coltrane
1279:
1276:
1273:
1271:
1267:
1264:
1261:
1260:Dewey Johnson
1258:
1256:
1252:
1249:
1248:
1244:
1237:
1231:
1228:
1225:
1222:
1219:
1216:
1213:
1210:
1207:
1204:
1201:
1198:
1195:
1192:
1189:
1186:
1183:
1180:
1177:
1174:
1173:
1169:
1168:
1167:
1162:
1160:(33:26–35:50)
1159:
1156:
1152:
1149:
1146:
1143:
1140:
1137:
1134:
1131:
1128:
1125:
1122:
1119:
1116:
1113:
1110:
1107:
1104:
1101:
1098:
1095:
1092:
1089:
1086:
1083:
1080:
1077:
1076:
1072:
1071:
1070:
1069:
1065:
1063:
1059:
1054:
1052:
1047:
1045:
1041:
1033:
1031:
1029:
1025:
1020:
1018:
1014:
1010:
1006:
1005:
1000:
996:
992:
988:
984:
982:
977:
973:
972:
971:The Ascension
967:
963:
962:
957:
953:
945:
943:
940:
936:
932:
927:
923:
922:
916:
914:
909:
904:
900:
895:
892:
888:
884:
880:
879:Leroy Jenkins
876:
872:
867:
865:
861:
857:
852:
847:
844:
843:Eric Nisenson
840:
836:
832:
828:
824:
819:
783:
781:
780:
776:
775:
745:
743:
742:
738:
737:
711:
709:
708:
704:
703:
673:
671:
670:
666:
665:
635:
633:
630:
629:
621:
618:Review scores
616:
607:
605:
602:
597:
592:
588:
586:
582:
578:
573:
569:
565:
561:
557:
541:
536:
534:
530:
526:
522:
518:
514:
510:
506:
502:
498:
494:
491:, which—like
490:
489:
484:
480:
476:
468:
466:
464:
463:
462:Live in Paris
458:
454:
445:
441:
437:
435:
431:
423:
421:
419:
415:
411:
406:
404:
400:
399:Billy Higgins
396:
392:
388:
384:
380:
376:
372:
371:Dewey Johnson
368:
364:
360:
356:
352:
351:
346:
342:
337:
335:
334:
329:
325:
324:
319:
315:
314:
309:
305:
301:
300:
295:
294:
289:
288:
283:
279:
275:
266:
264:
262:
258:
254:
250:
246:
242:
238:
237:
232:
231:
226:
225:
220:
212:
210:
208:
204:
199:
198:John Coltrane
195:
191:
190:
175:
174:
170:
166:
165:
161:
157:
156:
152:
151:
147:
143:
142:John Coltrane
139:
136:
133:
131:
127:
124:
121:
119:
115:
98:
94:
91:
87:
84:
82:
78:
74:
70:
67:
63:
60:June 28, 1965
59:
55:
52:February 1966
51:
47:
43:
42:John Coltrane
38:
34:
30:
25:
20:
6553:
6541:
6536:Dave Burrell
6529:
6521:
6516:
6515:
6503:
6482:
6475:(originally
6470:
6462:
6454:
6446:
6419:
6411:
6405:Consequences
6403:
6395:
6386:Contemporary
6372:Blue Ballads
6370:
6354:
6346:
6338:
6326:
6318:
6310:
6302:
6294:
6282:
6274:
6262:
6254:
6249:Dollar Brand
6242:
6234:
6222:
6214:
6202:
6194:
6188:Montreux Two
6186:
6180:Montreux One
6178:
6170:
6162:
6150:
6142:
6134:
6126:
6120:Attica Blues
6118:
6110:
6102:
6094:
6086:
6078:
6070:
6062:
6054:
6046:
6038:
6030:
6022:
6014:
6006:
5998:
5990:
5982:
5970:
5962:
5954:
5946:
5934:
5926:
5910:
5902:Archie Shepp
5856:
5848:
5840:
5832:
5824:
5816:
5808:
5800:
5792:
5784:
5776:
5768:
5760:
5752:
5744:
5736:
5728:
5720:
5712:
5704:
5696:
5688:
5680:
5672:
5664:
5605:
5600:Randy Weston
5595:Uhuru Afrika
5593:
5588:Cedar Walton
5581:
5573:
5561:
5549:
5537:
5525:
5513:
5501:
5489:
5477:
5469:
5464:Duke Pearson
5457:
5445:
5433:
5421:
5409:
5397:
5385:
5373:
5361:
5349:
5344:J.J. Johnson
5337:
5325:
5313:
5305:
5300:Milt Jackson
5293:
5285:
5273:
5261:
5253:
5241:
5233:
5221:
5213:
5205:
5200:Benny Golson
5193:
5185:
5177:
5165:
5153:
5141:
5136:Booker Ervin
5129:
5117:
5107:Undercurrent
5105:
5097:
5085:
5077:
5070:
5069:
5063:Africa/Brass
5061:
5051:Olé Coltrane
5049:
5037:
5032:Betty Carter
5025:
5013:
5001:
4989:
4977:
4965:
4953:
4932:
4924:
4916:
4908:
4883:
4875:
4867:
4859:
4851:
4843:
4818:
4810:
4802:
4794:
4769:
4761:
4753:
4745:
4737:
4729:
4721:
4713:
4705:
4680:
4672:
4664:
4656:
4631:
4623:
4617:Free for All
4615:
4607:
4599:
4591:
4583:
4575:
4567:
4559:
4527:
4519:
4511:
4503:
4495:
4487:
4479:
4471:
4463:
4451:
4443:
4435:
4423:
4417:Sweet Return
4415:
4407:
4399:
4393:Face to Face
4391:
4383:
4375:
4367:
4359:
4351:
4343:
4335:
4327:
4307:
4299:
4291:
4283:
4275:
4267:
4259:
4251:
4243:
4235:
4223:
4215:
4207:
4199:
4191:
4183:
4171:
4163:
4155:
4147:
4139:
4131:
4123:
4115:
4109:Blue Spirits
4107:
4099:
4087:
4079:
4071:
4065:Here to Stay
4063:
4055:
4047:
4039:
4034:Duke Pearson
4027:
4023:Minor Mishap
4021:
4013:
4005:
3997:
3975:
3922:
3852:
3845:
3838:
3730:Compositions
3718:
3711:
3704:
3699:Living Space
3697:
3690:
3683:
3676:
3669:
3662:
3655:
3648:
3643:Feelin' Good
3641:
3634:
3627:
3620:
3613:
3606:
3599:
3592:
3585:
3578:
3572:Compilations
3560:
3553:
3546:
3539:
3532:
3525:
3518:
3511:
3504:
3497:
3490:
3483:
3476:
3469:
3462:
3455:
3448:
3441:
3423:
3416:
3411:Monk's Music
3409:
3402:
3395:
3373:
3366:
3359:
3352:
3345:
3338:
3331:
3324:
3317:
3310:
3305:Kind of Blue
3303:
3296:
3289:
3282:
3275:
3268:
3261:
3239:
3232:
3225:
3218:
3211:
3204:
3197:
3190:
3183:
3176:
3169:
3159:Cosmic Music
3157:
3150:
3143:
3138:Kulu Sé Mama
3136:
3129:
3123:
3122:
3115:
3108:
3101:
3094:
3087:
3080:
3073:
3066:
3061:Africa/Brass
3059:
3037:
3030:
3023:
3018:Olé Coltrane
3016:
3009:
3002:
2997:Milt Jackson
2990:
2983:
2961:
2954:
2932:
2925:
2918:
2913:Black Pearls
2911:
2906:The Believer
2904:
2897:
2890:
2883:
2876:
2869:
2862:
2846:
2839:
2832:
2825:
2818:
2811:
2804:
2797:
2792:Tadd Dameron
2785:
2695:
2690:
2678:. Retrieved
2664:
2655:
2652:Ratliff, Ben
2646:
2636:November 12,
2634:. Retrieved
2630:
2624:
2616:
2607:
2603:
2599:
2593:
2582:. Retrieved
2576:
2566:
2556:November 12,
2554:. Retrieved
2550:
2540:
2530:November 12,
2528:. Retrieved
2524:
2514:
2505:
2496:
2487:
2484:Ratliff, Ben
2478:
2465:
2456:
2447:
2441:
2435:(1484): 880.
2432:
2428:
2422:
2413:
2392:
2389:Kahn, Ashley
2354:
2344:
2325:
2319:
2307:
2284:
2271:
2262:
2259:Ratliff, Ben
2253:
2244:
2241:Ratliff, Ben
2223:
2219:
2201:
2183:
2177:
2168:
2162:
2153:
2147:
2138:
2132:
2123:
2103:
2097:
2088:
2082:
2073:
2067:
2054:
2045:
2036:
2030:
2021:
2015:
2002:
1993:
1984:
1981:Ratliff, Ben
1955:
1937:
1907:
1898:
1886:. Retrieved
1882:
1872:
1860:. Retrieved
1856:
1846:
1834:. Retrieved
1828:
1818:
1809:
1803:
1794:
1785:
1773:. Retrieved
1769:
1759:
1747:. Retrieved
1743:
1734:
1722:. Retrieved
1718:
1708:
1699:
1696:Jones, Leroi
1675:. Retrieved
1671:
1661:
1649:. Retrieved
1645:
1635:
1623:. Retrieved
1620:AllMusic.com
1619:
1609:
1597:
1593:
1584:
1563:
1560:Kahn, Ashley
1536:
1530:
1521:
1515:
1506:
1500:
1491:
1488:Ratliff, Ben
1482:
1473:
1470:Ratliff, Ben
1464:
1455:
1433:November 12,
1431:. Retrieved
1427:
1418:
1409:
1400:
1390:November 12,
1388:. Retrieved
1384:
1350:
1344:
1296:Archie Shepp
1275:John Tchicai
1266:Marion Brown
1235:
1055:
1050:
1048:
1043:
1039:
1037:
1027:
1021:
1016:
1008:
1002:
998:
994:
979:
969:
966:Glenn Branca
959:
951:
949:
938:
934:
930:
925:
919:
918:Writing for
917:
907:
902:
899:Gary Giddins
896:
890:
886:
882:
874:
871:Frank Foster
868:
863:
849:A review by
848:
838:
830:
826:
823:Dave Liebman
817:
816:Reaction to
815:
777:
739:
705:
667:
600:
595:
593:
589:
584:
580:
571:
567:
563:
559:
555:
539:
537:
533:John Gilmore
524:
521:Cecil Taylor
512:
508:
504:
500:
492:
486:
474:
472:
460:
457:Salle Pleyel
452:
446:
442:
438:
427:
418:Frank Wright
413:
407:
403:Village Gate
377:Saxophonist
374:
369:. Trumpeter
362:
355:John Tchicai
348:
341:Marion Brown
338:
331:
327:
321:
311:
304:Archie Shepp
297:
293:Olé Coltrane
291:
287:Africa/Brass
285:
280:and bassist
273:
270:
260:
256:
253:Albert Ayler
248:
245:Lester Young
234:
228:
222:
218:
216:
188:
187:
186:
171:
163:
162:
153:
108:(Edition II)
37:Studio album
6591:1966 albums
6572:Discography
6560:Frank Zappa
6328:Duo Reunion
6064:Pitchin Can
6040:Black Gipsy
5941:Lars Gullin
5722:Black Unity
5583:Soundscapes
5568:McCoy Tyner
5544:Don Sebesky
5440:Hank Mobley
5380:Jeff Lorber
5315:52nd Street
5280:Andrew Hill
5248:Jimmy Heath
5160:Joe Farrell
5092:Eric Dolphy
4996:Tina Brooks
4960:Manny Albam
4885:Gula Matari
4820:Highway One
4812:Knucklebean
4633:Soul Finger
4577:Blues March
4437:Life Flight
4425:Double Take
4314:Clark Terry
4253:Liquid Love
4237:High Energy
4185:First Light
4094:Jimmy Heath
4029:Dedication!
3999:Open Sesame
3787:Impressions
3780:Giant Steps
3520:Newport '63
3435:Live albums
3347:Basic Miles
3131:Meditations
3089:Impressions
2985:Giant Steps
2787:Mating Call
2768:Discography
2578:The Quietus
2462:Wilmer, Val
2051:Wilmer, Val
1999:Wilmer, Val
1700:Black Music
1428:Grammys.com
1326:Elvin Jones
1302:McCoy Tyner
1062:Elvin Jones
981:L'ascension
961:Machine Gun
577:Ben Ratliff
410:Rashied Ali
395:Wilbur Ware
6585:Categories
6562:, 1982–84)
6224:Goin' Home
6209:Karin Krog
6096:Coral Rock
6008:For Losers
5956:Fire Music
5842:Moon Child
5607:Blue Moses
5484:Sam Rivers
5375:Water Sign
5370:, 1960–62)
5368:John Lewis
5356:Chaka Khan
5332:Elton John
5320:Billy Joel
5287:Compulsion
5235:Drum Suite
5155:Sonic Text
5148:Bill Evans
5112:Kenny Drew
4861:Golden Boy
4804:Components
4787:Hutcherson
4707:Takin' Off
4674:Generation
4625:Golden Boy
4552:Messengers
4521:New Colors
4458:Art Blakey
4430:Woody Shaw
4277:Super Blue
4261:Windjammer
3752:Blue Train
3650:Gold Coast
3368:1958 Miles
3312:Jazz Track
3291:Milestones
3241:Blue World
3178:Transition
3145:Expression
2956:Blue Train
2934:Two Tenors
2680:August 19,
2584:2021-04-12
2551:Jazz Views
2395:. Penguin.
1336:References
1217:(Ensemble)
1211:(Ensemble)
1205:(Ensemble)
1199:(Ensemble)
1193:(Ensemble)
1187:(Ensemble)
1181:(Ensemble)
1141:(Ensemble)
1132:(Ensemble)
1123:(Ensemble)
1114:(Ensemble)
1105:(Ensemble)
1096:(Ensemble)
1087:(Ensemble)
529:Val Wilmer
414:Ascension,
391:John Hicks
375:Ascension.
318:Bob Thiele
276:Trumpeter
274:Ascension.
213:Background
144:chronology
135:Bob Thiele
69:Van Gelder
6517:Ascension
6348:Lover Man
6296:Soul Song
6284:Mama Rose
6256:Lady Bird
6067:(1969–70)
6019:(1968–69)
6011:(1968–69)
5762:Elevation
5757:(1972–73)
5741:(1971–73)
5717:(1970–71)
5539:Giant Box
5496:Max Roach
5435:Roll Call
5339:J.J. Inc.
5295:Sunflower
5243:The Quota
5143:Interplay
5071:Ascension
5039:Free Jazz
4991:True Blue
4872:(1964–65)
4666:Clubhouse
4516:(1994–95)
4484:(1990–91)
4196:(1971–73)
4136:(1968–69)
4112:(1965–66)
4057:Hub-Tones
4032:(Hubbard/
3991:co-leader
3794:Lazy Bird
3766:Countdown
3664:High Step
3124:Ascension
2945:Blue Note
2864:Lush Life
2834:Soultrane
2813:Interplay
2696:Ascension
2625:Ascension
2600:Ascension
2184:Free Jazz
2169:Free Jazz
2139:Free Jazz
2124:Free Jazz
2104:Free Jazz
2074:Free Jazz
1361:0006-2510
1352:Billboard
1311:Art Davis
1262:– trumpet
1245:Personnel
1028:Ascension
1024:Minutemen
1017:Ascension
995:Ascension
952:Ascension
939:Ascension
935:Ascension
931:Ascension
926:Ascension
908:Ascension
903:Ascension
883:Ascension
875:Ascension
864:Ascension
839:Ascension
827:Ascension
818:Ascension
601:Ascension
596:Ascension
581:Ascension
572:Free Jazz
568:Ascension
564:Free Jazz
556:Ascension
540:Ascension
525:Ascension
513:Ascension
509:Free Jazz
505:Free Jazz
501:Ascension
493:Ascension
475:Ascension
453:Ascension
401:, at the
367:Half Note
328:Ascension
282:Art Davis
257:Ascension
219:Ascension
203:free jazz
196:album by
189:Ascension
164:Ascension
86:Free jazz
22:Ascension
6548:Material
6543:One Down
6384:New York
6340:Splashes
6172:Mariamar
6104:Doodlin'
5858:Promises
5563:Together
5479:Contours
5399:Bluesnik
5263:Big Band
4796:Dialogue
4739:V.S.O.P.
4201:Sky Dive
4193:Polar AC
4157:Red Clay
4117:Backlash
4007:Goin' Up
3808:Mr. P.C.
3326:Steamin'
3284:Relaxin'
3192:Infinity
3185:Sun Ship
3103:Crescent
3068:Coltrane
3050:Impulse!
2974:Atlantic
2892:Stardust
2848:The Cats
2806:Coltrane
2776:Prestige
2654:(2007).
2504:(1998).
2486:(2007).
2464:(2018).
2448:DownBeat
2412:(1995).
2391:(2006).
2352:(2007).
2283:(2008).
2261:(2007).
2243:(2007).
2053:(2018).
2001:(2018).
1983:(2007).
1906:(1999).
1793:(1998).
1719:The Wire
1698:(1968).
1583:(1998).
1562:(2006).
1490:(2007).
1472:(2007).
1454:(1999).
1408:(1999).
1385:AllMusic
1155:Garrison
1082:Coltrane
1013:RogueArt
913:AllMusic
632:AllMusic
608:Reaction
551:♭
545:♭
497:ensemble
479:big band
345:Impulse!
308:Impulse!
230:DownBeat
207:AllMusic
130:Producer
123:Impulse!
57:Recorded
49:Released
39: by
6550:, 1982)
6538:, 1969)
6512:, 1964)
6479:, 1961)
6367:, 1989)
6335:, 1987)
6291:, 1982)
6271:, 1980)
6251:, 1978)
6231:, 1977)
6211:, 1976)
6159:, 1975)
5979:, 1965)
5943:, 1963)
5802:Shukuru
5794:Rejoice
5770:Pharoah
5602:, 1960)
5590:, 1980)
5570:, 1978)
5558:, 1970)
5546:, 1973)
5534:, 1965)
5522:, 1978)
5515:Numbers
5510:, 1966)
5498:, 1965)
5486:, 1965)
5466:, 1966)
5454:, 1961)
5442:, 1960)
5430:, 1958)
5418:, 1994)
5406:, 1961)
5394:, 1963)
5382:, 1979)
5363:Essence
5358:, 1982)
5346:, 1960)
5334:, 1988)
5322:, 1978)
5307:Goodbye
5302:, 1972)
5282:, 1965)
5270:, 1996)
5250:, 1961)
5230:, 1960)
5202:, 1961)
5174:, 1960)
5162:, 1979)
5150:, 1962)
5138:, 1967)
5126:, 1973)
5114:, 1960)
5094:, 1960)
5058:, 1961)
5046:, 1960)
5034:, 1990)
5022:, 1979)
5010:, 1971)
4998:, 1960)
4986:, 1960)
4974:, 1969)
4962:, 1966)
4901:Shorter
4731:Blow-Up
4698:Hancock
4593:Caravan
4481:Bolivia
4460:, 1988)
4432:, 1985)
4361:Rollin'
4353:Outpost
4324:, 1980)
4232:, 1974)
4180:, 1970)
4096:, 1965)
4036:, 1961)
4015:Hub Cap
3864:Related
3773:Equinox
3745:Alabama
3319:Workin'
3277:Cookin'
3082:Ballads
2704:Impulse
2674:Discogs
2289:Penguin
2220:Beyond
1888:May 21,
1862:May 21,
1836:May 21,
1775:May 21,
1749:May 21,
1677:May 21,
1651:May 21,
1625:May 21,
1255:trumpet
1118:Tchicai
1109:Hubbard
1100:Sanders
1091:Johnson
734:(crown)
585:texture
579:called
447:On July
361:and on
310:album,
177:(1966)
168:(1966)
159:(1965)
6497:others
6487:(1961)
6467:(1961)
6459:(1960)
6451:(1960)
6439:Taylor
6426:(1964)
6416:(1963)
6408:(1963)
6400:(1963)
6375:(1995)
6343:(1987)
6323:(1985)
6315:(1985)
6307:(1984)
6299:(1982)
6259:(1978)
6239:(1977)
6219:(1976)
6204:Hi-Fly
6199:(1975)
6191:(1975)
6183:(1975)
6175:(1975)
6167:(1975)
6147:(1975)
6139:(1975)
6131:(1972)
6123:(1972)
6115:(1971)
6107:(1970)
6099:(1970)
6091:(1970)
6083:(1969)
6075:(1969)
6059:(1969)
6051:(1969)
6043:(1969)
6035:(1969)
6027:(1968)
6016:Kwanza
6003:(1967)
5995:(1966)
5987:(1966)
5967:(1965)
5959:(1965)
5951:(1964)
5931:(1962)
5920:Leader
5861:(2021)
5853:(1990)
5845:(1989)
5837:(1987)
5829:(1987)
5821:(1987)
5818:Africa
5813:(1982)
5805:(1981)
5797:(1981)
5789:(1981)
5781:(1979)
5773:(1976)
5765:(1973)
5749:(1972)
5733:(1972)
5725:(1971)
5714:Thembi
5709:(1970)
5701:(1969)
5693:(1969)
5685:(1969)
5677:(1967)
5674:Tauhid
5669:(1964)
5658:Albums
5218:(1959)
5082:(1969)
4947:others
4937:(1965)
4929:(1965)
4921:(1964)
4913:(1961)
4888:(1970)
4880:(1969)
4864:(1964)
4856:(1962)
4848:(1960)
4834:Quincy
4823:(1978)
4815:(1977)
4807:(1965)
4799:(1965)
4766:(1977)
4758:(1977)
4750:(1977)
4742:(1977)
4726:(1965)
4718:(1964)
4710:(1962)
4696:Herbie
4685:(1986)
4677:(1973)
4669:(1965)
4661:(1961)
4649:Gordon
4647:Dexter
4636:(1965)
4628:(1965)
4620:(1964)
4612:(1964)
4604:(1963)
4601:Ugetsu
4596:(1962)
4588:(1961)
4580:(1961)
4572:(1961)
4564:(1961)
4561:Mosaic
4544:Blakey
4532:(2007)
4524:(2000)
4508:(1992)
4500:(1991)
4492:(1991)
4476:(1989)
4468:(1989)
4456:(with
4440:(1987)
4428:(with
4420:(1983)
4412:(1983)
4404:(1982)
4388:(1982)
4380:(1982)
4372:(1981)
4369:Splash
4364:(1981)
4356:(1981)
4348:(1981)
4340:(1981)
4320:&
4312:(with
4304:(1980)
4296:(1979)
4293:Skagly
4288:(1979)
4280:(1978)
4272:(1977)
4264:(1976)
4256:(1975)
4248:(1975)
4240:(1974)
4228:(with
4220:(1973)
4212:(1973)
4204:(1972)
4188:(1971)
4176:(with
4168:(1970)
4160:(1970)
4152:(1970)
4144:(1969)
4128:(1967)
4120:(1966)
4104:(1965)
4092:(with
4084:(1964)
4076:(1963)
4068:(1962)
4060:(1962)
4052:(1962)
4044:(1961)
4018:(1961)
4010:(1960)
4002:(1960)
3987:leader
3983:Albums
3888:(wife)
3822:Ogunde
3162:(with
3053:albums
2995:(with
2977:albums
2948:albums
2851:(with
2790:(with
2779:albums
2676:. 1967
2366:
2332:
2295:
1724:May 8,
1359:
1322:– bass
1236:
856:Varèse
626:Rating
623:Source
517:Sun Ra
449:
397:, and
383:Sun Ra
96:Length
65:Studio
6437:Cecil
6413:Rufus
6359:(and
6331:(and
6287:(and
6267:(and
6247:(and
6227:(and
6216:Steam
6207:(and
6144:Bijou
6048:Blasé
5939:(and
5690:Karma
5551:Sugar
5520:Rufus
4899:Wayne
4836:Jones
4785:Bobby
4609:Kyoto
4540:With
4245:Gleam
3894:(son)
3815:Naima
2920:Bahia
2899:Dakar
1330:drums
1306:piano
1227:Jones
1151:Davis
1145:Tyner
1136:Brown
1127:Shepp
469:Music
192:is a
118:Label
81:Genre
6531:Echo
6495:With
6434:With
6388:Five
6365:Enja
6244:Duet
6157:Horo
4945:With
4896:With
4831:With
4782:With
4693:With
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4550:Jazz
3738:26-2
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2855:and
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2638:2020
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2364:ISBN
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1777:2020
1751:2020
1726:2020
1679:2020
1653:2020
1627:2020
1435:2020
1392:2020
1357:ISSN
1315:bass
1158:duet
1153:and
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1056:The
887:drug
860:Cage
519:and
290:and
243:and
236:Jazz
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6448:Air
5275:Pax
4548:The
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