Knowledge (XXG)

Asa Nisi Masa

Source 📝

56:) to move from guest to guest attempting to read their minds. When Maurice sees Guido begin to leave, he runs up to him (it turns out they’re old friends). Guido asks Maurice "Can you transmit anything?", and Maurice agrees to try. Maya writes on her blackboard "ASA NISI MASA", which Guido confirms is the phrase he was thinking of. 85:, to create it. In the game the syllables "si" and "sa" are added to existing words to obscure them, which Fellini does with the word "anima": A-sa + Ni-si + Ma-sa. The word "anima" has dual significance in this context; not only is it the Italian word for "soul" but it is also a key concept in the work of the Swiss psychotherapist 67:
Guido is a little boy, being pampered by the women in his life; bathed in wine, then wrapped up in freshly-warmed blankets and carried off to bed. As he and the other children are supposed to be falling asleep, one of them declares that the eyes in a painting on the wall can be made to move by
71:
By tying together Guido's distant past with his present, the viewer is reminded that our adult motivations are never far from our childhood desires. Later in the film, in the so-called "harem sequence," Guido dreams of being bathed and pampered as an adult in exactly the same way.
80:
Although the phrase "Asa Nisi Masa" has no translation in any known language — and Fellini never publicly revealed the meaning of the phrase — it is generally thought that Fellini used an Italian children’s game, similar to
51:
and representing Fellini's alter ego, is attending a party on the grounds of the resort where he's staying. There is a clairvoyant Maya (played by Mary Indovino) who is using her assistant Maurice (played by
269: 310: 124:, as a gateway to crucial memories of the central character — even though it is itself peripheral to the central story. 213: 281: 320: 156: 59:"But what does it mean?" Maurice asks, and the film immediately transitions in a flashback to Guido's childhood. 315: 137: 241: 151: 116: 165: 48: 170: 142: 53: 305: 265: 260: 254: 107: 90: 24: 147: 93:" is the term for the female aspect of the personality in men, a common Fellini theme. 299: 150:
also has a track "Asa Nisi Masa", on their 2005 self-titled album. The American band
111: 47:, at about the 36 minute mark, Guido Anselmi, the fictional film director played by 102: 97: 201: 190: 214:"8½: A Film with Itself as Its Subject | Current | The Criterion Collection" 161: 133: 121: 86: 82: 285: 228: 43: 29: 23:" is a well-known nonsense phrase used during a key scene in 136:
was named after this phrase. The Norwegian jazz-metal band
226:
Gideon Bachmann commentary from the Criterion release of
154:
uses "asa nisi masa" as a lyric in their 2018 album
68:
reciting the phrase "Asa Nisi Masa, Asa Nisi Masa."
284:. European Network of Young Cinema. Archived from 120:, "Asa Nisi Masa" becomes a central plot point, a 242:"Jabberwock: Fellini's Rosebud: 'Asa Nisi Masa'" 140:has a track "Asa Nisi Masa" on their 2007 album 168:released their first full length album, titled 8: 183: 132:The European Network of Young Cinema 7: 89:(of whom Fellini was fond), where " 14: 146:. The American punk-cabaret band 1: 337: 202:Childhood scene on YouTube 191:Party scene on YouTube 117:In Search of Lost Time 311:Quotations from film 49:Marcello Mastroianni 96:Like "Rosebud" in 166:Silberman Quartet 328: 321:Federico Fellini 290: 289: 278: 272: 261:Federico Fellini 255:Peter Bondanella 252: 246: 245: 238: 232: 224: 218: 217: 210: 204: 199: 193: 188: 25:Federico Fellini 336: 335: 331: 330: 329: 327: 326: 325: 316:1963 quotations 296: 295: 294: 293: 280: 279: 275: 253: 249: 240: 239: 235: 225: 221: 212: 211: 207: 200: 196: 189: 185: 180: 148:Nervous Cabaret 130: 78: 65: 39: 17: 16:Nonsense phrase 12: 11: 5: 334: 332: 324: 323: 318: 313: 308: 298: 297: 292: 291: 288:on 2021-02-28. 273: 247: 233: 219: 205: 194: 182: 181: 179: 176: 129: 126: 77: 74: 64: 61: 38: 35: 15: 13: 10: 9: 6: 4: 3: 2: 333: 322: 319: 317: 314: 312: 309: 307: 304: 303: 301: 287: 283: 282:"Information" 277: 274: 271: 270:0-521-57573-7 267: 263: 262: 259:The Films of 256: 251: 248: 244:. 9 May 2005. 243: 237: 234: 231: 230: 223: 220: 215: 209: 206: 203: 198: 195: 192: 187: 184: 177: 175: 173: 172: 167: 163: 160:. The Polish 159: 158: 153: 149: 145: 144: 139: 135: 127: 125: 123: 119: 118: 113: 112:Marcel Proust 109: 105: 104: 99: 94: 92: 88: 84: 75: 73: 69: 62: 60: 57: 55: 50: 46: 45: 36: 34: 32: 31: 27:'s 1963 film 26: 22: 21:Asa Nisi Masa 286:the original 276: 264:, page 103. 258: 250: 236: 227: 222: 208: 197: 186: 169: 155: 141: 131: 115: 103:Citizen Kane 101: 98:Orson Welles 95: 79: 70: 66: 58: 42: 41:In the film 40: 28: 20: 18: 171:Asanisimasa 300:Categories 178:References 143:Grindstone 54:Ian Dallas 162:free jazz 157:Offerings 134:NISI MASA 128:Influence 122:MacGuffin 108:madeleine 106:, or the 87:Carl Jung 83:Pig Latin 63:Flashback 306:Nonsense 152:Typhoon 138:Shining 76:Meaning 37:Context 268:  164:group 91:anima 266:ISBN 114:'s 110:in 302:: 257:- 229:8½ 174:. 100:' 44:8½ 33:. 30:8½ 216:. 19:"

Index

Federico Fellini


Marcello Mastroianni
Ian Dallas
Pig Latin
Carl Jung
anima
Orson Welles
Citizen Kane
madeleine
Marcel Proust
In Search of Lost Time
MacGuffin
NISI MASA
Shining
Grindstone
Nervous Cabaret
Typhoon
Offerings
free jazz
Silberman Quartet
Asanisimasa
Party scene on YouTube
Childhood scene on YouTube
"8½: A Film with Itself as Its Subject | Current | The Criterion Collection"

"Jabberwock: Fellini's Rosebud: 'Asa Nisi Masa'"
Peter Bondanella
Federico Fellini

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.