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Asako I & II

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allowing her to find closure. However, Baku suddenly shows up at her apartment and announces his return the next day. On the same evening, Baku appears at a restaurant where Asako and Ryohei's friends are celebrating their engagement and asks Asako to leave Ryohei in the middle of dinner. Asako discovers that her feelings to Baku are still unresolved and starkly leaves with him, upsetting Ryohei. They travel north together to stay at Baku's parents' home which is currently uninhabited for the season, but, during the trip, Asako realizes she was superficial for choosing him over Ryohei. In the end, Asako returns to Ryohei, but he rejects her company. Both of them come to the conclusion that Asako has hurt Ryohei to the point that he may never be able to trust her again, and she accepts this as a consequence to their relationship.
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Only after some tentative verbal exchange does Asako accept that it is not Baku but another young man. Ryohei doesn't understand why Asako treats him oddly and with tentativeness. It isn't until one night when he unexpectedly helps her friend get into an art show, that he begins to learn more about Asako.
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when she encounters Baku. The two begin a whirlwind relationship against the advice from Asako's friend, who only believes Baku will hurt her. After spending the night at Baku's place, Asako awakens to find him missing. It's explained that Baku suddenly disappears from time to time and it's been that
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As they stop for coffee after the show, Asako excuses herself suddenly to depart, and her friend then suggests that he invite one of his friends to come visit for dinner and to bring a blind date for her, so that Ryohei can meet with Asako again. Ryohei is sufficiently taken with Asako that he finds
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Two years later, Asako is living in Tokyo and works at a coffee shop. She encounters a businessman named Ryohei, who works at a nearby Japanese sake company. He is nearly identical to Baku in physical appearance, and Asako believes it is him at first and even verbally greets him with Baku's name.
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Five years later, Asako and Ryohei are living together happily. One day, Asako learns that Baku has become a famous actor and model. She musters the courage to tell Ryohei about how her initial romantic interest in him was due to his resemblance to Baku, and he gracefully accepts her confession,
280:. Ryohei's friend and Asako's friend seem to quarrel about the best way to act the parts in Chekhov's play, though they eventually stop quarrelling and the four have dinner together. After the evening is over, Ryohei continues to try to win Asako over and eventually succeeds. 268:
way since his father died. Baku returns to Asako's avail, and they embrace. Baku tells Asako that he will always return to her. A voice-over explains that Baku suddenly disappears once again, and they lose touch with each other.
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wrote: "It's refreshing to see a high-concept movie that doesn't assume every love story has to reach a tidy conclusion, and implies that some happy endings are best left open-ended."
1459: 1127: 980: 1547: 1045: 754: 1120: 614: 394:, praised Hamaguchi's sympathetic portrayal of characters but suggested that some plot twists might appear forced to Western viewers. Eric Kohn of 667: 1537: 1532: 1219: 722: 845: 368:, the film holds an approval rating of 78% based on 49 reviews, and an average rating of 7.3/10. The website's critical consensus reads, " 1527: 1451: 695: 641: 375:
s high-concept premise is anchored by thought-provoking themes and confident, compelling work from director Ryusuke Hamaguchi." On
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in competition on 14 May 2018. It was released in Japan on 1 September 2018, and in the United States by Grasshopper Film.
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a friend to invite for the dinner and discovers that Asako's friend is currently playing a part in Chekhov's
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Alors, oui il faut accepter certains rebondissements qui peuvent apparaître forcés aux yeux occidentaux.
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about a woman who falls in love with two men who look the same but act completely differently.
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called the film "an amusing essay in amorous delusion." Yannick Vely, writing for
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Higashide, Karata, and Hamaguchi at the 2018 Cannes Film Festival.
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The Tokyo Night Sky Is Always the Densest Shade of Blue
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Asako, a young woman who lives in Osaka, experiences
874:"Asako 1 & 2 de Ryūsuke Hamaguchi – la critique" 425: 194: 186: 178: 168: 129: 119: 111: 103: 82: 67: 50: 40: 23: 666:Debruge, Peter; Keslassy, Elsa (12 April 2018). 217: 211: 1128: 1039: 763:(in Japanese). 30 August 2018. Archived from 8: 1144:Yokohama Film Festival Award for Best Film 1135: 1121: 1113: 1046: 1032: 1024: 731:(in Japanese). 16 May 2018. Archived from 407: 29: 20: 933:"「モリのいる場所」山崎努がヨコハマ映画祭で特別賞に、樹木希林の不在を惜しむ" 518: 966:"Cannes Interview: Ryusuke Hamaguchi" 243:. It was selected to compete for the 7: 979:Schilling, Mark (5 September 2018). 426: 1548:Films directed by Ryusuke Hamaguchi 1220:The Emperor's Naked Army Marches On 323:Daichi Watanabe as Nobuyuki Okazaki 14: 251:. It is based on a 2010 novel by 844:Bradshaw, Peter (15 May 2018). 694:Dalton, Stephen (14 May 2018). 613:Blair, Galvin J. (7 May 2018). 941:(in Japanese). 3 February 2019 1: 1538:2010s Japanese-language films 1533:Japanese romantic drama films 964:Cronk, Jordan (23 May 2018). 872:Vely, Yannick (15 May 2018). 755:"感情揺さぶる鮮烈ラブストーリー 映画「寝ても覚めても」" 642:"The 2018 Official Selection" 364:On review aggregator website 352:The film was screened at the 296:as Ryohei Maruko / Baku Torii 1084:Wheel of Fortune and Fantasy 222:, "whether asleep or awake") 1452:In This Corner of the World 1436:The Light Shines Only There 434:40th Yokohama Film Festival 218: 153:September 1, 2018 1569: 1228:Rock yo shizukani nagareyo 904:Kohn, Eric (14 May 2018). 1528:2018 romantic drama films 1150: 1062: 723:"「新しい才能出現」との声も…「寝ても覚めても」" 558:"Asako I & II (2019)" 527:"Asako I & II (2019)" 451: 437: 432: 422: 419: 416: 413: 410: 354:2018 Cannes Film Festival 249:2018 Cannes Film Festival 212: 28: 489:Best Supporting Actress 1501:Small, Slow But Steady 701:The Hollywood Reporter 620:The Hollywood Reporter 349: 138:May 14, 2018 1156:Taiyō o Nusunda Otoko 467:Best Cinematographer 347: 1553:2010s Japanese films 308:as Kosuke Kushihashi 1482:Labyrinth of Cinema 1420:The Kirishima Thing 1380:I Just Didn't Do It 1260:Sumo Do, Sumo Don't 1100:Evil Does Not Exist 481:Masahiro Higashide 265:love at first sight 224:is a 2018 Japanese 1543:Films set in Osaka 1268:All Under the Moon 1252:A Scene at the Sea 1054:Films directed by 818:"Asako I & II" 787:"Asako I & II" 767:on 26 October 2018 735:on 26 October 2018 589:"ASAKO I & II" 459:Ryūsuke Hamaguchi 382:Peter Bradshaw of 350: 294:Masahiro Higashide 237:Masahiro Higashide 90:Masahiro Higashide 1510: 1509: 1444:Our Little Sister 1180:Exchange Students 1172:Something Like It 1110: 1109: 1056:Ryusuke Hamaguchi 510: 509: 414:Date of ceremony 360:Critical response 233:Ryūsuke Hamaguchi 202: 201: 57:Ryūsuke Hamaguchi 45:Ryūsuke Hamaguchi 1560: 1475:It Feels So Good 1468:Asako I & II 1428:The Devil's Path 1212:House of Wedlock 1137: 1130: 1123: 1114: 1076:Asako I & II 1048: 1041: 1034: 1025: 1014:Asako I & II 1009: 1006: 1005: 1003:Official website 990: 975: 951: 950: 948: 946: 929: 923: 922: 920: 918: 901: 895: 894: 889: 887: 869: 863: 862: 860: 858: 841: 835: 834: 832: 830: 814: 808: 807: 805: 803: 783: 777: 776: 774: 772: 751: 745: 744: 742: 740: 719: 713: 712: 710: 708: 691: 685: 684: 682: 680: 663: 657: 656: 654: 652: 638: 632: 631: 629: 627: 610: 604: 603: 601: 599: 585: 579: 578: 576: 574: 554: 548: 547: 545: 543: 523: 470:Yasuyuki Sasaki 445:Asako I & II 438:3 February 2019 428: 408: 374: 370:Asako I & II 302:as Asako Izumiya 253:Tomoka Shibasaki 223: 221: 215: 214: 206:Asako I & II 160: 158: 145: 143: 77:Tomoka Shibasaki 33: 24:Asako I & II 21: 1568: 1567: 1563: 1562: 1561: 1559: 1558: 1557: 1513: 1512: 1511: 1506: 1188:The Family Game 1146: 1141: 1111: 1106: 1058: 1052: 1007: 1001: 1000: 997: 986:The Japan Times 978: 963: 960: 958:Further reading 955: 954: 944: 942: 931: 930: 926: 916: 914: 903: 902: 898: 885: 883: 871: 870: 866: 856: 854: 843: 842: 838: 828: 826: 816: 815: 811: 801: 799: 792:Rotten Tomatoes 785: 784: 780: 770: 768: 753: 752: 748: 738: 736: 728:Yomiuri Shimbun 721: 720: 716: 706: 704: 693: 692: 688: 678: 676: 665: 664: 660: 650: 648: 640: 639: 635: 625: 623: 612: 611: 607: 597: 595: 587: 586: 582: 572: 570: 556: 555: 551: 541: 539: 532:Box Office Mojo 525: 524: 520: 515: 406: 372: 366:Rotten Tomatoes 362: 342: 335:as Eiko Okazaki 320:as Haruyo Shima 290: 261: 219:Netemo Sametemo 209: 171: 164: 156: 154: 141: 139: 132: 107:Yasuyuki Sasaki 99: 74: 72:Netemo Sametemo 63: 36: 17: 12: 11: 5: 1566: 1564: 1556: 1555: 1550: 1545: 1540: 1535: 1530: 1525: 1515: 1514: 1508: 1507: 1505: 1504: 1498: 1492: 1486: 1478: 1472: 1464: 1456: 1448: 1440: 1432: 1424: 1416: 1408: 1400: 1392: 1384: 1376: 1368: 1364:Break Through! 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Index


Ryūsuke Hamaguchi
Tomoka Shibasaki
Masahiro Higashide
Erika Karata
Tofubeats
Cannes
romantic
drama film
Ryūsuke Hamaguchi
Masahiro Higashide
Erika Karata
Palme d'Or
2018 Cannes Film Festival
Tomoka Shibasaki
love at first sight
Masahiro Higashide
Erika Karata
Kōji Seto
Rio Yamashita
Sairi Ito
Kōji Nakamoto
Misako Tanaka

2018 Cannes Film Festival
Rotten Tomatoes
Metacritic
The Guardian
Paris Match
IndieWire

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