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Asko Concerto

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for sixteen players features each one of them participating in one of the following groups—two trios, two duos, a quintet or a solo. These six sections are framed by the entire group playing together. Although the music is in lighthearted mood, each soloistic section approaches ensemble playing in a
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sections for the entire ensemble, initiated with slicing chords and driving rhythms, are alternated with flightier episodes for diverse groups of soloists, where, say, the bass clarinet, trombone and cello engage in some every-which-way busyness. It's brilliant but also
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also lauded the piece, writing, "... Carter provides a typically resourceful 12-minute structure in which the 16-strong ensemble is variously subdivided to engage in a succession of trenchant dialogues and mercurial exchanges."
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instrumental webs move into the spotlight in a series of interlinked short movements in which every proportion is perfect."
257: 616: 608: 586: 446: 440: 434: 428: 422: 355: 716: 526: 285: 317:"Carter What Next?; Asko Concerto: A chamber opera inspired by a road accident in an atmospheric live recording" 520: 496: 31: 560: 540: 502: 463: 348: 640: 554: 514: 321: 198: 77: 316: 228: 404: 632: 624: 262: 158: 232: 253: 153: 27: 30:, for which the piece is titled. It was composed in January 2000 and was first performed in 578: 55: 600: 547: 312: 193: 170: 371: 224: 39: 23: 705: 674: 167: 93: 656: 290: 184: 166:
The concerto, ingeniously scored for 16 instruments, is Mr. Carter's homage to the
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Double Concerto for Harpsichord and Piano with Two Chamber Orchestras
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has a duration of roughly 12 minutes and is composed in a single
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is a concerto for chamber orchestra by the American composer
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on April 26, 2000, by the Asko ensemble under the conductor
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The work is scored for a chamber orchestra comprising
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The piece is dedicated to Asko|Schönberg. 258:"MUSIC REVIEW; Catching Up With Elliott Carter" 164: 60: 356: 8: 363: 349: 341: 219: 217: 215: 211: 284:Clements, Andrew (27 November 2003). 7: 649:Two Controversies and a Conversation 152:has been praised by music critics. 727:Compositions for chamber orchestra 479:Symphonia: sum fluxae pretium spei 14: 687: 686: 471:A Symphony of Three Orchestras 1: 617:Three Illusions for Orchestra 609:Three Occasions for Orchestra 587:Eight Pieces for Four Timpani 712:Concertos by Elliott Carter 743: 188:similarly opined, "In the 683: 378: 594:Variations for Orchestra 722:Concertos for orchestra 509:Concerto for Orchestra 388:Awards and nominations 180: 69: 112:, one percussionist, 447:String Quartet No. 5 441:String Quartet No. 4 435:String Quartet No. 3 429:String Quartet No. 2 423:String Quartet No. 1 383:List of compositions 233:Boosey & Hawkes 182:Andrew Clements of 28:Asko|Schönberg 571:Other compositions 263:The New York Times 256:(April 27, 2002). 254:Tommasini, Anthony 159:The New York Times 717:2000 compositions 699: 698: 527:Clarinet Concerto 154:Anthony Tommasini 67:different spirit. 734: 690: 689: 668:Related articles 579:Holiday Overture 365: 358: 351: 342: 334: 333: 331: 329: 315:(January 2004). 313:Whittall, Arnold 309: 303: 302: 300: 298: 281: 275: 274: 272: 270: 250: 244: 243: 241: 239: 221: 742: 741: 737: 736: 735: 733: 732: 731: 702: 701: 700: 695: 679: 663: 601:Night Fantasies 566: 548:Boston Concerto 521:Violin Concerto 485: 452: 411: 392: 374: 369: 337: 327: 325: 311: 310: 306: 296: 294: 283: 282: 278: 268: 266: 252: 251: 247: 237: 235: 229:"Asko Concerto" 225:Carter, Elliott 223: 222: 213: 209: 194:Arnold Whittall 171:concerto grosso 146: 74: 72:Instrumentation 48: 12: 11: 5: 740: 738: 730: 729: 724: 719: 714: 704: 703: 697: 696: 684: 681: 680: 678: 677: 671: 669: 665: 664: 662: 661: 653: 645: 637: 629: 621: 613: 605: 597: 591: 583: 574: 572: 568: 567: 565: 564: 561:Flute Concerto 558: 552: 544: 541:Cello Concerto 538: 530: 524: 518: 512: 506: 503:Piano Concerto 500: 493: 491: 487: 486: 484: 483: 475: 467: 464:Symphony No. 1 460: 458: 454: 453: 451: 450: 444: 438: 432: 426: 419: 417: 416:String quartet 413: 412: 410: 409: 400: 398: 394: 393: 391: 390: 385: 379: 376: 375: 372:Elliott Carter 370: 368: 367: 360: 353: 345: 336: 335: 304: 276: 245: 210: 208: 205: 145: 142: 73: 70: 47: 44: 40:Oliver Knussen 24:Elliott Carter 13: 10: 9: 6: 4: 3: 2: 739: 728: 725: 723: 720: 718: 715: 713: 710: 709: 707: 694: 693: 682: 676: 675:Process music 673: 672: 670: 666: 659: 658: 654: 651: 650: 646: 643: 642: 641:Interventions 638: 635: 634: 630: 627: 626: 622: 619: 618: 614: 611: 610: 606: 603: 602: 598: 595: 592: 589: 588: 584: 581: 580: 576: 575: 573: 569: 562: 559: 556: 555:Horn Concerto 553: 550: 549: 545: 542: 539: 536: 535: 534:Asko Concerto 531: 528: 525: 522: 519: 516: 515:Oboe Concerto 513: 510: 507: 504: 501: 498: 495: 494: 492: 488: 481: 480: 476: 473: 472: 468: 465: 462: 461: 459: 455: 448: 445: 442: 439: 436: 433: 430: 427: 424: 421: 420: 418: 414: 407: 406: 402: 401: 399: 395: 389: 386: 384: 381: 380: 377: 373: 366: 361: 359: 354: 352: 347: 346: 343: 339: 324: 323: 318: 314: 308: 305: 293: 292: 287: 280: 277: 265: 264: 259: 255: 249: 246: 234: 230: 226: 220: 218: 216: 212: 206: 204: 201: 200: 195: 191: 190:Asko Concerto 187: 186: 179: 176: 172: 169: 163: 161: 160: 155: 151: 150:Asko Concerto 143: 141: 139: 135: 131: 127: 123: 119: 115: 111: 107: 103: 99: 95: 94:bass clarinet 91: 87: 83: 79: 71: 68: 65: 64:Asko Concerto 59: 57: 53: 52:Asko Concerto 45: 43: 41: 37: 33: 32:Concertgebouw 29: 25: 21: 20: 19:Asko Concerto 685: 657:Dialogues II 655: 647: 639: 631: 623: 615: 607: 599: 585: 577: 546: 533: 532: 482:(1993/94/95) 477: 469: 403: 338: 326:. 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Index

Elliott Carter
Asko|Schönberg
Concertgebouw
Amsterdam
Oliver Knussen
movement
flute
piccolo
oboe
clarinet
bass clarinet
bassoon
French horn
trumpet
trombone
harp
piano
celesta
violins
viola
cello
double bass
Anthony Tommasini
The New York Times
Baroque
concerto grosso
Ritornello
The Guardian
Arnold Whittall
Gramophone

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