979:, which helped "bolster the pervading sense of dislocation of being exposed to a society that’s been fed through the photocopier one too many times." However, he was mixed towards the fact that the album is "only a political record in a faint sense, making few overt statements." He also wrote that "it’s not always so easy to trace Al Qadiri’s intentions, and the largely dynamic-free range she operates in can grate at times." Similarly, Ryce criticized the lack of depth of the album's commentary towards Chinese stereotypes, also stating that "at some level it could be considered offensive, dressing up surface-level appropriation as something smarter." However he opined that, without taking the concept into consideration,
429:, which is used in several Chinese restaurants across the globe. As she described what the song is about, "There’s this idea that Chinese food in China is different than the Chinese food that you find in the West. There’s an illusion—you know what Chinese food tastes like, but then when you go to China, you’re shocked. You come to terms with reality." "Dragon Tattoo" includes a modulated voice saying "speak Chinese, if you please," a response to the line "we are Siamese, if you please" from "The Siamese Cat Song" of
287:
735:
730:
750:
745:
740:
800:
795:
700:
662:
624:
619:
278:'s list of the best releases of 2014. However, the LP's use of a concept about stereotypes was a frequent criticism; some reviewers felt the concept had little depth or clarity and the record was much more enjoyable to listen when only focusing on its musical aspect, and some writers felt the concept was better executed than the actual quality of the tracks.
862:
857:
852:
847:
842:
790:
785:
780:
695:
690:
685:
680:
657:
652:
647:
642:
614:
609:
604:
509:. The stereotypes of Asian culture are presented via electronically produced voices and drums, and "scrambled" readings of ancient Chinese-language poems on the songs "Loading Beijing," "Wudang," and "Jade Stairs," and the changes in mood "between cheesy, eerie and darkly erotic," wrote Sandhu. Sounds on the album include the "Asian Kit" from
954:, "Where the album wins me over completely is in the nuance with which it grabs its subject matter, creating a listen that’s full of open space and calm-before-the-storm moments, allowing personality to play against imitation as Eastern instrumentation plays against a metallic grid of noise." Andrew Hannah of
314:
by her experience in a
Chinese Literature college class and the making of what would later become the LP's opening track "Shanzhai (For Shanzhai Biennial)." In regards to her time studying in the Chinese college class, Qadiri explained, "Even though it was in translation, even though it was taught in
397:
journalist
Sukhdev Sandhu described as a "themepark simulation" or a "sci-fi wonderland" of China, which Qadiri named "Imagined China." "Imagined China" is an environment of stereotypes about Asian nations and culture that were formed by the Western world, both in education and media formats such as
1030:
dismissed the album as "more pretentious" than Qadiri's previous releases, calling it "minimal to the point of hollow and glacially paced to the point of boredom." She concluded that by the end of the LP, "Qadiri's instance on leaning on the keyboard's choir button may well have pushed you over the
994:
magazine critic, while praising the "fascinating, diverse and expertly produced" instrumentals, stated that the album was a "missed opportunity" to commentate on the actual reality of China: "Al Qadiri makes no illusions of trying to capture the reality of China, and she’s very much operating in an
535:
magazine, give a more specific description of the arrangement of the songs: "Most of the tracks have a sort of lopsided gait, neither propulsive nor minimal but somewhere in-between. The abortive lurches are used as counterpoints to the other sounds, as opposed to building blocks for a foundation.
526:
analyzed, the structures of the instrumentals are "so bare it feels like someone scooped out most of the contents and dumped them out, providing an intriguing counterpoint to the dense flood of thought the record carries on its back": while a fair amount of the record includes "glassy" synth pads,
256:
that utilizes elements of East Asian music. In representing Asian stereotypes, the album includes digital traditional
Chinese and Japanese-styled drum kits and synth presets alongside "scrambled" ancient Chinese poems. One of the main inspirations for Qadiri producing Asiatisch was the making of a
454:
produced in China. He explained that the record is about "the ways in which vague notions of China as a cultural monolith and an economic superpower are disseminated through media and how the country acts as the subject of projected of hopes, fears, and dreams in
Western culture." Comparing the
909:
is also an excellently produced album that cleverly mines
Hyperdub's short-lived sinogrime subgenre, but its real coup is to remind us how much music, in the right hands, can inspire us to tap into and deconstruct preconceived notions of nationality and culture, all while moving us to tap our
958:
stated that the record had a "pretty rare and powerful combination" of being "both a coherent listen and a sensible comment on western perception." She also highlighted every track on the album uses the same set of instruments, which works in its favor because it "makes the album completely
531:-style snares. As Neyland wrote, "Journalist Dan Hancox described sinogrime as a subgenre "that barely ever existed", which is fitting because Al Qadiri also makes music that barely exists, to the point where the gaps between notes almost become the songs themselves." A review published in
963:
magazine, Anna
Tehabsim stated, "The album is at its very core an album to do with, and comprised of, cultural misrepresentation and sonic assimilation through various falsifications and mishaps. Yet by crafting her own enchanting and worryingly recognisable faux-oriental world,
420:
do represent actual
Chinese places. "Shenzhen" and "Shanghai Freeway" have sounds that replicate the fast architectural modernization and population growth of China, "Wudang" includes what Andrew Ryce described as "disembodied" voices and synthesizers suggesting myths about the
315:
an
American university by an American professor... I was fascinated by his method, because he really inserted you in Ancient China. It was like virtual reality poetry or something. I think that was the first (time I was) conscious of something other than the West creating."
334:. An instrumental was produced in a manner that did not follow the instructions of the trio, and was not included in the show, but made an appearance as the album's first song; "Shanzhai (For Shanzhai Biennial)." Overall, it took Qadiri around a month and a half to finish
29:
989:
felt that, while the LP is a "pleasurable and an intelligent take on sinogrime," it "doesn't offer a corrective of
Western cultural mimicry, only an accurate simulation of it, and for that reason is vulnerable to some of the criticisms it sets out to make." A
362:"It's like a garbage tapestry: you don't know what the fabric is; it's not something that's easily identifiable or quantifiable; there's a catalogue of films and cartoons and comic books within it, but one that many authors have contributed to. The Asia in
408:
is a nexus of stereotypes that have been perpetrated, elaborated, embellished and weaved, each time further and further dislocated from the original misrepresentation." Qadiri also stated that the environment of the album's
Chinese setting consists of
948:, "With so much theory and style to cut through before you get to the actual music, it's to the album's credit that it often stands up as much more than just a high-brow, Edward Said-inspired thought experiment." Aimee Cliff stated in her review for
1049:
feel much more like holes - rather than punctuating the music, any momentum generated seems to drain away through them." He opined the sounds "feel stretched out too thinly for the tracks to make a serious impact on your senses."
247:
on 5 May 2014. The record is about what Qadiri called "Imagined China," an environment of stereotypes about East Asian nations and respective cultures formed in media of the Western world. Thus, it musically derives from
425:, and "Forbidden City" "reconciles its namesake's imperial history with its current status as a glitzy tourist destination," wrote Ryce. The track "Szechuan" is titled after the "colonial" name of the Chinese provence
1743:
495:'s Kode9 coined the phrase "sino grime" to describe a style of grime that heavily contained elements of Asian music. The album commentates on the use of Asian melodies in Western music that originated in the era of
2164:
536:
When this is not the case, as on the moody "Shenzhen," the pace is always somewhat sedate, as opposed to the hyperactivity of "regular" grime, as if Al Qadiri is trying to channel a sort of Eastern mysticism."
1041:
where it feels like are a little restrictive and keep the overall sound narrower than it needs to be." Similarly, Sutharasivam wrote that the use of "space and silence" was one of the best aspects of
517:. As Qadiri explained the scrambled poetry, "Imagined China is a scrambled idea. It's not something that you can easily even encompass in a sentence or two - or three, or four. It's an undertaking."
318:
In regards to making the album's opener, she was asked by a group of friends in the art trio Shanzhai Biennial to make, in their words, a "cheap, Chinese instrumental" under a "nonsense Mandarin"
1414:
1008:
magazine wrote the album consists of "tepid, listless and melodically bland soundscapes that serve the concept more successfully than they do the listener." Josh Suntharasivam of
1037:
critic was mixed towards "the exposed sense of space and tight feeling of control which threatens to strangle much of the middle of the album." He felt that "there are times on
387:
is an "abstract collage of faux Chinese imagery" that executes a "mixture of caricature, dream and stereotype, with very little of anything actually Chinese filtering through."
1740:
1024:(2012), described it as "an LP that achieves its main function of criticising western stereotypes of the orient, but often to the detriment of its songs." Kate Hutchinson of
1633:
2271:
366:
is a nexus of stereotypes that have been perpetrated, elaborated, embellished and weaved, each time further and further dislocated from the original misrepresentation."
2161:
467:
is about "nations as mythologies, as fantasies, as erratic aggregations of commerce, junk-media, fabricated fictions." Writer Steph Kretowicz stated the message on
1780:
2192:
934:
honored the record as Qadiri's "most polished and exciting work yet" and "a future bass masterpiece from one of the most exciting producers around." Irish critic
1873:
1666:
1901:
2019:
2245:
1446:
2545:
2330:
1411:
1957:
1927:
413:: "There's something very dainty and delicate about my melodic compositions, but they are made by digital tools, which also render them clunky, cold."
2054:
1526:
2440:
2142:
1809:
2488:
1590:
975:
was enjoyable musically, it lacked in the amount of depth and clear intentions of its concept. Neyland praised the "immaculate emptiness" of
1817:
1840:
1691:
2218:
918:
is the confidence of Al Qadiri's sound, demonstrating that the quality of her music has finally caught up with her artistic ambitions."
2409:
2354:
2084:
1988:
1630:
2664:
2268:
1715:
2116:
1560:
342:
of the LP, "Szechuan," was issued on 19 March 2014, and its second single, "Shanghai Freeway," premiered on 30 April 2014 via
1487:
2297:
1777:
879:
was "one of underground electronic music’s most intriguing stories of 2014." It received generally positive reviews from
2189:
2669:
1870:
1663:
2538:
938:
called it a "head-spinning, adventurous and compelling set of sounds spliced and diced to impress." Adam Workman of
2654:
1898:
451:
272:
were generally positive, and the album was on numerous year-end lists by publications, such as being number ten on
2016:
2531:
2242:
2659:
2601:
2280:
2238:
1456:
940:
935:
1741:"Hyperdub release full details of Fatima Al Qadiri’s Asiatisch. It features a cover of ‘Nothing Compares 2 U’"
944:
highlighted that it "sounds like little else out there right now," while Lanre Bakare wrote in his review for
2327:
1954:
2502:
1924:
1230:"Loading Beijing," "Wudang," and "Jade Stairs" use samples of classical Chinese poetry, "Wudang" using what
410:
286:
2378:
2051:
1523:
1215:
327:
2634:
2497:
2437:
2033:
1647:
1357:
1211:
995:
imaginary sphere. But in doing so, any chance to comment on the world — China and beyond — is lost."
528:
323:
295:
262:
2139:
1806:
1849:
1535:
885:
759:
522:
480:
274:
253:
65:
2485:
1587:
931:
883:
upon its release and was on numerous publication year-end lists, such as landing at number ten on
2608:
2306:
2068:
1752:
1223:
1020:
950:
431:
148:
75:
1837:
2311:
1757:
1724:
1688:
344:
299:
2215:
889:'s list of the best releases of 2014. In terms of dance and electronic album year-end lists,
2554:
2469:
2418:
2000:
1935:
1909:
1496:
1252:
1010:
880:
809:
563:
422:
330:. Recorded by Chinese punk vocalist Helen Feng, the rendition was to be played in a show at
240:
135:
128:
41:
2406:
2351:
2081:
2492:
2444:
2413:
2358:
2334:
2301:
2275:
2254:
2249:
2222:
2196:
2168:
2146:
2120:
2093:
2088:
2063:
2058:
2023:
1992:
1969:
1961:
1931:
1905:
1877:
1844:
1813:
1784:
1747:
1719:
1695:
1670:
1637:
1594:
1530:
1491:
1451:
1418:
1004:
926:
833:
821:
721:
671:
479:
The album presents Asian melodies through the lens of a western musical genre, that being
123:
1985:
28:
1321:
184:
2648:
2576:
2173:
1712:
1311:
895:
506:
400:
166:
80:
2113:
1574:
2627:
2028:
1642:
1570:
1423:
1316:
1261:
771:
633:
497:
393:
232:
111:
2383:
1484:
985:
460:
456:
339:
70:
57:
2294:
1965:
1854:
1540:
1428:
1412:""I Want To Blast My Record In Chinatown": an Interview with Fatima Al Qadiri"
1085:"Shanzhai (For Shanzhai Biennial)" (featuring vocals and lyrics by Helen Feng)
573:
443:
291:
258:
2082:"Fatima Al Qadiri Conjures a Cinematic Din on Exceptional Debut, ‘Asiatisch’"
2098:
510:
502:
488:
319:
249:
85:
1631:"Fatima Al Qadiri: 'Me and my sister played video games as Saddam invaded'"
1002:
was executed better than the actual quality of the songs. Ritchie Kevin of
527:
there are also some moments that consist of only little more than bass or
2615:
2473:
2449:
2201:
1996:
1329:
1033:
901:
596:
492:
447:
349:
331:
244:
116:
514:
426:
1234:
labeled as a "warped" vocal recording of the poem "Peach Tree Tender."
2594:
1265:
236:
2523:
1031:
edge." The album's lack of "space" was another frequent censure. A
1675:
285:
36:
2017:"Fatima Al Qadiri: Asiatisch review – pan-pipe driven sino-grime"
1221:"Dragon Tattoo" features lyrics from "The Siamese Cat Song" from
914:
written by Vincent Pollard stated, "the most striking aspect of
2527:
2284:. International Media Investments. Retrieved 29 September 2017.
2149:. Year-end Lists. 9 December 2014. Retrieved 25 September 2017.
1565:
1270:
Mastered by Beau Thomas at Ten Eight Seven Mastering in London
1026:
709:
398:
films, literature, animation, comic books, and magazines like
2518:
983:
was "killer" as an experimental grime album. A reviewer for
1257:
Lyrics on "Shanzhai (For Shanzhai Biennial)" by Helen Feng
505:
were composed to mimic Asian people, most prominently the
2190:"Exclaim!'s Best of 2014: Top 10 Dance & Electronic"
471:
is nonsensical in a similar manner to most propaganda.
998:
On the other hand, some reviewers felt the concept of
2205:. 9 December 2014. p. 2. Retrieved 25 September 2017.
2625:
2586:
2561:
1871:"Album of the Week: Fatima Al Qadiri – ‘Asiatisch’"
1832:
1830:
1828:
1826:
1076:
1068:
183:
134:
122:
110:
94:
56:
48:
35:
21:
1210:"Shanzhai (For Shanzhai Biennial)" is a cover of "
265:" that would later be the record's opening track.
2401:
2399:
2397:
2395:
2393:
2011:
2009:
2177:. 16 December 2014. Retrieved 25 September 2017.
2127:. 21 November 2014. Retrieved 28 September 2017.
2157:
2155:
1588:"Fatima Al Qadiri :: Asiatisch (Hyperdub)"
968:is Al Qadiri’s most insatiable statement yet."
905:, where the LP came in at number ten, stated, "
360:
1912:Official Website. Retrieved 23 September 2017.
1820:Official Website. Retrieved 23 September 2017.
1736:
1734:
442:'s concept as a "reverse" idea of the Chinese
231:(German for "Asian") is the debut full-length
2539:
2461:
2459:
1950:
1948:
1946:
1944:
1711:Escobedo Shepherd, Julianne (30 April 2014).
1702:. 19 March 2014. Retrieved 30 September 2017.
1447:"Fatima Al Qadiri – 'Asiatisch' album review"
8:
2407:"Album Review: Fatima Al Qadiri – Asiatisch"
2269:"Album review: Fatima Al Qadiri – Asiatisch"
2185:
2183:
1459:on 15 July 2014. Retrieved 9 September 2017.
839:
777:
677:
639:
601:
2432:
2430:
2428:
1980:
1978:
1518:
1516:
1514:
1512:
1510:
1508:
1506:
2546:
2532:
2524:
2373:
2371:
1625:
1623:
1621:
1619:
1617:
1615:
1613:
1611:
1609:
1607:
1577:on 6 May 2014. Retrieved 9 September 2017.
1524:"Fatima Al Qadiri: Asiatisch Album Review"
1341:
1284:
543:
27:
18:
2422:. Silentway. Retrieved 28 September 2017.
1778:"Fatima Al Qadiri — Asiatisch (Hyperdub)"
1772:
1770:
1768:
1766:
1441:
1439:
1437:
727:
310:Fatima Al Qadiri was inspired to produce
16:2014 studio album by Fatima Al Qadiri
2322:
2320:
2109:
2107:
1894:
1892:
1890:
1865:
1863:
1479:
1477:
1475:
1473:
1471:
1469:
1467:
1465:
1406:
1404:
1402:
1400:
1065:
2135:
2133:
1801:
1799:
1797:
1658:
1656:
1398:
1396:
1394:
1392:
1390:
1388:
1386:
1384:
1382:
1380:
1376:
1190:
2046:
2044:
2042:
1920:
1918:
1807:"Fatima al Qadiri: Chinas of the mind"
1555:
1553:
1551:
1549:
1191:
582:
549:
371:— Qadiri on the "Imagined China" of
7:
1818:Museum of Contemporary Art Cleveland
1713:"Fatima Al Qadiri: Shanghai Freeway"
1664:"Fatima Al Qadiri's Chinese fantasy"
438:Writer Elena Harvey Collins labeled
348:magazine. The album was released on
2140:"The Wire: Top 50 Releases of 2014"
2405:Suntharasivam, Josh (1 May 2014).
1586:Fruitman, Stephen (14 July 2014).
971:A common criticism was that while
899:'s article, while a list piece by
14:
2519:Fatima Al Qadiri official website
2486:"Fatma Al Qadiri – chart history"
924:garnered a five-star review from
841:
779:
679:
641:
603:
2326:Hannah, Andrew (29 April 2014).
1836:Battan, Carrie (11 March 2014).
1410:Martin, Lauren (19 March 2014).
1243:Derived from the liner notes of
1058:Derived from the liner notes of
860:
855:
850:
845:
840:
798:
793:
788:
783:
778:
748:
743:
738:
733:
728:
698:
693:
688:
683:
678:
660:
655:
650:
645:
640:
622:
617:
612:
607:
602:
513:and the Asian flute sounds on a
501:shorts and similar media, where
404:. Qadiri said that "The Asia in
2214:Pollard, Vincent (5 May 2014).
2162:"Fatima Al Qadiri, 'Asiatisch'"
1925:"Asiatisch by Fatima Al Qadiri"
1869:Kretowicz, Steph (6 May 2014).
1559:Hutchinson, Kate (2 May 2014).
2453:. Retrieved 29 September 2017.
2438:"Fatima Al Qadiri – Asiatisch"
2436:Johnson, Steven (2 May 2014).
2387:. Retrieved 29 September 2017.
2377:Bychawski, Adam (6 May 2014).
2365:. Retrieved 30 September 2017.
2341:. Retrieved 28 September 2017.
2328:"Fatima Al Qadiri – Asiatisch"
2314:. Retrieved 29 September 2017.
2258:. Retrieved 29 September 2017.
2229:. Retrieved 29 September 2017.
2052:"Fatima Al Qadiri – Asiatisch"
1986:"Asiatisch – Fatima Al Qadiri"
1955:"Critic Reviews for Asiatisch"
1884:. Retrieved 29 September 2017.
1857:. Retrieved 23 September 2017.
1791:. Retrieved 30 September 2017.
1776:Burnett, Joseph (1 May 2014).
1760:. Retrieved 30 September 2017.
1728:. Retrieved 30 September 2017.
1679:. Retrieved 25 September 2017.
1650:. Retrieved 22 September 2017.
1629:Sandhu, Sukhdev (5 May 2014).
1601:. Retrieved 30 September 2017.
1561:"Fatima Al Qadiri – Asiatisch"
1485:"Fatima Al Qadiri – Asiatisch"
1431:. Retrieved 12 September 2017.
1069:
729:
1:
2379:"Fatima Al Qadiri: Asiatisch"
2350:Tehabsim, Anna (8 May 2014).
2267:Workman, Adam (26 May 2014).
2243:"Fatima Al Qadiri: Asiatisch"
2101:. Retrieved 9 September 2017.
2071:. Retrieved 9 September 2017.
2050:Ritchie, Kevin (8 May 2014).
2036:. Retrieved 9 September 2017.
2015:Bakare, Lanre (15 May 2014).
2003:. Retrieved 9 September 2017.
1972:. Retrieved 9 September 2017.
1689:"Fatima Al Qadiri – Szechuan"
1543:. Retrieved 9 September 2017.
1500:. Retrieved 9 September 2017.
1445:Shlaim, Tamar (12 May 2014).
2216:"Fatima Al Qadiri Asiatisch"
2080:Mistry, Anupa (8 May 2014).
1522:Neyland, Nick (7 May 2014).
1483:Ryce, Andrew (12 May 2014).
1363:
1276:Photography by Asger Carlsen
1273:Artwork by Shanzhai Biennial
1018:to Qadiri's previous record
910:fingers." Another piece for
2293:Cliff, Aimee (5 May 2014).
1938:Retrieved 9 September 2017.
1662:Cliff, Aimee (2 May 2014).
959:cohesive." In a review for
2686:
452:counterfeit consumer goods
2114:"Albums of the Year 2014"
1354:
1347:
1344:
1301:
1296:
1293:
1290:
1287:
1180:
1169:
1158:
1147:
1136:
1125:
1114:
1103:
1092:
1081:
1073:
1045:, whereas "the spaces on
590:
587:
557:
554:
220:
194:
179:
142:
26:
2602:Genre-Specific Xperience
1251:Written and produced by
1205:Sample and cover credits
1014:, unfavorably comparing
455:concept of the album to
243:, released by the label
2665:Fatima Al Qadiri albums
2503:Prometheus Global Media
1805:Harvey Collins, Elena.
322:recording of the song "
212:Released: 30 April 2014
203:Released: 19 March 2014
893:ranked number nine on
411:brutalist architecture
368:
307:
290:A "nonsense Mandarin"
463:, Sandhu stated that
289:
261:version of the song "
2505:. 25 September 2017.
2339:The Line of Best Fit
2034:Guardian Media Group
1648:Guardian Media Group
1573:. Archived from the
1455:. Archived from the
1212:Nothing Compares 2 U
956:The Line of Best Fit
881:professional writers
545:Professional ratings
324:Nothing Compares 2 U
296:Nothing Compares 2 U
268:Critical reviews of
263:Nothing Compares 2 U
257:"nonsense Mandarin"
1899:"Asiatisch: .about"
546:
520:As Nick Neyland of
450:," which refers to
2670:Future bass albums
2562:Solo studio albums
2491:2018-05-04 at the
2443:2017-10-01 at the
2412:2017-10-01 at the
2357:2017-10-01 at the
2352:"Fatima Al Qadiri"
2333:2017-09-30 at the
2300:2017-05-28 at the
2274:2017-10-01 at the
2248:2017-10-01 at the
2221:2017-09-30 at the
2195:2017-07-15 at the
2167:2017-09-30 at the
2145:2017-10-01 at the
2119:2017-09-02 at the
2087:2017-09-02 at the
2069:Now Communications
2057:2017-09-30 at the
2022:2017-10-01 at the
1991:2017-09-30 at the
1960:2018-01-09 at the
1930:2017-10-01 at the
1904:2017-10-01 at the
1876:2017-09-30 at the
1843:2017-10-01 at the
1838:"Fatima Al Qadiri"
1812:2016-06-29 at the
1783:2018-12-20 at the
1746:2017-10-01 at the
1718:2017-10-01 at the
1694:2014-04-22 at the
1669:2017-10-01 at the
1636:2017-09-30 at the
1593:2017-10-01 at the
1529:2017-10-01 at the
1490:2017-10-01 at the
1417:2017-10-01 at the
1260:Mixed by Lexxx at
1224:Lady and the Tramp
1173:"Shanghai Freeway"
544:
432:Lady and the Tramp
308:
209:"Shanghai Freeway"
2655:2014 debut albums
2642:
2641:
2312:The Vinyl Factory
1758:The Vinyl Factory
1368:
1367:
1355:US World Albums (
1335:
1334:
1201:
1200:
1118:"Loading Beijing"
869:
868:
383:magazine stated,
224:
223:
175:
174:
2677:
2555:Fatima Al Qadiri
2548:
2541:
2534:
2525:
2506:
2483:
2477:
2470:Fatima Al Qadiri
2463:
2454:
2434:
2423:
2419:Drowned in Sound
2403:
2388:
2375:
2366:
2348:
2342:
2324:
2315:
2291:
2285:
2265:
2259:
2236:
2230:
2212:
2206:
2187:
2178:
2159:
2150:
2137:
2128:
2111:
2102:
2078:
2072:
2048:
2037:
2013:
2004:
2001:Rovi Corporation
1982:
1973:
1952:
1939:
1922:
1913:
1910:Fatima Al Qadiri
1896:
1885:
1867:
1858:
1834:
1821:
1803:
1792:
1774:
1761:
1738:
1729:
1709:
1703:
1686:
1680:
1660:
1651:
1627:
1602:
1584:
1578:
1557:
1544:
1520:
1501:
1497:Resident Advisor
1481:
1460:
1443:
1432:
1408:
1342:
1322:digital download
1285:
1253:Fatima Al Qadiri
1194:
1162:"Forbidden City"
1071:
1066:
1011:Drowned in Sound
865:
864:
863:
859:
858:
854:
853:
849:
848:
844:
843:
810:Resident Advisor
803:
802:
801:
797:
796:
792:
791:
787:
786:
782:
781:
753:
752:
751:
747:
746:
742:
741:
737:
736:
732:
731:
703:
702:
701:
697:
696:
692:
691:
687:
686:
682:
681:
665:
664:
663:
659:
658:
654:
653:
649:
648:
644:
643:
627:
626:
625:
621:
620:
616:
615:
611:
610:
606:
605:
550:Aggregate scores
547:
423:Wudang Mountains
375:
241:Fatima Al Qadiri
213:
210:
204:
201:
144:
143:
136:Fatima Al Qadiri
129:Fatima Al Qadiri
106:
105:
101:
42:Fatima Al Qadiri
31:
19:
2685:
2684:
2680:
2679:
2678:
2676:
2675:
2674:
2660:Hyperdub albums
2645:
2644:
2643:
2638:
2621:
2582:
2557:
2552:
2515:
2510:
2509:
2493:Wayback Machine
2484:
2480:
2464:
2457:
2445:Wayback Machine
2435:
2426:
2414:Wayback Machine
2404:
2391:
2376:
2369:
2359:Wayback Machine
2349:
2345:
2335:Wayback Machine
2325:
2318:
2302:Wayback Machine
2292:
2288:
2276:Wayback Machine
2266:
2262:
2255:The Irish Times
2250:Wayback Machine
2237:
2233:
2223:Wayback Machine
2213:
2209:
2197:Wayback Machine
2188:
2181:
2169:Wayback Machine
2160:
2153:
2147:Wayback Machine
2138:
2131:
2121:Wayback Machine
2112:
2105:
2089:Wayback Machine
2079:
2075:
2059:Wayback Machine
2049:
2040:
2024:Wayback Machine
2014:
2007:
1993:Wayback Machine
1984:Kellman, Andy.
1983:
1976:
1970:CBS Interactive
1962:Wayback Machine
1953:
1942:
1936:AnyDecentMusic?
1932:Wayback Machine
1923:
1916:
1906:Wayback Machine
1897:
1888:
1878:Wayback Machine
1868:
1861:
1845:Wayback Machine
1835:
1824:
1814:Wayback Machine
1804:
1795:
1785:Wayback Machine
1775:
1764:
1748:Wayback Machine
1739:
1732:
1720:Wayback Machine
1710:
1706:
1696:Wayback Machine
1687:
1683:
1671:Wayback Machine
1661:
1654:
1638:Wayback Machine
1628:
1605:
1595:Wayback Machine
1585:
1581:
1558:
1547:
1531:Wayback Machine
1521:
1504:
1492:Wayback Machine
1482:
1463:
1452:Time Out London
1444:
1435:
1419:Wayback Machine
1409:
1378:
1373:
1349:
1340:
1326:
1283:
1281:Release history
1241:
1216:Sinéad O'Connor
1202:
1192:
1151:"Dragon Tattoo"
1129:"Hainan Island"
1056:
927:Time Out London
861:
856:
851:
846:
834:Time Out London
799:
794:
789:
784:
749:
744:
739:
734:
699:
694:
689:
684:
661:
656:
651:
646:
623:
618:
613:
608:
564:AnyDecentMusic?
542:
477:
459:'s theories of
377:
370:
358:
352:on 5 May 2014.
328:Sinéad O'Connor
284:
216:
211:
208:
207:
202:
199:
198:
170:
161:
152:
103:
99:
98:
90:
44:
17:
12:
11:
5:
2683:
2681:
2673:
2672:
2667:
2662:
2657:
2647:
2646:
2640:
2639:
2632:
2630:
2623:
2622:
2620:
2619:
2612:
2605:
2598:
2590:
2588:
2587:Extended plays
2584:
2583:
2581:
2580:
2573:
2565:
2563:
2559:
2558:
2553:
2551:
2550:
2543:
2536:
2528:
2522:
2521:
2514:
2513:External links
2511:
2508:
2507:
2478:
2455:
2424:
2389:
2367:
2343:
2316:
2286:
2260:
2241:(2 May 2014).
2231:
2207:
2179:
2151:
2129:
2103:
2073:
2038:
2005:
1974:
1940:
1914:
1886:
1859:
1822:
1793:
1762:
1730:
1704:
1681:
1652:
1603:
1579:
1545:
1502:
1461:
1433:
1375:
1374:
1372:
1369:
1366:
1365:
1362:
1352:
1351:
1346:
1339:
1336:
1333:
1332:
1327:
1325:
1324:
1319:
1314:
1308:
1306:
1303:
1299:
1298:
1295:
1292:
1289:
1282:
1279:
1278:
1277:
1274:
1271:
1268:
1258:
1255:
1240:
1237:
1236:
1235:
1228:
1219:
1207:
1206:
1199:
1198:
1195:
1189:
1188:
1185:
1182:
1178:
1177:
1174:
1171:
1167:
1166:
1163:
1160:
1156:
1155:
1152:
1149:
1145:
1144:
1141:
1138:
1134:
1133:
1130:
1127:
1123:
1122:
1119:
1116:
1112:
1111:
1108:
1105:
1101:
1100:
1097:
1094:
1090:
1089:
1086:
1083:
1079:
1078:
1075:
1072:
1064:
1055:
1052:
867:
866:
837:
829:
828:
825:
817:
816:
813:
805:
804:
775:
767:
766:
763:
755:
754:
725:
717:
716:
713:
705:
704:
675:
667:
666:
637:
629:
628:
599:
593:
592:
589:
585:
584:
580:
579:
576:
570:
569:
566:
560:
559:
556:
552:
551:
541:
538:
476:
473:
416:Some parts of
391:is about what
359:
357:
354:
283:
280:
222:
221:
218:
217:
215:
214:
205:
195:
192:
191:
181:
180:
177:
176:
173:
172:
163:
154:
140:
139:
132:
131:
126:
120:
119:
114:
108:
107:
96:
92:
91:
89:
88:
83:
78:
73:
68:
62:
60:
54:
53:
50:
46:
45:
40:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
2682:
2671:
2668:
2666:
2663:
2661:
2658:
2656:
2653:
2652:
2650:
2637:
2636:
2631:
2629:
2624:
2618:
2617:
2613:
2611:
2610:
2609:Desert Strike
2606:
2604:
2603:
2599:
2597:
2596:
2592:
2591:
2589:
2585:
2579:
2578:
2574:
2572:
2571:
2567:
2566:
2564:
2560:
2556:
2549:
2544:
2542:
2537:
2535:
2530:
2529:
2526:
2520:
2517:
2516:
2512:
2504:
2500:
2499:
2494:
2490:
2487:
2482:
2479:
2475:
2471:
2467:
2462:
2460:
2456:
2452:
2451:
2446:
2442:
2439:
2433:
2431:
2429:
2425:
2421:
2420:
2415:
2411:
2408:
2402:
2400:
2398:
2396:
2394:
2390:
2386:
2385:
2380:
2374:
2372:
2368:
2364:
2360:
2356:
2353:
2347:
2344:
2340:
2336:
2332:
2329:
2323:
2321:
2317:
2313:
2309:
2308:
2303:
2299:
2296:
2290:
2287:
2283:
2282:
2277:
2273:
2270:
2264:
2261:
2257:
2256:
2251:
2247:
2244:
2240:
2235:
2232:
2228:
2224:
2220:
2217:
2211:
2208:
2204:
2203:
2198:
2194:
2191:
2186:
2184:
2180:
2176:
2175:
2174:Rolling Stone
2170:
2166:
2163:
2158:
2156:
2152:
2148:
2144:
2141:
2136:
2134:
2130:
2126:
2122:
2118:
2115:
2110:
2108:
2104:
2100:
2096:
2095:
2090:
2086:
2083:
2077:
2074:
2070:
2066:
2065:
2060:
2056:
2053:
2047:
2045:
2043:
2039:
2035:
2031:
2030:
2025:
2021:
2018:
2012:
2010:
2006:
2002:
1998:
1994:
1990:
1987:
1981:
1979:
1975:
1971:
1967:
1963:
1959:
1956:
1951:
1949:
1947:
1945:
1941:
1937:
1933:
1929:
1926:
1921:
1919:
1915:
1911:
1907:
1903:
1900:
1895:
1893:
1891:
1887:
1883:
1879:
1875:
1872:
1866:
1864:
1860:
1856:
1852:
1851:
1846:
1842:
1839:
1833:
1831:
1829:
1827:
1823:
1819:
1815:
1811:
1808:
1802:
1800:
1798:
1794:
1790:
1786:
1782:
1779:
1773:
1771:
1769:
1767:
1763:
1759:
1755:
1754:
1749:
1745:
1742:
1737:
1735:
1731:
1727:
1726:
1721:
1717:
1714:
1708:
1705:
1701:
1697:
1693:
1690:
1685:
1682:
1678:
1677:
1672:
1668:
1665:
1659:
1657:
1653:
1649:
1645:
1644:
1639:
1635:
1632:
1626:
1624:
1622:
1620:
1618:
1616:
1614:
1612:
1610:
1608:
1604:
1600:
1596:
1592:
1589:
1583:
1580:
1576:
1572:
1568:
1567:
1562:
1556:
1554:
1552:
1550:
1546:
1542:
1538:
1537:
1532:
1528:
1525:
1519:
1517:
1515:
1513:
1511:
1509:
1507:
1503:
1499:
1498:
1493:
1489:
1486:
1480:
1478:
1476:
1474:
1472:
1470:
1468:
1466:
1462:
1458:
1454:
1453:
1448:
1442:
1440:
1438:
1434:
1430:
1426:
1425:
1420:
1416:
1413:
1407:
1405:
1403:
1401:
1399:
1397:
1395:
1393:
1391:
1389:
1387:
1385:
1383:
1381:
1377:
1370:
1360:
1359:
1353:
1345:Chart (2014)
1343:
1337:
1331:
1328:
1323:
1320:
1318:
1315:
1313:
1310:
1309:
1307:
1304:
1300:
1286:
1280:
1275:
1272:
1269:
1267:
1263:
1259:
1256:
1254:
1250:
1249:
1248:
1246:
1238:
1233:
1229:
1226:
1225:
1220:
1217:
1213:
1209:
1208:
1204:
1203:
1196:
1193:Total length:
1186:
1184:"Jade Stairs"
1183:
1179:
1175:
1172:
1168:
1164:
1161:
1157:
1153:
1150:
1146:
1142:
1139:
1135:
1131:
1128:
1124:
1120:
1117:
1113:
1109:
1106:
1102:
1098:
1095:
1091:
1087:
1084:
1080:
1067:
1063:
1061:
1054:Track listing
1053:
1051:
1048:
1044:
1043:Desert Strike
1040:
1036:
1035:
1029:
1028:
1023:
1022:
1021:Desert Strike
1017:
1013:
1012:
1007:
1006:
1001:
996:
993:
988:
987:
982:
978:
974:
969:
967:
962:
957:
953:
952:
947:
943:
942:
937:
933:
929:
928:
923:
919:
917:
913:
908:
904:
903:
898:
897:
896:Rolling Stone
892:
888:
887:
882:
878:
874:
871:According to
838:
836:
835:
831:
830:
826:
824:
823:
819:
818:
814:
812:
811:
807:
806:
776:
774:
773:
769:
768:
764:
762:
761:
757:
756:
726:
724:
723:
719:
718:
714:
712:
711:
707:
706:
676:
674:
673:
669:
668:
638:
636:
635:
631:
630:
600:
598:
595:
594:
586:
583:Review scores
581:
577:
575:
572:
571:
567:
565:
562:
561:
553:
548:
539:
537:
534:
530:
525:
524:
518:
516:
512:
508:
507:Oriental riff
504:
500:
499:
494:
490:
486:
483:. Primarily,
482:
474:
472:
470:
466:
462:
458:
453:
449:
445:
441:
436:
434:
433:
428:
424:
419:
414:
412:
407:
403:
402:
401:The Economist
396:
395:
390:
386:
382:
376:
374:
367:
365:
355:
353:
351:
347:
346:
341:
337:
333:
329:
325:
321:
316:
313:
305:
301:
297:
293:
288:
281:
279:
277:
276:
271:
266:
264:
260:
255:
252:, a style of
251:
246:
242:
238:
234:
230:
229:
219:
206:
197:
196:
193:
190:
186:
182:
178:
169:
168:
164:
160:
159:
155:
151:
150:
149:Desert Strike
146:
145:
141:
137:
133:
130:
127:
125:
121:
118:
115:
113:
109:
97:
93:
87:
84:
82:
79:
77:
74:
72:
69:
67:
64:
63:
61:
59:
55:
51:
47:
43:
38:
34:
30:
25:
20:
2635:Future Brown
2633:
2628:Future Brown
2614:
2607:
2600:
2593:
2575:
2569:
2568:
2496:
2481:
2465:
2448:
2417:
2382:
2362:
2346:
2338:
2305:
2289:
2281:The National
2279:
2263:
2253:
2239:Carroll, Jim
2234:
2226:
2210:
2200:
2172:
2124:
2092:
2076:
2062:
2029:The Guardian
2027:
1881:
1848:
1788:
1751:
1723:
1707:
1699:
1684:
1674:
1643:The Guardian
1641:
1598:
1582:
1571:Time Inc. UK
1564:
1534:
1495:
1450:
1422:
1356:
1262:Konk Studios
1244:
1242:
1231:
1222:
1059:
1057:
1046:
1042:
1038:
1032:
1025:
1019:
1015:
1009:
1003:
999:
997:
991:
984:
980:
976:
972:
970:
965:
960:
955:
949:
946:The Guardian
945:
941:The National
939:
932:Tamar Shlaim
925:
921:
920:
915:
911:
906:
900:
894:
890:
884:
876:
872:
870:
832:
820:
808:
770:
758:
720:
708:
670:
634:The Guardian
632:
532:
521:
519:
498:Looney Tunes
496:
484:
478:
468:
464:
439:
437:
430:
417:
415:
405:
399:
394:The Guardian
392:
388:
384:
380:
378:
372:
369:
363:
361:
343:
335:
317:
311:
309:
303:
294:version of "
273:
269:
267:
233:studio album
227:
226:
225:
188:
165:
157:
156:
147:
76:experimental
37:Studio album
2476:. HDBCD024.
2384:The Quietus
2295:"Asiatisch"
1305:5 May 2014
986:The Quietus
936:Jim Carroll
475:Composition
461:orientalism
457:Edward Said
340:lead single
254:grime music
71:future bass
2649:Categories
1966:Metacritic
1855:Conde Nast
1541:Conde Nast
1429:Vice Media
1371:References
1302:Worldwide
1294:Format(s)
1140:"Shenzhen"
1096:"Szechuan"
875:magazine,
574:Metacritic
503:leitmotifs
444:slang term
292:a cappella
259:a cappella
200:"Szechuan"
138:chronology
66:Sino grime
52:5 May 2014
2570:Asiatisch
2498:Billboard
2466:Asiatisch
2099:SpinMedia
1850:Pitchfork
1536:Pitchfork
1358:Billboard
1350:position
1245:Asiatisch
1239:Personnel
1232:Pitchfork
1060:Asiatisch
1047:Asiatisch
1039:Asiatisch
1016:Asiatisch
1000:Asiatisch
981:Asiatisch
977:Asiatisch
973:Asiatisch
966:Asiatisch
922:Asiatisch
916:Asiatisch
907:Asiatisch
891:Asiatisch
877:Asiatisch
760:Pitchfork
540:Reception
523:Pitchfork
511:Logic Pro
489:sinogrime
485:Asiatisch
469:Asiatisch
465:Asiatisch
440:Asiatisch
418:Asiatisch
406:Asiatisch
389:Asiatisch
385:Asiatisch
373:Asiatisch
364:Asiatisch
336:Asiatisch
320:a capella
312:Asiatisch
304:Asiatisch
270:Asiatisch
250:sinogrime
239:musician
228:Asiatisch
158:Asiatisch
86:vaporwave
22:Asiatisch
2616:Shaneera
2489:Archived
2474:Hyperdub
2468:(2014).
2450:musicOMH
2441:Archived
2410:Archived
2355:Archived
2331:Archived
2298:Archived
2272:Archived
2246:Archived
2227:Exclaim!
2219:Archived
2202:Exclaim!
2193:Archived
2165:Archived
2143:Archived
2117:Archived
2085:Archived
2055:Archived
2020:Archived
1997:AllMusic
1989:Archived
1958:Archived
1928:Archived
1902:Archived
1874:Archived
1841:Archived
1810:Archived
1781:Archived
1744:Archived
1716:Archived
1692:Archived
1667:Archived
1634:Archived
1591:Archived
1575:original
1527:Archived
1488:Archived
1457:original
1415:Archived
1330:Hyperdub
1312:Cassette
1107:"Wudang"
1034:musicOMH
930:, where
912:Exclaim!
902:Exclaim!
886:The Wire
597:AllMusic
493:Hyperdub
448:shanzhai
435:(1955).
350:Hyperdub
332:MoMA PS1
275:The Wire
245:Hyperdub
124:Producer
117:Hyperdub
49:Released
39: by
1288:Region
1227:(1955).
515:Korg M1
491:album;
427:Sichuan
356:Concept
282:History
237:Kuwaiti
185:Singles
171:(2016)
162:(2014)
153:(2012)
81:minimal
2595:Warn-U
1789:Dusted
1725:Rookie
1338:Charts
1297:Label
1266:London
1077:Length
992:Dusted
765:7.2/10
591:Rating
588:Source
578:67/100
558:Rating
555:Source
533:Dusted
381:Dusted
345:Rookie
338:. The
302:is on
300:Prince
189:Brute
95:Length
2626:With
2577:Brute
2363:Crack
2125:Crack
1882:Dummy
1700:Dummy
1676:Dazed
1599:Igloo
1424:Thump
1291:Date
1214:" by
1197:36:52
1074:Title
961:Crack
873:Crack
815:3.5/5
487:is a
481:grime
326:" by
298:" by
187:from
167:Brute
112:Label
58:Genre
2307:Fact
2094:Spin
1753:Fact
1348:Peak
1187:1:17
1176:5:28
1165:1:52
1154:5:32
1143:3:45
1132:2:58
1121:1:12
1110:5:29
1099:4:49
1088:4:30
951:Fact
827:8/10
822:Spin
715:5/10
672:Mojo
568:7/10
529:trap
2278:.
2064:Now
1566:NME
1364:15
1264:in
1181:10.
1070:No.
1027:NME
1005:Now
722:Now
710:NME
379:As
235:of
2651::
2501:.
2495:.
2472:.
2458:^
2447:.
2427:^
2416:.
2392:^
2381:.
2370:^
2361:.
2337:.
2319:^
2310:.
2304:.
2252:.
2225:.
2199:.
2182:^
2171:.
2154:^
2132:^
2123:.
2106:^
2097:.
2091:.
2067:.
2061:.
2041:^
2032:.
2026:.
2008:^
1999:.
1995:.
1977:^
1968:.
1964:.
1943:^
1934:.
1917:^
1908:.
1889:^
1880:.
1862:^
1853:.
1847:.
1825:^
1816:.
1796:^
1787:.
1765:^
1756:.
1750:.
1733:^
1722:.
1698:.
1673:.
1655:^
1646:.
1640:.
1606:^
1597:.
1569:.
1563:.
1548:^
1539:.
1533:.
1505:^
1494:.
1464:^
1449:.
1436:^
1427:.
1421:.
1379:^
1361:)
1317:CD
1247:.
1170:9.
1159:8.
1148:7.
1137:6.
1126:5.
1115:4.
1104:3.
1093:2.
1082:1.
1062:.
104:52
100:36
2547:e
2540:t
2533:v
1218:.
772:Q
446:"
306:.
102::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
