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416:, Vincent wrote, "While painting at Asnières, I saw more colors than I have ever seen before." Instead of working in the somber colors of his early work, he embraced the use of color and light of the Impressionists. Also influenced by Pointillism, van Gogh modified his traditional style and used vivid color, shorter brushstrokes and perspective to engage the viewer. His views of the banks of the Seine are an important progression for his later landscape paintings. In Asnières, within walking distance of Theo's flat in Montmartre, Vincent painted parks, cafés, restaurants and the river.
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1055:(F321) is suggested by the open door, potted plants and outdoor table. The painting portrays a mid-summer day, there is no shade and the colors of the painting are warm summer colors. The planter brims with flowering oleander blossoms. Both the composition and color scheme are simple, the key colors are yellow in the wall and paving and green in the shutters and plants. The motif was first inspired by a Parisian restaurant with a row of six planters filled with shrubs against a yellow wall with green shutters. The colors and shutters were used again in
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806:(F301) was painted in open air and bright sunlight. The scene depicts railway bridges over the river. Van Gogh uses light and reflection effectively in this painting. The stone piers of the bridge are reflected in the water and white paint is used for highlights. A woman dressed in pink with a red parasol are the focal point of the composition. The painting is part of a group of suburban landscapes along with a painting in Oxford, both of which Van Gogh had placed in red frames. Van Gogh found this setting through his friend
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427:. We painted together on the riverbanks, we lunched at roadside cafes and we returned by foot to Paris via the Avenues of Saint-Ouen and Clichy. Van Gogh, wearing the blue overalls of a zinc worker, would have little dots of color painted on his shirtsleeves. Striking quite close to me, he would be yelling, gesticulating and brandishing a large size-thirty, freshly painted canvas; in this fashion he would manage to polychrome both himself and the passers-by."
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828:(F303), "I've been worried by the sunset with figures and a bridge that I spoke of to Bernard. The bad weather prevented me working on the spot and I’ve completely ruined it trying to finish it at home. However I began again at once, the same subject on another canvas, but as the weather was quite different, in grey tones and without figures."
1197:, wrote of van Gogh's intention to portray his message of concern, "In his representations of the city he mainly paid attention to the expanding outskirts which swallowed up the countryside, whereby city and country life were often juxtaposed, sometimes in the form of trains for factories blotting the countryside." Van Gogh's painting
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preferred to show the moods and scenes of the interior of restaurants, while van Gogh often depicts exteriors, such as this painting. He uses vivid colors, yet also brought brightness to the painting with white paint, to depict a summer day. In the foreground three men sit at a table, one of whom is
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Longing for tranquil settings, van Gogh began to paint in Asnières in April 1887 where fellow artists Signac and
Bernard lived. Beyond the city fortifications and along the banks of the Seine, lay Asnières and the island of Grand Jatte. He experimented with a lighter, more colorful palette than used
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and his parents in Asnières and the budding spring seemed to trigger an awakening within van Gogh where he experimented with the genres to develop his personal style. In a country setting, undergoing industrialization, van Gogh was able to depict his reverence for rural life and express concern about
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The summer park scene, one of his largest canvases, was one of the first paintings that van Gogh exhibited in Paris. Here he integrated what he had learned of
Impressionism and Pointillism into his own version of Pointillism. He used a combination of carefully placed small dots and more expressive
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Van Gogh's work in his first year in Paris retained much of the somber attitude and colors of his paintings from the
Netherlands. During the spring of 1887 he stayed with Émile Bernard at Bernard's parents home in Asnières. During that time van Gogh began to incorporate the influences he had been
1133:"To wander in a kind of reverie, to take a stroll as they call it, is a good way for a philosopher to spend his time: particularly in that kind of bastard countryside, somewhat ugly but bizarre, made up of two different natures, which surrounds certain great cities, notably Paris. To observe the
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is to observe an amphibian. End of trees, beginning of roofs, end of grass, beginning of paving stones, end of ploughed fields, beginning of shops, the end of the beaten track, the beginning of passions, the end of the murmur or things divine, the beginning of the noise of humankinds – all this
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is a modern landscape depicting industrial growth as it takes over rural plains, a phenomenon called by some "banlieue" or "terrain vague". A fence demarcates the line between the flowing rural field and emission-generating industrial complex. Van Gogh has used horizontal bands to deliberately
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In the two years, from 1886 through 1888, van Gogh emerged as a sophisticated, thoughtful and provoking artist. It is through association with artists in Paris that he began to dream of a utopian artists community where "like-minded" individuals would realize "the perfect art."
767:" who was influenced by Seurat's style that rejected realism and idealism to create a new genre based upon abstraction and simplicity. Van Gogh learned from Seurat the beauty in simplicity and a means to convey messages in a more optimistic, light way than was his work in the
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exposed to over the past year. His work lightened in "sun-drenched studies". Landscapes began to dominate his subject matter, painted in "the glory of summer and the rich colors of the vegetation". He now caught the sunlight between the leaves.
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Anatole, a painter, meets up with his friends near a riverside cabaret, and they all got into his boat "comrades of both sexes, approximations of painters, species of artists, vague women known only by nicknames, actresses from
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encroachment of industrialization. With new techniques, van Gogh produced paintings evoked tenderness of couples taking a walk in the park or social commentary about the ways in which factories affected country life.
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techniques to paint woven fabrics, such as the couple in an Asnières park who share an interlocking pattern in their woven clothes. He collected yarn in different colors and tones to test color contrasts, just as
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202:, a successful Parisian art dealer, provided Vincent the support and connections for an immersion in modern art. In the Netherlands van Gogh was influenced by great Dutch masters, as well as his cousin-in-law
737:(F304) is a painting made by van Gogh of a favored area on the Seine near Asnières. It was made during a period where he explored the use of "dots" of paint set alongside contrasting colors, influenced by
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with space for a studio for
Vincent. Three months later van Gogh abandoned his studies with Cormon, but his education continued as he met local artists. During 1886 he was introduced to
845:(F299) illustrates van Gogh's technique of using "short, rapid strokes of color the capture the atmosphere of a particular place", something he used with other paintings along the Seine.
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greatly influenced van Gogh, both for the beautiful subject matter and the style of flat patterns of colors, without shadow. Van Gogh arranged an exhibit in Paris of
Japanese prints at
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holds an extraordinary interest. And, thus, in these unattractive places, forever marked by the passer-by with the epithet sad, the promenades, apparently aimless, of the dreamer.
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had when he developed his theory on complementary color. The Van Gogh Museum claims that the painting was made in or near
Montmartre which about 7 kilometers from Asnières.
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made in 1887. The works, which include parks, restaurants, riverside settings and factories, mark a breakthrough in van Gogh's artistic development. In the
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artists of the time, but in practice his work in 1886 and early 1887 varied little from his paintings in the
Netherlands. In the early 1887 he stayed with
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400:(English: in the open), for the interesting scenery: bridges over the Seine, boats along the banks of the river, outdoor cafés and treed settings.
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Van Gogh was identified as one of the first, with other
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depict the earthy hues and movement of the field in contrast to the solid, carefully drawn geometric shapes of the factories and chimneys.
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dashes, like those in the sky, of varying color placed side by side into what is considered his most pointillistic painting. Van Gogh used
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collection until 1894. Julien (Père) Tanguy sold art supplies and was an art dealer who took paintings as payment for paints, which
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1020:(F313) van Gogh is clearly influenced by the Impressionist movement, while making it very much his own style. Impressionists like
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To van Gogh, industrialization meant loss of a revered lifestyle, the simple life of the peasant. Paul van der Grijp, author of
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As industrialization spread across the
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and a significant early influence on his cousin-in-law van Gogh. In Paris van Gogh was exposed to and influenced by
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that some of the van Gogh's Paris works featured "smart restaurants decorated with colored awnings and oleanders".
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771:. While he could not match Seurat's precision, aspects of Pointillism were integrated into van Gogh's work.
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814:. Over the two years that Van Gogh was in Paris he made several paintings of bridges crossing the Seine.
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Collection Tan Sri Lim Kok Thay, Malaysia (on loan to cruise ship "Norwegian Pearl") (F362)
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The pursuit of spiritual wisdom: the thought and art of
Vincent van Gogh and Paul Gauguin
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330:Émile Bernard and Vincent van Gogh (his back to the camera) along the Seine in Asnières
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During van Gogh's first twelve months in Paris he absorbed a lot of information about
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in Paris, van Gogh began experimenting with related techniques, first on a series of
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and used a technique of placing colored dots on a work which led a movement called "
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The painting seems to illustrate a line from one of van Gogh's favorite novels,
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in the small dots for the trees, larger dots in the sky and dashes for water.
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In 1886 van Gogh left the Netherlands for Paris never to return. His brother
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1203:(F264) illustrates the looming encroachment of factories to the countryside.
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and a significant early influence. Starting March 1886 van Gogh studied with
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1987:. Hatje Cantz Publishers for Toledo Museum of Art Exhibition. p. 50.
1367:. Hatje Cantz Publishers for Toledo Museum of Art Exhibition. p. 10.
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1242:, but van Gogh may have been most intrigued by a work he saw at the 1886
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1549:. Carlton, Victoria: Melbourne University Publishing. pp. 145–146.
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Signac commented on meeting up with van Gogh, "I would encounter him at
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The First Moderns: Profiles in the Origins of Twentieth-century Thought
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From the Classists to the Impressionists (A Documentary History of Art)
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370:, a town in the northern suburbs of Paris located on the banks of the
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2095:. New York and Toronto: Random House Trade Paperbacks. p. 20.
2008:
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Art and Exoticism: An Anthropology of the Yearning for Authenticity
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Art and Exoticism: An Anthropology of the Yearning for Authenticity
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1851:. New York: Arno Press for The Museum of Modern Art. p. 70.
2122:. Carbondale: Southern Illinois University Press. p. 2008.
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A remarkable friendship: Vincent van Gogh and John Peter Russell
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is believed to decorate the wall in another Van Gogh painting,
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Many of the Impressionist artists also shared his interest in
1707:" Information was also taken from the video on this web page.
2068:. Cranbury: Associated University Presses. pp. 55, 59.
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is harnessed to create light and reflection of the water.
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A Sunday Afternoon on the Island of La Grande Jatte – 1884
1693:"Garden with courting couples: Square Saint-Pierre, 1887"
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before he moved on to larger, more complex compositions.
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Rediscovering History: Culture, Politics, and the Psyche
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Virginia Museum of Fine Arts, Richmond, Virginia (F311)
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and Signac. Having been introduced to Impressionism and
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Online Collections, Search paintings (search on "Gogh")
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Garden with courting couples: Square Saint-Pierre, 1887
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Impressionists were interested in painting this area,
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The Vital Art of D.H. Lawrence: Vision and Expression
1738:. Stanford: Stanford University Press. p. 164.
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Yale University Art Gallery, New Haven, Conn. (F276)
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Farmhouses in Loosduinen near The Hague at Twilight
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A Girl in the Street, Two Coaches in the Background
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2041:. New York: W. W. Norton and Company. p. 143.
1636:. New York: Philosophical Library. pp. 121–5.
1425:. Vol. 1. Yale University Press. p. 472.
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A Sunday Afternoon on the Island of La Grande Jatte
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2941:Agostina Segatori Sitting in the Café du Tambourin
2913:View of Paris from Vincent's Room in the Rue Lepic
2726:Congregation Leaving the Reformed Church in Nuenen
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1574:"The Seine with the Pont de la Grande Jatte, 1887"
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1263:Factories at Asnières Seen from the Quai de Clichy
1208:Factories at Asnières Seen from the Quai de Clichy
1161:Factories at Asnières Seen from the Quai de Clichy
763:". Van Gogh was one of the artists later called "
187:View of Paris from Vincent's Room in the Rue Lepic
1767:. Chicago: University of Chicago Press. pp.
1511:Impressionism: Art, Leisure, and Parisian Society
1339:. Alexandria, VA, USA: Time-Life Books. pp.
408:. When painting with Bernard, they often painted
1901:. United Kingdom: Simon & Schuster. p.
1879:. University of Oxford – Ashmolean Museum. 2011.
1186:The Barnes Foundation, Merion Station, PA (F318)
1025:wearing a blue shirt and yellow straw hat, that
545:Couples in the Voyer d'Argenson Park at Asnières
538:Couples in the Voyer d'Argenson Park at Asnières
500:Couples in the Voyer d'Argenson Park at Asnières
106:, is the subject and location of paintings that
24:Fishing in Spring, the Pont de Clichy (Asnières)
16:Location and painting series by Vincent van Gogh
3244:A Meadow in the Mountains: Le Mas de Saint-Paul
3092:Memory of the Garden at Etten (Ladies of Arles)
1983:Hansen; Nichols; Sund; Knudsen; Bremen (2003).
1363:Hansen; Nichols; Sund; Knudsen; Bremen (2003).
1005:(F312) in the dashes of paint in bright color.
883:Walk Along the Banks of the Seine Near Asnières
839:Walk Along the Banks of the Seine Near Asnières
833:Walk Along the Banks of the Seine Near Asnières
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1798:. Kessinger Publishing, LLC. pp. 86–91.
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1461:. Minneapolis: The Oliver Press. p. 26.
1331:Wallace, R (1969). of Time-Life Books (ed.).
1123:wrote a passage added to the 1861 edition of
600:Entrance of Voyer d'Argenson Park at Asnières
8:
4007:Paintings in the Nelson-Atkins Museum of Art
2227:Nazi looting of artworks by Vincent van Gogh
1932:The Nineteenth-century Visual Culture Reader
1394:"Bridges Across the Seine at Asnières, 1887"
1166:The Saint Louis Art Museum, St. Louis (F317)
3451:Peasant Woman Against a Background of Wheat
3314:View of the Asylum and Chapel of Saint-Rémy
2803:Head of an Old Farmer's Wife in a White Hat
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1057:Vincent's House in Arles (The Yellow House)
1029:finds is suggestive of the artist himself.
624:Corner of Voyer d'Argenson Park at Asnières
581:Avenue in Voyer d'Argenson Park at Asnières
3860:"Vincent and the Doctor" (2010 TV episode)
2849:Skull of a Skeleton with Burning Cigarette
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1001:Impressionistic influences are evident in
735:The Seine with the Pont de la Grande Jatte
729:The Seine with the Pont de la Grande Jatte
669:The Seine with the Pont de la Grande Jatte
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1935:. New York: Routledge. pp. 178–183.
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527:Lane in Voyer d'Argenson Park at Asnières
521:Lane in Voyer d'Argenson Park at Asnières
480:Lane in Voyer d'Argenson Park at Asnières
2701:Three Figures near a Canal with Windmill
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210:painter who was a leading member of the
126:painter who was a leading member of the
3997:Series of paintings by Vincent van Gogh
3544:Meadows near Rijswijk and the Schenkweg
3251:A Road at Saint-Remy with Female Figure
2592:Beach at Scheveningen in Stormy Weather
2092:Color: A Natural History of the Palette
1663:Van Gogh's Table: At the Auberge Ravoux
1490:"Le restaurant de la Sirène à Asnières"
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1035:The Restaurant de la Sirène at Asnières
1018:The Restaurant de la Sirène at Asnières
1010:The Restaurant de la Sirène at Asnières
1003:The Restaurant de la Sirène at Asnières
995:The Restaurant de la Sirène at Asnières
978:The Restaurant de la Sirène at Asnières
958:The Restaurant de la Sirène at Asnières
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3992:Paintings of Paris by Vincent van Gogh
2934:Imperial Fritillaries in a Copper Vase
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926:Bathing Float on the Seine at Asnières
382:wrote of Asnieres in their 1867 novel
3493:Prisoners' Round (after Gustave Doré)
3395:Landscape with a Carriage and a Train
3159:Valley with Ploughman Seen from Above
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720:Foundation E.G. Bührle, Zurich (F301)
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3064:A Lane in the Public Garden at Arles
1072:Exterior of a Restaurant at Asnières
1053:Exterior of a Restaurant at Asnières
1046:Exterior of a Restaurant at Asnières
804:Bridges across the Seine at Asnières
798:Bridges across the Seine at Asnières
715:Bridges across the Seine at Asnières
3050:The Painter on the Road to Tarascon
2652:Landscape with a Church at Twilight
1962:. Berlin: Lit Verlag. p. 108.
1929:Schwartz, V; Przyblyski, J (2004).
1873:"Restaurant de la Sirène, Asnières"
3713:Monastery of Saint-Paul de Mausole
2874:Vase with White and Red Carnations
14:
3166:View of Arles, Flowering Orchards
3120:Arles: View from the Wheat Fields
3106:Interior of a Restaurant in Arles
2842:Peasant Woman Digging Up Potatoes
2309:Still life paintings, Netherlands
2019:from the original on 22 May 2011.
1666:. New York: Artisan. p. 20.
1335:The World of Van Gogh (1853–1890)
1305:List of works by Vincent van Gogh
1295:made in 1873 is another example.
1244:Société des Artistes Indépendants
1093:The Rispal Restaurant at Asnières
908:The Seine with the Pont de Clichy
230:artists and their works, such as
191:Van Gogh Museum, Amsterdam (F341)
3458:Still Life: Vase with Pink Roses
3374:Doctor Gachet's Garden in Auvers
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3616:Old Vineyard with Peasant Woman
3536:Boy Cutting Grass with a Sickle
3507:Landscape at Auvers in the Rain
3237:Self-Portrait with Bandaged Ear
3036:Portrait of the Artist's Mother
2994:Still Life: Vase with Oleanders
2449:Décoration for the Yellow House
2206:The Letters of Vincent van Gogh
1419:Basye Gilmore Holt, E (1986) .
1273:said made entering his shop in
1059:that he made in Arles in 1888.
1033:is believed to be referring to
963:Ashmolean Museum, Oxford (F312)
810:whom he met when studying with
3667:Torso of Venus and a Landscape
3659:Portrait of a Man in a Top Hat
3552:The 'Laakmolen' near The Hague
3479:Wheatfield Under Thunderclouds
3286:Green Wheat Field with Cypress
2740:Landscape with Pollard Willows
2733:The Parsonage Garden at Nuenen
2563:Lost works by Vincent van Gogh
1605:"Restaurant at Asnières, 1887"
1:
3966:Van Gogh immersive experience
3912:Theo van Gogh (film director)
3600:Drawbridge in Nieuw-Amsterdam
2537:Saint-Paul Asylum, Saint-Rémy
1795:Vincent van Gogh: A Biography
1633:The Life and Work of Van Gogh
1265:(F317), the work was part of
457:Square Saint-Pierre at Sunset
3738:Portrait of Vincent van Gogh
3444:Blossoming Chestnut Branches
3360:Thatched Cottages and Houses
3300:The Ravine of the Peyroulets
2280:Van Gogh's family in his art
1826:. Van Gogh Museum. 2005–2011
1699:. Van Gogh Museum. 2005–2011
1611:. Van Gogh Museum. 2005–2011
1580:. Van Gogh Museum. 2005–2011
858:The Seine Bridge at Asnières
3560:Church Pew with Worshippers
3258:Enclosed Field with Peasant
3230:Self-portrait without beard
3029:Starry Night Over the Rhône
2927:A Woman Walking in a Garden
2796:Avenue of Poplars at Sunset
2789:Avenue of Poplars in Autumn
2349:Still life paintings, Paris
1660:Leaf, A; Lebain, F (2001).
1515:. Yale University. p.
1291:(F318) Armand Guillaumin's
1099:Nelson-Atkins Museum of Art
4033:
3946:(1978, revised 1989; "JH")
3592:Landscape with Wheelbarrow
3465:Portrait of Adeline Ravoux
3346:Road with Cypress and Star
3279:Wheat Field with Cypresses
2966:Madame Roulin and Her Baby
2754:Cart with Red and White Ox
2599:Girl in White in the Woods
2418:Copies by Vincent van Gogh
2317:Old Church Tower at Nuenen
2015:. Saint Louis Art Museum.
1717:: CS1 maint: postscript (
1051:The building's purpose in
642:Park at Asnières in Spring
629:Private collection (F315)
587:Private collection (F277)
3786:Vincent and Theo van Gogh
3746:The Painter of Sunflowers
2821:Still Life with Straw Hat
2666:Footbridge across a Ditch
2273:Peasant Character Studies
1956:van der Griip, P (2009).
1820:"Bank of the Seine, 1887"
1792:Meier-Graefe, J (2006) .
913:Private Collection (F303)
824:Van Gogh wrote of making
28:
3938:Jacob Baart de la Faille
3698:Van Gogh House (Drenthe)
2687:Farm with Stacks of Peat
2425:Langlois Bridge at Arles
1400:. Foundation E.G. Bührle
531:Interior of a Restaurant
366:/a-nee-air/), now named
354:Art Institute of Chicago
91:Art Institute of Chicago
3902:Johanna van Gogh-Bonger
3643:Marsh with Water Lilies
3437:The Town Hall at Auvers
2948:Red Cabbages and Garlic
2920:Portrait of Père Tanguy
2906:Wheat Field with a Lark
2568:Display at Les XX, 1890
2544:Auvers size 30 canvases
2341:Le Moulin de la Galette
1289:The Factory at Asnières
1181:The Factory at Asnières
1119:" or "terrain vague".
944:Restaurants at Asnières
404:in his early Dutch and
376:fortifications of Paris
114:his work was shaped by
3367:Portrait of Dr. Gachet
3173:Portrait of Doctor Rey
3141:Orchard with Cypresses
2768:Water Mill at Opwetten
2638:Farmhouses Among Trees
1630:Nordenfalk, C (1953).
1142:
745:. In 1885 Seurat made
692:The Banks of the Seine
566:Michel Eugène Chevreul
3793:"Vincent" (1971 song)
3708:Kröller-Müller Museum
3568:Woman on Her Deathbed
3486:Wheatfield with Crows
3321:The Large Plane Trees
3134:Farmhouse in Provence
3071:Falling Autumn Leaves
3022:Café Terrace at Night
2867:Vase with Red Poppies
2835:Peasant Woman Digging
2489:Paintings of Children
2411:Trees and Undergrowth
2242:Lost Arles sketchbook
2009:"Factories at Clichy"
1214:Factories at Asnières
1147:Factories at Asnières
1131:
1037:when he recounted to
843:Riverbank at Asnières
785:(F293) van Gogh uses
350:Georges-Pierre Seurat
153:from the best of the
3940:(1928 and 1970; "F")
3576:Landscape with Trees
3409:The Church at Auvers
3388:White House at Night
3127:Sunset at Montmajour
2775:Water Mill at Kollen
2659:Landscape with Dunes
2301:Water Mill at Gennep
1824:Permanent Collection
1759:Everdell, W (1997).
1697:Permanent Collection
1609:Permanent Collection
1578:Permanent Collection
1543:Galbally, A (2008).
1455:Crispino, E (1996).
891:, Amsterdam (F299)
543:Van Gogh's painting
406:Montmartre paintings
2973:Landscape with Snow
2237:Cultural depictions
2116:Stewart, J (1999).
2062:Maurer, N (1999) .
1507:Herbert, R (1988).
1282:Factory at Asnières
864:Museum of Fine Arts
826:Bridges of Asnières
765:Post-Impressionists
116:great Dutch masters
4017:River Seine in art
4002:Maritime paintings
3874:At Eternity's Gate
3847:Vincent in Brixton
3807:Vincent & Theo
3584:Peatery in Drenthe
3353:At Eternity's Gate
2747:Cart with Black Ox
2680:A Wind-Beaten Tree
2631:Cows in the Meadow
2473:Flowering Orchards
2371:Outskirts of Paris
2089:Finlay, V (2002).
2013:Search Collections
1897:Van Gogh's Gardens
1556:978-0-5228-5376--6
1200:Outskirts of Paris
1080:, Amsterdam (F321)
904:Bridge of Asnières
819:Bridge of Asnières
700:, Amsterdam (F293)
677:, Amsterdam (F304)
508:, Amsterdam (F314)
465:, Amsterdam (F275)
368:Asnières-sur-Seine
310:Asnières-sur-Seine
104:Asnières-sur-Seine
3974:
3973:
3961:The Vincent Award
3922:Johannes Stricker
3523:
3522:
3472:Plain near Auvers
3423:Farms near Auvers
3416:Daubigny's Garden
3113:A Lane near Arles
2828:The Potato Eaters
2782:Village at Sunset
2465:Hospital in Arles
2457:The Roulin Family
1969:978-3-8258-1667-4
1845:Barr, A (1966) .
1240:Armand Guillaumin
783:Bank of the Seine
776:Bank of the Seine
753:Neo-Impressionism
741:, who introduced
443:Parks at Asnières
412:. To his sister
380:Goncourt brothers
300:Café du Tambourin
282:wood block prints
260:Armand Guillaumin
97:
96:
4024:
3854:The Yellow House
3730:Vincent van Gogh
3635:87 Hackford Road
3381:Houses at Auvers
3208:The Starry Night
3180:Crab on its Back
3085:The Red Vineyard
3043:Bedroom in Arles
3015:Van Gogh's Chair
3008:The Yellow House
2673:Marshy Landscape
2581:
2195:List of drawings
2171:Vincent van Gogh
2164:
2157:
2150:
2141:
2134:
2133:
2113:
2107:
2106:
2086:
2080:
2079:
2059:
2053:
2052:
2035:Gay, P (1999) .
2032:
2021:
2020:
2005:
1999:
1998:
1985:Van Gogh: Fields
1980:
1974:
1973:
1953:
1947:
1946:
1926:
1917:
1916:
1900:
1893:Fell, D (2001).
1890:
1881:
1880:
1869:
1863:
1862:
1848:Vincent van Gogh
1842:
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1809:
1789:
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1766:
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1732:Roth, M (1994).
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1498:
1497:
1496:. Musee d'Orsay.
1486:
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1452:
1437:
1436:
1416:
1410:
1409:
1407:
1405:
1390:
1379:
1378:
1365:Van Gogh: Fields
1360:
1345:
1344:
1338:
1328:
1232:Camille Pissarro
1177:
1157:
1089:
1068:
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384:Manette Salomon.
341:
327:
284:. The works of
183:
108:Vincent van Gogh
42:Vincent van Gogh
33:
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3926:
3880:
3748:(1888 painting)
3732:(1886 painting)
3717:
3703:Maison Van Gogh
3693:Van Gogh Museum
3681:
3622:
3519:
3326:
3146:
2953:
2886:
2854:
2808:
2706:
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2572:
2497:The Wheat Field
2481:Almond Blossoms
2252:
2246:
2232:Posthumous fame
2173:
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1257:Based upon the
1252:Terrains Vagues
1248:Charles Angrand
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1078:Van Gogh Museum
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889:Van Gogh Museum
887:
886:June–July, 1887
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410:in the open air
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264:Lucien Pissarro
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144:woodblock print
142:, and Japanese
72:
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5:
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4012:Bridges in art
4009:
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3987:1887 paintings
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3907:Andries Bonger
3904:
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3881:
3879:
3878:
3870:
3866:Loving Vincent
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3815:Vincent and Me
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3675:Head of a Girl
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3638:(1873 or 1874)
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1126:Les Misérables
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272:self-portraits
252:Louis Anquetin
244:Georges Seurat
240:Auguste Renoir
216:Fernand Cormon
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3808:
3804:
3802:
3800:
3796:
3794:
3791:
3789:
3788:(1963 statue)
3787:
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3781:
3779:
3775:
3773:
3771:
3770:Lust for Life
3767:
3765:
3763:
3759:
3757:
3755:
3754:Lust for Life
3751:
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3404:
3403:
3402:Girl in White
3399:
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3241:
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3231:
3227:
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3223:
3222:Self-portrait
3219:
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3210:
3209:
3205:
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3110:
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3082:
3080:
3079:
3075:
3073:
3072:
3068:
3066:
3065:
3061:
3059:
3058:
3057:Les Alyscamps
3054:
3052:
3051:
3047:
3045:
3044:
3040:
3038:
3037:
3033:
3031:
3030:
3026:
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3023:
3019:
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3010:
3009:
3005:
3003:
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2924:
2922:
2921:
2917:
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2914:
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2903:
2901:
2900:
2899:Poppy Flowers
2896:
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2893:
2889:
2883:
2882:
2878:
2876:
2875:
2871:
2869:
2868:
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2603:
2601:
2600:
2596:
2594:
2593:
2589:
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2586:
2582:
2579:
2577:Oil paintings
2575:
2569:
2566:
2564:
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2558:
2557:
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2240:
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2218:
2215:
2213:
2210:
2208:
2207:
2203:
2201:
2198:
2196:
2193:
2191:
2190:List of works
2188:
2186:
2183:
2182:
2180:
2176:
2172:
2165:
2160:
2158:
2153:
2151:
2146:
2145:
2142:
2131:
2129:0-8093-2168-8
2125:
2121:
2120:
2112:
2109:
2104:
2102:0-8129-7142-6
2098:
2094:
2093:
2085:
2082:
2077:
2075:0-8386-3749-3
2071:
2067:
2066:
2058:
2055:
2050:
2048:0-393-31827-3
2044:
2040:
2039:
2038:Pleasure Wars
2031:
2029:
2027:
2023:
2018:
2014:
2010:
2004:
2001:
1996:
1994:3-7757-1131-7
1990:
1986:
1979:
1976:
1971:
1965:
1961:
1960:
1952:
1949:
1944:
1942:0-415-30866-6
1938:
1934:
1933:
1925:
1923:
1919:
1914:
1912:0-7432-0233-3
1908:
1904:
1899:
1898:
1889:
1887:
1883:
1878:
1874:
1868:
1865:
1860:
1858:0-7146-2039-4
1854:
1850:
1849:
1841:
1838:
1825:
1821:
1815:
1812:
1807:
1805:1-4286-5400-3
1801:
1797:
1796:
1788:
1785:
1780:
1778:0-226-22480-5
1774:
1770:
1765:
1764:
1755:
1752:
1747:
1745:0-8047-2313-3
1741:
1737:
1736:
1728:
1725:
1720:
1714:
1698:
1694:
1688:
1686:
1684:
1680:
1675:
1673:9781579653156
1669:
1665:
1664:
1656:
1654:
1650:
1645:
1643:9781428657250
1639:
1635:
1634:
1626:
1623:
1610:
1606:
1600:
1598:
1596:
1592:
1579:
1575:
1569:
1567:
1563:
1558:
1552:
1548:
1547:
1539:
1537:
1533:
1528:
1526:0-300-04262-0
1522:
1518:
1513:
1512:
1503:
1500:
1495:
1491:
1485:
1483:
1481:
1479:
1475:
1470:
1468:9781934545058
1464:
1460:
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1447:
1445:
1443:
1439:
1434:
1432:0-300-03692-2
1428:
1424:
1423:
1415:
1412:
1399:
1395:
1389:
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1385:
1381:
1376:
1374:3-7757-1131-7
1370:
1366:
1359:
1357:
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1347:
1342:
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1336:
1327:
1325:
1323:
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1310:
1306:
1303:
1302:
1298:
1296:
1294:
1290:
1283:
1280:
1278:
1276:
1272:
1271:Émile Bernard
1268:
1267:Père Tanguy's
1264:
1260:
1255:
1253:
1249:
1245:
1241:
1237:
1233:
1229:
1225:
1224:
1218:
1215:
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1202:
1201:
1196:
1182:
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1138:
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1128:
1127:
1122:
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1100:
1094:
1088:
1083:
1079:
1073:
1067:
1062:
1060:
1058:
1054:
1047:
1044:
1042:
1040:
1036:
1032:
1031:Émile Bernard
1028:
1023:
1019:
1011:
1008:
1006:
1004:
996:
993:
985:
984:Musée d'Orsay
979:
973:
959:
953:
936:
927:
921:
916:
909:
905:
899:
894:
890:
884:
878:
873:
869:
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853:
848:
846:
844:
840:
834:
831:
829:
827:
820:
817:
815:
813:
809:
808:Émile Bernard
805:
799:
796:
794:
792:
791:Impressionism
788:
784:
777:
774:
772:
770:
766:
762:
758:
754:
750:
749:
744:
740:
736:
730:
727:
716:
710:
699:
695:May–June 1887
693:
687:
676:
670:
664:
652:
643:
637:
632:
625:
619:
614:
611:
607:
606:Israel Museum
601:
595:
590:
582:
576:
571:
569:
567:
562:
556:
554:
550:
546:
539:
534:
532:
528:
522:
517:
507:
501:
495:
481:
475:
464:
458:
452:
435:
430:
428:
426:
422:
417:
415:
411:
407:
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398:
392:
390:
385:
381:
377:
374:and near the
373:
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346:
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326:
309:
307:
303:
301:
297:
293:
289:
288:
283:
280:
275:
273:
269:
265:
261:
257:
256:Émile Bernard
253:
249:
245:
241:
237:
233:
229:
228:Impressionist
225:
221:
217:
213:
209:
205:
201:
188:
182:
170:
165:
163:
160:
159:Émile Bernard
156:
152:
147:
145:
141:
137:
133:
132:Impressionism
129:
125:
121:
117:
113:
109:
105:
101:
92:
89:
85:
82:
81:Oil on canvas
79:
75:
69:
66:
64:
61:
60:
58:
54:
50:
46:
43:
40:
36:
32:
27:
22:
19:
3897:Wil van Gogh
3873:
3865:
3853:
3846:
3838:
3833:(1990 opera)
3830:
3822:
3814:
3806:
3798:
3785:
3780:(1956 opera)
3777:
3769:
3761:
3756:(1934 novel)
3753:
3745:
3737:
3729:
3673:
3665:
3657:
3649:
3641:
3633:
3614:
3608:Breton Women
3606:
3598:
3590:
3582:
3574:
3566:
3558:
3550:
3542:
3534:
3528:Watercolours
3512:
3505:
3498:
3491:
3484:
3477:
3470:
3463:
3456:
3449:
3442:
3435:
3428:
3421:
3414:
3407:
3400:
3393:
3386:
3379:
3372:
3365:
3358:
3351:
3344:
3337:
3319:
3312:
3305:
3298:
3291:
3284:
3277:
3270:
3263:
3256:
3249:
3242:
3235:
3228:
3221:
3215:The Gardener
3213:
3206:
3199:
3192:
3185:
3178:
3171:
3164:
3157:
3139:
3132:
3125:
3118:
3111:
3104:
3097:
3090:
3083:
3078:L'Arlésienne
3076:
3069:
3062:
3055:
3048:
3041:
3034:
3027:
3020:
3013:
3006:
2999:
2992:
2985:
2978:
2971:
2964:
2946:
2939:
2932:
2925:
2918:
2911:
2904:
2897:
2879:
2872:
2865:
2847:
2840:
2833:
2826:
2819:
2801:
2794:
2787:
2780:
2773:
2766:
2759:
2752:
2745:
2738:
2731:
2724:
2717:
2699:
2692:
2685:
2678:
2671:
2664:
2657:
2650:
2643:
2636:
2629:
2611:
2604:
2597:
2590:
2555:
2551:
2535:
2527:
2521:Wheat Fields
2519:
2511:
2503:
2495:
2487:
2479:
2471:
2463:
2455:
2447:
2439:
2431:
2423:
2409:
2401:
2395:Japonaiserie
2393:
2385:
2378:
2377:
2369:
2355:
2347:
2339:
2333:Wheat Fields
2331:
2323:
2315:
2307:
2299:
2291:
2271:
2204:
2118:
2111:
2091:
2084:
2064:
2057:
2037:
2012:
2003:
1984:
1978:
1958:
1951:
1931:
1896:
1876:
1867:
1847:
1840:
1828:. Retrieved
1823:
1814:
1794:
1787:
1762:
1754:
1734:
1727:
1701:. Retrieved
1696:
1662:
1632:
1625:
1613:. Retrieved
1608:
1582:. Retrieved
1577:
1545:
1510:
1502:
1493:
1457:
1421:
1414:
1402:. Retrieved
1397:
1364:
1334:
1292:
1288:
1286:
1281:
1262:
1256:
1251:
1236:Claude Monet
1221:
1219:
1213:
1212:
1207:
1198:
1194:
1192:
1184:Summer, 1887
1180:
1164:Summer, 1887
1160:
1134:
1132:
1124:
1114:
1096:Summer, 1887
1092:
1075:Summer, 1887
1071:
1056:
1052:
1050:
1045:
1034:
1017:
1016:In creating
1015:
1009:
1002:
1000:
994:
981:Summer, 1887
977:
961:Spring, 1887
957:
929:Summer, 1887
925:
907:
903:
882:
861:Summer, 1887
857:
842:
841:also called
838:
837:
832:
825:
823:
818:
803:
802:
797:
782:
780:
775:
746:
734:
733:
728:
718:Summer, 1887
714:
691:
672:Summer, 1887
668:
645:Spring, 1887
641:
627:Summer, 1887
623:
599:
585:Summer, 1887
580:
557:
552:
544:
542:
537:
530:
526:
525:
520:
514:
499:
483:Spring, 1887
479:
456:
418:
402:
397:en plein air
395:
393:
383:
361:
344:
304:
285:
276:
236:Claude Monet
212:Hague School
197:
186:
148:
128:Hague School
102:, now named
99:
98:
18:
3944:Jan Hulsker
3931:Cataloguers
3917:Anton Mauve
3876:(2018 film)
3868:(2017 film)
3856:(2007 film)
3849:(2003 play)
3841:(1991 film)
3825:(1990 film)
3817:(1990 film)
3809:(1990 film)
3801:(1987 film)
3772:(1956 film)
3764:(1948 film)
3514:Poppy Field
3293:The Diggers
2645:Bulb Fields
2529:Butterflies
2513:Olive Trees
2492:(1888–1890)
2484:(1888–1890)
2420:(1887–1890)
2414:(1887–1890)
2406:(1887–1889)
2366:(1886–1889)
2336:(1885–1890)
2296:(1883–1885)
2282:(1881–1888)
2276:(1881–1885)
2268:(1881–1890)
2260:Early works
1223:L'Assommoir
1121:Victor Hugo
1103:Kansas City
1027:Paul Signac
937:Restaurants
787:Pointillism
769:Netherlands
761:Pointillism
757:Divisionism
743:Pointillism
583:(b/w copy),
561:Divisionism
268:Pointillism
248:Paul Signac
232:Edgar Degas
204:Anton Mauve
155:avant-garde
140:Pointillism
120:Anton Mauve
118:as well as
112:Netherlands
3981:Categories
3722:Portrayals
3500:Tree Roots
3339:The Siesta
3201:Lilac Bush
3099:Les Arènes
2987:The Zouave
2403:Sunflowers
2357:Montmartre
2200:Chronology
1398:Collection
1311:References
1275:Montmartre
1259:provenance
1228:Émile Zola
425:Saint-Ouen
364:pronounced
362:Asnières (
224:Montmartre
206:, a Dutch
166:Background
151:modern art
3272:Cypresses
3187:Two Crabs
2980:La Mousmé
2606:Lying Cow
2540:(1889–90)
2532:(1889–90)
2476:(1888–89)
2468:(1888–89)
2460:(1888–89)
2360:(1886–87)
2352:(1886–87)
2325:Amsterdam
2320:(1884–85)
2312:(1884–85)
2288:(1882–83)
2266:Portraits
2262:(1881–82)
2251:Groups of
2185:Biography
1250:entitled
1111:Factories
653:The Seine
610:Jerusalem
431:Paintings
292:Hiroshige
290:artists,
220:Rue Lepic
136:Symbolism
93:, Chicago
56:Catalogue
3839:Van Gogh
3778:Van Gogh
3762:Van Gogh
3627:Drawings
3430:The Cows
2719:Two Rats
2379:Asnières
2293:Cottages
2017:Archived
1830:30 April
1713:cite web
1703:30 April
1615:30 April
1584:30 April
1458:Van Gogh
1404:30 April
1299:See also
1136:banlieue
1117:banlieue
533:(F342).
421:Asnières
389:Grenelle
317:Asnières
279:Japanese
146:genres.
122:a Dutch
100:Asnières
87:Location
3954:Related
3831:Vincent
3799:Vincent
3686:Museums
2556:Squares
2550:Auvers
2178:General
1039:Vollard
870:(F240)
868:Houston
759:" and "
755:", or "
423:and at
296:Hokusai
287:ukiyo-e
208:realist
124:realist
3885:Family
3823:Dreams
3740:(1887)
3678:(1888)
3670:(1887)
3662:(1882)
3654:(1882)
3651:Sorrow
3646:(1881)
3619:(1890)
3611:(1888)
3603:(1883)
3595:(1883)
3587:(1883)
3579:(1883)
3571:(1883)
3563:(1882)
3555:(1882)
3547:(1882)
3539:(1881)
3224:(1889)
3194:Irises
2559:(1890)
2546:(1890)
2524:(1889)
2516:(1889)
2508:(1889)
2505:Reaper
2500:(1889)
2452:(1888)
2444:(1888)
2436:(1888)
2428:(1888)
2398:(1887)
2390:(1887)
2382:(1887)
2374:(1887)
2344:(1886)
2328:(1885)
2304:(1884)
2212:Health
2126:
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1966:
1939:
1909:
1855:
1802:
1775:
1742:
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1371:
1105:(F355)
1022:Renoir
1012:(F313)
997:(F312)
812:Cormon
189:, 1887
77:Medium
68:JH1270
38:Artist
2387:Seine
2253:works
2222:Death
1771:–64.
1343:, 69.
906:also
436:Parks
372:Seine
171:Paris
3331:1890
3265:Rain
3151:1889
2958:1888
2891:1887
2859:1886
2813:1885
2711:1884
2623:1883
2584:1882
2554:and
2286:Sien
2124:ISBN
2097:ISBN
2070:ISBN
2043:ISBN
1989:ISBN
1964:ISBN
1937:ISBN
1907:ISBN
1853:ISBN
1832:2011
1800:ISBN
1773:ISBN
1740:ISBN
1719:link
1705:2011
1668:ISBN
1638:ISBN
1617:2011
1586:2011
1551:ISBN
1521:ISBN
1494:2006
1463:ISBN
1427:ISBN
1406:2011
1369:ISBN
1261:for
1238:and
911:1887
603:1887
294:and
246:and
200:Theo
63:F354
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48:Year
3307:Ivy
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