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Since the early years of the 17th century it was used to cover the historic wooden statue of the
Madonna on the high altar of
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surrounded by angels and with the upper register occupied by the three persons of the
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in 1585–1596. On high holy days the painting would be raised to show the statue.
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This article about a seventeenth-century painting is a
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384:Paintings in the Museo Civico d'Arte Antica
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389:Paintings of the Assumption of the Virgin
54:is a 1605-1608 oil on canvas painting by
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18:Assumption of the Virgin (Gentileschi)
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99:List of works by Orazio Gentileschi
83:Santa Maria al Monte dei Cappuccini
62:. It was formerly misattributed to
85:in Turin, which had been built by
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39:(1605-1608) by Orazio Gentileschi
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60:Turin City Museum of Ancient Art
379:Paintings by Orazio Gentileschi
27:Painting by Orazio Gentileschi
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322:. You can help Knowledge by
369:17th-century painting stubs
64:Pier Francesco Mazzucchelli
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260:Joseph and Potiphar's Wife
51:Our Lady of the Assumption
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204:Assumption of the Virgin
72:Assumption of the Virgin
45:Assumption of the Virgin
37:Assumption of the Virgin
247:(Bilbao; c. 1628)
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278:Artemisia Gentileschi
244:Lot and His Daughters
220:Lot and His Daughters
132:"Google Arts article"
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252:The Finding of Moses
263:(c. 1630–1632)
223:(Los Angeles; 1622)
215:(c. 1612–1615)
399:Paintings of Jesus
172:Orazio Gentileschi
87:Charles Emmanuel I
56:Orazio Gentileschi
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286:(major influence)
118:"Catalogue entry"
16:(Redirected from
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181:List of works
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207:(1605–1608)
363:Categories
284:Caravaggio
280:(daughter)
105:References
68:Caravaggio
295:Mannerism
188:Paintings
93:See also
271:Related
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