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Since the early years of the 17th century it was used to cover the historic wooden statue of the
Madonna on the high altar of
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surrounded by angels and with the upper register occupied by the three persons of the
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in 1585–1596. On high holy days the painting would be raised to show the statue.
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This article about a seventeenth-century painting is a
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373:Paintings in the Museo Civico d'Arte Antica
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378:Paintings of the Assumption of the Virgin
43:is a 1605-1608 oil on canvas painting by
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88:List of works by Orazio Gentileschi
72:Santa Maria al Monte dei Cappuccini
51:. It was formerly misattributed to
74:in Turin, which had been built by
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28:(1605-1608) by Orazio Gentileschi
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49:Turin City Museum of Ancient Art
368:Paintings by Orazio Gentileschi
16:Painting by Orazio Gentileschi
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311:. You can help Knowledge by
358:17th-century painting stubs
53:Pier Francesco Mazzucchelli
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249:Joseph and Potiphar's Wife
40:Our Lady of the Assumption
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193:Assumption of the Virgin
61:Assumption of the Virgin
34:Assumption of the Virgin
26:Assumption of the Virgin
236:(Bilbao; c. 1628)
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267:Artemisia Gentileschi
233:Lot and His Daughters
209:Lot and His Daughters
121:"Google Arts article"
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241:The Finding of Moses
252:(c. 1630–1632)
212:(Los Angeles; 1622)
204:(c. 1612–1615)
388:Paintings of Jesus
161:Orazio Gentileschi
76:Charles Emmanuel I
45:Orazio Gentileschi
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273:Caravaggio
269:(daughter)
94:References
57:Caravaggio
284:Mannerism
177:Paintings
82:See also
260:Related
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