140:, and Bill Arning, curator at the List Visual Arts Center, led Michael to the conclusion that curators and artists would gladly participate in a DVD publication of their work, and Volume 1: Artists of the Boston Cyberarts Festival was born. Rooted in its mission of distributing and archiving art that was best documented in video and/or sound,
92:
published several volumes, each one featuring 5-10 artists and addressing a specific theme. Past themes included: "Artists of the Boston
Cyberarts Festival", "Artists of the West Coast", "The Artist as Content", "Text and Language", "Joie de Vivre", "On Location", "Personas and Personalities",
131:
was founded in 2003 by artist and educator
Michael Mittelman. The mission of the publication was to distribute and archive works of time-based art. Each issue highlighted artists working in new or experimental media, whose works are best documented in video or sound.
100:
occasionally created and distributed other DVDs of a single artist's work, which lend outside of the periodical format. Past features include monographs of
Douglas Weathersby's "Environmental Services: Projects for TV" and "The Art and Films of
17:
62:, animation, sound, and visual techniques a way for their work to be recorded and distributed to the greater art community. Each submission had an audio commentary by an expert in the field, and each issue is identified by a common theme.
276:
136:
began when
Mittelman was frustrated with the lack of teaching materials available in the field of Interrelated Media. After meeting with leading curators such as George Fifield, director of the
271:
116:, a documentary of a large-scale collaboration that chronicles the lives of four artists living in South Boston as they create an interdisciplinary interactive artwork based on their own
301:
266:
296:
261:
151:
was honored by the
Photographic Resource Center in Boston, MA as part of an exhibition celebrating their 30th anniversary. It ceased publication in April 2013.
291:
144:
became one of the most well-established and respected DVD magazine in its field, having featured over 50 works and artists in its four-year history.
218:
286:
65:
The publication was used largely as an educational tool, but was also available for subscriptions and for purchase in art museums like the
81:
with access to their contemporaries’ work and grants them a critical take on the work to help contextualize it within the larger
171:
137:
281:
102:
66:
117:
55:
59:
70:
255:
78:
37:
50:
was notable for being one of the first DVD-based chronicles of time-based media.
16:
41:
82:
33:
229:
15:
277:
Defunct visual arts magazines published in the United States
193:
244:
44:. It ended publication with the issue 21 in 2013.
272:Biannual magazines published in the United States
230:“PRC/POV Photography Now and The Next 30 years."
302:Online magazines published in the United States
8:
93:"Rural", "Early Works", and "Performance".
267:2013 disestablishments in Massachusetts
160:
166:
164:
96:In addition to the biannual magazine,
297:Defunct magazines published in Boston
7:
262:2003 establishments in Massachusetts
54:’s DVD format offered artists using
40:. The magazine was headquartered in
14:
292:Magazines disestablished in 2013
1:
287:Magazines established in 2003
24:Defunct American DVD magazine
88:Since its founding in 2003,
20:ASPECT Volume 9: Performance
172:"Aspect V19: Communication"
318:
77:provided those working in
138:Boston Cyberarts Festival
21:
19:
194:"Good Place to Stop"
103:Lynn Hershman Leeson
67:Museum of Modern Art
36:magazine showcasing
219:Merchandise Detail
22:
147:In November 2006
118:health narratives
114:The Tipping Point
309:
245:Official website
232:
227:
221:
216:
210:
209:
207:
205:
200:. April 21, 2013
190:
184:
183:
181:
179:
168:
108:In October 2006
56:installation art
317:
316:
312:
311:
310:
308:
307:
306:
252:
251:
241:
236:
235:
228:
224:
217:
213:
203:
201:
192:
191:
187:
177:
175:
170:
169:
162:
157:
126:
60:performance art
32:was a biannual
25:
12:
11:
5:
315:
313:
305:
304:
299:
294:
289:
284:
279:
274:
269:
264:
254:
253:
248:
247:
240:
239:External links
237:
234:
233:
222:
211:
185:
159:
158:
156:
153:
125:
122:
71:The New Museum
23:
13:
10:
9:
6:
4:
3:
2:
314:
303:
300:
298:
295:
293:
290:
288:
285:
283:
282:DVD magazines
280:
278:
275:
273:
270:
268:
265:
263:
260:
259:
257:
250:
246:
243:
242:
238:
231:
226:
223:
220:
215:
212:
199:
195:
189:
186:
173:
167:
165:
161:
154:
152:
150:
145:
143:
139:
135:
130:
123:
121:
119:
115:
111:
106:
104:
99:
94:
91:
86:
84:
80:
79:new media art
76:
72:
68:
63:
61:
57:
53:
49:
45:
43:
39:
38:new media art
35:
31:
30:
18:
249:
225:
214:
202:. Retrieved
197:
188:
176:. Retrieved
148:
146:
141:
133:
128:
127:
113:
109:
107:
97:
95:
89:
87:
74:
64:
51:
47:
46:
42:Boston, Mass
28:
27:
26:
256:Categories
174:. e-artnow
155:References
178:1 January
112:released
83:art world
124:History
204:May 4,
198:Aspect
149:ASPECT
142:ASPECT
134:ASPECT
129:ASPECT
110:ASPECT
98:ASPECT
90:ASPECT
75:ASPECT
52:ASPECT
48:ASPECT
29:ASPECT
206:2020
180:2016
69:and
105:."
34:DVD
258::
196:.
163:^
120:.
85:.
73:.
58:,
208:.
182:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
