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240:, she moved several times using a portion of her home as a gallery and workshop. Eventually, she retired altogether but continued to remain artistically active the rest of her life. Just before she died, her work was the subject of an exhibition at the St. Nicolaus Gallery. In addition, she delivered one of her works to the Maria parish hall in Helsingborg.
136:, Denmark. She was one of six siblings born to parents who owned an inn there. Artistically inclined, she first aimed to become a sculptor but after moving to Copenhagen around 1900, she turned her attention to becoming a silversmith instead. At first, she had to make her living as a maid, but by 1903, she was working as an apprentice metalworker.
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Hugo Gehlin designed the archangel models for the fountain’s globe and Göte
Bergsten carefully chased the star reliefs designed by Astrid Aagesen. The reliefs awoke great attention since they portrayed several local celebrities, among them Astrid Aagesen herself, as could clearly be seen when they
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After moving to
Helsingborg, in 1918–1919, she was appointed the supervisor of a metalworking workshop but soon left to open her own small shop in 1920 under her own name and "she specialised in working with tin, a metal that had been neglected for a long time at that point, by both designers and
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Aagesen is best known for her contribution to the fountain sculpture Tycho Brahe's monument, complete with constellations. She was instructed to create the work based on the design by the architect Gustaf
Wilhelmsson Widmark.
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were finally completed. The design was declared to be a coup and was written about all over the country, although not always in positive terms. Even the international press sat up and took notice.
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Other notable works by
Aagesen in Helsingborg include a ceiling lamp in Jacob Hansen's house, an altarpiece for the church in Gustav Adolf, and a crucifix for the Gustav Adolf community center.
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in 1925, where she won a grand prize. More international exhibitions followed during the 1930s after her work appeared in Paris, Barcelona and the United States during the 1920s.
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designer who crafted objects in many kinds of metals. From 1919 until 1937, she lived in
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Aagesen studied craftsmanship at the
Draftsmanship and Design School for Women (
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customers." She also worked with pewter, copper, bronze and silver.
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Several of her pieces were selected for the
Jubilee Exhibition in
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in 1929, which was made entirely out of snow in the main square
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The Tycho Brahe monument in
Helsingborg, globe by Astrid Aagesen
301:(in Swedish). Svenska konstnärer. Biofrafisk handbok. 1980
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186:She often worked with noted designers including
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243:Astrid Aagesen died on 26 September 1965 in
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74:Metalworker, designer, businesswoman
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418:20th-century Danish women artists
375:Svenskt kvinnobiografiskt lexikon
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299:"Aagesen, Astrid Marie-Frederike"
84:Globe monument to Tycho Brahe in
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458:20th-century Danish metalsmiths
341:Eriksson, Jonas Barros (2020).
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179:in 1923, and again at the
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276:(in Swedish). Helsingbog
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104:(1883–1965) was a
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350:. Retrieved
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80:Notable work
413:1965 deaths
408:1883 births
232:Later years
188:Hugo Gehlin
167:Metalworker
118:Tycho Brahe
114:Helsingborg
86:Helsingborg
402:Categories
352:2021-10-07
251:References
247:, Sweden.
208:Stortorget
177:Gothenburg
155:, Sweden,
145:Copenhagen
245:Ă„ngelholm
130:Silkeborg
124:Biography
63:Ă„ngelholm
45:Silkeborg
305:16 March
280:16 March
65:, Sweden
149:Germany
134:Jutland
110:Swedish
49:Denmark
204:Allvar
161:France
153:Norway
106:Danish
157:Italy
307:2017
282:2017
198:and
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56:Died
38:Born
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