2635:
662:. Of the four, the rondeau was by far the most popular; at any rate more rondeaux have survived than any other form. Most of the rondeaux were in three voices, and in French, though there are a few in other languages. In most of the rondeaux, the uppermost voice (the "superius") was texted, and the other voices were most likely played by instruments. The bergerette was developed by the Burgundians themselves; it was like a virelai, but shorter, having only one stanza.
614:
2526:
2536:
882:
1753:
714:, a harmonization of an existing chant in parallel 6-3 chords, occasionally ornamented to prevent monotony. Composition using fauxbourdon allowed sung text to be clearly understood, but yet avoided the plainness of simple chant. Burgundian motets tended to be in Latin, written for three voices with the top voice being the most important. An example of a Burgundian motet is
31:
635:
Burgundian composers favored secular forms, at least while they worked in
Burgundian lands; much sacred music survives, especially from those composers who spent time in Italy, for example in the papal choir. The most prominent secular forms used by the Burgundians were the four
693:, which was set not only by the Burgundians but by composers of subsequent centuries; indeed it was the most common tune used as a basis for mass composition in all of music history, with more than forty surviving masses featuring the melody. David Fallows writes of it in the
543:, during one of his attempts to add territory to his empire. After his death, music continued to flourish as before, but the region was split politically, with the duchy of Burgundy being absorbed into France, and most of the Low Countries becoming part of the holdings of the
525:(although none have survived with reliable attribution). The worldly dukes also encouraged the composition of secular music to a degree seen only rarely before in European music history, a characteristic which itself defines the Burgundian epoch as a Renaissance phenomenon.
771:
style associated with the mainstream of
Renaissance practice. Later generations, which were no longer specifically associated with either the court or the region of Burgundy but were interlinked by adjacent geography and by common musical practice, included such names as
737:) and more of this survives than for other current instruments such as the lute or the harp. In contemporary practice, the loud instruments would usually play from an elevated location, such as a balcony, while the other instruments would play closer to the dancers.
582:, who was probably the most famous composer in Europe in the 15th century. He wrote music in many of the forms which were current, music which was melodic, singable and memorable (more than half of his sacred music consists of simple harmonizations of
750:, which was a ceremonial dance of a rather dignified character, and relatively slow tempo. Typically it was in a duple meter subdivided into threes (in modern notation, 6/8), and often the dance would be immediately followed by a quick dance, the
512:
Musicians from the region came to
Burgundy to study and further their own careers as the reputation of the area spread. The Burgundian rulers were not merely patrons of the arts, but took an active part: Charles the Bold himself played the
815:; it is named after a previous owner, Matteo Luigi Canonici, an 18th-century Venetian Jesuit. It has 380 compositions in all, including works by 60 composers. Both sacred and secular music are well represented in this collection.
558:
The history of
Burgundian music began with the organization of the chapel in 1384; twenty years later, it rivaled the famous establishment at Avignon in splendor. Names associated with this early phase of Burgundian music include
624:
489:(1467–1477), this entire area, loosely known as Burgundy, was a center of musical creativity. Most of the musical activity did not take place in what is modern-day Burgundy, which has its capital in
550:. Both the French court and the Habsburgs were patrons of music; however, a French style began to diverge from that of the Low Countries, especially in secular music, and in the period after 1500.
2104:
83:
721:
Instrumental music was also cultivated at the
Burgundian courts, often for dancing. A peculiarity of the Burgundian instrumental style is that the dukes preferred music for loud instruments (
839:; currently it is in the Beinecke Library there. It has 57 compositions, and includes some non-Burgundian music as well (for example, works by contemporary English and Italian composers)
710:, sectional composition seen in the work of the later Burgundians such as Busnois. In the motets, as well as the masses and other sacred music, a common musical technique employed was
390:
Europe, cultural centers tended to move from one place to another due to changing political stability and the presence of either the spiritual or temporal power, for instance the
310:
528:
This migration of musical culture east from Paris to
Burgundy also corresponds with the conventional (and by no means universally accepted) division of music history into
536:; while Guillaume de Machaut is often considered to be one of the last Medieval composers, Dufay is often considered to be the first significant Renaissance composer.
3072:
3067:
1472:
2671:
845:(containing music from approximately 1470 to 1475). Some of the music is by composers not normally associated with the Burgundian school, such as Ockeghem,
1784:
1278:
821:(containing music mainly composed during the reign of Charles the Bold, 1467–1477). It is named after the Marquis de Laborde, and is presently at the
2572:
1219:
303:
3057:
567:, who carried the tradition across to the next phase of the chapel, when it was reorganized in 1415. Other early composers there were
2681:
903:
296:
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3016:
1465:
1194:
1180:
1163:
1108:
929:
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Most of the composers also wrote sacred music in Latin; this was to remain true for the next several generations. They wrote both
2823:
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2059:
800:
There are approximately 65 manuscript sources which contain music by
Burgundian composers. The most prominent of these include:
197:
2715:
1777:
1271:
863:, V.III.24, and is commonly referred to as EscA. It contains a total of 62 compositions, only one of which is attributed (to
907:
677:. During the period, the mass transformed from a group of individual sections written by different composers, often using a
1603:
699:: "It is hard to think of any other melody in the history of music that has yielded so much music of the highest quality."
3052:
2599:
2565:
2029:
1802:
79:
3042:
2940:
2339:
1458:
434:
respectively; Avignon had a brief but important cultural flowering because it was the location of the Papacy during the
2975:
2384:
493:(even though the Dukes of Burgundy maintained an administrative center there). The main centers of music-making were
2774:
892:
3062:
3047:
3021:
2970:
2828:
2529:
2432:
2247:
1770:
1563:
1331:
1264:
1010:
132:
54:
911:
896:
2742:
2369:
2214:
2084:
1528:
212:
867:), although many of the rest have been assigned to Binchois, Dunstaple, Dufay, and others, on stylistic grounds.
2840:
2708:
2558:
2478:
1361:
1028:
457:, Burgundy was the most powerful and stable political division in western Europe, and added, a bit at a time,
856:
594:, a composer, singer and soldier who may have been killed in the last military campaign of Charles the Bold.
2850:
2781:
2703:
2509:
2354:
2267:
2242:
1941:
1700:
1558:
1553:
1518:
1234:
137:
127:
2875:
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2791:
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2124:
2009:
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1725:
1593:
1538:
1326:
956:
818:
804:
2737:
2359:
2257:
2049:
1720:
1660:
1568:
1523:
1439:
1121:
828:
689:
and others all wrote cyclic masses. One of the favorite tunes used as a cantus firmus was the renowned
367:
107:
2004:
1613:
842:
439:
686:
2801:
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1936:
1931:
1883:
1608:
1598:
1336:
1004:
822:
591:
478:
117:
2535:
1208:
Burgundian Court Song in the Time of
Binchois: The Anonymous Chansons of El Escorial, MS V.III.24
2915:
2900:
2806:
2752:
2447:
2427:
2402:
2392:
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2224:
2199:
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399:
217:
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1986:
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62:
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2019:
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43:
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was a group of composers active in the 15th century in what is now northern and eastern
2796:
2442:
2417:
2374:
2149:
2119:
2064:
2054:
1926:
1911:
1853:
1843:
1732:
1708:
1653:
1648:
1588:
1418:
1341:
1016:
564:
529:
435:
363:
275:
1189:(Music Literature Outlines Series I). Bloomington, Indiana. Frangipani Press, 1986.
3036:
2397:
2283:
2189:
2179:
2074:
1966:
1951:
1670:
1512:
1492:
1230:
1168:
859:(containing music from about 1430 to 1445). It is in the Biblioteca del Monasterio,
777:
682:
443:
442:(1337–1453), the cultural center migrated farther east, to towns in Burgundy and the
426:
282:
187:
2910:
2473:
2412:
2303:
2262:
2129:
1999:
1873:
1737:
1675:
1376:
1301:
1056:
1050:
666:
638:
254:
207:
122:
601:, who was also a prolific composer of chansons, and who possibly wrote the famous
853:. It is at the public library in Dijon, and contains 161 pieces of music in all.
763:
The
Burgundian School was the first generation of what is sometimes known as the
17:
2468:
2463:
2194:
2164:
1946:
1858:
1848:
1578:
1498:
1346:
1022:
881:
860:
832:
742:
711:
447:
387:
336:
2298:
2288:
678:
674:
655:
470:
597:
After the death of Dufay in 1474, the most prominent
Burgundian musician was
2308:
768:
726:
707:
703:
695:
583:
578:
Of all the names associated with the Burgundian School, the most famous was
547:
395:
1120:
David Fallows. "L'homme armé." In Grove Music Online. Oxford Music Online,
590:, who was at the Burgundian court between approximately 1430 and 1460, and
402:. In the 14th century, the main centers of musical activity were northern
30:
767:, several generations of composers spanning 150 years who composed in the
2293:
1505:
1158:, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980.
494:
458:
420:
383:
249:
807:(containing music from around 1400 to 1440). This manuscript is at the
1685:
1044:
831:(containing music from approximately 1440 to 1477). It is named after
752:
734:
722:
659:
651:
518:
466:
407:
332:
243:
1450:
2313:
1122:
http://www.oxfordmusiconline.com/subscriber/article/grove/music/16553
498:
474:
403:
328:
237:
1762:
1256:
2550:
730:
670:
612:
544:
522:
506:
502:
490:
411:
259:
29:
586:, for example). Contemporary with Dufay were composers such as
514:
391:
2554:
1766:
1454:
1260:
366:. The Burgundian School was the first phase of activity of the
875:
825:
in Washington, DC. It has 106 pieces of music in all.
620:
on D; note the parallel fourths between upper voices.
509:, as well as smaller towns in that same general area.
2994:
2866:
2642:
2590:
2456:
2383:
2322:
2276:
2223:
2098:
1985:
1897:
1809:
1427:
1406:
1385:
1294:
1218:
718:, written by Dunstaple in the early 15th century.
702:During the period the motet transformed from the
2672:Assassination of Louis I, Duke of Orléans, 1407
1156:The New Grove Dictionary of Music and Musicians
1077:
1075:
1073:
350:The main names associated with this school are
2566:
1778:
1466:
1272:
304:
8:
362:and (as an influence), the English composer
2824:War of the Burgundian Succession, 1477-1482
1175:. New York, W.W. Norton & Co., 1954.
910:. Unsourced material may be challenged and
539:Charles the Bold was killed in 1477 in the
2573:
2559:
2551:
1785:
1771:
1763:
1473:
1459:
1451:
1279:
1265:
1257:
706:model of the 14th century to the smoothly
311:
297:
49:
930:Learn how and when to remove this message
575:, both of whom Dufay later met in Italy.
2682:Assassination of John the Fearless, 1419
2667:Armagnac–Burgundian Civil War, 1407-1435
1187:Music in the Middle Ages and Renaissance
681:technique, to unified cycles based on a
1243:10.1093/gmo/9781561592630.article.04366
1069:
68:
61:
370:, the central musical practice of the
7:
3073:Music organisations based in Belgium
3068:Arts in the court of Philip the Good
908:adding citations to reliable sources
2841:Second Utrecht Civil War, 1481-1483
2782:First Utrecht Civil War, 1470-1474
1210:. Oxford, Clarendon Press. 1990.
1185:Harold Gleason and Warren Becker,
481:. Especially during the reigns of
438:. When France was ravaged by the
25:
446:, known then collectively as the
2633:
2534:
2525:
2524:
2060:Giovanni Pierluigi da Palestrina
1751:
880:
740:Instrumental forms included the
959:(b. before 1425, d. after 1475)
339:, centered on the court of the
27:15th century European composers
1:
2704:Battle of Brouwershaven, 1426
1803:List of Renaissance composers
1154:Craig Wright, "Burgundy", in
343:. The school inaugurated the
2743:War of the Common Weal, 1465
2699:Hook and Cod wars, 1417-1490
1250:UK public library membership
685:. Dufay, Binchois, Busnois,
658:), all generically known as
2738:Feast of the Pheasant, 1454
1604:Grupo de renovación musical
3089:
3058:European court festivities
3022:Order of the Golden Fleece
2886:Duchy of Bavaria-Straubing
2802:Battle on the Planta, 1475
2787:Burgundian Wars, 1474–1477
2765:Battle of Montenaken, 1465
2657:Crusade of Nicopolis, 1396
2433:Petrus Phalesius the Elder
2248:English Virginalist School
2846:Battle of Westbroek, 1481
2829:Battle of Guinegate, 1479
2792:Battle of Héricourt, 1474
2748:Battle of Montlhéry, 1465
2652:Battle of Roosebeke, 1382
2631:
2504:
2215:Jan Pieterszoon Sweelinck
1800:
1749:
1488:
1124:(accessed July 22, 2010).
2807:Battle of Grandson, 1476
2760:Wars of Liège, 1465-1468
2753:Treaty of Conflans, 1465
2721:Siege of Oudenaarde 1452
2716:Revolt of Ghent, 1449–53
1173:Music in the Renaissance
453:During the reign of the
2797:Siege of Neuss, 1474-75
2775:Treaty of Péronne, 1468
2770:Battle of Brustem, 1467
2709:Siege of Deventer, 1456
2692:Congress of Arras, 1435
2243:English Madrigal School
1235:Oxford University Press
1099:White, John D. (1976).
857:El Escorial Chansonnier
673:, as well as cycles of
609:Musical style and forms
2876:Margraviate of Antwerp
2858:Treaty of Senlis, 1493
2851:Siege of Utrecht, 1483
2731:Battle of Gavere, 1453
2687:Treaty of Troyes, 1420
2677:Cabochien Revolt, 1413
2085:Tomás Luis de Victoria
1889:Oswald von Wolkenstein
1709:Viennese preclassicism
632:
47:
46:, "Champion des Dames"
2834:Treaty of Arras, 1482
2817:Battle of Nancy, 1477
2812:Battle of Morat, 1476
2726:Battle of Bazel, 1452
2662:Battle of Othée, 1408
2105:Transition to Baroque
2050:Pierre de Manchicourt
1440:Franco-Flemish School
1133:Gleason, pp. 101–102.
1101:The Analysis of Music
616:
368:Franco-Flemish School
96:Movements and schools
84:Transition to Baroque
33:
3053:Franco-Flemish music
2976:Bishopric of Utrecht
2135:Girolamo Frescobaldi
1942:Cristóbal de Morales
904:improve this section
872:Burgundian composers
416:Guillaume de Machaut
414:, as represented by
3043:Composition schools
2956:Duchy of Luxembourg
2906:County of Charolais
2253:Florentine Camerata
2225:Composition schools
1884:Gaspar van Weerbeke
1599:Grupo de los cuatro
1564:English Virginalist
1482:Composition schools
1337:Hayne van Ghizeghem
1005:Hayne van Ghizeghem
823:Library of Congress
819:Laborde Chansonnier
805:Canonici Manuscript
592:Hayne van Ghizeghem
133:English Virginalist
118:Florentine Camerata
2941:Bishopric of Liège
2916:County of Flanders
2901:County of Burgundy
2448:Thomas Vautrollier
2428:Ottaviano Petrucci
2403:Pierre Attaingnant
2393:Hieronymus Andreae
2200:Michael Praetorius
2185:Claudio Monteverdi
2175:Giovanni de Macque
2170:Luzzasco Luzzaschi
2140:Alfonso Fontanelli
2030:Francisco Guerrero
2005:Antonio de Cabezón
1917:Thomas Crecquillon
1899:Middle (1470–1530)
1879:Johannes Tinctoris
1819:Alexander Agricola
1614:Khrennikov's Seven
1372:Johannes Tapissier
1367:Guillaume le Rouge
1226:Grove Music Online
1041:Guillaume le Rouge
945:Johannes Tapissier
851:Johannes Tinctoris
829:Mellon Chansonnier
796:Manuscript sources
765:Netherlands School
633:
618:Burgundian cadence
561:Johannes Tapissier
440:Hundred Years' War
400:Holy Roman Emperor
48:
3063:Duchy of Burgundy
3048:Renaissance music
3030:
3029:
3007:Burgundian School
3002:Cross of Burgundy
2986:County of Zutphen
2981:County of Zeeland
2936:County of Holland
2931:County of Hainaut
2926:Duchy of Guelders
2896:Duchy of Burgundy
2610:John the Fearless
2548:
2547:
2145:Giovanni Gabrieli
1972:Philippe Verdelot
1869:Johannes Ockeghem
1811:Early (1400–1470)
1794:Renaissance music
1760:
1759:
1594:Grupo de los ocho
1584:Generación del 51
1579:Ears Open Society
1448:
1447:
1435:Music of Burgundy
1352:Reginaldus Libert
1307:Arnold de Lantins
1288:Burgundian School
1248:(subscription or
1031:(c.1430 – c.1479)
1013:(c.1380 – c.1450)
1007:(c.1445 – c.1480)
999:Johannes Brassart
989:(fl. c.1425–1435)
987:Reginaldus Libert
981:Guillaume Legrant
969:Arnold de Lantins
947:(c.1370 – c.1410)
940:
939:
932:
843:Dijon Chansonnier
835:, who gave it to
774:Johannes Ockeghem
573:Arnold de Lantins
345:music of Burgundy
341:Dukes of Burgundy
325:Burgundian School
321:
320:
63:Renaissance music
18:Burgundian school
16:(Redirected from
3080:
2966:County of Nevers
2951:Duchy of Lothier
2946:Duchy of Limburg
2891:Duchy of Brabant
2881:County of Artois
2637:
2620:Charles the Bold
2584:
2575:
2568:
2561:
2552:
2538:
2528:
2527:
2408:Vittorio Baldini
2385:Music publishing
2160:Hans Leo Hassler
2115:Gregorio Allegri
2070:Cipriano de Rore
2045:Vicente Lusitano
2040:Orlando di Lasso
1995:Jacques Arcadelt
1962:Pierre de la Rue
1957:Josquin des Prez
1937:Clément Janequin
1932:Antoine de Févin
1922:Antonius Divitis
1864:Johannes Martini
1839:Guillaume Du Fay
1787:
1780:
1773:
1764:
1755:
1717:
1696:The Turkish Five
1691:Sonic Arts Union
1649:Neue Einfachheit
1609:Grupo renovación
1559:English Pastoral
1554:English Madrigal
1475:
1468:
1461:
1452:
1414:Guillaume Du Fay
1398:Johannes Legrant
1322:Johannes Cesaris
1281:
1274:
1267:
1258:
1253:
1246:
1222:
1206:Walter H. Kemp,
1143:
1140:
1134:
1131:
1125:
1118:
1112:
1097:
1091:
1088:
1082:
1079:
1025:(1424/1425–1483)
1019:(c. 1375 – 1456)
977:fl. c. 1420–1440
975:Johannes Legrant
935:
928:
924:
921:
915:
884:
876:
809:Bodleian Library
782:Josquin des Prez
687:Reginald Liebert
631:
630:
629:
627:
487:Charles the Bold
485:(1419–1467) and
313:
306:
299:
276:← Medieval music
138:English Madrigal
71:
50:
21:
3088:
3087:
3083:
3082:
3081:
3079:
3078:
3077:
3033:
3032:
3031:
3026:
3017:Estates-General
3012:Great Privilege
2990:
2971:Duchy of Rethel
2961:County of Namur
2921:Frisian freedom
2862:
2638:
2629:
2615:Philip the Good
2605:Philip the Bold
2586:
2583:Valois Burgundy
2582:
2579:
2549:
2544:
2521:
2513:
2500:
2452:
2438:Girolamo Scotto
2423:Antonio Gardano
2379:
2318:
2272:
2219:
2210:Heinrich Schütz
2205:Philippe Rogier
2155:Orlando Gibbons
2107:
2103:
2094:
2090:Giaches de Wert
2080:Christopher Tye
2035:Claude Le Jeune
2025:Claude Goudimel
2020:Nicolas Gombert
2015:Andrea Gabrieli
2010:Jacobus Clemens
1981:
1977:Adrian Willaert
1907:Martin Agricola
1893:
1829:Antoine Busnois
1824:Gilles Binchois
1805:
1796:
1791:
1761:
1756:
1747:
1711:
1629:The Mighty Five
1574:Frankfurt Group
1484:
1479:
1449:
1444:
1423:
1402:
1393:Hugo de Lantins
1381:
1357:Clement Liebert
1332:Pierre Fontaine
1317:Antoine Busnois
1312:Gilles Binchois
1290:
1285:
1247:
1213:
1203:
1201:Further reading
1151:
1146:
1141:
1137:
1132:
1128:
1119:
1115:
1098:
1094:
1089:
1085:
1080:
1071:
1067:
1062:
1059:(fl. 1405–1433)
1053:(fl. 1457–1476)
1037:(c.1430 – 1492)
1035:Antoine Busnois
1011:Pierre Fontaine
993:Gilles Binchois
963:Hugo de Lantins
951:Guillaume Dufay
936:
925:
919:
916:
901:
885:
874:
865:Gilles Binchois
837:Yale University
813:Oxford, England
798:
790:Orlandus Lassus
786:Adrian Willaert
716:Quam pulchra es
625:
623:
622:
621:
611:
599:Antoine Busnois
588:Gilles Binchois
580:Guillaume Dufay
556:
541:Battle of Nancy
517:, and composed
483:Philip the Good
455:House of Valois
380:
360:Antoine Busnois
356:Gilles Binchois
352:Guillaume Dufay
317:
286:
283:Baroque music →
279:
266:
265:
264:
232:
224:
223:
222:
152:
144:
143:
142:
97:
87:
86:
69:
44:Martin le Franc
40:Gilles Binchois
36:Guillaume Dufay
28:
23:
22:
15:
12:
11:
5:
3086:
3084:
3076:
3075:
3070:
3065:
3060:
3055:
3050:
3045:
3035:
3034:
3028:
3027:
3025:
3024:
3019:
3014:
3009:
3004:
2998:
2996:
2992:
2991:
2989:
2988:
2983:
2978:
2973:
2968:
2963:
2958:
2953:
2948:
2943:
2938:
2933:
2928:
2923:
2918:
2913:
2908:
2903:
2898:
2893:
2888:
2883:
2878:
2872:
2870:
2864:
2863:
2861:
2860:
2855:
2854:
2853:
2848:
2838:
2837:
2836:
2831:
2821:
2820:
2819:
2814:
2809:
2804:
2799:
2794:
2784:
2779:
2778:
2777:
2772:
2767:
2757:
2756:
2755:
2750:
2740:
2735:
2734:
2733:
2728:
2723:
2713:
2712:
2711:
2706:
2696:
2695:
2694:
2689:
2684:
2679:
2674:
2664:
2659:
2654:
2648:
2646:
2640:
2639:
2632:
2630:
2628:
2627:
2622:
2617:
2612:
2607:
2602:
2596:
2594:
2588:
2587:
2580:
2578:
2577:
2570:
2563:
2555:
2546:
2545:
2543:
2542:
2532:
2514:
2510:Medieval music
2506:
2505:
2502:
2501:
2499:
2498:
2497:
2496:
2491:
2486:
2481:
2476:
2466:
2460:
2458:
2454:
2453:
2451:
2450:
2445:
2443:Tielman Susato
2440:
2435:
2430:
2425:
2420:
2418:Valerio Dorico
2415:
2410:
2405:
2400:
2395:
2389:
2387:
2381:
2380:
2378:
2377:
2372:
2367:
2362:
2357:
2352:
2347:
2342:
2337:
2332:
2326:
2324:
2320:
2319:
2317:
2316:
2311:
2306:
2301:
2296:
2291:
2286:
2280:
2278:
2274:
2273:
2271:
2270:
2265:
2260:
2258:Franco-Flemish
2255:
2250:
2245:
2240:
2235:
2229:
2227:
2221:
2220:
2218:
2217:
2212:
2207:
2202:
2197:
2192:
2187:
2182:
2177:
2172:
2167:
2162:
2157:
2152:
2150:Carlo Gesualdo
2147:
2142:
2137:
2132:
2127:
2122:
2120:Thomas Campion
2117:
2111:
2109:
2096:
2095:
2093:
2092:
2087:
2082:
2077:
2072:
2067:
2065:Costanzo Porta
2062:
2057:
2055:Hans Neusidler
2052:
2047:
2042:
2037:
2032:
2027:
2022:
2017:
2012:
2007:
2002:
1997:
1991:
1989:
1983:
1982:
1980:
1979:
1974:
1969:
1964:
1959:
1954:
1949:
1944:
1939:
1934:
1929:
1927:Costanzo Festa
1924:
1919:
1914:
1912:Antoine Brumel
1909:
1903:
1901:
1895:
1894:
1892:
1891:
1886:
1881:
1876:
1871:
1866:
1861:
1856:
1854:Heinrich Isaac
1851:
1846:
1844:John Dunstaple
1841:
1836:
1834:Loyset Compère
1831:
1826:
1821:
1815:
1813:
1807:
1806:
1801:
1798:
1797:
1792:
1790:
1789:
1782:
1775:
1767:
1758:
1757:
1750:
1748:
1746:
1745:
1740:
1735:
1733:Vox Saeculorum
1730:
1729:
1728:
1723:
1718:
1703:
1698:
1693:
1688:
1683:
1678:
1673:
1668:
1663:
1658:
1657:
1656:
1646:
1641:
1636:
1631:
1626:
1621:
1616:
1611:
1606:
1601:
1596:
1591:
1589:Giovane scuola
1586:
1581:
1576:
1571:
1569:Franco-Flemish
1566:
1561:
1556:
1551:
1546:
1541:
1536:
1531:
1526:
1521:
1516:
1509:
1502:
1495:
1489:
1486:
1485:
1480:
1478:
1477:
1470:
1463:
1455:
1446:
1445:
1443:
1442:
1437:
1431:
1429:
1425:
1424:
1422:
1421:
1419:John Dunstaple
1416:
1410:
1408:
1404:
1403:
1401:
1400:
1395:
1389:
1387:
1383:
1382:
1380:
1379:
1374:
1369:
1364:
1359:
1354:
1349:
1344:
1342:Nicolas Grenon
1339:
1334:
1329:
1324:
1319:
1314:
1309:
1304:
1298:
1296:
1292:
1291:
1286:
1284:
1283:
1276:
1269:
1261:
1255:
1254:
1211:
1202:
1199:
1198:
1197:
1183:
1166:
1150:
1147:
1145:
1144:
1142:Gleason, 95–96
1135:
1126:
1113:
1103:, pp.129–130.
1092:
1090:Reese, pp. 4–8
1083:
1068:
1066:
1063:
1061:
1060:
1054:
1048:
1038:
1032:
1026:
1020:
1017:Nicolas Grenon
1014:
1008:
1002:
996:
990:
984:
978:
972:
966:
960:
954:
948:
941:
938:
937:
888:
886:
879:
873:
870:
869:
868:
854:
847:Loyset Compère
840:
826:
816:
797:
794:
758:pas de Brabant
610:
607:
565:Nicolas Grenon
555:
552:
436:Western Schism
379:
376:
364:John Dunstaple
319:
318:
316:
315:
308:
301:
293:
290:
289:
288:
287:
280:
273:
268:
267:
263:
262:
257:
252:
247:
240:
234:
233:
230:
229:
226:
225:
221:
220:
215:
210:
205:
200:
195:
190:
185:
180:
175:
170:
165:
160:
154:
153:
150:
149:
146:
145:
141:
140:
135:
130:
125:
120:
115:
110:
108:Franco-Flemish
105:
99:
98:
95:
94:
91:
90:
89:
88:
78:
73:
72:
66:
65:
59:
58:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
3085:
3074:
3071:
3069:
3066:
3064:
3061:
3059:
3056:
3054:
3051:
3049:
3046:
3044:
3041:
3040:
3038:
3023:
3020:
3018:
3015:
3013:
3010:
3008:
3005:
3003:
3000:
2999:
2997:
2993:
2987:
2984:
2982:
2979:
2977:
2974:
2972:
2969:
2967:
2964:
2962:
2959:
2957:
2954:
2952:
2949:
2947:
2944:
2942:
2939:
2937:
2934:
2932:
2929:
2927:
2924:
2922:
2919:
2917:
2914:
2912:
2909:
2907:
2904:
2902:
2899:
2897:
2894:
2892:
2889:
2887:
2884:
2882:
2879:
2877:
2874:
2873:
2871:
2869:
2865:
2859:
2856:
2852:
2849:
2847:
2844:
2843:
2842:
2839:
2835:
2832:
2830:
2827:
2826:
2825:
2822:
2818:
2815:
2813:
2810:
2808:
2805:
2803:
2800:
2798:
2795:
2793:
2790:
2789:
2788:
2785:
2783:
2780:
2776:
2773:
2771:
2768:
2766:
2763:
2762:
2761:
2758:
2754:
2751:
2749:
2746:
2745:
2744:
2741:
2739:
2736:
2732:
2729:
2727:
2724:
2722:
2719:
2718:
2717:
2714:
2710:
2707:
2705:
2702:
2701:
2700:
2697:
2693:
2690:
2688:
2685:
2683:
2680:
2678:
2675:
2673:
2670:
2669:
2668:
2665:
2663:
2660:
2658:
2655:
2653:
2650:
2649:
2647:
2645:
2641:
2636:
2626:
2625:Mary the Rich
2623:
2621:
2618:
2616:
2613:
2611:
2608:
2606:
2603:
2601:
2598:
2597:
2595:
2593:
2589:
2585:
2576:
2571:
2569:
2564:
2562:
2557:
2556:
2553:
2541:
2537:
2533:
2531:
2523:
2522:
2519:
2518:
2517:Baroque music
2512:
2511:
2503:
2495:
2492:
2490:
2487:
2485:
2482:
2480:
2477:
2475:
2472:
2471:
2470:
2467:
2465:
2462:
2461:
2459:
2455:
2449:
2446:
2444:
2441:
2439:
2436:
2434:
2431:
2429:
2426:
2424:
2421:
2419:
2416:
2414:
2411:
2409:
2406:
2404:
2401:
2399:
2398:Andrea Antico
2396:
2394:
2391:
2390:
2388:
2386:
2382:
2376:
2373:
2371:
2368:
2366:
2363:
2361:
2358:
2356:
2353:
2351:
2348:
2346:
2343:
2341:
2338:
2336:
2333:
2331:
2328:
2327:
2325:
2321:
2315:
2312:
2310:
2307:
2305:
2302:
2300:
2297:
2295:
2292:
2290:
2287:
2285:
2282:
2281:
2279:
2277:Musical forms
2275:
2269:
2266:
2264:
2261:
2259:
2256:
2254:
2251:
2249:
2246:
2244:
2241:
2239:
2236:
2234:
2231:
2230:
2228:
2226:
2222:
2216:
2213:
2211:
2208:
2206:
2203:
2201:
2198:
2196:
2193:
2191:
2190:Thomas Morley
2188:
2186:
2183:
2181:
2180:Luca Marenzio
2178:
2176:
2173:
2171:
2168:
2166:
2163:
2161:
2158:
2156:
2153:
2151:
2148:
2146:
2143:
2141:
2138:
2136:
2133:
2131:
2128:
2126:
2123:
2121:
2118:
2116:
2113:
2112:
2110:
2106:
2101:
2097:
2091:
2088:
2086:
2083:
2081:
2078:
2076:
2075:Thomas Tallis
2073:
2071:
2068:
2066:
2063:
2061:
2058:
2056:
2053:
2051:
2048:
2046:
2043:
2041:
2038:
2036:
2033:
2031:
2028:
2026:
2023:
2021:
2018:
2016:
2013:
2011:
2008:
2006:
2003:
2001:
1998:
1996:
1993:
1992:
1990:
1988:
1984:
1978:
1975:
1973:
1970:
1968:
1967:John Taverner
1965:
1963:
1960:
1958:
1955:
1953:
1952:Jacob Obrecht
1950:
1948:
1945:
1943:
1940:
1938:
1935:
1933:
1930:
1928:
1925:
1923:
1920:
1918:
1915:
1913:
1910:
1908:
1905:
1904:
1902:
1900:
1896:
1890:
1887:
1885:
1882:
1880:
1877:
1875:
1872:
1870:
1867:
1865:
1862:
1860:
1857:
1855:
1852:
1850:
1847:
1845:
1842:
1840:
1837:
1835:
1832:
1830:
1827:
1825:
1822:
1820:
1817:
1816:
1814:
1812:
1808:
1804:
1799:
1795:
1788:
1783:
1781:
1776:
1774:
1769:
1768:
1765:
1754:
1744:
1741:
1739:
1736:
1734:
1731:
1727:
1724:
1722:
1719:
1715:
1710:
1707:
1706:
1704:
1702:
1699:
1697:
1694:
1692:
1689:
1687:
1684:
1682:
1681:Saint Martial
1679:
1677:
1674:
1672:
1671:Oeldorf Group
1669:
1667:
1664:
1662:
1659:
1655:
1652:
1651:
1650:
1647:
1645:
1642:
1640:
1637:
1635:
1632:
1630:
1627:
1625:
1622:
1620:
1617:
1615:
1612:
1610:
1607:
1605:
1602:
1600:
1597:
1595:
1592:
1590:
1587:
1585:
1582:
1580:
1577:
1575:
1572:
1570:
1567:
1565:
1562:
1560:
1557:
1555:
1552:
1550:
1547:
1545:
1542:
1540:
1537:
1535:
1532:
1530:
1527:
1525:
1522:
1520:
1517:
1515:
1514:
1513:Ars subtilior
1510:
1508:
1507:
1503:
1501:
1500:
1496:
1494:
1493:American Five
1491:
1490:
1487:
1483:
1476:
1471:
1469:
1464:
1462:
1457:
1456:
1453:
1441:
1438:
1436:
1433:
1432:
1430:
1426:
1420:
1417:
1415:
1412:
1411:
1409:
1405:
1399:
1396:
1394:
1391:
1390:
1388:
1384:
1378:
1375:
1373:
1370:
1368:
1365:
1363:
1362:Robert Morton
1360:
1358:
1355:
1353:
1350:
1348:
1345:
1343:
1340:
1338:
1335:
1333:
1330:
1328:
1325:
1323:
1320:
1318:
1315:
1313:
1310:
1308:
1305:
1303:
1300:
1299:
1297:
1293:
1289:
1282:
1277:
1275:
1270:
1268:
1263:
1262:
1259:
1251:
1244:
1240:
1236:
1232:
1231:David Fallows
1229:. Revised by
1228:
1227:
1221:
1216:
1215:Wright, Craig
1212:
1209:
1205:
1204:
1200:
1196:
1195:0-89917-034-X
1192:
1188:
1184:
1182:
1181:0-393-09530-4
1178:
1174:
1170:
1169:Gustave Reese
1167:
1165:
1164:1-56159-174-2
1161:
1157:
1153:
1152:
1148:
1139:
1136:
1130:
1127:
1123:
1117:
1114:
1110:
1109:0-13-033233-X
1106:
1102:
1096:
1093:
1087:
1084:
1081:Wright, Grove
1078:
1076:
1074:
1070:
1064:
1058:
1055:
1052:
1049:
1046:
1042:
1039:
1036:
1033:
1030:
1029:Robert Morton
1027:
1024:
1021:
1018:
1015:
1012:
1009:
1006:
1003:
1001:(c.1400–1455)
1000:
997:
995:(c.1400–1460)
994:
991:
988:
985:
983:fl. 1405–1449
982:
979:
976:
973:
970:
967:
964:
961:
958:
955:
952:
949:
946:
943:
942:
934:
931:
923:
920:November 2012
913:
909:
905:
899:
898:
894:
889:This section
887:
883:
878:
877:
871:
866:
862:
858:
855:
852:
848:
844:
841:
838:
834:
830:
827:
824:
820:
817:
814:
810:
806:
803:
802:
801:
795:
793:
791:
787:
783:
779:
778:Jacob Obrecht
775:
770:
766:
761:
759:
755:
754:
749:
745:
744:
738:
736:
732:
728:
724:
719:
717:
713:
709:
705:
700:
698:
697:
692:
688:
684:
683:cantus firmus
680:
676:
672:
668:
663:
661:
657:
653:
649:
645:
641:
640:
628:
619:
615:
608:
606:
604:
600:
595:
593:
589:
585:
581:
576:
574:
570:
566:
562:
553:
551:
549:
546:
542:
537:
535:
531:
526:
524:
520:
516:
510:
508:
504:
500:
496:
492:
488:
484:
480:
476:
472:
468:
464:
460:
456:
451:
449:
445:
444:Low Countries
441:
437:
433:
429:
428:
427:ars subtilior
423:
422:
417:
413:
409:
405:
401:
397:
393:
389:
385:
377:
375:
373:
369:
365:
361:
357:
353:
348:
346:
342:
338:
334:
330:
326:
314:
309:
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295:
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292:
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285:
284:
278:
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272:
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186:
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151:Major figures
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129:
126:
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119:
116:
114:
111:
109:
106:
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100:
93:
92:
85:
81:
77:
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75:
74:
67:
64:
60:
56:
52:
51:
45:
41:
37:
32:
19:
3006:
2995:Institutions
2911:County of Eu
2515:
2508:
2479:Architecture
2413:Jacob Bathen
2232:
2130:John Dowland
2000:William Byrd
1874:Leonel Power
1738:Wandelweiser
1533:
1511:
1504:
1497:
1377:Jacobus Vide
1302:Adrien Basin
1287:
1224:
1207:
1186:
1172:
1155:
1138:
1129:
1116:
1100:
1095:
1086:
1057:Jacobus Vide
1051:Adrien Basin
971:(fl. c.1430)
965:(fl. c.1430)
953:(?1397–1474)
926:
917:
902:Please help
890:
799:
762:
757:
751:
747:
741:
739:
720:
715:
701:
694:
691:l'homme armé
664:
639:formes fixes
637:
634:
603:L'homme armé
596:
577:
557:
538:
527:
511:
452:
425:
419:
381:
349:
324:
322:
281:
274:
242:
102:
82: /
2600:Family tree
2469:Renaissance
2464:Early music
2360:Netherlands
2340:Elizabethan
2195:Jacopo Peri
2165:Alonso Lobo
2125:John Cooper
1987:Late (1530)
1947:Jean Mouton
1859:Jean Japart
1849:Walter Frye
1712: [
1654:Ny Enkelhed
1499:Ars antiqua
1347:Gilles Joye
1327:Jean Cousin
1023:Gilles Joye
957:Jean Cousin
861:El Escorial
833:Paul Mellon
743:basse danse
712:fauxbourdon
704:isorhythmic
675:Magnificats
534:Renaissance
448:Netherlands
388:Renaissance
374:in Europe.
372:Renaissance
337:Netherlands
231:Major forms
38:(left) and
3037:Categories
2494:Philosophy
2489:Literature
2457:Background
2323:Traditions
2299:Magnificat
2289:Intermedio
2233:Burgundian
1743:West Coast
1666:Notre Dame
1644:New Jewish
1639:New German
1634:Neapolitan
1619:Manchester
1534:Burgundian
1529:Boston Six
1407:Influences
1233:. Oxford:
1220:"Burgundy"
1149:References
1047:1450–1465)
769:polyphonic
748:bassadanza
727:tambourins
708:polyphonic
679:head-motif
656:bergerette
471:Luxembourg
386:and early
378:Background
335:, and the
218:Monteverdi
198:Palestrina
103:Burgundian
2309:Offertory
2238:Colorists
2100:Mannerism
1705:Viennese
1549:Darmstadt
1386:Uncertain
1295:Composers
1252:required)
891:does not
696:New Grove
584:plainsong
554:Composers
548:Habsburgs
396:Anti-pope
178:Tinctoris
80:Composers
42:(right),
34:Composer
2530:Category
2507: ←
2370:Portugal
2294:Madrigal
2268:Venetian
1701:Venetian
1661:New York
1624:Mannheim
1544:Colorist
1506:Ars nova
1217:(2001).
735:bagpipes
723:trumpets
660:chansons
530:Medieval
519:chansons
495:Brussels
479:Lorraine
459:Flanders
421:ars nova
418:and the
384:Medieval
382:In late
250:Madrigal
213:Victoria
168:Ockeghem
163:Binchois
128:Venetian
113:Colorist
70:Overview
55:a series
53:Part of
2868:Domains
2520:→
2350:Germany
2330:British
1686:Les Six
1539:Cologne
1519:Bologna
1428:Related
912:removed
897:sources
753:tordion
652:virelai
648:ballade
644:rondeau
545:Spanish
467:Holland
463:Brabant
432:Landini
408:Avignon
398:or the
333:Belgium
244:Chanson
193:Zarlino
183:Josquin
173:Busnois
2644:Events
2540:Portal
2365:Poland
2345:France
2335:Cyprus
2314:Pavane
2108:c.1600
1726:Second
1524:Boston
1193:
1179:
1162:
1107:
849:, and
731:shawms
671:motets
667:masses
654:, and
605:tune.
523:motets
505:, and
499:Bruges
475:Alsace
430:, and
424:, the
410:, and
404:France
329:France
238:Anthem
188:Tallis
158:Du Fay
2592:Dukes
2484:Dance
2375:Spain
2355:Italy
2284:Carol
2263:Roman
1721:First
1716:]
1676:Roman
1065:Notes
746:, or
507:Arras
503:Lille
491:Dijon
412:Italy
260:Motet
203:Lasso
123:Roman
2304:Mass
2102:and
1191:ISBN
1177:ISBN
1160:ISBN
1105:ISBN
895:any
893:cite
788:and
669:and
626:Play
571:and
569:Hugo
563:and
532:and
521:and
515:harp
477:and
392:Pope
323:The
255:Mass
208:Byrd
2474:Art
1239:doi
1045:fl.
906:by
811:in
756:or
3039::
1714:de
1237:.
1223:.
1171:,
1072:^
792:.
784:,
780:,
776:,
760:.
733:,
729:,
725:,
650:,
646:,
501:,
497:,
473:,
469:,
465:,
461:,
450:.
406:,
394:,
358:,
354:,
347:.
331:,
57:on
2574:e
2567:t
2560:v
1786:e
1779:t
1772:v
1474:e
1467:t
1460:v
1280:e
1273:t
1266:v
1245:.
1241::
1111:.
1043:(
933:)
927:(
922:)
918:(
914:.
900:.
642:(
312:e
305:t
298:v
20:)
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