302:– are an archive of our time and the seeds for his paintings, which also expressed contemporary times. The focus of his "encyclopedic" approach was exclusively directed toward the structures, signs, symbols and images that humans leave on walls. Here he found the entire range of the human condition in a single motif, without any cultural, racial, political, geographical, or stylistic, limitations. Dogançay got to the heart of his exploration when he said:
318:(plants). His pictures are not snapshots but elaborate segmentations of surfaces, subtle studies of materials, colors, structures and light, sometimes resembling monochromies in their radical reductionism. Over time, this project gained importance as well as content; after four decades it encompasses about 30'000 images from more than 100 countries across five continents. In 1982, images from the archive were exhibited as a one-man exhibition at the
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helped him to create arresting new effects that led to more defined flat areas and brighter colors within the images. Dogancay created a new resolution between subject and method, and was a profound influence on his future evolution as an artist. A canon of high-colored tonality and visual impact has remained for him the essence of urban contradiction which he wants to share with viewers of his works.
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485:, France. Fascinated by Dogançay's Ribbons series and believing they would be ideal tapestry subjects, he invited Dogançay to submit several tapestry cartoons. In the words of Jean-François Picaud, "the art of tapestry has found its leader for the 21st century in Burhan Dogançay". The first three Dogançay tapestries woven in 1984 were an immediate critical success.
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and chose them as his subject. He considered them the barometer of societies and a testament to the passage of time, reflecting the emotions of a city, frequently withstanding the assault of the elements and the markings left by people. It began, Dogancay said, when something caught his eye during a
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In large measure his practice has been one of simulation in the spirit of record-keeping, carried out with the collector's rather than the scavenger's eye. In many cases, his paintings evoke the decay and destruction of the city, the alienated feeling that urban life is in ruins and out of control,
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from the last heroic period of art, of which he was a part. Dogancay, however, has always preferred to reproduce fragments of wall surface in their mutual relations just as he found them, and with minimal adjustment of color or position, rather than to up-end them or combine them casually as in the
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Following a brief career with the government (diplomatic service), which brought him to New York City in 1962, Dogançay decided in 1964 to devote himself entirely to art and to make New York his permanent home. He started searching the streets of New York for inspiration and raw materials for his
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These marked a turning point in his career as they are essentially a dialogue with flatness. At the workshop, in part because of the medium, he was obliged to relinquish his casual approach, inspired by his raw subject matter, in favor of organizing his work graphically. This imposed discipline
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It was the most beautiful abstract painting I had ever seen. There were the remains of a poster, and a texture to the wall with little bits of shadows coming from within its surface. The color was mostly orange, with a little blue and green and brown. Then, there were the marks made by rain and
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artist, and yet at first acquaintance much of his work appears to be abstract. In Dogançay's approach, the serial nature of investigation and the elevation of characteristic elements to form ornamental patterns are essential. Within this, he formulates a consistent continuation of
410:. These brightly intense, curvilinear ribbon forms seem to burst forth from flat, solid-colored backgrounds. The graceful ribbonlike shapes take on a three-dimensional quality, especially as suggested by the implied shadows. This series later gave rise to
290:. Dogançay may have started out as a simple observer and recorder of walls, but he fast made a transition to being able to express a range of ideas, feelings, and emotions in his work. His vision continued to broaden, driven both by content and technique.
205:. During this period he continued to paint regularly and to show his works in several group exhibitions. Soon after his return to Turkey, he participated in many exhibitions, including joint exhibitions with his father at the Ankara Art Lovers Club.
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of social, political and economic change. Part of the intrinsic spirit of his work is to suggest that nothing is ever what it seems. Dogançay's art is wall art, and thus his sources of subjects are real. Therefore, he can hardly be labeled as an
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and cannot be integrated again. Pictorial fragments are often detached from their original context and rearranged in new, sometimes inscrutable combinations. His complex and uniformly experimental painterly oeuvre ranges from
562:. It provides a retrospective survey of the artist's various creative phases from his student days up to his death, with about 100 works on display. Established in 2004, the Doğançay Museum in Istanbul's
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As a city traveler, for half a century he mapped and photographed walls in various cities worldwide. In this context, urban walls serve as documents of the respective climate and zeitgeist, as
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Köb, Eldelbert, Zuckriegel, Margit, Kushner, Marilyn, et al., "Picture the World – Burhan
Dogancay As Photographer", Istanbul, Dogancay Museum Publications, 2014, 978-6056504303
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Dogancay's consequential execution, his radical thematic self-limitation and obsession with capturing what interested him most is comparable to other "documentarians" such as
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In the mid-1970s, Dogançay embarked on what he thought of as a secondary project: photographing urban walls all over the globe. These photographs – which Dogançay called
507:, that evolved as a development of his iconic Breakthrough and Ribbon series and as an exhilarating exploration of the urban space. Together with its two sister works,
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350:-covered wall surfaces, as well as broken or neglected entrances, such as windows and doors, in different series. The only masters with whom he compares himself are
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Calikogu, Levent, Giboire, Clive, Taylor, Brandon, Vine, Richard, Fifty Years of Urban Walls: A Burhan Dogançay
Retrospective, Munich, Prestel, 2012,
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artist. Doğançay is best known for tracking walls in various cities across the world for half a century, integrating them in his artistic work.
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With posters and objects gathered from walls forming the main ingredient for his work, Dogançay's preferred medium has been predominantly '
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2001: Istanbul: Dolmabahçe
Cultural Center. Dogançay: A Retrospective (Organized by Dr. Nejat F. Eczacıbaşı Foundation)
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242:. Dogançay lived and worked during the last eight years of his life alternating between his studios in New York and
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Taylor, Brandon, Urban Walls – A Generation of
Collage in Europe and America, New York, Hudson Hills Press, 2008,
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2010: Minneapolis, MN: Walker Art Center, Perlman
Gallery. 50/50: Audience and Experts Curate the Paper Collection
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for 27 years, significantly influenced Dogançay, urging him to stay in New York and face the city's challenges.
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is exclusively dedicated to the work of Burhan Doğançay, and to a minor extent also to the art of his father,
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between 1950 and 1955, from where he obtained a doctorate degree in economics, he attended art courses at the
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1999: New York: The Museum of the City of New York, The New York
Century: World Capital, Home Town, 1900–2000
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2001: Athens, Ohio: Kennedy Museum of Art–Ohio
University. Dogançay–Wall Paintings from the Museum Collection
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is one of the largest and most expressive works in which Dogançay enters into a dialogue with the history of
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for US$ 1,700,000. This collage relates to an impressive cycle of works within the Dogançay oeuvre, called
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collage and assemblages. He began to think it was impossible to make a reasonable living as an artist.
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2005 – Contribution to the Arts Award given by the
International Contemporary Art Exposition, İstanbul
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for
Lifetime Achievement & Cultural Contribution given by the President of the Republic of Turkey
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Schröder, Klaus-Albrecht, Lahner, Elsy, "Burhan
Dogancay", Wien, Hirmer Verlag, 2017, 978-3777428871
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546:(Blue Beauty) from the Ribbon Series sold for TL 1,050,000 (US$ 390’000) at Antik AS in Istanbul
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in the USA. Dogancay created sixteen lithographs, including a suite of eleven impressions titled
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Vine, Richard, Burhan Dogançay: Works on Paper 1950 -2000, New York: Hudson Hills Press, 2003,
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2021: London: British Museum. Reflections: Contemporary Art of the Middle East and North Africa
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In the 1970s and 1980s, he gained fame with his interpretation of urban walls in his signature
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photographic documentary project. He met his future wife, Angela, at the Hungarian Ball at the
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Doğançay's works are in the collections of many museums around the world including New York's
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Emslander, Fritz, Dogramaci, Burcu, "Burhan Doğançay Zeichen an der Wand", Wien, VfmK, 2018,
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2016: Purchase/NY: Neuberger Museum of Art. Post No Bills: Public Walls as Studio and Source
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strategies – effectively the re-contextualised deconstruction of positions related to the
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2013: Grenoble: Musée de Grenoble-Bibliothèque Teisseire-Malherbe. Les Mots dans l'Art
444:, was a ten-year project, attended by approximately seventy artists – among them were
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2019: Istanbul: Istanbul Modern. The Event of a Thread: Global Narratives in Textiles
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2013: New York: The Metropolitan Museum of Art. Fifty Years of Collecting Islamic Art
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2014: Istanbul: Dogançay Museum. Picture the World: Burhan Dogançay as Photographer
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to music. The solo piano piece was premiered by Huseyin Sermet on 26 June 2012.
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Budak, Emel, Burhan Dogancay: A Retrospective, Istanbul, Duran Editions, 2001,
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2012: Maastricht: Bonnefantenmuseum. Different Impressions, Changing Traditions
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2016: Ankara: CER Modern. Picture the World: Burhan Dogançay as Photographer
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district is being considered to be Turkey's first contemporary art museum.
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Blanchebarbe, Ursula, Walls of the World, Bielefeld, Kerber Verlag, 2003,
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2006: Fredonia, N.Y.: Rockefeller Arts Center Art Gallery. Connoisseurship
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University of Ankara, University of Paris, Académie de la Grande Chaumière
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2021: Zurich: Museum Haus Konstruktiv. Works on Paper from the Collection
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1977: Zurich: Kunstsalon Wolfsberg. Acrylmalereien und Gouachen 1966–1976
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Lopate, Phillip, Bridge of Dreams, New York, Hudson Hills Press, 1999,
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2015: Leverkusen: Museum Morsbroich. Eddie Murphy und die Milk-Brothers
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2009: Biel/Bienne: CentrePasquArt. Collage–Décollage: Dogançay–Villeglé
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1992 – Medal of Appreciation given by the Ministry of Culture of Russia
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2005 – Art Honor Award given by the Art Forum Plastic Arts Fair, Ankara
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2021: Ann Arbor/MI: University of Michigan Museum of Art. You Are Here
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2019: Geneva: MAMCO Musée d'art moderne et contemporain. Collection(s)
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2010: London: British Museum. Modern Turkish Art at the British Museum
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In Paris, Dogancay was introduced to Jean-François Picaud, owner of
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2018: Ankara: Evliyagil Museum. Icons of Thinking: Images and Texts
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football (soccer) team. In 1950, he received a law degree from the
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2013: Boston: Museum of Fine Arts, Boston. Uncontainable Portraits
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2000: New York: The Brooklyn Historical Society. Bridge of Dreams.
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1989: Tokyo: The Seibu Museum of Art–Yurakucho Art Forum. Dogançay
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2014: Boston: Museum of Fine Arts. National Pride (and Prejudice)
181:, Burhan Dogançay obtained his artistic training from his father
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2012: Vienna: Belvedere, Orangerie. Kokoschka sucht einen Rahmen
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Piguet, Philippe, Denaro, Dolores, Collage-Décollage:Dogancay-
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2004 – Painter of the Year Award given by Sanat Kurumu, Ankara
414:–aluminum composite shadow sculptures and the series known as
994:. Fifty Years of Urban Walls: A Burhan Dogancay Retrospective
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2013: Doha: Bahrain National Museum. Istanbul Modern-Bahrain
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1969 – Tamarind Lithography Workshop Fellowship, Los Angeles
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Turkish National Medal for the Arts for Lifetime Achievement
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2004 – Honorary doctorate from Hacettepe University, Ankara
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1964 – Certificate of Appreciation by the City of New York
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2013: Minneapolis: Weisman Art Museum. Reviewing The Real
322:, Paris; it later traveled to the Palais des Beaux-Arts,
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2019: Wolfsburg: Kunstmuseum Wolfsburg. Now is the Time
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2013: Zurich: Museum Haus Konstruktiv. Hotspot Istanbul
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Since the early 1960s, Dogançay had been fascinated by
527:. It was executed in 1987 for the first International
346:'. Dogançay re-creates the look of urban billboards,
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2009: Berlin: Martin-Gropius-Bau. Istanbul Next Wave
1014:. Picture the World: Burhan Dogançay as Photographer
819:, Ann Arbor/MI, University of Michigan Museum of Art
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in New York. In 2006, a painting by Dogancay titled
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987:2003: Siegen: Siegerlandmuseum. Walls of the World
945:. Les murs murmurent, ils crient, ils chantent ...
432:, then head of 20th Century Art Department at the
1119:2016: Los Angeles: LACMA. Islamic Art Now, Part 2
220:In the 1970s, Dogançay started traveling for his
161:(11 September 1929 – 16 January 2013) was a
136:Street Art, Pop Art, Photorealism, Conceptual Art
1618:, Dogançay, New York, Hudson Hills Press, 1986,
1461:Istanbul Modern: A Selection from the Collection
386:, which consist of clean paper strips and their
1122:2016: Istanbul: Elgiz Museum. Faces & Masks
1113:2015: Stockholm: Moderna Museet. A Larger World
493:In November 2009, one of Dogançay's paintings,
910:1984 – Enka Arts & Science Award, İstanbul
460:– between 1960 and 1970, conceived to promote
37:Burhan Dogancay at the Dogancay Museum in 2010
1705:Alumni of the Académie de la Grande Chaumière
1353:Fifty Years of Urban Walls at Istanbul Modern
1292:Tenth Avenue Editions, New York, 1994, p.243.
1071:2009: Salzburg: Museum der Moderne. SPOTLIGHT
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1552:, Nürnberg, Verlag für Moderne Kunst, 2009,
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954:1983: Antwerp: International Cultural Center
250:. He died at the age of 83 in January 2013.
234:was gifted by the Turkish government to the
1646:Burhan Dogançay photographs and sketchbooks
1202:(in Turkish). Bloomberg HT. 16 January 2013
499:(Symphony in Blue), was sold in auction to
436:, secured a fellowship for Dogancay at the
1156:2019: Vienna: Albertina. Warhol to Richter
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847:, Geneva, Musée d'art et d'histoire (MAH)
440:in Los Angeles. The workshop, founded by
1007:. New to the collection: Burhan Dogancay
805:, Los Angeles, Los Angeles County Museum
781:, Istanbul, Yildiz Holding (Murat Ülker)
531:. Istanbul Modern commissioned composer
1710:Ankara University Faculty of Law alumni
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609:Works in public collections (selection)
1641:The Doğançay Museum's Official Website
1342:, Sotheby's; retrieved 10 January 2016
144:Angela Hausmann (1978–2013; his death)
1262:Artnet: Chronology on Burhan Dogancay
1221:Burhanettin Doğançay (Gençlerbirliği)
833:, Saint Louis, Saint Louis Art Museum
756:Royal Museums of Fine Arts of Belgium
673:, Washington, National Gallery of Art
583:National Gallery of Art in Washington
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950:Musée d'art contemporain de Montréal
871:, Boston, Museum of Fine Arts Boston
854:, Pittsburgh, Carnegie Museum of Art
326:, and the Musée d'Art Contemporain,
263:walk along 86th street in New York:
1720:Men's association football forwards
1200:"Ressam Burhan Doğançay vefat etti"
689:, Cambridge/MA, Harvard Art Museums
394:. These contrast with his collaged
1700:American people of Turkish descent
1636:Burhan Doğançay's Official Website
1059:1987: Istanbul: 1st International
1054:National Museum of Natural History
1021:. Burhan Dogançay (works on paper)
14:
1367:Les Murs Murment, Centre Pompidou
542:In May 2015, Dogancay's painting
1172:. Materials and Objects: Collage
826:, Munich, Pinakothek der Moderne
659:, Minneapolis, Walker Art Center
579:The Solomon R. Guggenheim Museum
306:Walls are the mirror of society.
1725:Gençlerbirliği S.K. footballers
1447:Tamarind Institute, Los Angeles
812:, Salzburg, Museum oder Moderne
747:, Vienna, mumok stiftung ludwig
694:Red and Black Composition No. 5
203:Académie de la Grande Chaumière
1276:Metropolitan Museum Collection
1049:. From the American Collection
971:. Walls 1990–93 (Organized by
652:, Dallas, Dallas Museum of Art
1:
1614:Moyer, Roy, Rigaud, Jacques,
1377:, retrieved 11 September 2015
1033:Group exhibitions (selection)
438:Tamarind Lithography Workshop
1047:Solomon R. Guggenheim Museum
926:Solo exhibitions (selection)
698:Solomon R. Guggenheim Museum
620:Solomon R. Guggenheim Museum
591:Musée National d'Art Moderne
215:Solomon R. Guggenheim Museum
1675:Painters from New York City
1650:New-York Historical Society
1422:, retrieved 7 December 2016
1146:2017: Saint-Paul-de-Vence:
902:National Medal for the Arts
788:, Hannover, Sprengel Museum
774:, Istanbul, Istanbul Modern
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1012:National Museum of History
766:Metropolitan Museum of Art
666:, Stuttgart, Staatsgalerie
575:Metropolitan Museum of Art
434:Metropolitan Museum of Art
375:to material image/montage/
1715:Turkish men's footballers
1464:, retrieved 13 April 2019
1450:, retrieved 30 April 2015
1356:, retrieved 24 April 2015
1265:, retrieved 30 April 2015
1245:British Museum Artist Bio
1056:, Smithsonian Institution
964:. Walls and Doors 1990–91
30:
1503:Stonewall, Today's Zaman
1234:, retrieved 12 July 2018
733:, London, V&A Museum
603:The State Russian Museum
479:L'Atelier Raymond Picaud
197:. While enrolled at the
1513:, retrieved 9 June 2015
1492:, retrieved 11 May 2015
1478:, retrieved 11 May 2015
1436:, retrieved 9 June 2015
1408:, retrieved 1 June 2015
1391:, retrieved 1 June 2015
1328:, retrieved 1 June 2015
1307:, retrieved 1 June 2015
1279:, retrieved 1 June 2015
1248:, retrieved 1 June 2015
1150:. Is this how men live?
1143:. Im Käfig der Freiheit
969:Atatürk Cultural Center
943:Centre Georges Pompidou
863:Cleveland Museum of Art
713:, Saint-Paul de Vence,
704:White Cone & Shadow
320:Centre Georges Pompidou
100:Painting, Photography,
16:Turkish-American artist
960:1992: St. Petersburg:
645:, Mannheim, Kunsthalle
519:(private collection),
342:' and to some extent '
308:
270:
1690:Turkish photographers
1373:29 March 2019 at the
1318:Guggenheim Artist Bio
1288:E. Flomenhaft (ed.),
1141:Kunstmuseum Wolfsburg
1042:. Printmakers at Pace
1028:. Zeichen an der Wand
1010:2016: Taipei: Taiwan
359:Rauschenberg manner.
304:
265:
254:Artistic contribution
1730:People from Istanbul
1489:Memleket, Mavi Güzel
1226:12 July 2018 at the
706:, Basel, Kunstmuseum
424:Tamarind lithography
365:photographic realism
334:Painting and collage
195:University of Ankara
1509:27 May 2016 at the
1324:7 July 2015 at the
1128:2017: Minneapolis:
878:, Vienna, Albertina
876:The Days of the Fez
840:, Vienna, Albertina
731:Whispering Wall III
638:, Vienna, Albertina
626:Yankees and Beatles
605:in St. Petersburg.
417:Aubusson Tapestries
398:works, such as the
352:Robert Rauschenberg
199:University of Paris
1339:WHISPERING WALL II
1130:Weisman Art Museum
1052:1983: Washington:
1024:2018: Leverkusen:
838:Two Fine Red Lines
300:Walls of the World
294:Walls of the World
222:Walls of the World
213:, director of the
159:Burhan C. Doğançay
1624:978-0-933920-61-3
1616:Messer, Thomas M.
1610:978-1-55595-173-3
1600:978-1-55595-226-6
1590:978-975-97427-2-0
1580:978-3-936646-07-8
1569:978-1-55595-288-4
1558:978-3-941185-57-9
1543:978-3-7913-5219-0
1419:LACMA Collections
1139:2017: Wolfsburg:
1061:Istanbul Biennial
1026:Museum Morsbroich
935:. Burhan Dogançay
745:Long Lost Ribbons
601:in Jerusalem and
599:The Israel Museum
529:Istanbul Biennial
473:Aubusson Tapestry
408:Alexander's Walls
288:nouveau réalistes
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84:Turkish, American
46:11 September 1929
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1685:Turkish painters
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1148:Fondation Maeght
1136:from Minneapolis
1045:1977: New York:
1038:1972: New York:
990:2012: Istanbul:
967:1993: Istanbul:
948:1983: Montreal:
931:1976: Istanbul:
779:Symphony in Blue
764:, New York, The
715:Fondation Maeght
696:, New York, The
680:, New York, MoMA
618:, New York, The
521:Symphony in Blue
430:Henry Geldzahler
314:(portraits) and
211:Thomas M. Messer
163:Turkish-American
122:Symphony in Blue
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1388:Istanbul Modern
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1375:Wayback Machine
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1005:Museum Folkwang
992:Istanbul Modern
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810:I Am Really Old
772:Magnificent Era
664:New York Puzzle
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595:Istanbul Modern
556:Doğançay Museum
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550:Doğançay Museum
513:Istanbul Modern
511:(collection of
509:Magnificent Era
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458:Louise Nevelson
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316:Karl Blossfeldt
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1017:2017: Vienna:
1015:
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962:Russian Museum
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855:
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789:
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191:Gençlerbirliği
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753:
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739:
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721:Lofty Ribbons
718:
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640:
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623:
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597:in Istanbul,
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184:
183:Adil Doğançay
180:
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1204:. Retrieved
1194:
1040:Pace Gallery
933:Galeri Baraz
875:
868:
858:
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762:Ribbon Mania
761:
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711:Heart No. 26
710:
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685:
677:
670:
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635:
625:
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568:
553:
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541:
537:Mavi Senfoni
536:
520:
516:
508:
505:Cones series
504:
496:Mavi Senfoni
494:
492:
476:
465:
454:Josef Albers
427:
416:
404:Doors Series
400:Cones Series
381:
361:
356:Jasper Johns
337:
309:
305:
299:
297:
271:
266:
257:
231:Trojan Horse
229:
226:Hotel Pierre
221:
219:
207:
172:
158:
157:
125:
121:
117:
113:Notable work
18:
1670:2013 deaths
1665:1929 births
1433:MAK, Vienna
1170:Tate Modern
973:Yahşi Baraz
921:Exhibitions
869:Rising Star
803:Versace Man
630:Tate Modern
589:in Vienna,
581:as well as
533:Kamran Ince
517:Mimar Sinan
501:Murat Ülker
462:lithography
388:calligraphy
369:abstraction
284:decollagist
260:urban walls
187:Arif Kaptan
106:Printmaking
81:Nationality
1659:Categories
1302:Obituary:
1206:16 January
1186:References
817:Tit Steaks
723:, London,
628:, London,
593:in Paris,
544:Mavi Güzel
489:Art market
442:June Wayne
244:Turgutreis
72:2013-01-17
50:1929-09-11
1019:Albertina
831:Push Love
616:Billboard
446:Ed Ruscha
428:In 1969,
412:alucobond
396:billboard
169:Biography
126:Stonewall
118:Billboard
89:Education
1550:Villeglé
1507:Archived
1371:Archived
1322:Archived
1232:Mackolik
1224:Archived
852:Throw FD
752:untitled
686:untitled
671:untitled
483:Aubusson
466:Walls V.
450:Jim Dine
348:graffiti
328:Montreal
324:Brussels
279:abstract
175:Istanbul
173:Born in
133:Movement
124:(1987),
120:(1964),
59:, Turkey
57:Istanbul
1648:at the
900:1995 –
845:Red Ada
736:1980s:
729:1980s:
678:Walls V
564:Beyoğlu
535:to set
392:shadows
377:collage
373:pop art
371:, from
340:collage
274:ciphers
102:Collage
70: (
48: (
1622:
1608:
1598:
1588:
1578:
1567:
1556:
1541:
1525:
1134:Prince
883:Awards
874:2011:
867:2009:
857:2008:
850:2002:
843:2002:
836:1998:
829:1997:
822:1997:
815:1995:
808:1992:
801:1989:
793:Neruda
791:1989:
786:Kinder
784:1989:
777:1987:
770:1987:
760:1982:
750:1980:
743:1980:
719:1979:
709:1977:
702:1975:
692:1974:
683:1969:
676:1969:
669:1969:
662:1969:
655:1966:
648:1966:
641:1966:
634:1965:
624:1964:
614:1964:
525:Turkey
515:) and
390:-like
344:fumage
248:Turkey
185:, and
179:Turkey
149:Awards
141:Spouse
128:(2009)
636:Eddie
587:MUMOK
240:Paris
1620:ISBN
1606:ISBN
1596:ISBN
1586:ISBN
1576:ISBN
1565:ISBN
1554:ISBN
1539:ISBN
1523:ISBN
1208:2013
738:#150
571:MoMA
560:Adil
554:The
456:and
354:and
268:mud.
236:OECD
104:and
65:Died
43:Born
481:in
406:or
367:to
238:in
1661::
1396:^
1253:^
1230:,
1132:.
585:,
577:,
573:,
452:,
448:,
420:.
402:,
379:.
330:.
246:,
177:,
1571:.
1560:.
1545:.
1210:.
975:)
74:)
52:)
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