252:, technically exceptionally precise, and contains experimental, bizarre song structures. One critic wrote that the album's style "varies from extremely aggressive discharges to beautiful guitar harmonies, while the main focus relies on twisted riffs and ferocious directions." While most of the tracks are in English, three songs are written in Norwegian; "Renhetens Elv" ("The River of Purity"), "Innbydelse" ("Invitation"), and "Jesus Kom Til Jorden For Å Dø" ("Jesus Came to World to Die").The last, a hymn-like, doom metal-esque and folkish piece, is a
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riffs, such as on "Innbydelse", and the slightly raw sound production. However, the album's overall atmosphere is not particularly dark or cold; on several songs the soundscape contains happy sounding elements such as the cheerful power metal vocals of the guitarist Ole Børud, creating tensions between the darker elements.
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Critics and fans usually categorize the album's style as either death/black metal or simply metal because it contains elements of several subgenres of heavy metal music. The notable black metal elements on the album include the high-pitched shrieking vocals of Peter
Espevoll, some black metal tremolo
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is a combination of power metal, old school death metal and traditional heavy metal, and the latter style is especially apparent on the main riff of "Renhetens Elv". Additionally, the songs contain interludes that include elements of
240:, such as on the song "Justified", jazz and classical music, such as on the song "Tears of Bitterness". The guest musician Maria Riddervold played violin on the songs "Embraced" and "Tears of Bitterness". The musicianship on
429:. The album was considered a breath of fresh air in the death metal genre that had run stale for years. It received good reviews from the secular metal press.
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was recorded at Børud
Lydskredderi, Norway, mastered at The Mastering Room, and released on 22 December 1998.
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was "a breath of fresh air among a genre that relies on satanic gimmicks", and marked a renewal in the
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All tracks are written by Extol, except for "Jesus Kom Til Jorden For Å Dø" which is written by
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was released, Extol was described as Norway's second best band by the
Norwegian magazine
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magazine ranked it #13 on the Top 100 Christian metal albums of all-time list.
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was the first release by the
Swedish record label Endtime Productions.
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Van Pelt, Doug (2010). "Top 100 Christian metal albums of all time".
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Maria
Riddervold – violins on "Embraced" and "Tears of Bitterness"
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785:"CoC : Extol : Interview : 7/7/1999"
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187:. It was released on Endtime Productions and then
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244:is virtuoisic, taking the style a step towards
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464:"Into Another Dimension" (instrumental)
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1117:Doctor Midnight & the Mercy Cult
773:. Korroosio. Retrieved 2007-12-31.
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191:the following year. According to
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783:Cantwell, Alex (July 7, 1999).
585:"Jesus Kom Til Jorden For Å Dø"
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519:"Reflections of a Broken Soul"
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16:1998 studio album by Extol
1:
879:whitefrozen (30 April 2010).
853:Mr. Gold (23 October 2012).
842:The Phantom TollBooth review
810:Figgis, Alex (1999-04-01).
769:September 27, 2007, at the
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1173:Solid State Records albums
677:Eystein Holm – bass guitar
176:is the first album by the
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883:. Encyclopaedia Metallum
881:"Extol - Burial - 100%"
683:– drums, backing vocals
250:progressive death metal
71:Progressive death metal
475:"Celestial Completion"
231:The musical output of
1088:Century Media Records
563:"Tears of Bitterness"
385:The Phantom TollBooth
246:technical death metal
1168:Unblack metal albums
688:Additional musicians
269:Professional ratings
1093:Solid State Records
1046:The Blueprint Dives
993:John Robert Mjåland
790:Chronicles of Chaos
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189:Solid State Records
109:Solid State Records
102:Endtime Productions
628:"The Prodigal Son"
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256:of a 1976 song by
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1001:Ole Halvard Sveen
989:Christer Espevoll
672:Christer Espevoll
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1102:Related articles
997:Tor Magne Glidje
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908:NO CLEAN SINGING
904:"EXTOL: "EXTOL""
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859:Sputnikmusic.com
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723:"Extol - Burial"
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668:– guitar, vocals
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238:industrial music
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201:Christian metal
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637:Total length:
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594:Total length:
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574:"Work of Art"
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433:Track listing
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324:Cross Rhythms
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1163:Extol albums
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1024:
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1004:Eystein Holm
981:David Husvik
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911:. Retrieved
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885:. Retrieved
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862:. Retrieved
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826:. Retrieved
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794:. Retrieved
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758:
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732:. Retrieved
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694:Arnold Børud
681:David Husvik
552:"Innbydelse"
440:Arnold Børud
437:
426:
422:
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258:Arnold Børud
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37:Studio album
1158:1998 albums
1127:Benea Reach
750:HM Magazine
696:– keyboards
530:"Justified"
1152:Categories
1071:Mesmerized
1032:Undeceived
828:2009-09-30
796:2024-04-26
734:2007-12-11
704:References
541:"Embraced"
508:"Superior"
157:Mesmerized
130:chronology
1132:Schaliach
1122:The Crest
974:Ole Børud
752:. August.
666:Ole Børud
649:Personnel
264:Reception
213:Recording
178:Norwegian
60:1997–1998
1137:Antestor
767:Archived
728:Allmusic
674:– guitar
662:– vocals
486:"Burial"
288:Allmusic
193:Allmusic
116:Producer
57:Recorded
49:Released
39: by
1112:Mantric
1107:Lengsel
1039:Synergy
816:review"
161:(1999)
152:(1998)
143:(1997)
1081:Labels
1025:Burial
913:22 May
887:22 May
864:22 May
814:Burial
620:Length
456:Length
427:Scream
423:Burial
282:Rating
279:Source
242:Burial
233:Burial
222:Burial
218:Burial
197:Burial
173:Burial
148:Burial
81:Length
22:Burial
1053:Extol
955:Extol
654:Extol
641:68:13
617:Title
598:62:08
453:Title
254:cover
185:Extol
183:band
128:Extol
121:Extol
98:Label
66:Genre
42:Extol
915:2016
889:2016
866:2016
824:(50)
631:6:05
588:3:47
577:5:19
566:7:27
555:4:58
544:3:41
533:5:22
522:7:28
511:5:08
500:6:24
489:4:49
478:6:14
467:1:28
248:and
1063:EPs
625:13.
613:No.
582:12.
571:11.
560:10.
449:No.
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906:.
857:.
818:.
787:.
725:.
711:^
549:9.
538:8.
527:7.
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483:3.
472:2.
461:1.
206:HM
195:,
90:08
86:62
73:,
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940:t
933:v
917:.
891:.
868:.
831:.
812:"
799:.
737:.
442:.
88::
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