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Butler May

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world.... Much of his present popularity is due to his oddities, his eccentricities, differing wholly from anything ever seen on a public stage.... His strange comedy and blues, especially when at the piano, create a furor." After the Review broke up in early 1917, May continued touring as a solo act, before joining "C.W. Park's Colored Aristocrats", another review managed by Benbow. However, he soon left, and teamed up with the pairing of Butterbeans and Susie in a new act.
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in 1938, Morton recalled May as "the greatest comedian ever knew", describing him as "a very, very swell fellow, over six feet tall, very slender with big liver lips, and light complexioned. His shoes were enormous and he wore trousers impossible to get over his feet without a shoe horn. He always
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In February 1916, May formed a new act with Benbow, initially as a four-piece with singers Robbie Lee Peoples and Ebbie Burton, but soon expanding into the "Beans and Benbow's Big Vaudeville Review", with fifteen performers. May was called by one critic "the blues master piano player of the
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As he attacks the piano, Stringbean's head starts to nod, his shoulders shake, and his body begins to quiver. Slowly, he sinks to the floor of the stage. Before he submerges, he is executing the Snake Hips..., shouting the blues and, as he hits the deck still playing the piano, performing a
209:, one of a family of eight. His father died when he was a child, and his mother worked in menial jobs. During his childhood, Butler May developed his musical talents by singing and playing piano. By the age of fourteen he had become an accomplished performer, and he joined 279:
Although their relationship was punctuated by occasional acrimonious separations during which May performed with other partners, Stringbeans and Sweetie toured together intermittently until the end of 1915. Earlier in 1915, they debuted in
193:, and outrageous blues piano playing." He was said to have been the highest-paid black entertainer in the country at the time of his accidental death at the age of 23, and has been claimed as "the model for 259:", and was known as "The Elgin Movements Man". He was known for his originality in composition and performance, and his improvisational skills with lyrics. One newspaper critic, however, 471: 476: 456: 233:
had a big diamond in his front tooth. He was the first guy I ever saw with a diamond in his mouth, and I guess, I got the idea for my diamond from him".
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performer, singer, pianist and comedian. He has been described as "the greatest attraction in African-American vaudeville, the first recognizable
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Lynn Abbott and Doug Seroff, ""They Cert'ly Sound Good to Me": Sheet Music, Southern Vaudeville, and the Commercial Ascendancy of the Blues",
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Mister Jelly Roll: The Fortunes of Jelly Roll Morton, New Orleans Creole and "inventor of Jazz"
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horizontal grind which would make today's rock and roll dancers seem like staid citizens.
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In one of his most popular songs, "Titanic Blues", Stringbeans sang about surviving the
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lodge, after a rope was put round his neck. He was paralyzed and died a week later.
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in Atlanta, claimed that Stringbeans' act was "the smuttiest in the business".
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because of his athleticism. He originated the much-copied blues metaphor of "
241: 229: 182: 119: 222: 213:'s "Chocolate Drops Company" on the vaudeville touring circuit. Based in 236:
In 1909, May appeared as half of a double act with comedian Kid Kelly in
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Erwin Bosman, "Butler May: was he the real Father of the Blues?",
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star," and was known "for his streetwise humor, contortive
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Index

Butler "Stringbeans" May
Butler and Sweetie May
Montgomery, Alabama
Jacksonville, Florida
Vaudeville
blues
Piano
Will Benbow
Butterbeans and Susie
vaudeville
blues
vernacular dancing
Jelly Roll
Montgomery, Alabama
Will Benbow
Pensacola, Florida
Jelly Roll Morton
Ma Rainey
Alan Lomax
Atlanta
stage name
New Orleans
catastrophe
Elgin movements
Perry Bradford
W. L. James
New York City
Lafayette Theater
Harlem
Butterbeans and Susie

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