Knowledge (XXG)

Sie werden euch in den Bann tun, BWV 44

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62: 773: 729: 689: 654: 586: 866:" (will think that he does God a service by it) is interpreted by free imitation. After this sequential presentation of the three ideas of the text, they are repeated in variation and combination. Mincham summarised the "uncompromising" tone of the statement "the time will come when your murderer will believe that he has done a service to God". 902:
in the continuo derived from the first line of the chorale. Hofmann observed in the continuo ostinato that "at the place where the song text has the word "Herzeleid" (heart ache), it is expanded by means of chromatic notes in between – a figurative expression of sorrow, of the lamentation that
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of consolation in dance-like movement, accompanied by the strings doubled by the oboes. In the middle section, storms and "winds of trouble" give way to "the sun of joy soon smiled" (die Freudensonne bald gelacht), expressed in vivid
804:, and the way to go instantly from duet to chorus is a feature that Telemann frequently uses. The chorus has been described as "tumultuous and excited" and likened to the rendering of the excited crowd (turba) in Bach's 1761: 373:
Bach first performed the cantata on 21 May 1724. It is the last original cantata composition of his first annual cycle, followed by reworkings of older music until the beginning of the second annual cycle of
884:" (martyrdom, exile, and bitter pain) are coloured in expressive chromatic, although the text speaks of overcoming them. Hofmann described "sigh-like suspension and emotionally charged harmonic darkening". 4094: 2021: 3166: 3374: 2701: 3868: 2502: 4241: 4176: 4533: 2571: 4413: 3461: 3204: 2095: 1881: 3369: 2016: 4261: 4418: 4393: 2858: 1663: 4448: 4443: 4355: 3701: 3681: 3476: 3005: 2910: 2061: 2011: 1812: 4069: 2815: 4383: 4054: 4004: 3591: 2850: 2459: 1941: 1911: 1754: 3188: 360:
even thinking to work for God by fighting the Christians and their teaching. In movement 6, the suffering ones are promised God's help. The closing chorale is the final stanza of
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history, scoring, sources for text and music, translations to various languages, discography, discussion, Bach Cantatas Website
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J. S. Bach: Cantatas for the Complete Liturgical Year Vol. 10: "Himmelfahrts-Oratorium " - Cantatas BWV 108 · 86 · 11 · 44
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render the quotation from the Gospel as a duet, and an extended chorus. The inner movements are solo works, two pais of
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characterizes the whole movement". Mincham noted that this central chorale "seems almost to pre-empt the
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which the voices pick up. The representation of the voice of Jesus by tenor and bass is reminiscent of
1221: 1043: 1005: 1587: 1557: 1492:"Chorale Melodies used in Bach's Vocal Works / O Welt, ich muß dich lassen / Nun ruhen alle Wälder" 1271: 1115: 1105: 1055: 1051: 440: 361: 267: 262:. The cantata is concluded by a four-part chorale. Bach scored the work for four vocal soloists, a 120: 3059: 2846: 1207: 1183: 1179: 812: 303: 79: 1263: 1101: 801: 1691: 1573: 1561: 1251: 1013: 995: 463: 432: 275: 1622:"Sie werden euch in den Bann tun (I) / (They shall put you out of the synagogues (1)), BWV44" 3040: 1641: 1601: 1225: 845: 400: 337: 247: 243: 1739: 1470:"Chorale Melodies used in Bach's Vocal Works / Herr (or O) Jesu Christ, meins Lebens Licht" 772: 728: 688: 653: 585: 1255: 1123: 1077: 1059: 979: 806: 234:
The topic of the cantata, beginning with a quotation from the prescribed reading from the
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quoted and referred to related Biblical passages. Bach structured the work in seven
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The Cantatas of J. S. Bach: With Their Librettos in German-English Parallel Text
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J. S. Bach: Cantatas Vol. 20 – Cantatas from Leipzig 1724 – BWV 44, 59, 173, 184
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The poet reflected the persecution of the Christians, confirmed by a chorale as
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Johann Sebastian Bach (1685-1750) / Cantatas Nos 44, 86, 87, 97, 150 & 183
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The cantata closes with a four-part chorale setting on the melody of "
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in Halle after 1750 is documented by revisions of the original parts.
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Bach wrote the cantata in his first year in Leipzig for the Sunday
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In the following table of the movements, the scoring follows the
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Movement 3 refers to the opening in tranquil 3/4 time with an
314:, the "Spirit of Truth", and the announcement of persecution ( 1642:"Chapter 56 Bwv 44 – The Cantatas of Johann Sebastian Bach" 892:
The commenting chorale, on the almost unadorned melody of "
227:, and first performed it on 21 May 1724. It is part of his 1325: 1323: 1321: 1319: 1317: 1315: 1313: 1311: 826:" (But the time will come), is rendered in block chords ( 1358: 1356: 1354: 1352: 1350: 1348: 1346: 1344: 1342: 1340: 1338: 820:
sections with independent instruments. The beginning, "
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Bach Cantatas Vol. 3 – Ascension Day, Whitsun, Trinity
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and a chorus which follows immediately in a different
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J. S. Bach: Das Kantatenwerk – Sacred Cantatas Vol. 3
940:", which resembles the setting of the same melody in 165: 1452: 1450: 1448: 1446: 1444: 832:) as "repeated rhetorical calls". In the following " 322:
would begin her cantata text for the same occasion,
2764: 2570: 2210: 1961: 1783: 173: 160: 152: 129: 95: 85: 74: 29: 1683: 1517:"Sie werden euch in den Bann tun BWV 44; BC A 78" 852:tinged harmonies", according to the Bach scholar 844:" is "twice emphasized by a sudden, mysterious 1673:Cantata BWV 44 Sie werden euch in den Bann tun 796:, introduced by the two oboes in imitation on 3075: 2495:Later additions to the chorale cantata cycle: 1755: 356:". In movement 5 the poet gave a reason, the 8: 2229:Chorale cantatas between Trinity and Easter: 1535:"BWV 44 - "Sie werden euch in den Bann tun"" 1329: 949: 893: 879: 861: 839: 833: 827: 821: 742: 702: 667: 632: 599: 561: 528: 487: 365: 349: 323: 199: 114: 103: 30: 863:wird meinen, er tue Gott einen Dienst daran 3082: 3068: 3060: 1762: 1748: 1740: 484: 60: 26: 1668:International Music Score Library Project 1414: 1362: 860:", according to Julian Mincham. Finally " 4569:Church cantatas by Johann Sebastian Bach 1381: 1730:Sie werden euch in den Bann tun, BWV 44 1664:Sie werden euch in den Bann tun, BWV 44 1435: 1402: 1307: 1295:, a thematic catalogue of Bach's works. 1284: 1154:Amsterdam Baroque Orchestra & Choir 1020:, soloist of the Wiener Sängerknaben, 919:marks a turning point, resulting in an 1714:BWV 44 Sie werden euch in den Bann tun 1705:BWV 44 Sie werden euch in den Bann tun 1686:Die Kantaten von Johann Sebastian Bach 1562:"1.30 Sunday after Ascension (Exaudi)" 1456: 838:" (when whoever kills you), the word " 205:(They will put you under banishment), 1176:Bach Edition Vol. 5 – Cantatas Vol. 2 1146:J. S. Bach: Complete Cantatas Vol. 10 907:harmonies of the twentieth century". 399:Bach structured the cantata in seven 7: 895:Herr Jesu Christ, meins Lebens Licht 704:Es ist und bleibt der Christen Trost 1736:(video and background information) 1627:. Bach Cantatas Website. p. 6 1112:J. S. Bach: Himmelfahrts-Oratorium 25: 2432:Continuation of the second cycle: 1952:Köthen: BWV Anh. 5 816:. It follows the text in mostly 771: 727: 687: 652: 584: 634:Ach Gott, wie manches Herzeleid 530:Sie werden euch in den Bann tun 489:Sie werden euch in den Bann tun 352:Ach Gott, wie manches Herzeleid 327:Sie werden euch in den Bann tun 201:Sie werden euch in den Bann tun 106:Ach Gott, wie manches Herzeleid 32:Sie werden euch in den Bann tun 898:", is sung by the tenor on an 320:Christiana Mariana von Ziegler 1: 1494:. Bach Cantatas Website. 2009 1472:. Bach Cantatas Website. 2006 881:Marter, Bann und schwere Pein 601:Christen müssen auf der Erden 223:for Exaudi, the Sunday after 2543:Other late chorale cantatas: 697: 662: 556: 523: 2882:Council election (Leipzig): 1974:Between Trinity and Advent: 938:O Welt, ich muß dich lassen 4590: 1188:Netherlands Bach Collegium 951:Ich bins, ich sollte büßen 915:The following short secco 792:The duet is an expressive 480:The Cantatas of J. S. Bach 378:on the first Sunday after 4490: 3108: 3025: 1068:Hermann Christian Polster 950: 894: 880: 862: 840: 834: 822: 743: 703: 668: 633: 600: 562: 529: 517: 514: 511: 508: 505: 502: 499: 496: 419:. He scored the work for 366: 350: 324: 115: 104: 59: 48: 38: 2599:Liturgical year 1725–26: 1734:Netherlands Bach Society 1640:Mincham, Julian (2010). 1086:Bach-Collegium Stuttgart 1074:Die Bach Kantate Vol. 35 992:Dietrich Fischer-Dieskau 976:Münchener Bach-Orchester 744:So sei nun, Seele, deine 403:; as with many works of 1570:Oxford University Press 1172:, Antoine Marchand 1998 669:Es sucht der Antichrist 384:Wilhelm Friedemann Bach 316:John 15:26–16:4 302:), and from the second 2087:From Advent to Trinity 1293:Bach-Werke-Verzeichnis 1040:East German Revolution 1018:Concentus Musicus Wien 828: 823:Es kömmt aber die Zeit 737: 627: 594: 563:Es kömmt aber die Zeit 488: 405:Georg Philipp Telemann 300:1 Peter 4:8–11 298:, "serve each other" ( 296:First Epistle of Peter 200: 31: 3096:Johann Sebastian Bach 3035:List of Bach cantatas 1776:Johann Sebastian Bach 1732:: performance by the 1718:University of Alberta 1709:University of Vermont 1707:English translation, 1415:Dürr & Jones 2006 1363:Dürr & Jones 2006 1120:Collegium Vocale Gent 395:Structure and scoring 367:In allen meinen Taten 310:, the promise of the 217:Johann Sebastian Bach 134:21 May 1724 116:In allen meinen Taten 78:Exaudi, Sunday after 1644:. jsbachcantatas.com 1588:Gardiner, John Eliot 1572:. pp. 340–343. 1558:Jones, Richard D. P. 1222:Bach Collegium Japan 1132:Christoph Prégardien 1044:Hans-Joachim Rotzsch 1006:Nikolaus Harnoncourt 441:Baroque instrumental 437:four-part choir SATB 268:Baroque instrumental 219:. He composed it in 2581:After Trinity 1725: 1417:, pp. 340–341. 1272:Jan van der Crabben 1116:Philippe Herreweghe 1052:Gewandhausorchester 1010:Wiener Sängerknaben 972:Münchener Bach-Chor 835:daß, wer euch tötet 493: 229:first cantata cycle 1208:Brilliant Classics 1184:Holland Boys Choir 1180:Pieter Jan Leusink 1128:Catherine Patriasz 1082:Gächinger Kantorei 946:St Matthew Passion 813:St Matthew Passion 485: 304:Farewell Discourse 258:divided by a solo 169:soloists and choir 4574:1724 compositions 4556: 4555: 3057: 3056: 2911:1139.1, 1140–1141 1726:bach-chorales.com 1579:978-0-19-969628-4 1330:Bach Digital 2024 1252:Sigiswald Kuijken 1070:, Pilz mid-1970s? 1030:Ruud van der Meer 1014:Chorus Viennensis 996:Archiv Produktion 878:oboe. The words " 780: 779: 760:Vl (col soprano), 755:Ob (col soprano), 478:'s standard book 464:Neue Bach-Ausgabe 286:History and words 196: 195: 90:John 16:2 16:(Redirected from 4581: 4548:Secular cantatas 4509:Chorale cantatas 4483: 3098: 3084: 3077: 3070: 3061: 3041:Monteverdi Choir 2883: 2825: 2778: 2738: 2600: 2582: 2544: 2496: 2433: 2230: 2088: 1975: 1778: 1764: 1757: 1750: 1741: 1701: 1689: 1666:: Scores at the 1653: 1651: 1649: 1636: 1634: 1632: 1626: 1613: 1611: 1609: 1602:Hyperion Records 1583: 1549: 1547: 1545: 1526: 1504: 1503: 1501: 1499: 1488: 1482: 1481: 1479: 1477: 1466: 1460: 1454: 1439: 1433: 1418: 1412: 1406: 1400: 1385: 1379: 1366: 1360: 1333: 1327: 1296: 1289: 1226:Yukari Nonoshita 953: 952: 897: 896: 883: 882: 865: 864: 843: 842: 837: 836: 831: 825: 824: 776: 775: 764:Va (col tenore) 746: 745: 732: 731: 706: 705: 692: 691: 671: 670: 657: 656: 636: 635: 603: 602: 589: 588: 565: 564: 532: 531: 494: 491: 443:ensemble of two 435:(B) soloists, a 382:. 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2339: 2334: 2329: 2324: 2319: 2314: 2309: 2304: 2299: 2294: 2289: 2284: 2279: 2274: 2269: 2264: 2259: 2254: 2249: 2244: 2239: 2234: 2225: 2224: 2222: 2208: 2207: 2204: 2203: 2198: 2193: 2188: 2183: 2178: 2173: 2168: 2163: 2158: 2153: 2148: 2143: 2138: 2133: 2128: 2123: 2118: 2113: 2108: 2103: 2098: 2093: 2084: 2079: 2074: 2069: 2064: 2059: 2054: 2049: 2044: 2039: 2034: 2029: 2024: 2019: 2014: 2009: 2004: 1999: 1994: 1989: 1984: 1979: 1970: 1969: 1967: 1959: 1958: 1955: 1954: 1949: 1944: 1939: 1934: 1929: 1924: 1919: 1914: 1909: 1904: 1899: 1894: 1889: 1884: 1879: 1874: 1869: 1864: 1859: 1854: 1849: 1844: 1835: 1830: 1825: 1820: 1815: 1810: 1805: 1800: 1790: 1789: 1787: 1781: 1780: 1769: 1767: 1766: 1759: 1752: 1744: 1738: 1737: 1727: 1720: 1711: 1702: 1696: 1676: 1670: 1659: 1658:External links 1656: 1655: 1654: 1637: 1618:Hofmann, Klaus 1614: 1584: 1578: 1550: 1539:Emmanuel Music 1531:Dellal, Pamela 1527: 1511: 1508: 1506: 1505: 1483: 1461: 1440: 1419: 1407: 1386: 1367: 1334: 1306: 1304: 1301: 1298: 1297: 1283: 1282: 1280: 1277: 1276: 1275: 1268:Christoph Genz 1260:Siri Thornhill 1245: 1230:Mutsumi Hatano 1218:Masaaki Suzuki 1211: 1173: 1162:Michael Chance 1143: 1140:Harmonia Mundi 1109: 1071: 1037: 999: 959: 956: 933: 930: 912: 909: 889: 886: 871: 868: 789: 786: 784: 781: 778: 777: 768: 765: 758: 753: 750: 747: 740: 734: 733: 724: 719: 716: 713: 710: 707: 700: 694: 693: 684: 682: 680: 678: 675: 672: 665: 659: 658: 649: 647: 645: 643: 640: 637: 630: 624: 623: 620: 615: 613: 610: 607: 604: 597: 591: 590: 581: 578: 575: 572: 569: 566: 559: 553: 552: 549: 544: 542: 539: 536: 533: 526: 520: 519: 516: 513: 510: 507: 504: 501: 498: 457:basso continuo 396: 393: 391: 388: 308:Gospel of John 287: 284: 236:Gospel of John 213:church cantata 194: 193: 191: 190: 187: 184: 181: 177: 175: 171: 170: 162: 158: 157: 154: 150: 149: 131: 127: 126: 124: 123: 111: 99: 97: 93: 92: 87: 83: 82: 76: 72: 71: 65: 57: 56: 50:Church cantata 46: 45: 39: 36: 35: 24: 14: 13: 10: 9: 6: 4: 3: 2: 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3301: 3298: 3296: 3293: 3291: 3288: 3286: 3283: 3281: 3278: 3276: 3273: 3271: 3268: 3266: 3263: 3261: 3258: 3256: 3253: 3251: 3248: 3246: 3243: 3241: 3238: 3236: 3233: 3231: 3228: 3226: 3223: 3221: 3218: 3216: 3213: 3211: 3208: 3206: 3203: 3201: 3198: 3196: 3193: 3191: 3190: 3186: 3184: 3181: 3179: 3176: 3174: 3171: 3168: 3164: 3161: 3159: 3156: 3154: 3151: 3149: 3146: 3144: 3141: 3139: 3136: 3134: 3131: 3129: 3126: 3124: 3121: 3119: 3116: 3114: 3111: 3110: 3107: 3102: 3097: 3092: 3085: 3080: 3078: 3073: 3071: 3066: 3065: 3062: 3050: 3046: 3042: 3039:Discography: 3038: 3036: 3033: 3031: 3028: 3027: 3024: 3017: 3014: 3012: 3009: 3007: 3004: 3002: 2999: 2997: 2994: 2992: 2989: 2987: 2984: 2982: 2978: 2976: 2973: 2971: 2968: 2966: 2963: 2961: 2958: 2956: 2953: 2951: 2947: 2945: 2942: 2940: 2936: 2934: 2931: 2929: 2926: 2924: 2921: 2919: 2915: 2912: 2908: 2906: 2903: 2901: 2898: 2896: 2893: 2891: 2888: 2886: 2880: 2878: 2875: 2872: 2868: 2864: 2860: 2856: 2852: 2848: 2845: 2843: 2840: 2838: 2835: 2833: 2830: 2828: 2823: 2822:Late parodies 2819: 2817: 2814: 2812: 2809: 2807: 2804: 2802: 2799: 2797: 2794: 2792: 2789: 2787: 2784: 2782: 2777: 2773: 2772: 2769: 2763: 2756: 2753: 2751: 2748: 2746: 2743: 2741: 2735: 2733: 2730: 2728: 2725: 2723: 2720: 2718: 2715: 2713: 2710: 2708: 2705: 2703: 2700: 2698: 2695: 2693: 2690: 2688: 2685: 2683: 2680: 2678: 2675: 2673: 2670: 2668: 2665: 2663: 2660: 2658: 2655: 2653: 2650: 2648: 2645: 2643: 2640: 2638: 2635: 2633: 2630: 2628: 2625: 2623: 2620: 2618: 2615: 2613: 2610: 2608: 2605: 2603: 2597: 2595: 2592: 2590: 2587: 2585: 2579: 2578: 2575: 2573: 2569: 2562: 2559: 2557: 2554: 2552: 2549: 2547: 2541: 2539: 2536: 2534: 2531: 2529: 2526: 2524: 2521: 2519: 2516: 2514: 2511: 2509: 2506: 2504: 2501: 2499: 2493: 2491: 2488: 2486: 2483: 2481: 2478: 2476: 2473: 2471: 2468: 2466: 2463: 2461: 2458: 2456: 2453: 2451: 2448: 2446: 2443: 2441: 2438: 2436: 2430: 2428: 2425: 2423: 2420: 2418: 2415: 2413: 2410: 2408: 2405: 2403: 2400: 2398: 2395: 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1950: 1948: 1945: 1943: 1940: 1938: 1935: 1933: 1930: 1928: 1925: 1923: 1920: 1918: 1915: 1913: 1910: 1908: 1905: 1903: 1900: 1898: 1895: 1893: 1890: 1888: 1885: 1883: 1880: 1878: 1875: 1873: 1870: 1868: 1865: 1863: 1860: 1858: 1855: 1853: 1850: 1848: 1845: 1843: 1839: 1836: 1834: 1831: 1829: 1826: 1824: 1821: 1819: 1816: 1814: 1811: 1809: 1806: 1804: 1801: 1799: 1795: 1792: 1791: 1788: 1782: 1777: 1772: 1765: 1760: 1758: 1753: 1751: 1746: 1745: 1742: 1735: 1731: 1728: 1725: 1721: 1719: 1715: 1712: 1710: 1706: 1703: 1699: 1697:3-423-04080-7 1693: 1688: 1687: 1681: 1677: 1674: 1671: 1669: 1665: 1662: 1661: 1657: 1643: 1638: 1623: 1619: 1615: 1603: 1599: 1595: 1594: 1589: 1585: 1581: 1575: 1571: 1567: 1563: 1559: 1555: 1551: 1540: 1536: 1532: 1528: 1524: 1523: 1518: 1514: 1513: 1510:Cited sources 1509: 1493: 1487: 1484: 1471: 1465: 1462: 1458: 1453: 1451: 1449: 1447: 1445: 1441: 1437: 1432: 1430: 1428: 1426: 1424: 1420: 1416: 1411: 1408: 1404: 1399: 1397: 1395: 1393: 1391: 1387: 1383: 1382:Gardiner 2008 1378: 1376: 1374: 1372: 1368: 1364: 1359: 1357: 1355: 1353: 1351: 1349: 1347: 1345: 1343: 1341: 1339: 1335: 1331: 1326: 1324: 1322: 1320: 1318: 1316: 1314: 1312: 1308: 1302: 1294: 1288: 1285: 1278: 1274:, Accent 2008 1273: 1269: 1265: 1261: 1257: 1253: 1249: 1246: 1243: 1239: 1235: 1231: 1227: 1223: 1219: 1215: 1212: 1209: 1205: 1204:Bas Ramselaar 1201: 1197: 1196:Sytse Buwalda 1193: 1189: 1185: 1181: 1177: 1174: 1171: 1170:Klaus Mertens 1167: 1163: 1159: 1158:Caroline Stam 1155: 1151: 1147: 1144: 1141: 1137: 1133: 1129: 1125: 1121: 1117: 1113: 1110: 1107: 1103: 1099: 1095: 1091: 1087: 1083: 1079: 1075: 1072: 1069: 1065: 1061: 1057: 1056:Regina Werner 1053: 1049: 1045: 1041: 1038: 1035: 1031: 1027: 1023: 1019: 1015: 1011: 1007: 1003: 1000: 997: 993: 989: 988:Anna Reynolds 985: 981: 977: 973: 969: 965: 962: 961: 957: 955: 947: 943: 939: 931: 929: 927: 922: 918: 910: 908: 906: 901: 887: 885: 877: 869: 867: 859: 855: 854:Klaus Hofmann 851: 850:chromatically 847: 830: 819: 815: 814: 809: 808: 803: 799: 795: 787: 782: 774: 769: 767:B-flat major 766: 759: 754: 751: 748: 741: 739: 736: 735: 730: 725: 723: 720: 717: 714: 711: 708: 701: 699: 696: 695: 690: 685: 683: 681: 679: 676: 673: 666: 664: 661: 660: 655: 650: 648: 646: 644: 641: 638: 631: 629: 626: 625: 621: 619: 616: 614: 611: 608: 605: 598: 596: 593: 592: 587: 582: 579: 576: 573: 570: 567: 560: 558: 555: 554: 550: 548: 545: 543: 540: 537: 534: 527: 525: 522: 521: 495: 490: 486:Movements of 483: 481: 477: 473: 469: 465: 460: 458: 454: 450: 446: 442: 438: 434: 430: 426: 422: 418: 414: 410: 406: 402: 394: 389: 387: 385: 381: 377: 371: 363: 359: 353: 347: 346:Martin Moller 343: 340:4, the first 339: 334: 330: 328: 321: 317: 313: 309: 305: 301: 297: 293: 285: 283: 281: 277: 273: 269: 265: 261: 257: 253: 249: 245: 241: 237: 232: 230: 226: 222: 218: 214: 210: 204: 202: 188: 185: 182: 179: 178: 176: 172: 168: 163: 159: 155: 151: 146: 132: 128: 122: 112: 107: 101: 100: 98: 94: 91: 88: 84: 81: 77: 73: 68: 63: 58: 55: 51: 47: 42: 37: 33: 28: 19: 4496:Compositions 4478: 4361: 4340: 4333: 3992: 3888: 3359: 3187: 3030:Bach cantata 2918:BWV 34a 2885:BWV 119 2781:BWV 149 2602:BWV 110 2584:BWV 168 2546:BWV 117 2212:Second cycle 2190: 1685: 1680:Dürr, Alfred 1646:. Retrieved 1629:. Retrieved 1606:. Retrieved 1592: 1565: 1554:Dürr, Alfred 1542:. Retrieved 1522:Bach Digital 1520: 1496:. Retrieved 1486: 1474:. Retrieved 1464: 1436:Hofmann 2001 1410: 1403:Mincham 2010 1287: 1247: 1213: 1175: 1145: 1111: 1090:Arleen Augér 1073: 1064:Peter Menzel 1048:Thomanerchor 1039: 1026:Kurt Equiluz 1022:Paul Esswood 1001: 984:Edith Mathis 968:Karl Richter 963: 945: 935: 914: 891: 873: 829:Akkordblöcke 811: 805: 791: 722:B-flat major 538:Tenor, bass 479: 476:Alfred Dürrs 461: 398: 372: 362:Paul Fleming 335: 326: 289: 270:ensemble of 233: 206: 198: 197: 174:Instrumental 121:Paul Fleming 67:Thomaskirche 2827:BWV 36 2740:BWV 82 2572:Third cycle 2498:BWV 80 2232:BWV 20 2091:BWV 40 1977:BWV 75 1963:First cycle 1842:BWV 61 1722:Luke Dahn: 1457:Dellal 2024 1200:Knut Schoch 1192:Ruth Holton 1150:Ton Koopman 1142:France 1993 1098:Aldo Baldin 1094:Helen Watts 942:movement 10 926:coloraturas 674:Recitative 415:and faster 252:recitatives 4563:Categories 2979:Doubtful: 2435:BWV 6 1798:BWV 4 1568:. Oxford: 1303:References 1238:Peter Kooy 1166:Paul Agnew 1136:Peter Kooy 958:Recordings 917:recitative 818:homophonic 447:(Ob), two 358:Antichrist 240:librettist 138:1724-05-21 86:Bible text 54:J. S. Bach 4534:3rd cycle 4529:2nd cycle 4524:1st cycle 4449:1140–1141 2937:Funeral: 2916:Wedding: 2767:and other 1965:(1723–24) 1648:20 August 1291:"BWV" is 1234:Gerd Türk 876:obbligato 858:harmonies 848:and wan, 492:, BWV 44 455:(Va) and 401:movements 329:, BWV 183 312:Paraclete 248:movements 244:movements 225:Ascension 183:2 violins 153:Movements 130:Performed 80:Ascension 69:, Leipzig 4546: ; 4503: ; 4501:Cantatas 4480:spurious 4475:doubtful 3167:oratorio 3091:Cantatas 2219:cantatas 1724:BWV 44.7 1682:(1981). 1620:(2001). 1604:website) 1590:(2008). 1560:(2006). 1533:(2024). 1106:Hänssler 900:ostinato 749:Chorale 718:2Vl, Va 712:Soprano 639:Chorale 580:G minor 577:2Vl, Va 512:Strings 439:, and a 431:(T) and 338:movement 280:continuo 189:continuo 75:Occasion 4494:Lists: 4469:Anh. 18 4464:Anh. 11 4394:248 III 3045:Koopman 2948:Other: 2909:(lost: 2217:chorale 1786:Leipzig 1525:. 2024. 944:of the 911:5 and 6 794:lamento 788:1 and 2 618:C minor 568:Chorus 547:G minor 449:violins 421:soprano 380:Trinity 306:in the 276:strings 260:chorale 221:Leipzig 211:, is a 180:2 oboes 145:Leipzig 136: ( 96:Chorale 4519:Weimar 4459:Anh. 9 4454:Anh. 5 4409:248 VI 4399:248 IV 4389:248 II 3103:number 3049:Teldec 1838:Weimar 1784:Before 1694:  1631:15 May 1608:23 May 1576:  1544:10 May 1498:15 May 1476:15 May 1034:Teldec 905:atonal 798:themes 642:Tenor 500:Title 466:. The 451:(Vl), 342:stanza 292:Exaudi 266:and a 208:BWV 44 18:BWV 44 4514:Early 4404:248 V 4384:248 I 3751:motet 2765:Later 2737:1727: 2215:(and 1794:Early 1625:(PDF) 1279:Notes 846:piano 841:töten 783:Music 752:SATB 709:Aria 677:Bass 609:Alto 606:Aria 571:SATB 535:Duet 518:Time 509:Winds 506:Vocal 453:viola 445:oboes 429:tenor 427:(A), 423:(S), 417:tempo 390:Music 272:oboes 186:viola 161:Vocal 119:" by 4544:Late 4439:1127 4434:1083 4429:1045 4424:1040 4419:249b 4414:249a 4379:244a 4322:216a 4287:210a 4272:208a 4262:207a 4247:205a 4202:197a 4177:193a 4157:190a 4065:173a 3928:147a 3854:134a 3833:131a 3772:120b 3767:120a 2960:120b 2955:190a 2944:244a 2928:120a 2877:1083 2791:197a 1862:147a 1852:186a 1692:ISBN 1650:2022 1633:2012 1610:2019 1600:(at 1574:ISBN 1546:2024 1500:2012 1478:2012 1244:2001 1210:1999 1108:1979 1036:1975 998:1975 921:aria 810:and 715:2Ob 622:3/4 574:2Ob 551:3/4 541:2Ob 515:Key 503:Type 497:No. 470:and 468:keys 433:bass 425:alto 413:time 409:duet 364:'s " 348:'s " 278:and 256:aria 254:and 166:SATB 4477:); 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Index

BWV 44
BWV
Church cantata
J. S. Bach

Thomaskirche
Ascension
John 16:2
Ach Gott, wie manches Herzeleid
Paul Fleming
Leipzig
SATB
church cantata
Johann Sebastian Bach
Leipzig
Ascension
first cantata cycle
Gospel of John
librettist
movements
movements
recitatives
aria
chorale
four-part choir
Baroque instrumental
oboes
strings
continuo
Exaudi

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