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Jauchzet Gott in allen Landen, BWV 51

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362: 677: 638: 67: 551:(Bc). The title of the autograph score reads: "Dominica 15 post Trinitatis / et / In ogni Tempo. / Jauchzet Gott in allen Landen. / à / Soprano solo / 1 Tromba* / 2 Violino / Viola / e / Continuo / di / Joh:Seb:Bach". It is the only church cantata by Bach scored for solo soprano and trumpet. The duration is given as 20 minutes. 358:"et in ogni tempo" ("and at any time"). The latter phrase indicates the possible general use of the work, with a cantata text that has no direct relevance to the scriptural readings. The dedication for the 15th Sunday was added later, indicating that the cantata was not intended for the specific occasion. 243:
ensemble of a virtuoso trumpet, strings and continuo. While the outer movements with the trumpet express extrovert jubilation of God's goodness and his wonders, the central introspective aria, accompanied only by the continuo, conveys a "profound expression of commitment to God". He set the closing
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The chorale leads without a break to a concluding fugal "Alleluja" with the trumpet, bringing the cantata to a particularly festive close. The movement begins with the soprano and the responding trumpet, before the other instruments come in to build a "fine display piece". Mincham summarizes: "The
373:, Bach may have written the cantata shortly before 1730 for an unknown occasion. The performance material survived but does not reveal further detail, other than indicating one later performance. Hofmann sees a connection to the court of 377:
where a scoring of solo soprano and trumpet was popular, and assumes that the work may have been originally intended for a performance at court by a professional female singer. Bach had written two birthday cantatas for
1950: 4283: 2210: 873:" which supports expressive coloraturas of the voice. The lines in the continuo, in constant movement in 12/8 time seem to constantly rise, towards the addressed "Höchster" (Highest) which appears as an 3355: 259:
notes that the work, unusually popular among Bach's church cantatas, is unique in the demanded virtuosity of the soprano and trumpet soloist, and evidences "overflowing jubilation and radiant beauty".
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are taken from Dürr, using the symbol for common time (4/4). The instruments are shown separately for wind instrument and strings. The continuo, playing throughout, is not shown.
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express gratefulness for being a child of God. The musicologist Julian Minchem notes that Bach is able to convey with modest means a "profound expression of commitment to God".
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and requires a high C, and the solo trumpet part, which at times trades melodic lines with the soprano on an equal basis, are extremely virtuosic. The Bach scholar
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Bach composed BWV 51 during a period when he composed church cantatas only irregularly, some of them to complete his earlier cycles. According to the Bach scholar
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The cantata is one of only four sacred cantatas that Bach wrote for a solo soprano (if one excludes his arrangement of the cantata for solo bass and oboe
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The text was written by an unknown poet who took inspiration from various biblical books, especially from psalms, and included as a closing chorale a
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long flowing melismas leave one literally breathless with the sheer pleasure in, and energy generated through, the relationship with God."
4308: 3600: 3453: 3020: 2389: 2075: 415:, Bach's principal trumpeter at the time. The scoring is unique in Bach's cantatas, but was frequently used by Italian composers such as 4425: 4141: 3680: 3498: 3493: 3093: 3015: 2060: 855:. The second part develops the idea of "von seinen Wundern lallen" (chatter about His wonders) in coloraturas of rhythmical complexity. 488: 379: 209: 4485: 4385: 4328: 3815: 3121: 2974: 2460: 3423: 2175: 4323: 4253: 4223: 4085: 3970: 3630: 3403: 3383: 3316: 3174: 2855: 2810: 2772: 2565: 2420: 2260: 1986: 1593: 975: 4523: 3865: 2359: 3730: 3715: 3660: 3398: 2880: 2480: 2344: 2165: 411:
and Nichelmann matriculated into the school three weeks before the first performance. The trumpet part was probably written for
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assumes that Bach had an unusually gifted singer, adding that a female voice was unlikely in conservative Leipzig. According to
388:(court director of music of Saxe-Weissenfels), and Hofmann thinks a connection between the title and cantata "highly probable". 4380: 4350: 4171: 3533: 3158: 3025: 2570: 2011: 4551: 4465: 4032: 3770: 3503: 3321: 2633: 2560: 2510: 499: 327: 232: 96: 4727: 3695: 2964: 1996: 317: 4712: 4617: 4475: 4355: 3830: 2749: 2739: 2151: 4198: 4078: 3458: 2135: 3263: 807:. The scoring is richest in the outer movements (with the trumpet), and reduced to just continuo in the central aria. 281: 4213: 2364: 4762: 4021: 3615: 2795: 1410: 361: 313: 301: 293: 4360: 3078: 305: 200:, in other words not for a particular date in the church calendar, although he used it for the 15th Sunday after 309: 196:. The work is Bach's only church cantata scored for a solo soprano and trumpet. He composed it for general use ( 4420: 1913: 1695: 1247: 273: 4702: 1982: 783:
The music is concertante and virtuoso for both the trumpet and the soloist. The first aria and the concluding
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J.S. Bach: Cantata BWV 140 "Wachet auf, ruft uns die Stimme"; Cantata BWV 51 "Jauchzet Gott in allen Landen"
1585: 1404: 1261: 420: 408: 1885: 899:, with the soprano singing the unadorned melody to a three-part accompaniment of two violins and continuo. 4697: 3755: 3289: 3256: 3237: 2928: 2405: 433: 45: 296:). The author is unknown. Without any reference to the prescribed readings, he incorporates in the first 4717: 4707: 4693: 4689: 3284: 3223: 2400: 2026: 1964: 1959: 1897: 1743: 974:
In the following table, the second soloist is the trumpeter. Ensembles playing on period instruments in
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is a possible candidate because Bach being aware of his capabilities accepted him willingly to the
285: 240: 3248: 3035: 1038: 948: 292:, which exhorts the faithful not to worry about material needs, but to seek God's kingdom first ( 1833: 1786: 1589: 1579: 1199: 956: 796: 556: 289: 3229: 1621: 1323: 1193: 1157: 1051: 1032: 896: 851:" (We pray at your temple), is first accompanied by the strings, a second part is secco but 800: 412: 297: 277: 245: 236: 71: 1928: 1886:
Jauchzet Gott in allen Landen BWV 51; BC A 134 / Sacred cantata (15th Sunday after Trinity)
1775:(Liner notes). The Bach Ensemble & Joshua Rifkin. L'Oiseau-Lyre. p. 7–8. 417616-2. 676: 637: 1739: 1423: 1418: 1365: 1312: 1270: 936: 788: 370: 1717: 1530: 531:
Bach structured the cantata in five movements and scored it for a soprano soloist and a
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The Cantatas of J. S. Bach: With Their Librettos in German-English Parallel Text
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The selection is taken from the listing provided by Bach Cantatas Website.
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on 17 September 1730. The prescribed readings for the Sunday came from the
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of the orchestra and then "constantly worked" in the soprano part.
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fanfare, is well suited to the trumpet. It is first developed in a
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Liebergen, Patrick. New York: Alfred Publishing, 2008. pp 63-69.
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In the following table of the movements, the scoring follows the
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J.S. Bach: Cantatas Vol. 30 – BWV 51, 210, 1127 (Solo Cantatas)
474:), while he wrote several secular cantatas for solo soprano: 1622:"Chapter 53 Bwv 51 – The Cantatas of Johann Sebastian Bach" 204:: the first known performance was on 17 September 1730 in 74:, for whom the solo trumpet part was probably written 4768:
Psalm-related compositions by Johann Sebastian Bach
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J.S. Bach: Magnificat-Jauchzet Gott in allen Landen
143: 135: 127: 104: 90: 79: 34: 978:are marked by a green background under the header 354:Bach's manuscript indicates the 15th Sunday after 336:'s hymn in Königsberg in 1549. Bach used the same 423:arranged the work by adding a second trumpet and 351:. Bach led the performance on 17 September 1730. 1491:Entfliehet, verschwindet, entweichet, ihr Sorgen 1853:"Cantata BWV 51 Jauchzet Gott in allen Landen" 1832:(in German). Vol. 1. Bärenreiter-Verlag. 3264: 2684:Later additions to the chorale cantata cycle: 1944: 919:The cantata was recorded by sopranos such as 497: 8: 2418:Chorale cantatas between Trinity and Easter: 1487: 1472: 1128: 1021: 890: 864: 846: 816: 722: 690: 651: 611: 508: 486: 475: 464: 453: 442: 431: 383: 341: 340:in a different setting to close his cantata 325: 176: 94: 35: 1578:Dürr, Alfred; Jones, Richard D. P. (2006). 1145:Württembergisches Kammerorchester Heilbronn 3271: 3257: 3249: 1951: 1937: 1929: 1922:, Heinrich Schütz Ensemble of Munich with 1531:"BWV 51 – "Jauchzet Gott in allen Landen"" 1130:Les Grandes Cantates de J. S. Bach Vol. 25 986: 570: 65: 31: 1881:International Music Score Library Project 1657: 1655: 1653: 1651: 1649: 1647: 1645: 1643: 1641: 1639: 1615: 1613: 1611: 1609: 1607: 1605: 268:Bach used the cantata in Leipzig for the 4758:Church cantatas by Johann Sebastian Bach 1521: 1519: 1517: 1515: 1513: 1395: 1342: 1289: 1232: 1184: 1127: 1077: 1018: 1012: 980: 391:Both the soprano part, which covers two 312:, and in the central aria thoughts from 1749:. Bach Cantatas Website. pp. 12–14 1573: 1571: 1509: 1476:Was mir behagt, ist nur die muntre Jagd 1460: 895:" (Glory, and praise with honor), is a 280:'s admonition to "walk in the Spirit" ( 239:, with the solo voice accompanied by a 27:Church cantata by Johann Sebastian Bach 1830:Die Kantaten von Johann Sebastian Bach 1804:"BWV 51 Jauchzet Gott in allen Landen" 1689: 1687: 1569: 1567: 1565: 1563: 1561: 1559: 1557: 1555: 1553: 1551: 1079:Bach: Kantate BWV 51 – Kantate BWV 202 821:" (Exult in God in every land), is in 385:Hofkapellmeister of Sachsen-Weißenfels 365:Schloss Neu-Augustusburg in Weißenfels 252:Alleluja, in which the trumpet joins. 1910:Jauchzet Gott in allen Landen, BWV 51 1877:Jauchzet Gott in allen Landen, BWV 51 1291:J. S. Bach: Complete Cantatas Vol. 19 7: 1894:BWV 51 Jauchzet Gott in allen Landen 1186:J. S. Bach: Das Kantatenwerk Vol. 14 345:Wir danken dir, Gott, wir danken dir 235:". Bach structured the work in five 1023:Johann Sebastian Bach Solo-Kantaten 829:. The theme, with a beginning in a 380:Christian, Duke of Saxe-Weissenfels 210:Christian, Duke of Saxe-Weissenfels 1916:(video and background information) 1672:. Bach Cantatas Website. p. 6 457:Ich bin vergnügt mit meinem Glücke 25: 2621:Continuation of the second cycle: 2141:Köthen: BWV Anh. 5 976:historically informed performance 212:, for whom Bach had composed the 1667:"Jauchzet Gott in allen Landen!" 675: 636: 446:Falsche Welt, dir trau ich nicht 787:are in the style of an Italian 1000:Conductor / Choir / Orchestra 479:Weichet nur, betrübte Schatten 328:Nun lob, mein Seel, den Herren 233:Nun lob, mein Seel, den Herren 97:Nun lob, mein Seel, den Herren 1: 1720:. Bach Cantatas Website. 2008 990:Jauchzet Gott in allen Landen 818:Jauchzet Gott in allen Landen 613:Jauchzet Gott in allen Landen 574:Jauchzet Gott in allen Landen 512:O holder Tag, erwünschte Zeit 178:Jauchzet Gott in allen Landen 37:Jauchzet Gott in allen Landen 2732:Other late chorale cantatas: 318:Lamentations 3:22–23 3071:Council election (Leipzig): 2163:Between Trinity and Advent: 1305:Amsterdam Baroque Orchestra 892:Sei Lob und Preis mit Ehren 724:Sei Lob und Preis mit Ehren 468:Mein Herze schwimmt im Blut 282:Galatians 5:25–6:10 109:17 September 1730 4784: 866:Höchster, mache deine Güte 848:Wir beten zu dem Tempel an 692:Höchster, mache deine Güte 653:Wir beten zu dem Tempel an 4679: 3297: 3214: 1488: 1473: 1011: 1008: 1005: 1002: 999: 996: 891: 865: 847: 817: 723: 691: 652: 612: 600: 597: 594: 591: 588: 585: 582: 579: 509: 498: 487: 476: 465: 454: 443: 432: 342: 326: 270:15th Sunday after Trinity 95: 64: 53: 43: 2788:Liturgical year 1725–26: 1914:Netherlands Bach Society 1620:Mincham, Julian (2010). 1248:English Baroque Soloists 877:jump down. Two extended 324:is the fifth stanza of " 274:Epistle to the Galatians 1855:. Bach Cantatas Website 1806:. University of Alberta 1586:Oxford University Press 1411:Orchestra of St. Luke's 1262:Crispian Steele-Perkins 490:Ich bin in mir vergnügt 294:Matthew 6:23–34 2276:From Advent to Trinity 1698:(in German). s-line.de 1129: 1022: 845:The only recitative, " 748: 717: 685: 646: 606: 384: 366: 177: 36: 3285:Johann Sebastian Bach 3224:List of Bach cantatas 1965:Johann Sebastian Bach 1912:: performance by the 1898:University of Vermont 1896:English translation, 1696:"BWV 51 (I) / BC 134" 1694:Grob, Jochen (2014). 921:Elisabeth Schwarzkopf 527:Structure and scoring 501:Non sa che sia dolore 364: 169:Johann Sebastian Bach 1851:Oron, Aryeh (2015). 1624:. jsbachcantatas.com 1358:Bach Collegium Japan 825:form, with extended 533:Baroque instrumental 417:Alessandro Scarlatti 405:Christoph Nichelmann 314:Matthew 6:34 306:Psalms 138:2 302:Matthew 6:30 241:Baroque instrumental 2770:After Trinity 1725: 1802:Bischof, Walter F. 1482:, in 1713, and the 1242:John Eliot Gardiner 1208:Marjanne Kweksilber 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4746: 4741: 4694:Church cantatas 4675: 4661: 4660:— discography; 3293: 3283: 3277: 3247: 3242: 3210: 3209: 3070: 3009: 2963: 2955: 2949: 2948: 2925: 2787: 2769: 2755: 2754: 2731: 2683: 2620: 2417: 2407: 2403: 2395: 2394: 2275: 2162: 2153: 2146: 2145: 2002:1138.1 & .2 1974: 1968: 1963: 1960:Church cantatas 1957: 1906: 1873: 1868: 1858: 1856: 1850: 1849: 1845: 1824: 1823: 1819: 1809: 1807: 1801: 1800: 1796: 1784: 1780: 1767: 1766: 1762: 1752: 1750: 1746: 1738: 1737: 1733: 1723: 1721: 1716: 1715: 1711: 1701: 1699: 1693: 1692: 1685: 1675: 1673: 1669: 1661: 1660: 1637: 1627: 1625: 1619: 1618: 1603: 1596: 1577: 1576: 1549: 1539: 1537: 1525: 1524: 1511: 1507: 1502: 1501: 1469:Hunting Cantata 1466: 1462: 1457: 1447: 1439: 1437: 1428: 1424:Wynton Marsalis 1419:Kathleen Battle 1403: 1402: 1401: 1384: 1382: 1373: 1366:Carolyn Sampson 1350: 1349: 1348: 1331: 1329: 1320: 1313:Marlis Petersen 1297: 1296: 1295: 1278: 1276: 1267: 1260: 1240: 1239: 1238: 1217: 1192: 1191: 1190: 1173: 1171: 1162: 1137: 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3381: 3374: 3369: 3364: 3359: 3349: 3344: 3339: 3334: 3329: 3324: 3319: 3314: 3309: 3304: 3298: 3295: 3294: 3278: 3276: 3275: 3268: 3261: 3253: 3244: 3243: 3241: 3240: 3226: 3221: 3215: 3212: 3211: 3208: 3207: 3202: 3197: 3192: 3187: 3182: 3177: 3172: 3166: 3161: 3156: 3151: 3146: 3141: 3135: 3130: 3124: 3119: 3114: 3109: 3103: 3096: 3091: 3086: 3081: 3076: 3068: 3063: 3033: 3028: 3023: 3018: 3007: 3002: 2997: 2992: 2987: 2982: 2977: 2972: 2965:Picander cycle 2960: 2959: 2957: 2951: 2950: 2947: 2946: 2941: 2936: 2931: 2923: 2918: 2913: 2908: 2903: 2898: 2893: 2888: 2883: 2878: 2873: 2868: 2863: 2858: 2853: 2848: 2843: 2838: 2833: 2828: 2823: 2818: 2813: 2808: 2803: 2798: 2793: 2785: 2780: 2775: 2766: 2765: 2763: 2757: 2756: 2753: 2752: 2747: 2742: 2737: 2729: 2724: 2719: 2714: 2709: 2704: 2699: 2694: 2689: 2681: 2676: 2671: 2666: 2661: 2656: 2651: 2646: 2641: 2636: 2631: 2626: 2618: 2613: 2608: 2603: 2598: 2593: 2588: 2583: 2578: 2573: 2568: 2563: 2558: 2553: 2548: 2543: 2538: 2533: 2528: 2523: 2518: 2513: 2508: 2503: 2498: 2493: 2488: 2483: 2478: 2473: 2468: 2463: 2458: 2453: 2448: 2443: 2438: 2433: 2428: 2423: 2414: 2413: 2411: 2397: 2396: 2393: 2392: 2387: 2382: 2377: 2372: 2367: 2362: 2357: 2352: 2347: 2342: 2337: 2332: 2327: 2322: 2317: 2312: 2307: 2302: 2297: 2292: 2287: 2282: 2273: 2268: 2263: 2258: 2253: 2248: 2243: 2238: 2233: 2228: 2223: 2218: 2213: 2208: 2203: 2198: 2193: 2188: 2183: 2178: 2173: 2168: 2159: 2158: 2156: 2148: 2147: 2144: 2143: 2138: 2133: 2128: 2123: 2118: 2113: 2108: 2103: 2098: 2093: 2088: 2083: 2078: 2073: 2068: 2063: 2058: 2053: 2048: 2043: 2038: 2033: 2024: 2019: 2014: 2009: 2004: 1999: 1994: 1989: 1979: 1978: 1976: 1970: 1969: 1958: 1956: 1955: 1948: 1941: 1933: 1927: 1926: 1917: 1905: 1904:External links 1902: 1901: 1900: 1891: 1883: 1872: 1869: 1867: 1866: 1843: 1817: 1794: 1778: 1769:Rifkin, Joshua 1760: 1731: 1709: 1683: 1663:Hofmann, Klaus 1635: 1601: 1594: 1547: 1535:Emmanuel Music 1527:Dellal, Pamela 1508: 1506: 1503: 1500: 1499: 1459: 1458: 1456: 1453: 1450: 1449: 1444: 1434: 1429: 1427: 1426: 1421: 1415: 1413: 1399: 1393: 1392: 1389: 1379: 1374: 1372: 1371: 1370:Toshio Shimada 1368: 1362: 1360: 1352:Masaaki Suzuki 1346: 1340: 1339: 1336: 1326: 1321: 1319: 1318: 1315: 1309: 1307: 1293: 1287: 1286: 1283: 1273: 1268: 1266: 1265: 1258: 1252: 1250: 1236: 1230: 1229: 1226: 1223: 1218: 1216: 1215: 1210: 1204: 1202: 1188: 1182: 1181: 1178: 1168: 1163: 1161: 1160: 1155: 1149: 1147: 1133: 1125: 1124: 1122: 1112: 1109: 1107: 1106: 1103: 1097: 1095: 1081: 1075: 1074: 1072: 1062: 1057: 1055: 1054: 1049: 1043: 1041: 1027: 1016: 1015: 1010: 1007: 1004: 1001: 998: 988:Recordings of 969:Natalie Dessay 965:Siri Thornhill 953:Monika Frimmer 913: 910: 904: 901: 889:The chorale, " 886: 883: 860: 857: 842: 839: 812: 809: 780: 777: 774: 773: 770: 767: 764: 761: 758: 756: 751: 745: 744: 741: 738: 735: 733: 730: 727: 720: 714: 713: 710: 705: 703: 701: 698: 695: 688: 682: 681: 672: 667: 664: 662: 659: 656: 649: 643: 642: 633: 628: 625: 622: 619: 616: 609: 603: 602: 599: 596: 593: 590: 587: 584: 581: 549:basso continuo 528: 525: 523: 520: 435:Ich habe genug 334:Johann Gramann 320:. The closing 265: 262: 173:church cantata 164: 163: 161: 160: 157: 154: 151: 147: 145: 141: 140: 137: 133: 132: 129: 125: 124: 106: 102: 101: 92: 88: 87: 81: 77: 76: 70: 62: 61: 51: 50: 44: 41: 40: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 4780: 4769: 4766: 4764: 4761: 4759: 4756: 4755: 4753: 4738: 4734: 4731: 4729: 4726: 4724: 4721: 4719: 4716: 4714: 4711: 4709: 4706: 4704: 4701: 4699: 4695: 4691: 4688: 4686: 4682: 4681: 4678: 4671: 4670: 4665: 4659: 4656: 4654: 4651: 4649: 4646: 4644: 4641: 4639: 4636: 4634: 4633:1138.1–1139.1 4631: 4629: 4626: 4624: 4621: 4619: 4616: 4614: 4611: 4609: 4606: 4604: 4601: 4599: 4596: 4594: 4591: 4589: 4586: 4584: 4581: 4579: 4576: 4574: 4571: 4569: 4566: 4564: 4561: 4559: 4556: 4554: 4553: 4549: 4546: 4542: 4539: 4535: 4533: 4532: 4528: 4526: 4525: 4521: 4518: 4514: 4512: 4509: 4507: 4504: 4502: 4499: 4497: 4494: 4492: 4489: 4487: 4484: 4482: 4479: 4477: 4474: 4472: 4469: 4467: 4464: 4462: 4459: 4457: 4454: 4452: 4449: 4447: 4444: 4442: 4439: 4437: 4434: 4432: 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3590: 3587: 3585: 3582: 3580: 3577: 3575: 3572: 3570: 3567: 3565: 3562: 3560: 3557: 3555: 3552: 3550: 3547: 3545: 3542: 3540: 3537: 3535: 3532: 3530: 3527: 3525: 3522: 3520: 3517: 3515: 3512: 3510: 3507: 3505: 3502: 3500: 3497: 3495: 3492: 3490: 3487: 3485: 3482: 3480: 3477: 3475: 3472: 3470: 3467: 3465: 3462: 3460: 3457: 3455: 3452: 3450: 3447: 3445: 3442: 3440: 3437: 3435: 3432: 3430: 3427: 3425: 3422: 3420: 3417: 3415: 3412: 3410: 3407: 3405: 3402: 3400: 3397: 3395: 3392: 3390: 3387: 3385: 3382: 3380: 3379: 3375: 3373: 3370: 3368: 3365: 3363: 3360: 3357: 3353: 3350: 3348: 3345: 3343: 3340: 3338: 3335: 3333: 3330: 3328: 3325: 3323: 3320: 3318: 3315: 3313: 3310: 3308: 3305: 3303: 3300: 3299: 3296: 3291: 3286: 3281: 3274: 3269: 3267: 3262: 3260: 3255: 3254: 3251: 3239: 3235: 3231: 3228:Discography: 3227: 3225: 3222: 3220: 3217: 3216: 3213: 3206: 3203: 3201: 3198: 3196: 3193: 3191: 3188: 3186: 3183: 3181: 3178: 3176: 3173: 3171: 3167: 3165: 3162: 3160: 3157: 3155: 3152: 3150: 3147: 3145: 3142: 3140: 3136: 3134: 3131: 3129: 3125: 3123: 3120: 3118: 3115: 3113: 3110: 3108: 3104: 3101: 3097: 3095: 3092: 3090: 3087: 3085: 3082: 3080: 3077: 3075: 3069: 3067: 3064: 3061: 3057: 3053: 3049: 3045: 3041: 3037: 3034: 3032: 3029: 3027: 3024: 3022: 3019: 3017: 3012: 3011:Late parodies 3008: 3006: 3003: 3001: 2998: 2996: 2993: 2991: 2988: 2986: 2983: 2981: 2978: 2976: 2973: 2971: 2966: 2962: 2961: 2958: 2952: 2945: 2942: 2940: 2937: 2935: 2932: 2930: 2924: 2922: 2919: 2917: 2914: 2912: 2909: 2907: 2904: 2902: 2899: 2897: 2894: 2892: 2889: 2887: 2884: 2882: 2879: 2877: 2874: 2872: 2869: 2867: 2864: 2862: 2859: 2857: 2854: 2852: 2849: 2847: 2844: 2842: 2839: 2837: 2834: 2832: 2829: 2827: 2824: 2822: 2819: 2817: 2814: 2812: 2809: 2807: 2804: 2802: 2799: 2797: 2794: 2792: 2786: 2784: 2781: 2779: 2776: 2774: 2768: 2767: 2764: 2762: 2758: 2751: 2748: 2746: 2743: 2741: 2738: 2736: 2730: 2728: 2725: 2723: 2720: 2718: 2715: 2713: 2710: 2708: 2705: 2703: 2700: 2698: 2695: 2693: 2690: 2688: 2682: 2680: 2677: 2675: 2672: 2670: 2667: 2665: 2662: 2660: 2657: 2655: 2652: 2650: 2647: 2645: 2642: 2640: 2637: 2635: 2632: 2630: 2627: 2625: 2619: 2617: 2614: 2612: 2609: 2607: 2604: 2602: 2599: 2597: 2594: 2592: 2589: 2587: 2584: 2582: 2579: 2577: 2574: 2572: 2569: 2567: 2564: 2562: 2559: 2557: 2554: 2552: 2549: 2547: 2544: 2542: 2539: 2537: 2534: 2532: 2529: 2527: 2524: 2522: 2519: 2517: 2514: 2512: 2509: 2507: 2504: 2502: 2499: 2497: 2494: 2492: 2489: 2487: 2484: 2482: 2479: 2477: 2474: 2472: 2469: 2467: 2464: 2462: 2459: 2457: 2454: 2452: 2449: 2447: 2444: 2442: 2439: 2437: 2434: 2432: 2429: 2427: 2424: 2422: 2416: 2415: 2412: 2409: 2402: 2398: 2391: 2388: 2386: 2383: 2381: 2378: 2376: 2373: 2371: 2368: 2366: 2363: 2361: 2358: 2356: 2353: 2351: 2348: 2346: 2343: 2341: 2338: 2336: 2333: 2331: 2328: 2326: 2323: 2321: 2318: 2316: 2313: 2311: 2308: 2306: 2303: 2301: 2298: 2296: 2293: 2291: 2288: 2286: 2283: 2281: 2274: 2272: 2269: 2267: 2264: 2262: 2259: 2257: 2254: 2252: 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1668: 1664: 1658: 1656: 1654: 1652: 1650: 1648: 1646: 1644: 1642: 1640: 1636: 1623: 1616: 1614: 1612: 1610: 1608: 1606: 1602: 1597: 1595:9780199297764 1591: 1587: 1583: 1582: 1574: 1572: 1570: 1568: 1566: 1564: 1562: 1560: 1558: 1556: 1554: 1552: 1548: 1536: 1532: 1528: 1522: 1520: 1518: 1516: 1514: 1510: 1504: 1494: 1492: 1485: 1479: 1477: 1470: 1464: 1461: 1454: 1448: 1445: 1435: 1433: 1430: 1425: 1422: 1420: 1417: 1416: 1414: 1412: 1406: 1400: 1398: 1394: 1390: 1380: 1378: 1375: 1369: 1367: 1364: 1363: 1361: 1359: 1353: 1347: 1345: 1341: 1337: 1327: 1325: 1322: 1316: 1314: 1311: 1310: 1308: 1306: 1300: 1294: 1292: 1288: 1284: 1274: 1272: 1269: 1263: 1259: 1257: 1254: 1253: 1251: 1249: 1243: 1237: 1235: 1231: 1227: 1224: 1222: 1219: 1214: 1211: 1209: 1206: 1205: 1203: 1201: 1195: 1189: 1187: 1183: 1179: 1169: 1167: 1164: 1159: 1158:Maurice André 1156: 1154: 1151: 1150: 1148: 1146: 1140: 1134: 1131: 1126: 1123: 1113: 1110: 1104: 1102: 1099: 1098: 1096: 1094: 1088: 1082: 1080: 1076: 1073: 1063: 1061: 1058: 1053: 1052:Maurice André 1050: 1048: 1045: 1044: 1042: 1040: 1034: 1028: 1026: 1024: 1017: 995: 991: 985: 983: 977: 972: 970: 966: 962: 958: 954: 950: 946: 942: 938: 934: 930: 926: 923:(from 1948), 922: 917: 911: 909: 902: 900: 898: 884: 882: 880: 876: 872: 858: 856: 854: 840: 838: 836: 832: 828: 824: 810: 808: 806: 802: 798: 794: 790: 786: 778: 771: 768: 765: 762: 759: 757: 755: 752: 750: 747: 746: 742: 739: 736: 734: 731: 728: 721: 719: 716: 715: 711: 709: 706: 704: 702: 699: 696: 689: 687: 684: 683: 678: 673: 671: 668: 665: 663: 660: 657: 650: 648: 645: 644: 639: 634: 632: 629: 626: 623: 620: 617: 610: 608: 605: 604: 578: 575: 572:Movements of 569: 567: 563: 559: 558: 552: 550: 546: 542: 538: 534: 526: 521: 519: 515: 513: 504: 502: 493: 491: 482: 480: 471: 469: 460: 458: 449: 447: 438: 436: 428: 426: 422: 419:. Bach's son 418: 414: 410: 406: 402: 401:Joshua Rifkin 398: 394: 389: 386: 381: 376: 372: 363: 359: 357: 352: 348: 346: 339: 335: 329: 323: 319: 315: 311: 307: 303: 299: 295: 291: 287: 283: 279: 275: 271: 263: 261: 258: 257:Klaus Hofmann 253: 251: 247: 244:chorale as a 242: 238: 234: 230: 225: 223: 222: 217: 216: 211: 207: 203: 199: 195: 191: 181: 179: 174: 171:composed the 170: 158: 155: 152: 149: 148: 146: 142: 138: 134: 130: 126: 121: 107: 103: 98: 93: 89: 86: 82: 78: 73: 68: 63: 60: 56: 52: 47: 42: 38: 33: 30: 19: 4685:Compositions 4667: 4550: 4529: 4522: 4181: 4077: 3583: 3376: 3219:Bach cantata 3153: 3107:BWV 34a 3074:BWV 119 2970:BWV 149 2791:BWV 110 2773:BWV 168 2735:BWV 117 2401:Second cycle 1889:Bach Digital 1859:10 September 1857:. Retrieved 1846: 1829: 1826:Dürr, Alfred 1820: 1810:10 September 1808:. Retrieved 1797: 1781: 1772: 1763: 1753:12 September 1751:. Retrieved 1734: 1724:11 September 1722:. Retrieved 1712: 1702:10 September 1700:. Retrieved 1676:12 September 1674:. Retrieved 1626:. Retrieved 1580: 1538:. Retrieved 1490: 1483: 1475: 1468: 1463: 1446: 1397:Baroque Duet 1396: 1343: 1290: 1233: 1213:Don Smithers 1185: 1153:Emiko Iiyama 1139:Fritz Werner 1105:Armin Mönnel 1101:Adele Stolte 1078: 1047:Agnes Giebel 1020:J. S. Bach: 1019: 989: 979: 973: 967:(2007), and 945:Helen Donath 933:Edith Mathis 929:Elly Ameling 925:Maria Stader 918: 915: 906: 888: 862: 844: 814: 784: 782: 753: 573: 555: 553: 535:ensemble of 530: 511: 500: 489: 478: 467: 456: 445: 434: 429: 409:Thomasschule 390: 368: 353: 344: 332:", added to 267: 254: 226: 219: 213: 197: 183: 175: 167: 144:Instrumental 139:soprano solo 29: 3016:BWV 36 2929:BWV 82 2761:Third cycle 2687:BWV 80 2421:BWV 20 2280:BWV 40 2166:BWV 75 2152:First cycle 2031:BWV 61 1924:Emma Kirkby 1405:John Nelson 1299:Ton Koopman 1256:Emma Kirkby 827:coloraturas 658:Recitative 397:Alfred Dürr 300:ideas from 198:ogni tempo) 4752:Categories 3168:Doubtful: 2624:BWV 6 1987:BWV 4 1920:"Alleluja" 1505:References 1497:, in 1725. 1493:, BWV 249a 1432:Sony Music 1087:Kurt Masur 1060:Telefunken 941:Lucia Popp 912:Recordings 835:ritornello 547:(Va), and 539:(Tr), two 375:Weißenfels 113:1730-09-17 59:J. S. Bach 4723:3rd cycle 4718:2nd cycle 4713:1st cycle 4638:1140–1141 3126:Funeral: 3105:Wedding: 2956:and other 2154:(1723–24) 1628:20 August 1540:20 August 1478:, BWV 208 1003:Soloists 992:, BWV 51 797:variation 779:Movements 514:, BWV 210 503:, BWV 209 492:, BWV 204 481:, BWV 202 470:, BWV 199 237:movements 153:2 violins 128:Movements 105:Performed 4735: ; 4692: ; 4690:Cantatas 4669:spurious 4664:doubtful 3356:oratorio 3280:Cantatas 2408:cantatas 1828:(1971). 1771:(1987). 1742:(2001). 1665:(2005). 1180:Chamber 971:(2009). 963:(1999), 959:(1989), 955:(1984), 951:(1983), 947:(1983), 943:(1980), 939:(1979), 935:(1972), 931:(1970), 927:(1959), 879:melismas 871:ostinato 789:concerto 785:Alleluja 769:C major 760:Soprano 754:Alleluja 740:C major 732:Soprano 729:Chorale 700:Soprano 661:Soprano 621:Soprano 595:Strings 537:trumpets 459:, BWV 84 448:, BWV 52 437:, BWV 82 347:, BWV 29 298:movement 218:and the 159:continuo 80:Occasion 4683:Lists: 4658:Anh. 18 4653:Anh. 11 4583:248 III 3234:Koopman 3137:Other: 3098:(lost: 2406:chorale 1975:Leipzig 1871:Sources 1438: ( 1391:Period 1383: ( 1338:Period 1330: ( 1285:Period 1277: ( 1271:Philips 1228:Period 1172: ( 1116: ( 1111:Eterna 1066: ( 823:da capo 766:2Vl Va 708:A minor 670:A minor 666:2Vl Va 631:C major 627:2Vl Va 541:violins 425:timpani 393:octaves 356:Trinity 322:chorale 288:in the 206:Leipzig 202:Trinity 194:Leipzig 150:trumpet 120:Leipzig 111: ( 91:Chorale 85:Trinity 4708:Weimar 4648:Anh. 9 4643:Anh. 5 4598:248 VI 4588:248 IV 4578:248 II 3292:number 3238:Teldec 2027:Weimar 1973:Before 1838:523584 1836:  1789:  1592:  1221:Teldec 1013:Instr. 1006:Label 997:Title 981:Instr. 875:octave 853:arioso 793:monody 583:Title 560:. The 543:(Vl), 507:, and 463:, and 338:stanza 229:stanza 188:  18:BWV 51 4703:Early 4593:248 V 4573:248 I 3940:motet 2954:Later 2926:1727: 2404:(and 1983:Early 1747:(PDF) 1670:(PDF) 1455:Notes 1225:1974 1166:Erato 831:triad 805:fugue 712:12/8 697:Aria 618:Aria 601:Time 592:Winds 589:Vocal 545:viola 522:Music 250:fugal 192:, in 156:viola 136:Vocal 4733:Late 4628:1127 4623:1083 4618:1045 4613:1040 4608:249b 4603:249a 4568:244a 4511:216a 4476:210a 4461:208a 4451:207a 4436:205a 4391:197a 4366:193a 4346:190a 4254:173a 4117:147a 4043:134a 4022:131a 3961:120b 3956:120a 3149:120b 3144:190a 3133:244a 3117:120a 3066:1083 2980:197a 2051:147a 2041:186a 1861:2015 1834:OCLC 1812:2015 1787:ISBN 1755:2012 1726:2012 1704:2015 1678:2012 1630:2022 1590:ISBN 1542:2022 1467:The 1440:1992 1436:1992 1385:2005 1381:2005 1332:2001 1328:2001 1279:1983 1275:1983 1174:1972 1170:1972 1118:1971 1114:1971 1068:1963 1064:1963 1009:Year 803:and 772:2/4 743:3/4 737:2Vl 598:Key 586:Type 580:No. 564:and 562:keys 316:and 308:and 278:Paul 131:five 4666:); 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Index

BWV 51
BWV
Church solo cantata
J. S. Bach

Gottfried Reiche
Trinity
Nun lob, mein Seel, den Herren
Leipzig
Johann Sebastian Bach
church cantata
Leipzig
Trinity
Leipzig
Christian, Duke of Saxe-Weissenfels
Hunting Cantata
Shepherd Cantata
stanza
Nun lob, mein Seel, den Herren
movements
Baroque instrumental
chorale fantasia
fugal
Klaus Hofmann
15th Sunday after Trinity
Epistle to the Galatians
Paul
Galatians 5:25–6:10
Sermon on the Mount
Gospel of Matthew

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