378:, and a few by family friends such as Johann Gottfried Bernhard and Johann Gottfried Heinrich. Although the 1725 notebook does contain work composed by Johann Sebastian Bach, it also includes works by many other composers. The authorship of several pieces is identified in the notebook itself, while that of others was established by researchers. The composers of still others, including several popular songs of the time, remain unknown. Here is a complete list of the pieces included, in order of appearance in the notebook:
355:
804:
1180:
708:
33:
832:
193:
601:
3505:
56:
3515:
1110:
1356:
68:
204:
This notebook contains 25 unbound sheets (including two blank pages), which is estimated to be approximately a third of the original size. It is not known what happened to the other pages. The back and the corners are decorated with brown leather; greenish paper is used for the cover. The title page
179:
The two notebooks are known by their title page dates of 1722 and 1725. The title "Anna
Magdalena Notebook" is commonly used to refer to the latter. The primary difference between the two collections is that the 1722 notebook contains works only by Johann Sebastian Bach (including most of the
365:
The 1725 notebook is larger than the 1722 one, and more richly decorated. Light green paper is used for the front cover, Anna
Magdalena's initials and the year number "1725" are printed in gold, the annotations A M B added by her stepson C. P. E. Bach when he inherited it. All pages feature
2519:
1201:
857:
2512:
1202:
1322:
860:
864:
863:
859:
858:
2374:
2505:
865:
1192:
3255:
862:
631:
The
Notebooks contain instrumental as well as vocal musical compositions. These notebooks serve more as collections of sheet music and other compositions rather than what notebooks are traditionally used for.
2703:
435:
310:
of suites 2 and 3 are separated from the rest of their respective suites and were most probably added at a later date by Anna
Magdalena Bach (they are almost certainly in her hand), some time before 1725.
2533:
2398:
1164:
The two
Minuets in G major and G minor, Nos. 4–5 in the second Notebook, BWV Anh. 114 and 115, were composed by Christian Petzold. Because their former attribution to Bach is spurious they appear in
3248:
3518:
3278:
666:
1401:
No. 21 of the second
Notebook, "Menuet fait par Mons. Böhm" (Minuet by Mr. Böhm), in G major, was never assigned a number in the BWV catalogue. It is however included in both the
3039:
3241:
3119:
2529:
2293:
3549:
3508:
3489:
2379:
3371:
3059:
1264:
1254:
382:
Keyboard partita in A minor, BWV 827. This is the third partita from Bach's set of
Partitas for keyboard BWV 825–830, which was published in 1731 as the first volume of
3182:
2486:
1424:
1050:
213:
in Anna
Magdalena's hand (using the feminine version of her last name). For a reason so far unknown to researchers, Johann Sebastian wrote the titles of three books by
3283:
1450:
1128:
The Minuet in F major, BWV Anh. 113, is No. 3 in the second
Notebook. Its attribution to J. S. Bach is considered doubtful, and for that reason it is included in
861:
839:
691:
2716:
3302:
3075:
2645:
1532:
725:
331:
Air with variations in C minor, unfinished, BWV 991. The first 10 bars feature coherent two-part writing, but the remaining 35 bars only have one voice written out.
3544:
3470:
3320:
3212:
2631:
2017:
1959:
1459:
555:
Movement in F major, BWV Anh. 131. The handwriting looks like that of a child, and apparently the piece is an attempt to create a bass line for a given melody.
3217:
2592:
1389:
1378:
2971:
2958:
2924:
2911:
2826:
2813:
1339:
Anh. III 130 – No. 28: Polonaise in G major by Johann Adolph Hasse, i.e. "Polonoise secondo", originally in F major, from his keyboard sonata in F major.
1200:
3222:
2984:
2879:
2866:
2839:
2694:
3445:
2660:
2492:
1145:
3353:
370:. Most of the entries in the 1725 notebook were made by Anna Magdalena herself, with others written in the hand of Johann Sebastian, some by sons
726:
650:
The recitative "Ich habe genug" and the aria "Schlummert ein, ihr matten Augen", the second and third movements of the second version of
Cantata
3014:
2626:
2577:
1159:
3554:
3405:
3175:
2997:
2951:
2944:
2937:
2904:
2897:
2859:
2852:
2806:
2799:
2780:
2636:
2612:
2607:
2602:
2597:
2587:
2582:
2572:
2567:
1545:
1072:
1066:
3287:
3559:
334:"Jesus, meine Zuversicht", chorale prelude, BWV 728. A brief (9 bars) piece in three voices, features two sections with repeats for each.
2771:
2764:
2757:
1666:
3068:
717:
692:
List of songs and arias by Johann Sebastian Bach § Songs and arias from the second Notebook for Anna Magdalena Bach (BWV 508–518)
2421:
3462:
2470:
1361:
Anh. III 131 – No. 32: in F major attributed to Johann Christian Bach (W A22), formerly also attributed to Gottfried Heinrich Bach
672:
403:
888:
The aria "So oft ich meine Tobackspfeife" appears in two versions, BWV 515 and 515a, the second a fourth higher than the first.
3291:
3052:
2686:
2617:
1151:
3112:
3097:
3396:
1561:
768:
505:
270:
430:
3019:
3008:
2751:
2650:
407:
338:
1409:(Neue Bach-Ausgabe, NBA) of the Notebooks. There is some doubt which composer by the name Böhm may have been intended,
3387:
3346:
3132:
2462:
1527:
2497:
393:
Keyboard partita in E minor, BWV 830. This is the sixth partita from Bach's set of Partitas for keyboard BWV 825–830.
3539:
3419:
3139:
3024:
2553:
1432:
3362:
3092:
2655:
2370:
1402:
1383:
Anh. III 183 – No. 6: Rondeau in B-flat major by François Couperin, "Les Bergeries, Rondeau", sixth piece of the
1308:
1077:
796:
676:
538:
504:", BWV 508. This composition is probably the most well-known of the arias of the 1725 notebook. Its melody is by
375:
923:
The authenticity of "Willst du dein Herz mir schenken", BWV 518, also known as "Aria di Govannini", is doubted.
3431:
2736:
787:
The sacred songs BWV 510–512 are three settings of "Gib dich zufrieden und sei stille" for voice and continuo.
2384:
345:
in the 1725 notebook). A short dance with simplistic two-part writing and two sections with repeats for each.
222:
3033:
667:
List of chorale harmonisations by Johann Sebastian Bach § In the 1725 Notebook for Anna Magdalena Bach
354:
3413:
3339:
3197:
2277:
2263:
2249:
2235:
2221:
2207:
2193:
2179:
2165:
2151:
2137:
2123:
2109:
2095:
2081:
2067:
2053:
2049:
2035:
1995:
1991:
1977:
1941:
1927:
1913:
1899:
1885:
1881:
1867:
1863:
1859:
1855:
1851:
1837:
1823:
1809:
1795:
1781:
1767:
1753:
1749:
1735:
1721:
1707:
1703:
1699:
1685:
1639:
1625:
1611:
1133:
651:
645:
167:
The Notebooks provide a glimpse into the domestic music of the 18th century and the musical tastes of the
795:
The sacred song "O Ewigkeit, du Donnerwort", BWV 513, No. 42 in the second Notebook, is a setting of the
3266:
2789:
2741:
2708:
2665:
2538:
962:
956:
371:
105:
3103:
2351:
2340:
1502:
1481:
803:
3159:
2746:
2678:
2562:
2288:
1537:
1002:
546:
417:
303:
217:
181:
37:
3233:
2366:
1259:
Nos. 16–19 (BWV Anh. 122–125) are considered to be early compositions by Carl Philipp Emanuel Bach:
526:
Solo per il cembalo in E-flat major, BWV Anh. 129. A harpsichord piece by Carl Philipp Emanuel Bach.
3574:
3569:
3564:
3045:
1590:
1101:
1094:
530:
520:
512:
296:
113:
109:
2414:
2410:
1317:, BWV Anh. 129, by Carl Philipp Emanuel Bach, piece No. 27 from the 1725 Notebook:
523:
that this Aria was entered into the two blank pages of this book by Anna Magdalena later, in 1740.
184:), while the 1725 notebook is a compilation of music by both Bach and other composers of the era.
32:
3297:
2390:
733:
1037:
1030:
831:
2466:
1650:
1541:
306:, BWV 812–814. The next two are complete suites, French Suites Nos. 4 and 5, BWV 815–816. The
192:
125:
552:
Keyboard suite in C minor, BWV 813. This is an incomplete version of the second French Suite.
2670:
2394:
1406:
1120:
The Air with variations in C minor, BWV 991, is a fragment contained in the first Notebook.
64:
904:"Wie wohl ist mir, o Freund der Seelen", BWV 517, is a sacred song for voice and continuo.
542:, Book 1, with bars 16–20 omitted, most likely in order to make the piece fit in two pages.
2431:
1519:
943:
The Fantasia in C major for organ, BWV 573, is a fragment contained in the 1722 Notebook.
779:"Gedenke doch, mein Geist, zurĂĽcke", BWV 509 is an aria contained in the second notebook.
760:
754:
561:
Recitative "Ich habe genug" and aria "Schlummert ein, ihr matten Augen" (solo), BWV 82/2,3
516:
501:
137:
87:
961:
The chorale prelude "Wer nur den lieben Gott lässt walten", BWV 691, also appears in the
3169:
major ("St. Anne"), BWV 552, Chorale preludes, BWV 669–689, Duets, BWV 802–805
1331:
in E-flat major by C. P. E. Bach (early version of the keyboard sonata Wq 65.7 / H 16).
200:. Note the titles of the three Pfeiffer books written by Bach in the lower right corner.
2427:
2406:
1439:
1158:
511:
Keyboard aria in G major, BWV 988/1. Another well-known piece, this is the aria of the
600:
3533:
2452:
1595:
1523:
1410:
1009:
696:
The second Notebook contains a number of songs and arias set for voice and continuo.
485:
317:
299:
145:
476:
Polonaise in G minor, BWV Anh. 125. Usually attributed to Carl Philipp Emanuel Bach.
470:
Polonaise in G minor, BWV Anh. 123. Usually attributed to Carl Philipp Emanuel Bach.
302:. The first three are fragments of the pieces that are now known as the first three
3438:
2355:
2344:
2274:
2260:
2246:
2232:
2218:
2204:
2190:
2176:
2162:
2148:
2134:
2120:
2106:
2092:
2078:
2064:
2046:
2032:
1988:
1974:
1938:
1924:
1910:
1896:
1878:
1848:
1834:
1820:
1806:
1792:
1778:
1764:
1746:
1732:
1718:
1696:
1682:
1636:
1622:
1608:
1506:
1485:
1165:
325:
2383:(Joh. Seb. Bach's music pieces in the notebooks of Anna Magdalena Bach). Leipzig:
2456:
1199:
896:
The aria "Warum betrĂĽbst du dich", BWV 516, is a setting for voice and continuo.
724:
570:
Aria "Willst du dein Herz mir schenken" (subtitled "Aria di Giovannini"), BWV 518
1129:
473:
March in G major, BWV Anh. 124. Usually attributed to Carl Philipp Emanuel Bach.
467:
March in D major, BWV Anh. 122. Usually attributed to Carl Philipp Emanuel Bach.
321:
168:
153:
141:
2021:
1963:
1285:
A musette and two other pieces with a doubtful attribution to J. S. Bach:
576:
Chorale setting "Dir, dir Jehova, will ich singen" (version for choir), BWV 299
2435:
1217:
880:
745:
95:
1249:
Two Marches and two Polonaises by Carl Philipp Emanuel Bach, BWV Anh. 122–125
989:
The keyboard pieces are the largest group of compositions in both Notebooks.
3331:
2439:
1109:
931:
The first Notebook contains two compositions for organ. The chorale prelude
291:
The notebook contains the following works, most in Johann Sebastian's hand:
247:
820:"Schaffs mit mir, Gott", BWV 514, is a sacred song for voice and continuo.
413:
Minuet in G minor, BWV Anh. 115. Usually attributed to Christian Petzold.
397:
214:
102:
3514:
2380:
Joh. Seb. Bach's MusikstĂĽcke in den NotenbĂĽchern der Anna Magdalena Bach
1654:
1355:
1321:
809:
458:
Chorale setting "Gib dich zufrieden und sei stille" in E minor, BWV 512
456:
Chorale setting "Gib dich zufrieden und sei stille" in G minor, BWV 511
453:
Chorale setting "Gib dich zufrieden und sei stille" in F major, BWV 510
367:
149:
129:
99:
17:
2704:
Canonic Variations on "Vom Himmel hoch da komm' ich her", BWV 769
2458:
Sex, Death, and Minuets: Anna Magdalena Bach and Her Musical Notebooks
1255:
List of compositions by Carl Philipp Emanuel Bach § Solo keyboard
307:
133:
117:
3303:
Strophic aria "Alles mit Gott und nichts ohn' ihn" (BWV 1127)
1670:
578:
Chorale setting "Dir, dir Jehova, will ich singen" (solo), BWV 299
242:
Anti-Calvinismus, oder Unterredungen von der Reformierten Religion
121:
1035:
The second Notebook starts with the third Partita, BWV 827, from
1482:
1. KlavierbĂĽchlein der A. M. Bach, 1722, D-B Mus. ms. Bach P 224
1379:
List of compositions by François Couperin § For harpsichord
161:
157:
3335:
3237:
2501:
1451:
List of songs and arias by Johann Sebastian Bach from the 1725
1232:
Anh. II 117a and 117b – No. 8a and b: two Polonaises in F major
2403:
The KlavierbĂĽchlein fĂĽr Anna Magdalena Bach from 1722 and 1725
1503:
2. NotenbĂĽchlein der A. M. Bach, 1725, D-B Mus. ms. Bach P 225
981:, BWV 728, is ranged among Bach's chorale preludes for organ.
661:
Four-part chorale "Dir, dir, Jehova, will ich singen", BWV 299
595:
536:
Prelude in C major, BWV 846/1. This is the first prelude from
450:
Chorale prelude "Wer nur den lieben Gott läßt walten", BWV 691
41:
1225:
Seven pieces with a doubtful attribution to J. S. Bach:
1007:
The first Notebook contains early versions of the first five
573:
Aria "Schlummert ein, ihr matten Augen", unfinished, BWV 82/3
1178:
900:
Sacred song "Wie wohl ist mir, o Freund der Seelen", BWV 517
706:
1447:; Minuet in G is featured extensively throughout the movie.
1657:
Diomedes (Excerpts): "Bist du bei mir geh ich mit Freuden"
1041:, followed by the sixth Partita, BWV 830, from that opus.
481:
Aria "So oft ich meine Tobackspfeife" in G minor, BWV 515a
1522:(2001). "Bach. III. 7. Johann Sebastian Bach. Works". In
1435:, a music manuscript from Antwerp at the same time period
1335:
Polonaise in G major by Johann Adolph Hasse, BWV Anh. 130
1099:
No. 26 in the second Notebook is the aria with which the
1049:
The Minuet in G major, BWV 841, is also contained in the
529:
Polonaise in G major, BWV Anh. 130. Possibly composed by
479:
Aria "So oft ich meine Tobackspfeife" in D minor, BWV 515
227:(died 1698) in the lower right corner of the title page:
36:
This page of the 1722 notebook contains the gavotte from
416:
Rondeau in B-flat major, BWV Anh. 183. This piece is by
152:) makes up most of both notebooks, and a few pieces for
1343:
Piece in F major by Johann Christian Bach, BWV Anh. 131
612:
763:", BWV 508, is an arrangement of an aria of the opera
545:
Keyboard suite in D minor, BWV 812. This is the first
581:
Song "Wie wohl ist mir, o Freund der Seelen", BWV 517
337:
Minuet in G major, BWV 841 (not to be confused with
287:(Anti-melancholy, or to drive out the melancholy]).
209:
Clavier-BĂĽchlein vor Anna Magdalena Bachin ANNO 1722
3481:
3454:
3378:
3149:
3085:
2729:
2546:
1276:
Anh. III 125 – No. 19: Polonaise in G minor (H 1/4)
1270:
Anh. III 123 – No. 17: Polonaise in G minor (H 1/2)
1172:
Four Minuets and three Polonaises, BWV Anh. 116–121
1081:appears in a short version in the second Notebook.
824:
Aria "So oft ich meine Tobackspfeife", BWV 515–515a
783:
Three settings of "Gib dich zufrieden", BWV 510–512
48:
3490:Frederick the Great Playing the Flute at Sanssouci
1429:, a notebook J.S. Bach compiled for his eldest son
1140:Two Minuets by Christian Petzold, BWV Anh. 114–115
675:", BWV 299, also appears in a two-part setting in
2618:Eight Short Preludes and Fugues, BWV 553–560
1464:compositions in the appendix of the BWV catalogue
1309:Carl Philipp Emanuel Bach § Keyboard sonatas
584:Aria "Gedenke doch, mein Geist, zurĂĽcke", BWV 509
564:Chorale setting "Schaff's mit mir, Gott", BWV 514
3284:Songs and arias, BWV 439–523
3176:Concerto transcriptions, BWV 592–596 and 972–987
2593:Fantasia and Fugue in G minor ("Great"), BWV 542
2583:Toccata and Fugue in D minor ("Dorian"), BWV 538
2013:
2011:
2009:
2007:
2005:
2003:
791:Sacred song "O Ewigkeit, du Donnerwort", BWV 513
250:, or Conversations about the reformed religion).
3076:Capriccio on the departure of a beloved brother
2646:Prelude (Toccata) and Fugue in E major, BWV 566
2613:Prelude and Fugue in E minor ("Wedge"), BWV 548
1955:
1953:
1951:
1949:
1533:The New Grove Dictionary of Music and Musicians
1273:Anh. III 124 – No. 18: March in G major (H 1/3)
283:Anti-melancholicus, oder Melancholey-Vertreiber
188:The 1722 notebook: French Suites and miscellany
3279:Four-part chorales, BWV 250–438
2651:Fantasia ("Pièce d'Orgue") in G major, BWV 572
3471:Carl Philipp Emanuel Bach: The Complete Works
3436:
3347:
3321:List of compositions by Johann Sebastian Bach
3249:
3213:List of compositions by Johann Sebastian Bach
2632:Toccata, Adagio and Fugue in C major, BWV 564
2513:
8:
3403:
3394:
3385:
3218:List of fugal works by Johann Sebastian Bach
1422:
1373:"Rondeau" by François Couperin, BWV Anh. 183
1351:, piece No. 32 from the 1725 Notebook:
1295:Anh. II 128 – No. 24: (Polonaise) in D minor
816:Sacred song "Schaffs mit mir, Gott", BWV 514
587:Chorale "O Ewigkeit, du Donnerwort", BWV 513
420:and is best known under the original title:
384:
281:
263:
255:
240:
232:
207:
2423:J.S. Bach: Notebook for Anna Magdalena Bach
1425:KlavierbĂĽchlein fĂĽr Wilhelm Friedemann Bach
1051:KlavierbĂĽchlein fĂĽr Wilhelm Friedemann Bach
812:is the four-part realisation of this song.
3354:
3340:
3332:
3256:
3242:
3234:
3223:List of concertos by Johann Sebastian Bach
2520:
2506:
2498:
1568:, p. 158. Cambridge University Press.
1303:by Carl Philipp Emanuel Bach, BWV Anh. 129
1238:Anh. II 119 – No. 10: Polonaise in G minor
3550:Compositions by Carl Philipp Emanuel Bach
3446:Sonata in A minor for Solo Flute, Wq. 132
2661:Passacaglia and Fugue in C minor, BWV 582
2554:Fugue in G minor, BWV 131a
2493:International Music Score Library Project
2362:Score editions with critical commentary:
2339:1. KlavierbĂĽchlein der A. M. Bach, 1722:
1443:, a 1998 Hong Kong film titled after the
1263:Anh. III 122 – No. 16: March in D major (
1498:
1496:
1494:
1369:Anh. II 132 – No. 36: Minuet in D minor
1289:Anh. II 126 – No. 22: Musette in D major
1146:Minuets in G major and G minor (Petzold)
1013:, BWV 812–816. the first and the second
775:Aria "Gedenke doch, mein Geist", BWV 509
353:
191:
31:
2350:2. NotenbĂĽchlein der A. M. Bach, 1725:
2324:Heinemann (1983), "Comments" p. 55
1474:
1292:Anh. II 127 – No. 23: March in E♠major
1244:Anh. II 121 – No. 15: Minuet in C minor
1241:Anh. II 120 – No. 14: Minuet in A minor
1235:Anh. II 118 – No. 9: Minuet in B♠major
840:So oft ich meine Tobackspfeife, BWV 515
238:is a shortened and misspelled title of
3015:Fantasia and Fugue in C minor, BWV 906
2627:Fantasia and Fugue in C minor, BWV 562
2578:Fantasia and Fugue in C minor, BWV 537
1667:Diomedes (Stölzel, Gottfried Heinrich)
1229:Anh. II 116 – No. 7: Minuet in G major
1215:
892:Aria "Warum betrĂĽbst du dich", BWV 516
878:
743:
558:Aria "Warum betrĂĽbst du dich", BWV 516
45:
3545:Compositions by Johann Sebastian Bach
3406:Die Auferstehung und Himmelfahrt Jesu
2781:Overture in the French style, BWV 831
2742:English Suites, BWV 806–811
2737:Inventions and Sinfonias, BWV 772–801
2637:Toccata and Fugue in D minor, BWV 565
2608:Prelude and Fugue in C minor, BWV 546
2603:Prelude and Fugue in B minor, BWV 544
2598:Prelude and Fugue in A minor, BWV 543
2588:Toccata and Fugue in F major, BWV 540
2573:Prelude and Fugue in D major, BWV 532
2568:Prelude and Fugue in C major, BWV 531
1073:Prelude and Fugue in C major, BWV 846
1067:Prelude and Fugue in C major, BWV 846
92:NotenbĂĽchlein fĂĽr Anna Magdalena Bach
7:
2747:French Suites, BWV 812–817
2656:Fugue in G minor ("Little"), BWV 578
1017:also appear in the second Notebook.
949:Wer nur den lieben Gott lässt walten
933:Wer nur den lieben Gott lässt walten
497:(Polonaise) in D minor, BWV Anh. 128
488:. Not included in the BWV catalogue.
444:Minuet in B-flat major, BWV Anh. 118
59:You may hear selections from Bach's
27:Manuscripts by Johann Sebastian Bach
2719:Wo Gott der Herr nicht bei uns hält
1193:Polonaise in F major, BWV Anh. 117a
494:March in E-flat major, BWV Anh. 127
441:Polonaise in F major, BWV Anh. 117b
431:Polonaise in F major, BWV Anh. 117a
3069:Aria variata alla maniera italiana
2790:Well-Tempered Clavier, BWV 846–893
2294:Second Livre de pièces de Clavecin
1390:Second Livre de pièces de Clavecin
935:is No. 11 in the second Notebook.
447:Polonaise in G minor, BWV Anh. 119
25:
3463:Carl Philipp Emanuel Bach Edition
2297:. Paris: Foucault (1717), pp. 8–9
1413:being the best known among them.
797:chorale melody with the same name
673:Dir, dir, Jehova, will ich singen
636:Recitative and Aria from Cantata
3513:
3504:
3503:
3426:Notebook for Anna Magdalena Bach
3316:Notebook for Anna Magdalena Bach
2488:Notebook for Anna Magdalena Bach
2420:Ernst-GĂĽnter Heinemann, editor.
1354:
1320:
1216:Problems playing this file? See
1197:
1157:
1108:
879:Problems playing this file? See
855:
830:
802:
744:Problems playing this file? See
722:
599:
491:Musette in D major, BWV Anh. 126
360:Notebook for Anna Magdalena Bach
198:Notebook for Anna Magdalena Bach
83:Notebook for Anna Magdalena Bach
54:
3292:Ich steh an deiner Krippen hier
3288:Komm, sĂĽĂźer Tod, komm selge Ruh
3120:Prelude, Fugue and Allegro in E
3020:Toccatas, BWV 910–916
2752:Partitas, BWV 825–830
2688:Great Eighteen Chorale Preludes
1579:The Keyboard Music of J.S. Bach
1365:Minuet in D minor, BWV Anh. 132
1168:of the Bach-Werke-Verzeichnis.
1152:Minuet in G major, BWV Anh. 114
1124:Minuet in F major, BWV Anh. 113
700:Aria "Bist du bei mir", BWV 508
657:, appear in the 1725 Notebook.
567:Minuet in D minor, BWV Anh. 132
484:Menuet fait par Mons. Böhm, by
464:Minuet in C minor, BWV Anh. 121
461:Minuet in A minor, BWV Anh. 120
427:Minuet in G major, BWV Anh. 116
404:Minuet in G major, BWV Anh. 114
316:, unfinished, BWV 573. A short
196:Title page of the first (1722)
2306:Waldersee (1894), p. XI and 35
1387:, published in Paris in 1717 (
1347:Untitled movement in F major,
1281:Three pieces, BWV Anh. 126–128
1208:attribution to J. S. Bach
108:presented to his second wife,
1:
2413:(1957, 1963, 1978, 2014) and
2018:Bach-Werke-Verzeichnis (1998)
1960:Bach-Werke-Verzeichnis (1998)
1021:Third and sixth partita from
912:ovannini", BWV 518": -->
871:Ukrainian words by M. Strikha
3555:Compositions for harpsichord
3264:Short vocal compositions by
3009:Chromatic Fantasia and Fugue
1581:, p. 522 and elsewhere.
1397:"Menuet fait par Mons. Böhm"
1116:Air with variations, BWV 991
939:Fantasia in C major, BWV 573
908:"Aria di Govannini", BWV 518
686:Songs and arias, BWV 508–518
265:Evangelische Christen Schule
3560:German-language manuscripts
3397:Die Israeliten in der WĂĽste
3133:Prelude in C minor, BWV 999
2666:Concertos, BWV 592–597
2463:University of Chicago Press
1462:Notebook for Anna Magdalena
1453:Notebook for Anna Magdalena
358:Cover of the second (1725)
261:item" refers to Pfeiffer's
3591:
3183:KlavierbĂĽchlein W. F. Bach
3140:Fugue in G minor, BWV 1000
3040:Harpsichord solo concertos
1577:Schulenberg, David. 2006.
1566:J.S. Bach: A Life in Music
1433:De Gruytters carillon book
1376:
1306:
1252:
1143:
1092:
1064:
1045:Minuet in G major, BWV 841
1028:
1000:
954:
799:, for voice and continuo:
769:Gottfried Heinrich Stölzel
752:
689:
664:
643:
506:Gottfried Heinrich Stölzel
98:notebooks that the German
94:) refers to either of two
3499:
3369:
3363:Carl Philipp Emanuel Bach
3311:
3274:
3208:
3113:Suite in C minor, BWV 997
3098:Suite in E minor, BWV 996
3093:Suite in G minor, BWV 995
2371:Bach-Gesellschaft Ausgabe
1403:Bach-Gesellschaft Ausgabe
1078:The Well-Tempered Clavier
1059:The Well-Tempered Clavier
680:Musicalisches Gesang-Buch
539:The Well-Tempered Clavier
53:
3163:: Prelude and Fugue in E
2697:Sei gegrĂĽĂźet, Jesu gĂĽtig
1536:(2nd ed.). London:
406:. Usually attributed to
3028:, BWV 933–938
2399:Keyboard and Lute Works
2352:D-B Mus. ms. Bach P 225
2341:D-B Mus. ms. Bach P 224
1327:Anh. III 129 – No. 27:
979:Jesus, meine Zuversicht
971:Jesus, meine Zuversicht
671:The four-part chorale "
61:Anna Magdalena Notebook
3437:
3414:Gellert Odes and Songs
3404:
3395:
3386:
3286: (includes "
3198:Twelve Little Preludes
2385:Breitkopf & Härtel
1423:
1183:
1134:Bach-Werke-Verzeichnis
711:
646:Ich habe genug, BWV 82
385:
362:
282:
264:
256:
241:
233:
208:
201:
91:
77:
3267:Johann Sebastian Bach
2539:Johann Sebastian Bach
1182:
963:Kirnberger Collection
957:Kirnberger Collection
732:Performed by soprano
710:
357:
195:
106:Johann Sebastian Bach
35:
3372:List of compositions
2712:, BWV 1090–1120
2563:Sonatas, BWV 525–530
1538:Macmillan Publishers
1003:French Suites (Bach)
977:The chorale setting
376:Carl Philipp Emanuel
3190:Notebook A. M. Bach
3046:Goldberg Variations
3026:Six Little Preludes
2710:Neumeister chorales
2440:Critical commentary
2415:Critical Commentary
2315:Von Dadelsen (1957)
1562:Williams, Peter F..
1329:Solo per il cembalo
1315:Solo per il cembalo
1301:Solo per il cembalo
1102:Goldberg Variations
1095:Goldberg Variations
1087:Goldberg Variations
531:Johann Adolph Hasse
513:Goldberg Variations
396:Minuet in F major,
320:piece, 12 complete
314:Fantasia pro organo
273:Christian School").
70:Here on Archive.org
3298:Quodlibet, BWV 524
2690:, BWV 651–668
2682:, BWV 645–650
2674:, BWV 599–644
2528:Compositions for
2391:Georg von Dadelsen
1599:2002, pp. 172–174.
1184:
734:Elisabeth Schumann
712:
611:. You can help by
363:
324:and the beginning
202:
78:
3540:Music anthologies
3527:
3526:
3329:
3328:
3231:
3230:
3161:Clavier-Ăśbung III
3106:
3062:
3055:
3000:
2998:No. 24 in B minor
2993:
2980:
2967:
2954:
2952:No. 12 in F minor
2947:
2940:
2933:
2920:
2907:
2900:
2888:
2875:
2862:
2860:No. 16 in G minor
2855:
2853:No. 10 in E minor
2848:
2835:
2822:
2809:
2802:
2774:
2767:
2760:
2717:Chorale fantasia
2680:SchĂĽbler Chorales
2642:
2623:
2559:
2534:keyboard and lute
2434:, 1983. Includes
2289:François Couperin
2275:Bach Digital Work
2261:Bach Digital Work
2247:Bach Digital Work
2233:Bach Digital Work
2219:Bach Digital Work
2205:Bach Digital Work
2191:Bach Digital Work
2177:Bach Digital Work
2163:Bach Digital Work
2149:Bach Digital Work
2135:Bach Digital Work
2121:Bach Digital Work
2107:Bach Digital Work
2093:Bach Digital Work
2079:Bach Digital Work
2065:Bach Digital Work
2047:Bach Digital Work
2033:Bach Digital Work
1989:Bach Digital Work
1975:Bach Digital Work
1939:Bach Digital Work
1925:Bach Digital Work
1911:Bach Digital Work
1897:Bach Digital Work
1879:Bach Digital Work
1849:Bach Digital Work
1835:Bach Digital Work
1821:Bach Digital Work
1807:Bach Digital Work
1793:Bach Digital Work
1779:Bach Digital Work
1765:Bach Digital Work
1747:Bach Digital Work
1733:Bach Digital Work
1719:Bach Digital Work
1697:Bach Digital Work
1683:Bach Digital Work
1637:Bach Digital Work
1623:Bach Digital Work
1609:Bach Digital Work
1547:978-1-56159-239-5
1203:
1188:Polonaise, No. 8a
1057:First prelude of
1025:, BWV 827 and 830
866:
727:
718:"Bist du bei mir"
629:
628:
418:François Couperin
408:Christian Petzold
350:The 1725 notebook
343:Minuet in G Major
277:AntiMelancholicus
76:
75:
16:(Redirected from
3582:
3517:
3507:
3506:
3442:
3409:
3400:
3391:
3356:
3349:
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3333:
3269:
3258:
3251:
3244:
3235:
3201:
3192:
3185:
3178:
3171:
3168:
3167:
3142:
3135:
3128:
3125:
3124:
3115:
3102:
3058:
3051:
3034:Italian Concerto
2996:
2990:
2989:
2983:
2977:
2976:
2970:
2964:
2963:
2957:
2950:
2945:No. 6 in D minor
2943:
2938:No. 5 in D major
2936:
2930:
2929:
2923:
2917:
2916:
2910:
2905:No. 2 in C minor
2903:
2898:No. 1 in C major
2896:
2885:
2884:
2878:
2872:
2871:
2865:
2858:
2851:
2845:
2844:
2838:
2832:
2831:
2825:
2819:
2818:
2812:
2807:No. 2 in C minor
2805:
2800:No. 1 in C major
2798:
2770:
2763:
2756:
2695:Chorale partita
2640:
2621:
2557:
2541:
2522:
2515:
2508:
2499:
2491:: Scores at the
2476:
2395:New Bach Edition
2325:
2322:
2316:
2313:
2307:
2304:
2298:
2286:
2280:
2272:
2266:
2258:
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1591:Andreas Glöckner
1588:
1582:
1575:
1569:
1559:
1553:
1551:
1520:Wolff, Christoph
1516:
1510:
1500:
1489:
1479:
1428:
1407:New Bach Edition
1358:
1350:
1324:
1313:Opening bars of
1205:
1204:
1181:
1161:
1130:Anhang (Anh.) II
1112:
969:Chorale setting
947:Chorale prelude
920:
919:
915:
868:
867:
851:
850:
846:
834:
806:
729:
728:
709:
682:(BWV 452).
624:
621:
603:
596:
439:
388:
372:Johann Christian
328:of the 13th bar.
285:
267:
259:
244:
236:
234:Ante Calvinismus
226:
211:
164:) are included.
65:Gustav Leonhardt
63:as performed by
58:
57:
46:
21:
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3111:
3081:
3060:Gould recording
2987:
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2816:
2815:
2725:
2542:
2537:
2526:
2483:
2473:
2453:Yearsley, David
2451:
2448:
2446:Further reading
2432:G. Henle Verlag
2333:
2328:
2323:
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1126:
1118:
1097:
1091:
1071:The prelude of
1069:
1063:
1047:
1038:Clavier-Ăśbung I
1033:
1031:Clavier-Ăśbung I
1027:
1023:Clavier-Ăśbung I
1005:
999:
987:
975:
959:
953:
941:
929:
921:
917:
913:
911:
910:
902:
894:
886:
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872:
869:
856:
853:
848:
844:
843:
835:
826:
818:
793:
785:
777:
761:Bist du bei mir
757:
755:Bist du bei mir
751:
750:
742:
740:
739:
738:
737:
730:
723:
720:
713:
707:
702:
694:
688:
669:
663:
648:
642:
625:
619:
616:
609:needs expansion
594:
577:
517:Christoph Wolff
502:Bist du bei mir
480:
457:
440:
433:
352:
257:Christen Schule
220:
218:August Pfeiffer
190:
177:
67:
55:
28:
23:
22:
15:
12:
11:
5:
3588:
3586:
3578:
3577:
3572:
3567:
3562:
3557:
3552:
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3542:
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3525:
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3500:
3497:
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3467:
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3186:
3179:
3172:
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3143:
3136:
3129:
3126:major, BWV 998
3116:
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3107:
3095:
3089:
3087:
3083:
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3072:
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2600:
2595:
2590:
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2548:
2544:
2543:
2527:
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2510:
2502:
2496:
2495:
2482:
2481:External links
2479:
2478:
2477:
2471:
2447:
2444:
2443:
2442:
2428:Urtext edition
2418:
2388:
2367:Paul Waldersee
2360:
2359:
2348:
2332:
2329:
2327:
2326:
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2308:
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2071:
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1999:
1981:
1967:
1945:
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1554:
1546:
1524:Sadie, Stanley
1511:
1490:
1473:
1471:
1468:
1467:
1466:
1457:
1448:
1440:Anna Magdalena
1436:
1430:
1418:
1415:
1405:(BGA) and the
1398:
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1144:Main article:
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1114:
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1026:
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698:
687:
684:
662:
659:
653:Ich habe genug
641:
638:Ich habe genug
634:
627:
626:
620:September 2016
606:
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110:Anna Magdalena
74:
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51:
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49:External audio
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
3587:
3576:
3573:
3571:
3568:
3566:
3563:
3561:
3558:
3556:
3553:
3551:
3548:
3546:
3543:
3541:
3538:
3537:
3535:
3520:
3516:
3512:
3510:
3502:
3501:
3498:
3492:
3491:
3487:
3486:
3484:
3480:
3473:
3472:
3468:
3465:
3464:
3460:
3459:
3457:
3453:
3447:
3444:
3441:
3440:
3435:
3433:
3430:
3428:
3427:
3423:
3421:
3418:
3416:
3415:
3411:
3408:
3407:
3402:
3399:
3398:
3393:
3390:
3389:
3384:
3383:
3381:
3377:
3373:
3368:
3364:
3357:
3352:
3350:
3345:
3343:
3338:
3337:
3334:
3322:
3319:
3317:
3314:
3313:
3310:
3304:
3301:
3299:
3296:
3293:
3289:
3285:
3282:
3280:
3277:
3276:
3273:
3268:
3259:
3254:
3252:
3247:
3245:
3240:
3239:
3236:
3224:
3221:
3219:
3216:
3214:
3211:
3210:
3207:
3200:
3199:
3194:
3191:
3187:
3184:
3180:
3177:
3173:
3170:
3162:
3157:
3156:
3154:
3148:
3141:
3137:
3134:
3130:
3127:
3117:
3114:
3110:
3105:
3101:
3100:
3099:
3096:
3094:
3091:
3090:
3088:
3084:
3078:
3077:
3073:
3071:
3070:
3066:
3061:
3057:
3054:
3050:
3049:
3048:
3047:
3043:
3041:
3038:
3036:
3035:
3031:
3029:
3027:
3023:
3021:
3018:
3016:
3013:
3011:
3010:
3006:
3005:
2999:
2995:
2992:
2982:
2979:
2969:
2966:
2956:
2953:
2949:
2946:
2942:
2939:
2935:
2932:
2922:
2919:
2909:
2906:
2902:
2899:
2895:
2894:
2892:
2887:
2877:
2874:
2864:
2861:
2857:
2854:
2850:
2847:
2837:
2834:
2824:
2821:
2811:
2808:
2804:
2801:
2797:
2796:
2794:
2792:
2791:
2787:
2786:
2783:
2782:
2778:
2773:
2769:
2766:
2762:
2759:
2755:
2754:
2753:
2750:
2748:
2745:
2743:
2740:
2738:
2735:
2734:
2732:
2728:
2722:
2720:
2715:
2713:
2711:
2707:
2705:
2702:
2700:
2698:
2693:
2691:
2689:
2685:
2683:
2681:
2677:
2675:
2673:
2672:OrgelbĂĽchlein
2669:
2667:
2664:
2662:
2659:
2657:
2654:
2652:
2649:
2647:
2644:
2638:
2635:
2633:
2630:
2628:
2625:
2619:
2616:
2614:
2611:
2609:
2606:
2604:
2601:
2599:
2596:
2594:
2591:
2589:
2586:
2584:
2581:
2579:
2576:
2574:
2571:
2569:
2566:
2564:
2561:
2555:
2552:
2551:
2549:
2545:
2540:
2535:
2531:
2523:
2518:
2516:
2511:
2509:
2504:
2503:
2500:
2494:
2490:
2489:
2485:
2484:
2480:
2474:
2472:9780226617848
2468:
2464:
2460:
2459:
2454:
2450:
2449:
2445:
2441:
2437:
2433:
2429:
2425:
2424:
2419:
2416:
2412:
2408:
2404:
2400:
2396:
2392:
2389:
2386:
2382:
2381:
2376:
2372:
2368:
2365:
2364:
2363:
2357:
2353:
2349:
2346:
2342:
2338:
2337:
2336:
2335:Manuscripts:
2330:
2321:
2318:
2312:
2309:
2303:
2300:
2296:
2295:
2290:
2285:
2282:
2279:
2276:
2271:
2268:
2265:
2262:
2257:
2254:
2251:
2248:
2243:
2240:
2237:
2234:
2229:
2226:
2223:
2220:
2215:
2212:
2209:
2206:
2201:
2198:
2195:
2192:
2187:
2184:
2181:
2178:
2173:
2170:
2167:
2164:
2159:
2156:
2153:
2150:
2145:
2142:
2139:
2136:
2131:
2128:
2125:
2122:
2117:
2114:
2111:
2108:
2103:
2100:
2097:
2094:
2089:
2086:
2083:
2080:
2075:
2072:
2069:
2066:
2061:
2058:
2055:
2051:
2048:
2043:
2040:
2037:
2034:
2029:
2026:
2023:
2019:
2014:
2012:
2010:
2008:
2006:
2004:
2000:
1997:
1993:
1990:
1985:
1982:
1979:
1976:
1971:
1968:
1965:
1961:
1956:
1954:
1952:
1950:
1946:
1943:
1940:
1935:
1932:
1929:
1926:
1921:
1918:
1915:
1912:
1907:
1904:
1901:
1898:
1893:
1890:
1887:
1883:
1880:
1875:
1872:
1869:
1865:
1861:
1857:
1853:
1850:
1845:
1842:
1839:
1836:
1831:
1828:
1825:
1822:
1817:
1814:
1811:
1808:
1803:
1800:
1797:
1794:
1789:
1786:
1783:
1780:
1775:
1772:
1769:
1766:
1761:
1758:
1755:
1751:
1748:
1743:
1740:
1737:
1734:
1729:
1726:
1723:
1720:
1715:
1712:
1709:
1705:
1701:
1698:
1693:
1690:
1687:
1684:
1679:
1676:
1672:
1668:
1663:
1660:
1656:
1652:
1647:
1644:
1641:
1638:
1633:
1630:
1627:
1624:
1619:
1616:
1613:
1610:
1605:
1602:
1598:
1597:
1596:Bach-Jahrbuch
1592:
1587:
1584:
1580:
1574:
1571:
1567:
1563:
1558:
1555:
1549:
1543:
1539:
1535:
1534:
1529:
1528:Tyrrell, John
1525:
1521:
1515:
1512:
1508:
1504:
1499:
1497:
1495:
1491:
1487:
1483:
1478:
1475:
1469:
1465:
1463:
1458:
1456:
1455:(BWV 508–518)
1454:
1449:
1446:
1442:
1441:
1437:
1434:
1431:
1427:
1426:
1421:
1420:
1416:
1414:
1412:
1408:
1404:
1396:
1394:
1392:
1391:
1386:
1385:Sixième ordre
1380:
1372:
1370:
1364:
1362:
1359:
1357:
1352:
1342:
1340:
1334:
1332:
1330:
1325:
1323:
1318:
1316:
1310:
1302:
1299:
1294:
1291:
1288:
1287:
1286:
1280:
1275:
1272:
1269:
1266:
1262:
1261:
1260:
1256:
1248:
1243:
1240:
1237:
1234:
1231:
1228:
1227:
1226:
1221:
1219:
1194:
1171:
1169:
1167:
1162:
1160:
1155:
1153:
1147:
1139:
1137:
1135:
1131:
1123:
1121:
1115:
1113:
1111:
1106:
1104:
1103:
1096:
1088:
1084:
1082:
1080:
1079:
1074:
1068:
1060:
1056:
1054:
1052:
1044:
1042:
1040:
1039:
1032:
1024:
1020:
1018:
1016:
1012:
1011:
1010:French Suites
1004:
997:, BWV 812–816
996:
995:French Suites
992:
990:
984:
982:
980:
972:
968:
966:
964:
958:
950:
946:
944:
938:
936:
934:
926:
924:
916:
907:
905:
899:
897:
891:
889:
884:
882:
841:
833:
823:
821:
815:
813:
811:
807:
805:
800:
798:
790:
788:
782:
780:
774:
772:
770:
766:
762:
756:
749:
747:
735:
719:
699:
697:
693:
685:
683:
681:
678:
674:
668:
660:
658:
656:
654:
647:
639:
635:
633:
623:
614:
610:
607:This section
605:
602:
598:
597:
591:
586:
583:
580:
575:
572:
569:
566:
563:
560:
557:
554:
551:
548:
544:
541:
540:
535:
532:
528:
525:
522:
518:
514:
510:
507:
503:
499:
496:
493:
490:
487:
483:
478:
475:
472:
469:
466:
463:
460:
455:
452:
449:
446:
443:
437:
432:
429:
426:
423:
422:Les Bergeries
419:
415:
412:
409:
405:
402:
399:
395:
392:
389:
387:
386:Clavier-Ăśbung
381:
380:
379:
377:
373:
369:
361:
356:
349:
344:
340:
336:
333:
330:
327:
323:
319:
315:
312:
309:
305:
304:French Suites
301:
298:
294:
293:
292:
286:
284:
278:
275:
272:
268:
266:
260:
258:
252:
249:
245:
243:
237:
235:
230:
229:
228:
224:
219:
216:
212:
210:
205:is inscribed
199:
194:
187:
185:
183:
182:French Suites
174:
172:
170:
165:
163:
159:
155:
151:
147:
143:
139:
135:
131:
127:
123:
119:
115:
111:
107:
104:
101:
97:
93:
89:
85:
84:
72:
71:
66:
62:
52:
47:
43:
39:
34:
30:
19:
3488:
3469:
3461:
3439:Solfeggietto
3425:
3424:
3412:
3315:
3196:
3189:
3160:
3074:
3067:
3044:
3032:
3025:
3007:
2788:
2779:
2718:
2709:
2696:
2687:
2679:
2671:
2487:
2457:
2422:
2402:
2397:, Series V:
2378:
2361:
2356:Bach Digital
2345:Bach Digital
2334:
2320:
2311:
2302:
2292:
2284:
2270:
2256:
2242:
2228:
2214:
2200:
2186:
2172:
2158:
2144:
2130:
2116:
2102:
2088:
2074:
2060:
2042:
2028:
1984:
1970:
1934:
1920:
1906:
1892:
1874:
1844:
1830:
1816:
1802:
1788:
1774:
1760:
1742:
1728:
1714:
1692:
1678:
1662:
1646:
1632:
1618:
1604:
1594:
1586:
1578:
1573:
1565:
1557:
1531:
1514:
1507:Bach Digital
1486:Bach Digital
1477:
1461:
1452:
1444:
1438:
1400:
1388:
1384:
1382:
1368:
1360:
1353:
1349:BWV Anh. 131
1346:
1338:
1328:
1326:
1319:
1314:
1312:
1300:
1284:
1258:
1224:
1163:
1156:
1149:
1127:
1119:
1107:
1100:
1098:
1086:
1085:Aria of the
1076:
1070:
1058:
1048:
1036:
1034:
1022:
1015:French Suite
1014:
1008:
1006:
994:
988:
985:For keyboard
978:
976:
970:
960:
948:
942:
932:
930:
922:
903:
895:
887:
819:
808:
801:
794:
786:
778:
764:
758:
695:
679:
670:
652:
649:
637:
630:
617:
613:adding to it
608:
592:Compositions
547:French Suite
537:
515:, BWV 988.
421:
383:
364:
359:
342:
313:
290:
280:
276:
262:
254:
239:
231:
206:
203:
197:
178:
166:
82:
81:
79:
69:
60:
38:French Suite
29:
3474:(1998–2018)
3466:(1982–1995)
3388:La Caroline
3152:collections
3053:discography
2985:No. 22 in B
2972:No. 18 in G
2959:No. 13 in F
2880:No. 22 in B
2867:No. 21 in B
2407:Bärenreiter
2022:p. 469
1964:p. 465
1089:, BWV 988/1
1061:, BWV 846/1
434: [
424:(6e Ordre).
368:gilt edging
271:Evangelical
221: [
169:Bach family
3575:Polonaises
3570:1725 works
3565:1722 works
3534:Categories
3420:Magnificat
2925:No. 4 in C
2912:No. 3 in C
2840:No. 7 in E
2827:No. 4 in C
2814:No. 3 in C
2721:, BWV 1128
2641:(doubtful)
2622:(doubtful)
2558:(doubtful)
2401:, Vol. 4:
2393:, editor.
2369:, editor.
1470:References
1411:Georg Böhm
1377:See also:
1307:See also:
1253:See also:
1218:media help
1093:See also:
1065:See also:
1029:See also:
1001:See also:
955:See also:
881:media help
753:See also:
746:media help
690:See also:
677:Schemellis
665:See also:
644:See also:
486:Georg Böhm
279:refers to
215:theologian
126:polonaises
96:manuscript
80:The title
2699:, BWV 768
1655:469080810
1460:The 1725
1150:Start of
973:, BWV 728
951:, BWV 691
927:For organ
521:suggested
248:Calvinism
3509:Category
3455:Editions
3432:Passions
3166:♭
3123:♭
2988:♭
2975:♯
2962:♯
2928:♯
2915:♯
2883:♭
2870:♭
2843:♭
2830:♯
2817:♯
2730:Keyboard
2455:(2019).
1530:(eds.).
1445:Notebook
1417:See also
1166:Anh. III
765:Diomedes
655:, BWV 82
640:, BWV 82
398:BWV Anh.
297:keyboard
150:gavottes
142:musettes
138:preludes
130:chorales
122:rondeaux
114:Keyboard
103:composer
3482:Related
3290:" and "
3104:Bourrée
2893:Book 2
2795:Book 1
2436:Preface
2375:Vol. 43
2358:website
2347:website
2331:Sources
1673:website
1509:website
1488:website
1132:of the
1105:start:
1075:, from
810:BWV 397
436:commons
339:Petzold
308:minuets
175:History
146:marches
134:sonatas
118:minuets
116:music (
100:Baroque
40:No. 5 (
18:BWV 513
2639:
2620:
2556:
2469:
2417:(1957)
2387:(1894)
1653:
1593:in: ''
1564:2007.
1544:
736:, 1934
500:Aria "
300:suites
246:(Anti-
160:, and
88:German
3519:Audio
3379:Works
3150:Mixed
2991:minor
2978:minor
2965:major
2931:minor
2918:major
2886:minor
2873:major
2846:major
2833:minor
2820:major
2772:No. 6
2765:No. 4
2758:No. 2
2547:Organ
2530:organ
2411:Score
2278:01494
2264:01443
2250:01442
2236:01441
2222:01440
2208:01439
2194:01438
2180:01437
2166:01436
2152:01435
2138:01434
2124:01433
2110:01432
2096:01431
2082:01430
2068:01429
2054:01428
2050:01427
2036:01426
1996:01425
1992:01424
1978:01423
1942:01169
1928:01166
1914:00986
1900:00980
1886:00968
1882:00964
1868:00952
1864:00950
1860:00948
1856:00946
1852:00945
1838:00851
1824:00808
1810:00653
1796:00590
1782:00589
1768:00588
1754:00587
1750:00586
1736:00585
1722:00584
1708:00583
1704:00582
1700:00581
1686:00580
1671:IMSLP
1640:00579
1626:00369
1612:00104
993:Five
438:]
326:notes
318:organ
295:Five
225:]
162:arias
158:songs
154:voice
44:816).
3086:Lute
2467:ISBN
2438:and
2052:and
1994:and
1884:and
1866:and
1752:and
1706:and
1651:RISM
1542:ISBN
914:edit
519:has
400:113.
374:and
322:bars
2536:by
2430:).
2409::
2354:at
2343:at
1669:at
1505:at
1484:at
1267:/1)
1265:H 1
767:by
615:.
341:'s
42:BWV
3536::
3294:")
2532:,
2465:.
2461:.
2405:.
2377::
2373:,
2291:.
2020:,
2002:^
1962:,
1948:^
1862:,
1858:,
1854:,
1702:,
1540:.
1526:;
1493:^
1393:)
1154::
1136:.
1053:.
965:.
849:49
771:.
269:("
223:de
171:.
148:,
144:,
140:,
136:,
132:,
128:,
124:,
120:,
112:.
90::
3355:e
3348:t
3341:v
3257:e
3250:t
3243:v
2521:e
2514:t
2507:v
2475:.
2426:(
1552:‎
1550:.
1220:.
918:]
883:.
852:)
847::
845:4
842:(
759:"
748:.
622:)
618:(
549:.
533:.
508:.
410:.
390:.
253:"
156:(
86:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
