28:
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2181:
830:. Includes Concerto in D major after BWV 169 and BWV 49, Concerto in D minor after BWV 146, BDW 188 and BWV 1052, Sinfonia in G major after BWV 156, Sinfonia in F major after BWV 75, Sinfonia in D major after BWV 29 and BWV 120a, Concerto in D moner after BWV 35 and BWV 1055, Concerto in G minor after BWV 1041 and BWV 1058.
600:
players. Various elements of
Vivaldi's string writing, that would normally be outside Bach's musical vocabulary for organ compositions, are included directly or with slight adaptations in Bach's arrangement. As well as the dissonant suspensions in the opening quaver figures, these include quaver
524:
is unusual and departs from
Vivaldi's specification of "Adagio e spiccato". Bach adapted the fugue to the organ as follows: the pedal does not play the bass line of the original allegro but has an accompanying role, rather than being a separate voice in the fugue; the writing does not distinguish
547:
and solo episodes of this movement—a form of —is unusual in Bach's writing for organ. The widely spaced chords that accompany the solo melody in the original are replaced by simple chords in the left hand. For
Griepenkerl, the sweetness of the melody reflected the tender personality of Wilhelm
509:
From the outset in the original piece, Vivaldi creates an unusual texture: the two violins play as a duet and then are answered by a similar duet for obbligato cello and continuo bass. On the organ Bach creates his own musical texture by exchanging the solo parts between hands and having the
503:, their main purpose was to enable the concerto to be heard at Bach's desired pitch. The markings are also significant for what they show about performance practise at that time: during the course of a single piece, hands could switch manuals and organ stops could be changed.
1455:
114:
for organ and for harpsichord. Most of the harpsichord transcriptions probably originated between July 1713 and July 1714. The organ concertos, BWV 592–596, are scored for two manual keyboards and pedal, and probably originated from 1714 to 1717.
495:
by
Friedrich Griepenkerl. The precise dating and true authorship was later established from the manuscript: the handwriting and the watermarks in the manuscript paper conform to cantatas known to have been composed by Bach in Weimar in 1714–1715.
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Bach also made several transcriptions of
Vivaldi's concertos for single, two and four harpsichords from exactly the same period in Weimar. The original concertos were picked from Vivaldi's Op.3,
483:
who added "di W. F. Bach manu mei Patris descript" sixty or more years later. The result was that up until 1911 the transcription was misattributed to
Wilhelm Friedemann. Despite the fact that
491:
where many Bach manuscripts were held, had suggested Johann
Sebastian as the author, the transcription was first published as a work by Wilhelm Friedemann in 1844 in the edition prepared for
609:
string accompaniment. Towards the end of the piece, Bach fills out the accompaniment in the final virtuosic semiquaver solo episode by adding imitative quaver figures in the lower parts.
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This transcription of
Vivaldi's Concerto in D minor for two violins and obbligato violoncello, Op.3, No.11 (RV 565), had the heading on the autograph manuscript altered by Bach's son
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2011:
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Although each return of the theme with its chromatic falling bass accompaniment is instantly recognizable, Bach's allotting of parts between the two manuals (
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Wolff, Christoph (2016), "Did Bach write organ concertos? A propos the prehistory of cantata movements with obbligato organ", in Dirst, Matthew (ed.),
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between soloists and ripieno; parts are frequently redistributed; and extra semiquaver figures are introduced, particularly over the prolonged
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compares the dramatic ending—with its chromatic fourths descending in the pedal part—to that of the keyboard
Sinfonia in D minor, BWV 779.
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The autograph manuscript is remarkable for its detailed specifications of organ registration and use of the two manuals. As explained in
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2004:
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Butler, Gregory (2016), "The Choir Loft as
Chamber: Concerted Movements by Bach from the Mid- to Late 1720s", in Matthew Dirst (ed.),
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the opening theme with its repeated quavers and clashing dissonances. Bach used the same theme for the opening chorus of his cantata
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concluding the piece. The resulting fugue is smoother than the original, which is distinguished by its clearly delineated sections.
514:, Bach's redistribution of the constantly repeated quavers in the original is "no substitute for the lost rhetoric of the strings."
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A transcription of the first movement of a lost concerto by Prince Johann Ernst of Saxe-Weimar, which has been reconstructed as a
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1988:
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1285:(2008), "Sicilianos and Organ Recitals: Observations on J.S. Bach's concertos", in Gregory Butler (ed.),
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violin concerto in D major, RV 208, of which a variant, RV 208a, was published as
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is now probably considered to be spurious. Composed during Bach's second period at the court in
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Antonio Vivaldi's double violin concerto in A minor, Op. 3 No. 8, RV 522
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764:, Boxes 6 (CDs 41 and 45) and 22 (CDs 151–153 and 155). Recorded 1985–1986 and 1988–1989.
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Prince Johann Ernst of Saxe-Weimar § Original of Concerto in C major, BWV 984 and 595
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107:
48:
605:, and rippling semidemiquavers and semiquavers in the left hand as an equivalent for the
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major ("St. Anne"), BWV 552, Chorale preludes, BWV 669–689, Duets, BWV 802–805
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in the 1890s played a decisive role in the Vivaldi revival of the twentieth century.
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Concerto for unaccompanied harpsichord (Bach) § Weimar concerto transcriptions
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website containing free downloads of recordings on various 18th-century organs in
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Autograph manuscript of third movement and beginning of fourth movement of BWV 596
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Prince Johann Ernst of Saxe-Weimar § Violin Concerto a 8 in G major
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47:, transcribed and reworked from instrumental concertos originally composed by
44:
780:, Archiv Production 431119-2 digitally remastered from Polydor International.
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Only one movement, without tempo indication, but also indicated as Allegro.
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308:
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This concerto is a transcription of Prince Johann Ernst of Saxe-Weimar's
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596:) can occasionally obscure Vivaldi's sharp distinction between solo and
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Concerto in D minor for two violins, cello and strings, RV 565
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Canonic Variations on "Vom Himmel hoch da komm' ich her", BWV 769
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Recitativ: Adagio (A minor; "Recitative: Grave" in Vivaldi's original)
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67:(1708–1717), the concertos can be dated more precisely to 1713–1714.
64:
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76:, composed in 1711, a set of twelve concertos for one, two and four
1174:(English translation—commentary in paperback original is in German)
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Violin Concerto in C major (Johann Ernst Prinz von Sachsen-Weimar)
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Violin Concerto in G major (Johann Ernst Prinz von Sachsen-Weimar)
1344:
106:
In his Weimar period Bach transcribed concertos by, among others,
26:
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Organ Concerto in E-flat major, BWV 597 (Bach, Johann Sebastian)
1153:, Complete Organ Works (Breitkopf Urtext), vol. 5 EB 8805,
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Probably neither composed nor transcribed by Bach, and rather a
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The dense chordal writing in the three introductory bars of the
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form. In the opening bars the first and second violins play in
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Concerto for 2 Violins in A minor, RV 522 (Vivaldi, Antonio)
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Freiburg Musica Poetica Ensemble; Hans Bergmann, conductor.
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Organ Concerto in D minor, BWV 596 (Bach, Johann Sebastian)
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Organ Concerto in C major, BWV 595 (Bach, Johann Sebastian)
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Organ Concerto in C major, BWV 594 (Bach, Johann Sebastian)
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Organ Concerto in A minor, BWV 593 (Bach, Johann Sebastian)
554:
The last movement of Op.3, No.11 is composed in ritornello
812:/1 and reconstructions BWV 1052a, 1053a and 1059a.
625:, by a composer of a later generation, than a concerto.
1202:"Hat Bach Konzerte fĂĽr Orgel und Orchester komponiert?"
375:
This concerto is a transcription of Antonio Vivaldi's
2169:
181:
Concerto in A minor for two violins, RV 522
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Adagio (senza pedale a due claviere) (D minor)
55:. While there is no doubt about the authenticity of
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2021:
1665:
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1287:
J. S. Bach's Concerted Ensemble Music: The Concerto
307:. Bach arranged the same concerto for harpsichord (
80:. The publication of these Bach transcriptions by
1554:Eight Short Preludes and Fugues, BWV 553–560
455:Autograph manuscript of first movement of BWV 596
31:Title page of manuscript, organ concerto BWV 596.
2112:Concerto transcriptions, BWV 592–596 and 972–987
1529:Fantasia and Fugue in G minor ("Great"), BWV 542
1519:Toccata and Fugue in D minor ("Dorian"), BWV 538
1180:Bach Perspectives, Volume 10, Bach and the Organ
2012:Capriccio on the departure of a beloved brother
1582:Prelude (Toccata) and Fugue in E major, BWV 566
1549:Prelude and Fugue in E minor ("Wedge"), BWV 548
447:L'estro armonico § Concerto No. 11, RV 565
1587:Fantasia ("Pièce d'Orgue") in G major, BWV 572
1384:Concerto in D minor, RV 565 (Vivaldi, Antonio)
537:the fugue subject must have appealed to Bach.
333:L'estro armonico § Concerto No. 8, RV 522
2149:List of compositions by Johann Sebastian Bach
1568:Toccata, Adagio and Fugue in C major, BWV 564
1449:
8:
2154:List of fugal works by Johann Sebastian Bach
2159:List of concertos by Johann Sebastian Bach
1456:
1442:
1434:
1149:Bach, J.S. (2010), Dirksen, Pieter (ed.),
117:
1597:Passacaglia and Fugue in C minor, BWV 582
1490:Fugue in G minor, BWV 131a
644:Organ concertos by Johann Sebastian Bach
1133:
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1080:
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610:
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511:
510:responding duet on a second manual. For
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601:figures in parallel thirds, descending
119:Weimar concerto transcriptions (organ)
1951:Fantasia and Fugue in C minor, BWV 906
1563:Fantasia and Fugue in C minor, BWV 562
1514:Fantasia and Fugue in C minor, BWV 537
1717:Overture in the French style, BWV 831
1678:English Suites, BWV 806–811
1673:Inventions and Sinfonias, BWV 772–801
1573:Toccata and Fugue in D minor, BWV 565
1544:Prelude and Fugue in C minor, BWV 546
1539:Prelude and Fugue in B minor, BWV 544
1534:Prelude and Fugue in A minor, BWV 543
1524:Toccata and Fugue in F major, BWV 540
1509:Prelude and Fugue in D major, BWV 532
1504:Prelude and Fugue in C major, BWV 531
725:- Grave - Fuga – Largo e spiccato –
433:Exists in a variant for harpsichord,
98:Weimar concerto transcriptions (Bach)
7:
1683:French Suites, BWV 812–817
1592:Fugue in G minor ("Little"), BWV 578
337:This concerto is a transcription of
1655:Wo Gott der Herr nicht bei uns hält
1311:, Bach Perspectives, vol. 10,
804:conducted by Martin Gester (1993).
418:Concerto for Two Violins in C major
2202:Concertos by Johann Sebastian Bach
2005:Aria variata alla maniera italiana
1726:Well-Tempered Clavier, BWV 846–893
1289:, Bach Perspectives, vol. 7,
572:Ich hatte viel BekĂĽmmernis, BWV 21
112:Prince Johann Ernst of Saxe-Weimar
53:Prince Johann Ernst of Saxe-Weimar
25:
768:99365/3, /7; 99381/4, /5, /6, /8.
617:Concerto in E-flat major, BWV 597
150:Violin Concerto in G major,
2179:
581:
2056:Prelude, Fugue and Allegro in E
1956:Toccatas, BWV 910–916
1688:Partitas, BWV 825–830
1624:Great Eighteen Chorale Preludes
828:Concertos for Organ and Strings
806:L'Ĺ“uvre pour orgue et orchestre
1029:Cantata, Concerto & Sonata
700:– Recitativ, Adagio – Allegro
92:Weimar concerto transcriptions
1:
1238:The Organ Music of J. S. Bach
543:The scoring for organ in the
533:remarks that the way Vivaldi
1945:Chromatic Fantasia and Fugue
1313:University of Illinois Press
1291:University of Illinois Press
1184:University of Illinois Press
441:Concerto in D minor, BWV 596
402:Concerto in C major, BWV 595
365:Concerto in C major, BWV 594
327:Concerto in A minor, BWV 593
278:Concerto in G major, BWV 592
59:592–596, the sixth concerto
2069:Prelude in C minor, BWV 999
1602:Concertos, BWV 592–597
397:Allegro - Cadenza - Allegro
226:Johann Ernst of Saxe-Weimar
146:Johann Ernst of Saxe-Weimar
51:and the musically talented
2218:
2119:KlavierbĂĽchlein W. F. Bach
2076:Fugue in G minor, BWV 1000
1976:Harpsichord solo concertos
1266:Cambridge University Press
1242:Cambridge University Press
1170:(in German and English) •
785:Orchestral organ concertos
444:
405:
368:
330:
281:
230:Violin Concerto in C major
95:
2144:
2049:Suite in C minor, BWV 997
2034:Suite in E minor, BWV 996
2029:Suite in G minor, BWV 995
1261:Bach: A Musical Biography
1151:Sonatas, Trios, Concertos
834:(Outhere Music) RAM 1804.
239:, first movement, and/or
133:
128:
123:
2099:: Prelude and Fugue in E
1633:Sei gegrĂĽĂźet, Jesu gĂĽtig
1258:Williams, Peter (2016),
1209:Musik & Gottesdienst
1200:Rampe, Siegbert (2014),
1964:, BWV 933–938
1215:: 14–22, archived from
1165: 979-0-004-18366-3
795:Le Parlement de Musique
489:Sing-Akademie zu Berlin
481:Wilhelm Friedemann Bach
2134:Twelve Little Preludes
1350:BWV 592 and BWV 592a:
1159:Breitkopf & Härtel
464:
456:
86:Breitkopf & Härtel
32:
1475:Johann Sebastian Bach
485:Carl Friedrich Zelter
462:
454:
41:Johann Sebastian Bach
30:
1648:, BWV 1090–1120
1499:Sonatas, BWV 525–530
1331:10.5406/j.ctt18j8xkb
1244:, pp. 201–224,
2126:Notebook A. M. Bach
1982:Goldberg Variations
1962:Six Little Preludes
1646:Neumeister chorales
1293:, pp. 97–114,
1136:, pp. 225–226.
933:, pp. 201–224.
687:– Adagio – Allegro
645:
470:Pieno. Grave – Fuge
120:
43:are solo works for
1626:, BWV 651–668
1618:, BWV 645–650
1610:, BWV 599–644
1464:Compositions for
1315:, pp. 60–75,
1309:Bach and the Organ
1186:, pp. 76–86,
1071:, pp. 222–223
1059:, pp. 221–222
1047:, pp. 220–224
895:Schulenberg 2013,
766:Brilliant Classics
643:
487:, director of the
465:
457:
437:(first movement).
118:
33:
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2097:Clavier-Ăśbung III
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1998:
1991:
1936:
1934:No. 24 in B minor
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1888:No. 12 in F minor
1883:
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1796:No. 16 in G minor
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1789:No. 10 in E minor
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1653:Chorale fantasia
1616:SchĂĽbler Chorales
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1470:keyboard and lute
1095:, p. 223–224
778:Die Orgelkonzerte
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603:chromatic fourths
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84:in the 1850s and
16:(Redirected from
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1970:Italian Concerto
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1881:No. 6 in D minor
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1874:No. 5 in D major
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1841:No. 2 in C minor
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1834:No. 1 in C major
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1736:No. 1 in C major
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1631:Chorale partita
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1401:Bach Organ Works
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1283:Wolff, Christoph
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1240:(2nd ed.),
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1033:Hänssler Classic
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873:pp. 140–153
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552:Fourth movement.
518:Second movement.
473:Largo e spiccato
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294:Violin Concerto
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209:Violin Concerto
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73:L'estro armonico
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2186:Classical Music
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1996:Gould recording
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1234:Williams, Peter
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883:Williams 2003,
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611:Williams (2003)
541:Third movement.
531:Williams (2003)
512:Williams (2003)
507:First movement.
501:Williams (2003)
449:
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320:Grave (E minor)
300:
298:in G major
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108:Antonio Vivaldi
104:
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49:Antonio Vivaldi
37:organ concertos
23:
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2062:major, BWV 998
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1338:External links
1336:
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1300:978-0252031656
1299:
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1275:978-1107139251
1274:
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1035:CD98.408, 2007
1020:
1003:
986:
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952:
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901:pp. 461–3
899:and footnotes
888:
876:
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1608:OrgelbĂĽchlein
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1251:0-521-89115-9
1247:
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1222:on 2016-11-27
1218:
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1211:(in German),
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1193:9780252040191
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1134:Williams 2003
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1101:
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1094:
1093:Williams 2003
1089:
1086:
1083:, p. 223
1082:
1081:Williams 2003
1077:
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1069:Williams 2003
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385:No. 11.
384:
380:
379:
372:
364:
359:
356:
354:
353:
352:
349:
345:
340:
334:
326:
322:
319:
317:
316:
315:
312:
310:
309:BWV 592a
304:
299:
297:
289:
285:
284:BWV 592a
277:
269:
264:
261:No. 11:
260:
256:
253:
250:
247:
246:
242:
236:
231:
227:
224:
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218:
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68:
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62:
58:
54:
50:
46:
42:
38:
29:
19:
2132:
2096:
2010:
2003:
1980:
1968:
1961:
1943:
1724:
1715:
1654:
1645:
1632:
1623:
1615:
1607:
1601:
1429:BWV 596
1425:BWV 595
1421:BWV 594
1417:BWV 593
1413:BWV 592
1397:James Kibbie
1308:
1286:
1260:
1237:
1224:, retrieved
1217:the original
1212:
1208:
1179:
1168:Introduction
1150:
1129:
1122:Bach Digital
1112:
1100:
1088:
1076:
1064:
1052:
1040:
1028:
1023:
1016:Bach Digital
1006:
999:Bach Digital
989:
982:Bach Digital
972:
965:Bach Digital
955:
948:Bach Digital
938:
891:
879:
871:Jones 2007,
867:
858:
846:
827:
824:Les Muffatti
805:
774:Karl Richter
762:Bach Edition
761:
735:E-flat major
627:
620:
593:
589:
587:
580:
567:
563:
559:
555:
551:
550:
548:Friedemann.
540:
539:
521:
517:
516:
506:
505:
498:
478:
435:BWV 984
432:
429:
415:
408:BWV 984
387:
378:Grosso mogul
376:
374:
371:Grosso mogul
350:
336:
313:
295:
291:
241:BWV 984
211:Grosso Mogul
210:
179:No. 8:
151:
105:
71:
69:
36:
34:
2088:collections
1989:discography
1921:No. 22 in B
1908:No. 18 in G
1895:No. 13 in F
1816:No. 22 in B
1803:No. 21 in B
850:Boyd 2006,
820:Bart Jacobs
810:BWV 29
808:. Includes
798: [
791:André Isoir
758:Hans Fagius
752:BWV 592–597
747:Discography
674:– Grave –
628:Movements:
623:trio sonata
594:RĂĽckpositiv
527:pedal point
493:C.F. Peters
421: [
388:Movements:
351:Movements:
342: [
314:Movements:
301: [
266: [
233: [
207: 208:
184: [
156: [
82:C.F. Peters
1861:No. 4 in C
1848:No. 3 in C
1776:No. 7 in E
1763:No. 4 in C
1750:No. 3 in C
1657:, BWV 1128
1577:(doubtful)
1558:(doubtful)
1494:(doubtful)
1226:2018-07-01
1172:Commentary
862:Breig 1997
839:References
545:ritornello
445:See also:
406:See also:
383:Op. 7
369:See also:
331:See also:
282:See also:
259:Op. 3
213:in D major
177:Op. 3
96:See also:
1635:, BWV 768
1395:Pages at
1347:website:
1155:Wiesbaden
816:CAL 9720.
660:Movements
2196:Category
2102:♭
2059:♭
1924:♭
1911:♯
1898:♯
1864:♯
1851:♯
1819:♭
1806:♭
1779:♭
1766:♯
1753:♯
1666:Keyboard
1411:format:
1236:(2003),
826:(2019).
814:Calliope
776:(1974).
760:(2000).
740:– Gigue
590:Oberwerk
296:a 8
169:A minor
152:a 8
2040:Bourrée
1829:Book 2
1731:Book 1
1143:Sources
1124:website
1018:website
1001:website
984:website
967:website
950:website
721:D minor
709:C major
696:C major
683:A minor
670:G major
607:tremolo
598:ripieno
535:inverts
360:Allegro
255:Vivaldi
251:D minor
222:C major
201:Vivaldi
197:C major
173:Vivaldi
142:G major
78:violins
61:BWV 597
18:BWV 595
2172:Portal
1575:
1556:
1492:
1329:
1319:
1297:
1272:
1248:
1190:
423:scores
344:scores
303:scores
268:scores
235:scores
186:scores
158:scores
134:Model
65:Weimar
2086:Mixed
1927:minor
1914:minor
1901:major
1867:minor
1854:major
1822:minor
1809:major
1782:major
1769:minor
1756:major
1708:No. 6
1701:No. 4
1694:No. 2
1483:Organ
1466:organ
1345:IMSLP
1327:JSTOR
1220:(PDF)
1205:(PDF)
1118:00680
1116:Work
1012:00678
1010:Work
995:00677
993:Work
978:00676
976:Work
961:00675
959:Work
944:00674
942:Work
832:Ramée
802:]
639:Table
634:Gigue
568:tutti
522:Grave
425:]
346:]
305:]
270:]
237:]
188:]
160:]
45:organ
2022:Lute
1407:and
1382:and
1373:and
1359:and
1317:ISBN
1295:ISBN
1270:ISBN
1246:ISBN
1188:ISBN
1163:ISMN
822:and
793:and
592:and
410:and
286:and
110:and
100:and
35:The
1472:by
1409:MP3
1405:AAC
1399:'s
1343:At
1120:at
1014:at
997:at
980:at
963:at
946:at
730:597
717:596
705:595
692:594
679:593
666:592
655:Key
650:BWV
311:).
248:596
243:/1
219:595
194:594
166:593
139:592
130:Key
125:BWV
57:BWV
39:of
2198::
1468:,
1427:•
1423:•
1419:•
1415:•
1325:,
1268:,
1264:,
1213:68
1207:,
1182:,
1161:,
1157::
1031:.
907:^
800:fr
578:.
427:.
348:.
257:,
228::
205:RV
203:,
175:,
148::
2174::
1457:e
1450:t
1443:v
564:A
562:–
560:B
558:–
556:A
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
