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Gott ist mein König, BWV 71

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1158: 67: 474:", which all make reference to old age. An older view suggested this was likely a reference to the septuagenarian Conrad Meckbach, a member of the city council who was connected to Bach. More recent research lead to thinking that it likely refers to Adolf Strecker, the former mayor who had just left office aged 83 years, since "details of his public and private life match extremely well with the texts chosen for the cantata, and it seems likely that hearers would have recognized Strecker in them". 362: 1001: 483: 943: 893: 802: 754: 679: 1077:(Should I upon this earth carry my life farther). All texts deal with old age. The section begins with the image of a descending continuo line. The tenor melody expresses sadness about the condition of old age. The chorale tune, sung with embellishments is not the most usual one for the hymn, possibly chosen to match the theme. 510:
approach. Some performances deploy more singers in the choral sections. The use of a larger choir is partly a question of balance with the relatively large instrumental forces, but there is also supporting evidence for the use of more than four singers in the score, where a marking implies that Bach
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It has been suggested that these themes include a number of distinct allusions of relevance to the inhabitants of Mühlhausen. First, the reference to Psalm 74 in general, and the inclusion of verse 19 in the cantata may be making an oblique reference, accessible to contemporary audiences, to the fire
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appears to have been intended for not more than one repeat performance, and a new piece was commissioned the following year. Bach was commissioned to compose another cantata for the following year's council inauguration; there is evidence that the piece was composed and even printed, but no copies
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on a cello in undulating motion. Gardiner notes that it is a very personal setting, "a movement of extraordinary reticence, delicacy and the utmost tonal subtlety". He notes an upward semitone as a feature to express both yearning and the sound of the turtledove. The instruments are grouped to
439:" ("Day and night are Yours. You have seen to it that both sun and planets have their certain courses. You set borders to every land." – ASV: "The day is thine, the night also is thine: Thou hast prepared the light and the sun. Thou hast set all the borders of the earth.") 2283: 1217: 286: 2489: 1020:
No other work of his is laid out on such a grand scale in terms of its deployment of four separate instrumental 'choirs', set against a vocal consort of four singers, an optional Capelle of ripienists and an
256:" is sung simultaneously with corresponding biblical text, and free poetry by an unknown poet of Bach's time which relates to the political occasion. The cantata in seven movements is scored festively with a 2323: 4822: 2749: 377:, the town's largest church. The score indicates that Bach deployed his musicians in different locations in the building. He composed another cantata for the occasion the following year, but it is lost. 3894: 4102: 3429: 1216:
is a significant early work of Bach. It differs from the other extant cantatas from Bach's time in Mühlhausen by its elaborate instrumentation. It was so positively received that it was the first of
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With short movements that flow into each other, the cantata shows typical characteristics of traditional 17th-century cantatas. Unlike other early cantatas, it has no instrumental introduction.
401:. Unusual for Bach's early cantatas, some contemporary unknown poet added free text that makes reference to the "new regiment" of office bearers and the Holy Roman Emperor and King of Germany, 5261: 3299: 5141: 4189: 3932: 2823: 2609: 1869:, "Liturgische und theologische Aspekte zu den Texten der frühesten Kantaten," in Christoph Wolff, ed., Die Welt der Bach Kantaten, vol. 1 (Stuttgart and Kassell: Bärenreiter, 1996), 119–34. 1220:(paid for by the city council); it is the only cantata to have been printed in his lifetime, at least in a version which has survived to this day. The printing is all the more remarkable as 4097: 2744: 4989: 338:. It has also been thought that Bach himself may have assembled the text, although the suggestion is unlikely since Bach's musical setting of the final part of the text departs from its 5146: 5121: 3586: 5176: 5171: 5083: 4429: 4409: 4204: 3733: 3638: 2789: 2739: 2540: 4797: 3543: 1093:(May your old age be like your youth, and God is with you in everything that you do) sets more biblical passages, assuring that God is with people both old and young. It is set as a 5111: 4782: 4732: 4319: 3578: 3187: 2669: 2639: 2482: 3916: 5191: 4984: 4949: 4934: 5034: 4640: 4591: 4107: 3538: 2784: 2734: 5181: 5136: 5116: 4777: 4705: 3666: 3598: 3582: 3523: 2679: 4721: 4534: 4439: 3149: 3129: 2351: 331:
is unknown; it has been speculated that the text was written by Georg Christian Eilmar, minister of Marienkirche, who had earlier prompted the composition of Bach's cantata
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The selection is taken from the listing by Aryeh Oron on the Bach-Cantatas website. Green background indicates instrumental groups playing period instruments in
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of May 1707 which had destroyed parts of the city. The importance of "borders" may be an allusion to the threat to the city's independence posed by the
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from the instruments. The first line is repeated separating sections and as a summary at the end, accompanied always by a trumpet fanfare.
448:" ("You would not give the soul of Your turtledove to the enemy." – ASV: "Oh deliver not the soul of thy turtle-dove unto the wild beast.") 4847: 4139: 3992: 3559: 2928: 2614: 436:
Tag und Nacht ist dein. Du machest, daß beyde Sonn und Gestirn ihren gewissen Lauf haben. Du setzest einem jeglichen Lande seine Gräntze.
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Richner, Matthias (1980). "Der musikalisch-rhetorische Grundriß der Ratswahlkantate J. S. Bachs 'Gott ist mein König', BWV 71".
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form. There is no evidence either way to indicate the authorship of the cantata's text. Along with other early cantatas,
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marked Vivace corresponds to God's power and glory, while the second in common time is a prayer for peace on Earth.
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by Bach, the date of first performance is known: at the inauguration of a new town council on 4 February 1708.
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for a church service that was held annually to celebrate the inauguration of a new town council.
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of ripienists and an organ". Stylistically it shares features with Bach's other early cantatas.
2441: 2185: 2099: 2033: 1943: 1793: 1121:, dealing with day and night, while the middle section describes light and sun, with a joyful 577: 522:. The instruments are divided into four spatially separated "choirs", placing the work in the 503: 490:
Bach structured the cantata in seven movements. He scored the vocal parts for four soloists:
285:. Although the cantata was planned to be performed only twice, it was printed the same year, 3768: 2359: 2346: 1933: 1743: 1558: 1391: 1016:
in 2000 and performed this cantata in the Mühlhausen church where Bach was organist, notes:
2467: 942: 892: 801: 753: 678: 2121: 1999: 1866: 1368: 1186: 596:, using the symbol for common time (4/4). The continuo, playing throughout, is not shown. 585: 465: 394: 390: 247: 115: 1695: 1733: 2222: 1699: 1438: 1419: 593: 589: 570: 566: 2065: 5290: 2410: 1691: 1516: 1506: 1383: 1180:(You would not give the soul of Your turtledove to the enemy). The voices are set in 1122: 1094: 547: 298: 232: 5207: 3818: 3757: 2451: 2426: 1735:
Johann Sebastian Bach (1685–1750) / Cantatas Nos 24, 71, 88, 93, 131, 177 & 185
1313: 1308: 1114: 1049:(God is my King from long ago), is based on Psalm 74:12. It begins with a chord in 430:
version: "Yet God is my King of old, Working salvation in the midst of the earth.")
306: 224: 1443: 1205:(The new regime) expresses wishes for peace and well-being under the new council. 511:
envisaged the option of a vocal ensemble that is separate from the four soloists.
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Gott ist mein König von Alters her, der alle Hülffe thut, so auf Erden geschicht.
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The text is compiled mainly from biblical sources, three different sections from
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The Cantatas of J. S. Bach: With Their Librettos in German-English Parallel Text
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Dein Alter sei wie deine Jugend, und Gott ist mit dir in allem, das du tust
1965:"The Portrait in Erfurt Alleged to Depict Bach, the Weimar Concertmeister" 289:
and the only cantata extant in print that was printed in Bach's lifetime.
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Title page of the first edition, Bach's only cantata with an extant print
1914: 482: 281:, led the performance on 4 February 1708 in the town's main church, the 1901:
Melamed, Daniel R. (2001). "The Text of "Gott ist mein König" BWV 71".
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Movement 2 combines three texts, two biblical verses and stanza 6 from
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Gott ist mein König BWV 71; BC B 1 / Sacred cantata (Council election)
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Ich bin nun achtzig Jahr, warum soll dein Knecht sich mehr beschweren?
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In the following table of the movements, the scoring follows the
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Du wollest dem Feinde nicht geben die Seele deiner Turteltauben.
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Du wollest dem Feinde nicht geben die Seele deiner Turteltauben
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This was Bach's first cantata for festive orchestra, including
2100:"Chapter 82 Bwv 71 – The Cantatas of Johann Sebastian Bach" 1792:. Oxford University Press. pp. 11–13 & 271–273. 2394:
Ueber Johann Sebastian Bachs Leben, Kunst und Kunstwerke
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Canonic Variations on "Vom Himmel hoch da komm' ich her"
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and several other verses. In addition, one stanza from
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when the composer was 22 years old. Unusually for an
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ensemble are three trumpets (Tr), timpani (Ti), two
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Psalm-related compositions by Johann Sebastian Bach
3492: 3298: 2938: 2689: 2511: 2370: 2272: 1105:A bass arioso sets two more verses from the psalm, 297:From 1707 to 1708, Bach was the organist at one of 165: 152: 144: 121: 102: 91: 76: 34: 2030:Johann Sebastian Bach : the learned musician 1145:instruments, it is in two sections: the first in 1073:Soll ich auf dieser Welt mein Leben höher bringen 1125:in the continuo and word-painting in the voice. 1018: 373:The service was held on 4 February 1708 in the 1942:. Deutsche Verlags-Anstalt. pp. 177–178. 1896: 1894: 1843:"Cantata No. 71: Gott ist mein König (BWV 71)" 1814:Johann Sebastian Bach: Sämtliche Kantatentexte 1412:J. S. Bach: Cantatas Vol. 2 – BWV 71, 106, 131 1172:Another psalm verse is again set as a chorus, 1137:Durch mächtige Kraft erhältst du unsre Grenzen 3803: 3223:Later additions to the chorale cantata cycle: 2483: 2302:Picander's 1728–29 cycle of cantata librettos 2247: 1025:A model for such "theatrical splendour" were 8: 2957:Chorale cantatas between Trinity and Easter: 2023: 2021: 1276: 1270: 1199: 1185:achieve subtle colour: recorders and cello, 1174: 1135: 1107: 1087: 1071: 1063: 1043: 957: 910: 855: 816: 768: 705: 696: 640: 526:tradition associated with composers such as 469: 443: 434: 421: 350:character, not featuring the combination of 251: 210: 107: 81: 35: 2032:. New York: W.W. Norton. pp. 110–111. 1909:(1). Riemenschneider Bach Institute: 1–16. 1545:Bach Cantatas Vol. 3: Tewkesbury/Mühlhausen 1261: 409:, thus subject immediately to the emperor. 275:Bach, then organist in Mühlhausen's church 3810: 3796: 3788: 2490: 2476: 2468: 2254: 2240: 2232: 2184:. Translated by John Hargraves. Harcourt. 2093: 2091: 2089: 2087: 2085: 2083: 2051: 2049: 1781: 1779: 1777: 1775: 1773: 1724: 1722: 1720: 1718: 1716: 1239: 598: 412:There are three quotations from Psalm 74 ( 389:, with additional material drawn from the 65: 31: 5297:Council cantatas by Johann Sebastian Bach 2210:International Music Score Library Project 1836: 1834: 1832: 1830: 1828: 1826: 1824: 1822: 1004:Autograph title page of the early cantata 600:Movements of Gott ist mein König, BWV 71 1812:Wustmann, R., & Neumann, W. (1967). 1686: 1684: 1682: 1680: 1678: 1676: 1674: 1672: 1670: 1543: 1475: 1410: 1345: 1267: 87:, the inauguration of a new town council 2406:(Vol. I: 1873; Vol. II: 1880) 1666: 1637:, a thematic catalogue of Bach's works. 1626: 1477:Bach Edition Vol. 20 – Cantatas Vol. 11 1361:Amsterdam Baroque Orchestra & Choir 2284:Printed during the composer's lifetime 959:Das neue Regiment auf jeglichen Wegen 486:Portrait of the young Bach (disputed) 334:Aus der Tiefen rufe ich, Herr, zu dir 27:1708 cantata by Johann Sebastian Bach 7: 2181:Johann Sebastian Bach: Life and Work 2154:"Cantata BWV 71 Gott ist mein König" 1764: 1347:J. S. Bach: Complete Cantatas Vol. 1 287:the first of his works to be printed 1650:", implying that there was also a " 530:. The instruments required for the 1241:Recordings of Gott ist mein König 1235:historically informed performances 25: 3160:Continuation of the second cycle: 2680:Köthen: BWV Anh. 5 1045:Gott ist mein König von altersher 912:Du wollest dem Feinde nicht geben 1816:. Leipzig: Breitkopf und Härtel. 1305:soloist of the Tölzer Knabenchor 941: 891: 800: 752: 677: 2457:Johann Sebastian Bach Institute 770:Dein Alter sei wie deine Jugend 2356:Bach-Gesellschaft edition 1696:"BWV 71 – Gott ist mein König" 1249:Conductor / Choir / Orchestra 1113:(Day and night are Yours). In 312:Nach dir, Herr, verlanget mich 1: 3271:Other late chorale cantatas: 2058:"BWV 71 Gott ist mein König" 1646:The marking in question is " 3610:Council election (Leipzig): 2702:Between Trinity and Advent: 2206:Gott ist mein König, BWV 71 1117:, the outer sections are a 316:, may have been written at 5323: 2223:BWV 71 Gott ist mein König 2028:Wolff, Christoph (2013) . 1994:Johnstone, Andrew (2006). 1494:Netherlands Bach Collegium 1218:Bach's works to be printed 5218: 3836: 3753: 2437: 1841:Isoyama, Tadashi (1995). 1260: 1257: 1254: 1251: 1248: 1245: 1085:Another choral movement, 628: 625: 622: 619: 616: 613: 610: 607: 604: 358:found in later cantatas. 126:4 February 1708 64: 53: 43: 3327:Liturgical year 1725–26: 2098:Mincham, Julian (2010). 1923:, subscription required) 1563:English Baroque Soloists 707:Soll ich auf dieser Welt 698:Ich bin nun achtzig Jahr 137:Marienkirche, Mühlhausen 2156:. Bach-Cantatas Website 1166:Bach Cantata Pilgrimage 1014:Bach Cantata Pilgrimage 471:O Gott, du frommer Gott 405:, as Mühlhausen was an 301:'s principal churches, 253:O Gott, du frommer Gott 109:O Gott, du frommer Gott 2815:From Advent to Trinity 2420:Bach-Werke-Verzeichnis 2313:Clavier-Übung III 1881:Musik und Gottesdienst 1635:Bach-Werke-Verzeichnis 1298:Concentus Musicus Wien 1277: 1275:• Complete Cantatas • 1271: 1225:are known to survive. 1200: 1175: 1169: 1136: 1109:Tag und Nacht ist dein 1108: 1088: 1072: 1064: 1044: 1023: 1005: 958: 951: 911: 904: 856: 849: 818:Tag und Nacht ist dein 817: 810: 769: 762: 706: 697: 687: 641: 634: 487: 470: 444: 435: 422: 370: 252: 211: 108: 82: 36: 3824:Johann Sebastian Bach 3763:List of Bach cantatas 2504:Johann Sebastian Bach 2447:Neue Bachgesellschaft 2403:Johann Sebastian Bach 2307:Clavier-Übung II 2227:University of Vermont 2225:English translation, 2178:Geck, Martin (2006). 2127:Johann Sebastian Bach 2062:University of Alberta 2006:on September 24, 2015 1160: 1003: 485: 478:Structure and scoring 364: 229:Johann Sebastian Bach 2329:The Musical Offering 2297:Clavier-Übung I 2102:. jsbachcantatas.com 1786:Alfred Dürr (2006). 1730:Gardiner, John Eliot 1426:Bach Collegium Japan 1289:Nikolaus Harnoncourt 1164:, who conducted the 1041:The opening chorus, 1012:, who conducted the 857:Durch mächtige Kraft 532:Baroque instrumental 385:The text centres on 258:Baroque instrumental 3309:After Trinity 1725: 2319:Goldberg Variations 2300:(1726–1730; 1731); 2291:Gott ist mein König 2056:Bischof, Walter F. 1553:John Eliot Gardiner 1242: 1222:Gott ist mein König 1214:Gott ist mein König 1162:John Eliot Gardiner 1061:An aria for tenor, 1031:Dieterich Buxtehude 1010:John Eliot Gardiner 642:Gott ist mein König 601: 344:Gott ist mein König 322:Gott ist mein König 260:ensemble including 212:Gott ist mein König 37:Gott ist mein König 2423:(1950; 1990; 1998) 2352:Four-part chorales 2218:Leipzig University 1583:Kobie van Rensburg 1525:Brilliant Classics 1491:Holland Boys Choir 1485:Pieter Jan Leusink 1240: 1170: 1006: 978:3Tr Ti 2Fl 2Ob Fg 599: 488: 455:military campaigns 407:Imperial free city 371: 217:(God is my King), 98:and several others 5307:1708 compositions 5284: 5283: 3785: 3784: 3639:1139.1, 1140–1141 2465: 2464: 2442:Bach Gesellschaft 2335:Schübler Chorales 2191:978-0-15-100648-9 1963:Towe, Teri Noel. 1949:978-3-421-05052-6 1799:978-0-19-929776-4 1618: 1617: 1295:Tölzer Knabenchor 1281:, Folge / Vol. 18 1201:Das neue Regiment 1095:permutation fugue 993: 992: 662:3Tr Ti 2Fl 2Ob Fg 578:Neue Bach-Ausgabe 365:The organ in the 293:History and words 206: 205: 16:(Redirected from 5314: 5276:Secular cantatas 5237:Chorale cantatas 5211: 3826: 3812: 3805: 3798: 3789: 3769:Monteverdi Choir 3611: 3553: 3506: 3466: 3328: 3310: 3272: 3224: 3161: 2958: 2816: 2703: 2506: 2492: 2485: 2478: 2469: 2360:New Bach Edition 2347:The Art of Fugue 2266: 2256: 2249: 2242: 2233: 2208:: Scores at the 2195: 2166: 2165: 2163: 2161: 2149: 2143: 2142: 2140: 2138: 2133:. pp. 11–14 2132: 2122:Wolff, Christoph 2118: 2112: 2111: 2109: 2107: 2095: 2078: 2077: 2075: 2073: 2068:on 7 August 2011 2064:. Archived from 2053: 2044: 2043: 2025: 2016: 2015: 2013: 2011: 2002:. Archived from 1991: 1985: 1984: 1982: 1980: 1971:. Archived from 1969:The Face Of Bach 1960: 1954: 1953: 1930: 1924: 1918: 1898: 1889: 1888: 1876: 1870: 1864: 1858: 1857: 1855: 1853: 1847: 1838: 1817: 1810: 1804: 1803: 1783: 1768: 1762: 1756: 1755: 1753: 1751: 1744:Hyperion Records 1726: 1711: 1710: 1708: 1706: 1688: 1655: 1644: 1638: 1631: 1608: 1606: 1585: 1565: 1559:Monteverdi Choir 1557: 1556: 1555: 1536: 1534: 1489: 1488: 1487: 1468: 1466: 1424: 1423: 1422: 1403: 1401: 1392:Antoine Marchand 1359: 1358: 1357: 1338: 1336: 1293: 1292: 1291: 1280: 1274: 1272:Das Kantatenwerk 1263: 1243: 1203: 1197:The last chorus 1178: 1139: 1111: 1091: 1075: 1067: 1047: 961: 946: 945: 937: 914: 896: 895: 859: 820: 805: 804: 772: 757: 756: 721: 709: 700: 682: 681: 673: 663: 644: 602: 473: 447: 438: 425: 255: 221: 214: 159: 140: 139: 133: 131: 111: 85: 69: 39: 32: 21: 5322: 5321: 5317: 5316: 5315: 5313: 5312: 5311: 5287: 5286: 5285: 5280: 5233:Church cantatas 5214: 5200: 5199:— discography; 3832: 3822: 3816: 3786: 3781: 3749: 3748: 3609: 3548: 3502: 3494: 3488: 3487: 3464: 3326: 3308: 3294: 3293: 3270: 3222: 3159: 2956: 2946: 2942: 2934: 2933: 2814: 2701: 2692: 2685: 2684: 2541:1138.1 & .2 2513: 2507: 2502: 2499:Church cantatas 2496: 2466: 2461: 2433: 2432: 2375: 2366: 2365: 2274: 2268: 2262: 2260: 2202: 2192: 2177: 2174: 2169: 2159: 2157: 2151: 2150: 2146: 2136: 2134: 2130: 2120: 2119: 2115: 2105: 2103: 2097: 2096: 2081: 2071: 2069: 2055: 2054: 2047: 2040: 2027: 2026: 2019: 2009: 2007: 2000:The Irish Times 1993: 1992: 1988: 1978: 1976: 1975:on 16 July 2011 1962: 1961: 1957: 1950: 1932: 1931: 1927: 1900: 1899: 1892: 1878: 1877: 1873: 1867:Martin Petzoldt 1865: 1861: 1851: 1849: 1848:. Bach-Cantatas 1845: 1840: 1839: 1820: 1811: 1807: 1800: 1785: 1784: 1771: 1763: 1759: 1749: 1747: 1740:Soli Deo Gloria 1738:(Media notes). 1728: 1727: 1714: 1704: 1702: 1690: 1689: 1668: 1664: 1659: 1658: 1645: 1641: 1632: 1628: 1623: 1613: 1604: 1602: 1597:Soli Deo Gloria 1593: 1581: 1561: 1551: 1550: 1549: 1532: 1530: 1521: 1483: 1482: 1481: 1464: 1462: 1453: 1418: 1417: 1416: 1399: 1397: 1388: 1369:Barbara Schlick 1353: 1352: 1351: 1334: 1332: 1323: 1287: 1286: 1285: 1231: 1211: 1195: 1189:, and strings. 1155: 1131: 1103: 1083: 1059: 1039: 998: 988: 940: 933: 899: 890: 799: 751: 738: 727: 719: 713: 676: 669: 661: 590:time signatures 586:Christoph Wolff 584:are taken from 528:Heinrich Schütz 480: 466:Johann Heermann 433:Verses 16–17: " 383: 305:, dedicated to 295: 248:Johann Heermann 219: 202: 135: 129: 127: 125: 116:Johann Heermann 113: 72: 49: 28: 23: 22: 15: 12: 11: 5: 5320: 5318: 5310: 5309: 5304: 5299: 5289: 5288: 5282: 5281: 5279: 5278: 5269: 5267:Picander cycle 5264: 5259: 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3511: 3504:Picander cycle 3499: 3498: 3496: 3490: 3489: 3486: 3485: 3480: 3475: 3470: 3462: 3457: 3452: 3447: 3442: 3437: 3432: 3427: 3422: 3417: 3412: 3407: 3402: 3397: 3392: 3387: 3382: 3377: 3372: 3367: 3362: 3357: 3352: 3347: 3342: 3337: 3332: 3324: 3319: 3314: 3305: 3304: 3302: 3296: 3295: 3292: 3291: 3286: 3281: 3276: 3268: 3263: 3258: 3253: 3248: 3243: 3238: 3233: 3228: 3220: 3215: 3210: 3205: 3200: 3195: 3190: 3185: 3180: 3175: 3170: 3165: 3157: 3152: 3147: 3142: 3137: 3132: 3127: 3122: 3117: 3112: 3107: 3102: 3097: 3092: 3087: 3082: 3077: 3072: 3067: 3062: 3057: 3052: 3047: 3042: 3037: 3032: 3027: 3022: 3017: 3012: 3007: 3002: 2997: 2992: 2987: 2982: 2977: 2972: 2967: 2962: 2953: 2952: 2950: 2936: 2935: 2932: 2931: 2926: 2921: 2916: 2911: 2906: 2901: 2896: 2891: 2886: 2881: 2876: 2871: 2866: 2861: 2856: 2851: 2846: 2841: 2836: 2831: 2826: 2821: 2812: 2807: 2802: 2797: 2792: 2787: 2782: 2777: 2772: 2767: 2762: 2757: 2752: 2747: 2742: 2737: 2732: 2727: 2722: 2717: 2712: 2707: 2698: 2697: 2695: 2687: 2686: 2683: 2682: 2677: 2672: 2667: 2662: 2657: 2652: 2647: 2642: 2637: 2632: 2627: 2622: 2617: 2612: 2607: 2602: 2597: 2592: 2587: 2582: 2577: 2572: 2563: 2558: 2553: 2548: 2543: 2538: 2533: 2528: 2518: 2517: 2515: 2509: 2508: 2497: 2495: 2494: 2487: 2480: 2472: 2463: 2462: 2460: 2459: 2454: 2449: 2444: 2438: 2435: 2434: 2431: 2430: 2424: 2415: 2407: 2398: 2389: 2380: 2379: 2377: 2368: 2367: 2364: 2363: 2339: 2279: 2278: 2276: 2270: 2269: 2261: 2259: 2258: 2251: 2244: 2236: 2230: 2229: 2220: 2212: 2201: 2200:External links 2198: 2197: 2196: 2190: 2173: 2170: 2168: 2167: 2144: 2113: 2079: 2045: 2038: 2017: 1986: 1955: 1948: 1939:Der junge Bach 1925: 1919:(accessed via 1890: 1871: 1859: 1818: 1805: 1798: 1769: 1757: 1712: 1700:Emmanuel Music 1692:Dellal, Pamela 1665: 1663: 1660: 1657: 1656: 1639: 1625: 1624: 1622: 1619: 1616: 1615: 1609: 1599: 1594: 1592: 1591: 1586: 1579: 1577:William Towers 1574: 1568: 1566: 1547: 1541: 1540: 1537: 1527: 1522: 1520: 1519: 1514: 1509: 1504: 1498: 1496: 1479: 1473: 1472: 1469: 1459: 1454: 1452: 1451: 1446: 1441: 1439:Yoshikazu Mera 1436: 1430: 1428: 1420:Masaaki Suzuki 1414: 1408: 1407: 1404: 1394: 1389: 1387: 1386: 1381: 1376: 1371: 1365: 1363: 1349: 1343: 1342: 1339: 1329: 1324: 1322: 1321: 1316: 1311: 1306: 1302: 1300: 1283: 1265: 1264: 1259: 1256: 1253: 1250: 1247: 1230: 1227: 1210: 1207: 1194: 1191: 1154: 1151: 1133:An alto aria, 1130: 1127: 1102: 1099: 1082: 1079: 1058: 1055: 1038: 1035: 997: 994: 991: 990: 985: 982: 979: 976: 973: 966: 963: 954: 948: 947: 938: 931: 928: 925: 922: 919: 916: 907: 901: 900: 898: 897: 888: 884: 882: 879: 877: 874: 871: 864: 861: 852: 846: 845: 842: 837: 834: 831: 828: 825: 822: 813: 807: 806: 797: 792: 789: 787: 784: 777: 774: 765: 759: 758: 749: 744: 742: 740: 735: 728: 726: 725: 722: 716: 714: 712: 711: 702: 692: 690: 684: 683: 674: 667: 664: 659: 656: 649: 646: 637: 631: 630: 627: 624: 621: 618: 615: 612: 609: 606: 571:basso continuo 567:viola da gamba 479: 476: 450: 449: 440: 431: 382: 379: 294: 291: 204: 203: 201: 200: 197: 196:viola da gamba 194: 191: 188: 185: 182: 179: 176: 173: 169: 167: 163: 162: 161:choir and solo 154: 150: 149: 146: 142: 141: 123: 119: 118: 104: 100: 99: 93: 89: 88: 78: 74: 73: 70: 62: 61: 55:Church cantata 51: 50: 44: 41: 40: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 5319: 5308: 5305: 5303: 5300: 5298: 5295: 5294: 5292: 5277: 5273: 5270: 5268: 5265: 5263: 5260: 5258: 5255: 5253: 5250: 5248: 5245: 5243: 5240: 5238: 5234: 5230: 5227: 5225: 5221: 5220: 5217: 5210: 5209: 5204: 5198: 5195: 5193: 5190: 5188: 5185: 5183: 5180: 5178: 5175: 5173: 5172:1138.1–1139.1 5170: 5168: 5165: 5163: 5160: 5158: 5155: 5153: 5150: 5148: 5145: 5143: 5140: 5138: 5135: 5133: 5130: 5128: 5125: 5123: 5120: 5118: 5115: 5113: 5110: 5108: 5105: 5103: 5100: 5098: 5095: 5093: 5092: 5088: 5085: 5081: 5078: 5074: 5072: 5071: 5067: 5065: 5064: 5060: 5057: 5053: 5051: 5048: 5046: 5043: 5041: 5038: 5036: 5033: 5031: 5028: 5026: 5023: 5021: 5018: 5016: 5013: 5011: 5008: 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2358:(1851-1899); 2357: 2354:(1765–1787); 2353: 2349: 2348: 2343: 2340: 2337: 2336: 2331: 2330: 2325: 2321: 2320: 2315: 2314: 2309: 2308: 2303: 2299: 2298: 2293: 2292: 2286: 2285: 2281: 2280: 2277: 2271: 2265: 2257: 2252: 2250: 2245: 2243: 2238: 2237: 2234: 2228: 2224: 2221: 2219: 2216: 2213: 2211: 2207: 2204: 2203: 2199: 2193: 2187: 2183: 2182: 2176: 2175: 2171: 2155: 2152:Oron, Aryeh. 2148: 2145: 2129: 2128: 2123: 2117: 2114: 2101: 2094: 2092: 2090: 2088: 2086: 2084: 2080: 2067: 2063: 2059: 2052: 2050: 2046: 2041: 2039:0-393-32256-4 2035: 2031: 2024: 2022: 2018: 2005: 2001: 1997: 1990: 1987: 1974: 1970: 1966: 1959: 1956: 1951: 1945: 1941: 1940: 1935: 1934:Konrad Küster 1929: 1926: 1922: 1916: 1912: 1908: 1904: 1897: 1895: 1891: 1886: 1882: 1875: 1872: 1868: 1863: 1860: 1844: 1837: 1835: 1833: 1831: 1829: 1827: 1825: 1823: 1819: 1815: 1809: 1806: 1801: 1795: 1791: 1790: 1782: 1780: 1778: 1776: 1774: 1770: 1767:, p. 67. 1766: 1761: 1758: 1745: 1741: 1737: 1736: 1731: 1725: 1723: 1721: 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II 19:37 718: 717: 715: 710: 708: 703: 701: 699: 694: 693: 691: 689: 686: 685: 680: 675: 672: 668: 665: 660: 657: 654: 650: 647: 645: 643: 638: 636: 633: 632: 603: 597: 595: 591: 587: 583: 579: 574: 572: 568: 564: 560: 556: 552: 549: 545: 541: 537: 533: 529: 525: 521: 517: 512: 509: 505: 501: 497: 493: 484: 477: 475: 472: 467: 462: 460: 456: 446: 441: 437: 432: 429: 424: 419: 418: 417: 415: 414:Psalms 74 410: 408: 404: 400: 396: 392: 388: 380: 378: 376: 368: 363: 359: 357: 353: 349: 345: 341: 337: 335: 330: 325: 323: 319: 315: 313: 308: 304: 300: 292: 290: 288: 284: 280: 279: 273: 271: 267: 263: 259: 254: 249: 245: 240: 238: 237:early cantata 234: 230: 226: 222: 216: 215: 213: 198: 195: 192: 189: 186: 183: 180: 177: 174: 171: 170: 168: 164: 160: 155: 151: 147: 143: 138: 124: 120: 117: 110: 105: 101: 97: 94: 90: 86: 84: 79: 75: 68: 63: 60: 56: 52: 47: 42: 38: 33: 30: 19: 5224:Compositions 5206: 5089: 5068: 5061: 4720: 4616: 4234: 3915: 3758:Bach cantata 3646:BWV 34a 3613:BWV 119 3509:BWV 149 3330:BWV 110 3312:BWV 168 3274:BWV 117 2940:Second cycle 2535: 2452:Bach Archive 2427:Bach Digital 2418: 2417:Schmieder's 2409: 2402: 2392: 2383: 2345: 2341: 2333: 2327: 2317: 2311: 2305: 2295: 2290: 2288: 2282: 2273:Music / 2267:publications 2179: 2172:Bibliography 2158:. Retrieved 2147: 2135:. Retrieved 2126: 2116: 2104:. Retrieved 2070:. Retrieved 2066:the original 2029: 2008:. Retrieved 2004:the original 1989: 1977:. Retrieved 1973:the original 1968: 1958: 1938: 1928: 1906: 1902: 1884: 1880: 1874: 1862: 1850:. Retrieved 1813: 1808: 1788: 1760: 1748:. Retrieved 1734: 1703:. Retrieved 1642: 1629: 1612: 1589:Peter Harvey 1544: 1476: 1411: 1346: 1314:Kurt Equiluz 1309:Paul Esswood 1278:Les Cantates 1269:J. S. Bach: 1268: 1232: 1221: 1213: 1212: 1198: 1196: 1173: 1171: 1134: 1132: 1115:ternary form 1106: 1104: 1086: 1084: 1070: 1062: 1060: 1042: 1040: 1024: 1019: 1007: 987: 969: 956: 909: 867: 854: 815: 780: 776:Deut. 33:25 767: 731: 704: 695: 652: 639: 575: 513: 489: 463: 451: 411: 384: 375:Marienkirche 372: 369:, Mühlhausen 367:Marienkirche 346:is of a pre- 343: 333: 326: 321: 311: 296: 283:Marienkirche 277: 274: 269: 241: 218: 209: 208: 207: 166:Instrumental 80: 29: 3555:BWV 36 3468:BWV 82 3300:Third cycle 3226:BWV 80 2960:BWV 20 2819:BWV 40 2705:BWV 75 2691:First cycle 2570:BWV 61 2376:scholarship 2362:(1954–2007) 2160:29 February 2072:29 February 2010:October 11, 1572:Joanne Lunn 1512:Knut Schoch 1502:Ruth Holton 1355:Ton Koopman 1147:triple time 927:2Fl 2Ob Fg 833:2Fl 2Ob Fg 594:Alfred Dürr 563:violoncello 553:(Org), two 459:Charles XII 442:Verse 19: " 420:Verse 12: " 399:Deuteronomy 340:bi-strophic 303:Divi Blasii 278:Divi Blasii 231:written in 178:2 recorders 83:Ratswechsel 5291:Categories 3707:Doubtful: 3163:BWV 6 2526:BWV 4 2429:(2010–...) 2414:(1904–...) 2342:After 1750 1662:References 1654:" section. 1449:Peter Kooy 1379:Guy de Mey 1374:Kai Wessel 1229:Recordings 1209:Importance 981:2Vl Va Vc 930:2Vl Va Vc 918:Ps. 74:19 666:2Vl Va Vc 648:Ps. 74:12 538:(Fl), two 524:polychoral 352:recitative 348:Neumeister 329:librettist 299:Mühlhausen 233:Mühlhausen 172:3 trumpets 130:1708-02-04 92:Bible text 59:J. S. Bach 5262:3rd cycle 5257:2nd cycle 5252:1st cycle 5177:1140–1141 3665:Funeral: 3644:Wedding: 3495:and other 2693:(1723–24) 2401:Spitta's 2391:Forkel's 2372:Biography 2106:23 August 1996:"Reviews" 1765:Geck 2006 1705:23 August 1633:"BWV" is 1444:Gerd Türk 1252:Soloists 1182:homophony 1168:, in 2007 1143:obbligato 1119:sarabande 1027:oratorios 569:(Vg) and 551:obbligato 536:recorders 468:'s hymn " 336:, BWV 131 314:, BWV 150 307:St Blaise 250:'s hymn " 190:2 violins 145:Movements 122:Performed 5274: ; 5231: ; 5229:Cantatas 5208:spurious 5203:doubtful 3895:oratorio 3819:Cantatas 2947:cantatas 2385:Nekrolog 2350:(1751); 2332:(1747); 2326:(1747); 2322:(1741); 2316:(1739); 2310:(1735); 2294:(1708); 2289:cantata 2137:22 March 2124:(1994). 1979:28 April 1936:(1996). 1915:41640484 1887:: 91–96. 1852:22 March 1750:22 April 1746:website) 1732:(2007). 984:C major 968:Chorus ( 881:C major 779:Chorus ( 724:Heermann 651:Chorus ( 623:Strings 516:trumpets 403:Joseph I 391:2 Samuel 387:Psalm 74 318:Arnstadt 262:trumpets 244:Psalm 74 199:continuo 96:Psalm 74 77:Occasion 5222:Lists: 5197:Anh. 18 5192:Anh. 11 5122:248 III 3773:Koopman 3676:Other: 3637:(lost: 2945:chorale 2514:Leipzig 2374: / 1648:ripieno 1611:Period 1603: ( 1539:Period 1531: ( 1471:Period 1463: ( 1406:Period 1398: ( 1341:Period 1333: ( 1051:C major 935:C minor 921:Chorus 876:3Tr Ti 840:F major 827:Arioso 795:A minor 747:E minor 671:C major 580:. The 555:violins 544:bassoon 520:timpani 492:soprano 395:Genesis 270:Capelle 266:timpani 225:cantata 223:, is a 184:bassoon 181:2 oboes 175:timpani 128: ( 103:Chorale 5247:Weimar 5187:Anh. 9 5182:Anh. 5 5137:248 VI 5127:248 IV 5117:248 II 3831:number 3777:Teldec 2566:Weimar 2512:Before 2397:(1802) 2388:(1754) 2338:(1748) 2275:lyrics 2188:  2036:  1946:  1913:  1796:  1327:Teldec 1262:Instr. 1255:Label 1246:Title 1021:organ. 965:anon. 866:Aria ( 863:anon. 730:Aria ( 588:, the 565:(Vc), 561:(Va), 557:(Vl), 546:(Fg), 542:(Ob), 397:, and 220:BWV 71 18:BWV 71 5242:Early 5132:248 V 5112:248 I 4479:motet 3493:Later 3465:1727: 2943:(and 2522:Early 2131:(PDF) 1921:JSTOR 1911:JSTOR 1846:(PDF) 1652:tutti 1621:Notes 1187:reeds 1123:motif 996:Music 975:SATB 970:Tutti 924:SATB 786:SATB 658:SATB 653:Tutti 629:Time 620:Winds 617:Vocal 611:Text 608:Title 592:from 559:viola 548:organ 540:oboes 500:tenor 381:Theme 356:arias 193:viola 187:organ 153:Vocal 5272:Late 5167:1127 5162:1083 5157:1045 5152:1040 5147:249b 5142:249a 5107:244a 5050:216a 5015:210a 5000:208a 4990:207a 4975:205a 4930:197a 4905:193a 4885:190a 4793:173a 4656:147a 4582:134a 4561:131a 4500:120b 4495:120a 3688:120b 3683:190a 3672:244a 3656:120a 3605:1083 3519:197a 2590:147a 2580:186a 2264:Bach 2186:ISBN 2162:2016 2139:2016 2108:2022 2074:2016 2034:ISBN 2012:2012 1981:2014 1944:ISBN 1903:Bach 1854:2016 1794:ISBN 1752:2019 1742:(at 1707:2022 1605:2000 1601:2000 1533:2000 1529:2000 1465:1995 1461:1995 1400:1994 1396:1994 1335:1977 1331:1977 1258:Year 844:3/2 781:Fuga 626:Key 614:Type 605:No. 582:keys 518:and 508:OVPP 504:bass 502:and 496:alto 457:of 354:and 327:The 264:and 158:SATB 5205:); 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Index

BWV 71
BWV
Church cantata
J. S. Bach

Psalm 74
Johann Heermann
Marienkirche, Mühlhausen
SATB
cantata
Johann Sebastian Bach
Mühlhausen
early cantata
Psalm 74
Johann Heermann
Baroque instrumental
trumpets
timpani
Divi Blasii
Marienkirche
the first of his works to be printed
Mühlhausen
Divi Blasii
St Blaise
Nach dir, Herr, verlanget mich, BWV 150
Arnstadt
librettist
Aus der Tiefen rufe ich, Herr, zu dir, BWV 131
bi-strophic
Neumeister

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