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and delighted the audience. He attributed this effect to the free interpretation of the fantasy's arpeggios. He used the sound effects of the era's grand piano through differentiated dynamics, accentuating high notes and doubling pedal bass notes. This interpretation became the model for the adagio
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with fast, up and down surging runs in thirty-second notes (demisemiquavers) and broken chords in sixteenth-note (semiquaver) triplets, which are often diminished seventh chords lined up in semitones. The second part is a series of very clear and remotely modulating soft leading chords that are
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To sum up, first voice harmonies can be hear as D minor, A minor, D major, G minor, then back to tonic via A major, D minor. The harmonies of the second voice (tonal answer) may be heard as D minor G minor G major A major D minor.
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424:(Op. 58), written from 1841 to 1843. This work gives the top notes of the piano arpeggios a chorale melody while the cello plays an extended recitative resembling that of the Chromatic Fantasia and quotes its final passage.
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Then the tonal answer, the second voice, appropriately begins on D, moving through a sequence that takes D minor and changes it to D major, leading us towards G minor then back through A major (dominant) to D minor.
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The virtuosic and improvisational toccata style of the fantasy, in which both hands alternate rapidly, the expressive, tonally experimental character and the key of D minor put the work alongside the famous
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Because of significant differences in details, which can not be traced back to a common basic shape, it is assumed that Bach himself composed the various different versions of the work that are in circulation.
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dates from before 1735, written by an unknown scribe - this is catalogued separately as BWV-903a. The earliest fully-developed version of the fantasia was written by Bach's pupil
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566:, in 2002. A transcription of the Chromatic Fantasia for solo Bâ™ clarinet, and fugue in D minor for 3 clarinets (two Bâ™ clarinets and Bâ™ bass clarinet) was made by clarinetist
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begins with an upward chromatic line from the fifth of D minor to the seventh, moving from A to C. The following phrase emphasizes D minor.
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Leipzig: Friedrich
Hofmeister Verlag, FH 3021, 3 Pieces from BWV 565, 903, 1004, Leipzig 2015, (Editor/arranger: Johann Sebastian Paetsch),
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More than 30 different manuscript copies of the piece survive from the 18th and early 19th centuries. The earliest extant copy of the
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from 1717 to 1723. The piece was already regarded as a unique masterpiece during his lifetime. It is now often played on piano.
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combined romantic sonorities and colors with clear voice guidance and emphasized the work's structural relations. Around 1944,
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pinpoints the work to the "fermenting Köthen works" because of its improvisatory and expressive nature, using all keys.
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on the harpsichord. A non-romantic interpretation with surprising accents and without pedalling was presented by
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The beginning of the BWV 903 Fantasia, from a contemporary manuscript copy in the hand of Johann Tobias Krebs.
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written in the oldest copies as "Arpeggio", i.e. they require a spread chord. The third part is entitled
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and includes a variety of ornamented, enriched, highly expressive melodies. This part contains several
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Johann
Sebastian Bach: Chromatische Fantasie und Fuge d-moll BWV 903: Urtext without fingerings.
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This romantic interpretation was formative; many famous pianists and composers, including
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major ("St. Anne"), BWV 552, Chorale preludes, BWV 669–689, Duets, BWV 802–805
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Johann
Sebastian Bach: Chromatische Fantasie + Fuge (BWV 903/903a). Klavier, Cembalo.
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Vom
Sprechen der Instrumente: Zur Geschichte des instrumentalen Rezitativs.
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J.S. Bach's
Chromatic Fantasy and Fugue: Critical Edition With Commentary.
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Fantasien & Toccaten: fĂĽr
Klavier, for piano / Johann Sebastian Bach
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Canonic
Variations on "Vom Himmel hoch da komm' ich her", BWV 769
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movement, it remains one of the most popular keyboard works by Bach.
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composed a virtuosic paraphrase of the fantasy as the 99th of his
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212:) formed the basis of the first printed editions of the piece by
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929:. (In German.) Includes live performance of BWV 903 by pianist
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19th-century interpretations of the piece are exemplars of the
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reworked the piece for the organ. Even since the rise of the
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Anmerkungen zum Adagio der zweiten
Cellosonate op. 58 von
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Audio playback is not supported in your browser. You can
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An autograph of this work is not known. The musicologist
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Vandenhoeck und
Ruprecht, 2nd edition, Göttingen 1982,
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546:. A transcription for solo cello was made by cellist
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Leisinger, Ulrich; Behringer, Michael, eds. (1999).
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411:approach to Bach's works taken during that period.
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718:(2 ed.). Wein: Schott/Universal. p. IX.
692:Cristoph Rueger (ed.): "Johann Sebastian Bach" in
562:, professor emeritus of University of Rochester's
1068:Eight Short Preludes and Fugues, BWV 553–560
850:"100 Transcendental Etudes (1940–44) – List"
1626:Concerto transcriptions, BWV 592–596 and 972–987
1043:Fantasia and Fugue in G minor ("Great"), BWV 542
1033:Toccata and Fugue in D minor ("Dorian"), BWV 538
27:Harpsichord composition by Johann Sebastian Bach
1526:Capriccio on the departure of a beloved brother
1096:Prelude (Toccata) and Fugue in E major, BWV 566
1063:Prelude and Fugue in E minor ("Wedge"), BWV 548
398:Toccata and Fugue in D minor, BWV 565
155:. Bach probably composed it during his time in
1101:Fantasia ("Pièce d'Orgue") in G major, BWV 572
820:. In: Cordula Heymann-Wentzel, Johannes Laas:
570:in 2011 and published by Lauren Keiser Music.
1663:List of compositions by Johann Sebastian Bach
1082:Toccata, Adagio and Fugue in C major, BWV 564
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814:"Die Arpeggien sind ja eben der Haupteffect."
194:. A manuscript of the double work comes from
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1668:List of fugal works by Johann Sebastian Bach
470:and influenced more recent pianists such as
602:Longman Music Series, Schirmer Books 1984,
1673:List of concertos by Johann Sebastian Bach
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1111:Passacaglia and Fugue in C minor, BWV 582
1004:Fugue in G minor, BWV 131a
917:International Music Score Library Project
770:. Könemann Music, Budapest 2000, pp. 86f.
792:. vol. 41 (1954), pp. 50–65 (
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198:and was written between 1738 and 1741.
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247:, BWV 903, digital performance by
1465:Fantasia and Fugue in C minor, BWV 906
1077:Fantasia and Fugue in C minor, BWV 562
1028:Fantasia and Fugue in C minor, BWV 537
644:Wiener Urtext Edition, Schott Verlag,
520:made two transcriptions for both solo
512:in 1950. There is a transcription for
446:There are romantic interpretations by
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1231:Overture in the French style, BWV 831
1192:English Suites, BWV 806–811
1187:Inventions and Sinfonias, BWV 772–801
1087:Toccata and Fugue in D minor, BWV 565
1058:Prelude and Fugue in C minor, BWV 546
1053:Prelude and Fugue in B minor, BWV 544
1048:Prelude and Fugue in A minor, BWV 543
1038:Toccata and Fugue in F major, BWV 540
1023:Prelude and Fugue in D major, BWV 532
1018:Prelude and Fugue in C major, BWV 531
867:"Bach: New Transcriptions for Guitar"
554:in Leipzig. A transcription for solo
7:
1197:French Suites, BWV 812–817
1106:Fugue in G minor ("Little"), BWV 578
784:Studien zur Harmonik Joh. Seb. Bachs
662:Peter Lang, Frankfurt am Main 2007,
1169:Wo Gott der Herr nicht bei uns hält
528:and piano, which are catalogued as
1519:Aria variata alla maniera italiana
1240:Well-Tempered Clavier, BWV 846–893
927:"Die Einzigartige" (One of a Kind)
832:Königshausen & Neumann, 2004,
292:Problems playing these files? See
25:
441:historically informed performance
422:second sonata for cello and Piano
186:; these were possibly written by
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68:Berlin Musical Instrument Museum
1716:Fugues by Johann Sebastian Bach
1570:Prelude, Fugue and Allegro in E
1470:Toccatas, BWV 910–916
1202:Partitas, BWV 825–830
1138:Great Eighteen Chorale Preludes
716:Chromatische Fantasie und Fugue
301:Because of its frequent use of
751:Leisinger & Behringer 1999
739:Leisinger & Behringer 1999
1:
550:in 2015 and published by the
305:, this piece became known as
206:
88:
1721:Compositions for harpsichord
1459:Chromatic Fantasia and Fugue
912:Chromatic Fantasia and Fugue
803:), (PDF file; 832 kB) p. 61.
764:Anmerkungen des Herausgebers
696:. Harenberg, Dortmund 1984,
694:Harenberg KlaviermusikfĂĽhrer
640:, Michael Behringer (eds.):
536:played the opening parts on
391:Reception and interpretation
373:
245:Chromatic Fantasia and Fugue
218:Friedrich Konrad Griepenkerl
133:Chromatic Fantasia and Fugue
66:The Bach Harpsichord in the
35:Chromatic Fantasia and Fugue
1583:Prelude in C minor, BWV 999
1116:Concertos, BWV 592–597
818:Felix Mendelssohn Bartholdy
634:, p. 57–73 and 213–215
558:of the fantasy was done by
462:on the grand piano, and by
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1633:KlavierbĂĽchlein W. F. Bach
1590:Fugue in G minor, BWV 1000
1490:Harpsichord solo concertos
762:Tamás Zászkaliczky (ed.):
489:100 Transcendental Studies
484:Kaikhosru Shapurji Sorabji
1658:
1563:Suite in C minor, BWV 997
1548:Suite in E minor, BWV 996
1543:Suite in G minor, BWV 995
196:Johann Friedrich Agricola
169:Walther Siegmund-Schultze
59:
51:
41:
1613:: Prelude and Fugue in E
1147:Sei gegrĂĽĂźet, Jesu gĂĽtig
856:. Retrieved 13 May 2021.
648: 979-0-50057-191-9
548:Johann Sebastian Paetsch
1731:Compositions in D minor
1478:, BWV 933–938
897: 979-0-2034-3021-6
595: 979-0-2018-1163-5
564:Eastman School of Music
378:download the audio file
214:Franz Anton Hoffmeister
1648:Twelve Little Preludes
940:Bach Digital Work No.
840:, pp. 65–68
822:Musik und Biographie:
624:Bach-Interpretationen.
552:Hofmeister Musikverlag
402:Johann Nikolaus Forkel
352:
334:enharmonic equivalents
239:
203:Johann Nikolaus Forkel
989:Johann Sebastian Bach
937:for April 5–11, 2010.
812:Wolfgang Dinglinger:
350:
238:
153:Johann Sebastian Bach
1162:, BWV 1090–1120
1013:Sonatas, BWV 525–530
935:MusikstĂĽck der Woche
1640:Notebook A. M. Bach
1496:Goldberg Variations
1476:Six Little Preludes
1160:Neumeister chorales
854:The Sorabji Archive
598:Heinrich Schenker:
516:by Philip Hii, and
201:A complete copy by
188:Gottfried GrĂĽnewald
180:Johann Tobias Krebs
1140:, BWV 651–668
1132:, BWV 645–650
1124:, BWV 599–644
978:Compositions for
799:2013-12-13 at the
540:on his 1981 album
500:The work has been
476:Alexis Weissenberg
353:
321:chromatic fantasia
240:
192:Christoph Graupner
105:Chromatic fantasia
1726:Fantasias (music)
1681:
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1611:Clavier-Ăśbung III
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1448:No. 24 in B minor
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1402:No. 12 in F minor
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1303:No. 10 in E minor
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1167:Chorale fantasia
1130:SchĂĽbler Chorales
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984:keyboard and lute
944:at bachdigital.de
753:, pp. X, 27.
725:978-3-85055-597-5
654:978-3-85055-597-5
568:Richard Stoltzman
420:of Mendelssohn's
413:Felix Mendelssohn
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360:The theme of the
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16:(Redirected from
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915:: Scores at the
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614:Musical analysis
591:G. Henle, 2009,
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514:classical guitar
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464:Wanda Landowska
456:Samuil Feinberg
433:Johannes Brahms
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579:Urtext edition
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534:Jaco Pastorius
530:BV B 31 and 38
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496:Transcriptions
494:
478:. The pianist
460:Alfred Brendel
452:Wilhelm Kempff
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338:seventh chords
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543:Word of Mouth
539:
538:electric bass
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79:D minor
34:
1602:collections
1503:discography
1435:No. 22 in B
1422:No. 18 in G
1409:No. 13 in F
1330:No. 22 in B
1317:No. 21 in B
824:Festschrift
704:, pp. 85–86
620:Martin Geck
502:transcribed
468:Glenn Gould
429:Franz Liszt
342:pedal point
255:1. Fantasia
216:(1802) and
210: 1775
149:harpsichord
123:Harpsichord
92: 1720
1710:Categories
1375:No. 4 in C
1362:No. 3 in C
1290:No. 7 in E
1277:No. 4 in C
1264:No. 3 in C
1171:, BWV 1128
1091:(doubtful)
1072:(doubtful)
1008:(doubtful)
933:as SWR2's
838:382602804X
675:References
668:3631564783
632:3525332769
608:0028732405
574:Literature
480:Agi Jambor
417:Gewandhaus
330:Recitative
294:media help
54:J. S. Bach
1149:, BWV 768
504:for solo
437:Max Reger
308:Chromatic
303:semitones
228:Structure
98:Movements
1616:♭
1573:♭
1438:♭
1425:♯
1412:♯
1378:♯
1365:♯
1333:♭
1320:♭
1293:♭
1280:♯
1267:♯
1180:Keyboard
797:Archived
556:clarinet
409:romantic
315:Fantasia
273:2. Fugue
220:(1820).
176:fantasia
85:Composed
1554:Bourrée
1343:Book 2
1245:Book 1
622:(ed.):
587:(ed.):
325:toccata
163:Sources
138:D minor
119:Scoring
18:BWV 903
1686:Portal
1089:
1070:
1006:
879:7 June
875:. 1996
836:
794:online
786:. In:
766:. In:
722:
700:
666:
652:
630:
606:
518:Busoni
344:on D.
157:Köthen
1600:Mixed
1441:minor
1428:minor
1415:major
1381:minor
1368:major
1336:minor
1323:major
1296:major
1283:minor
1270:major
1222:No. 6
1215:No. 4
1208:No. 2
997:Organ
980:organ
942:01073
872:Audio
526:cello
522:piano
506:viola
362:fugue
356:Fugue
184:fugue
110:Fugue
1536:Lute
923:SWR2
895:ISMN
881:2015
834:ISBN
826:fĂĽr
720:ISBN
698:ISBN
664:ISBN
650:ISBN
646:ISMN
628:ISBN
604:ISBN
593:ISMN
524:and
474:and
458:and
431:and
319:The
130:The
986:by
508:by
190:or
151:by
145:903
143:BWV
136:in
75:Key
52:by
46:903
44:BWV
1712::
982:,
925::
869:.
852:.
782::
683:^
492:.
454:,
450:,
311:.
207:c.
140:,
89:c.
1688::
971:e
964:t
957:v
883:.
830:.
728:.
380:.
296:.
205:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
