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honour me with the command to send Your
Highness some pieces of my Composition: I have in accordance with Your Highness's most gracious orders taken the liberty of rendering my most humble duty to Your Royal Highness with the present Concertos, which I have adapted to several instruments; begging Your Highness most humbly not to judge their imperfection with the rigour of that discriminating and sensitive taste, which everyone knows Him to have for musical works, but rather to take into benign Consideration the profound respect and the most humble obedience which I thus attempt to show Him.
1732:. The viola da gamba was already an old-fashioned instrument when Bach compiled the Brandenburg Concertos in 1721: one reason for using it may have been the interest which his employer, Prince Leopold, had in the instrument. Nikolaus Harnoncourt speculated that Prince Leopold wished to play with his orchestra and that Bach's provision of such music was somehow related to the fact that he was looking for jobs elsewhere. By upsetting the balance of the musical roles, he would be released from his servitude as Kapellmeister.
274:, who found them in Princess Amalia's library in 1849 and had them published for the first time the following year, the centenary of Bach's death. However, this publication appears not to have spurred large numbers of performances, and those that did occur tended to adapt the instrumentation to the forces available to modern orchestras. The concertos' current place in the canon is instead owed to the advent of recording technology; the first recording of the complete set was made in 1936, directed by
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unlikely that Bach would have sent him six concertos totally unsuitable for his musicians to play." Nevertheless, the concertos were not included by name in the library inventory after
Christian Ludwig's death, and it is uncertain who they went to. The next owner we have a record of was Bach's own pupil
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The clarino does not play in the second movement, as is common practice in baroque era concerti. This is due to its construction, which allows it to play only in major keys. Because concerti often move to a minor key in the second movement, concerti that include the instrument in their first movement
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It is often asserted that
Christian Ludwig lacked the musicians in his Berlin ensemble to perform the concertos, and that the score was left unused in the Margrave's library until his death in 1734, but Boyd argues that the evidence does not necessarily support these assertions, and that "it seems
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treats it as an understatement, observing that Bach used the "widest imaginable spectrum of orchestral instruments. The modest title does not begin to suggest the degree of innovation exhibited in the daring combinations ... Every one of the six concertos set a precedent in its scoring, and every
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As I had the good fortune a few years ago to be heard by Your Royal
Highness, at Your Highness's commands, and as I noticed then that Your Highness took some pleasure in the little talents which Heaven has given me for Music, and as in taking Leave of Your Royal Highness, Your Highness deigned to
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to the first movement. It seems almost certain that Bach, considered a great organ and harpsichord virtuoso, was the harpsichord soloist at the premiere. Scholars have seen in this work the origins of the solo keyboard concerto as it is the first example of a concerto with a solo keyboard part.
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version, in that the trumpet, flute, oboe and solo violin parts are the same, but the orchestra part has been arranged for basso continuo (or piano) by Klaus
Hofmann. This reconstructed quintet arrangement is also the very first piano reduction of the 2nd Brandenburg Concerto ever published by
267:, while being transported for safekeeping to Prussia by train in the care of a librarian – the train came under aerial bombardment, and the librarian escaped from the train to a nearby forest, with the scores hidden under his coat. As of 2023 the manuscript remains in the Berlin State Library.
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one was to remain without parallel." Boyd (1993) interprets it as an indication that the concertos are written in a
Venetian style, "with its greater opportunities for soloistic display ... 'Concerti a quattro', 'Concerti a cinque' etc.", and also perhaps that Bach was indicating the number of
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improvised by the harpsichord or a solo violin player. Modern performance approaches range from simply playing the cadence with minimal ornamentation (treating it as a sort of "musical semicolon"), to cadenzas varying in length from under a minute to over two minutes. Occasionally, other slow
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and paid for by Bach in Berlin in 1719. Speculation regarding the composition dates of the other concertos varies, taking into account the styles of the pieces as well as the instrumentation Bach would have had available during his years prior to the date of the compiled manuscript.
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845:. The concerto also exists in an alternative version, Sinfonia BWV 1046.1 (formerly BWV 1046a), which appears to have been composed during Bach's years at Weimar. The Sinfonia, which lacks the third movement entirely, and the Polacca (or Poloinesse,
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This concerto makes use of a popular chamber music ensemble of the time (flute, violin, and harpsichord), which Bach used on its own for the middle movement. It is believed that it was written in 1719, to show off a new harpsichord by
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Recent research has revealed that this concerto is based on a lost chamber music version for quintet called "Concerto da camera in Fa
Maggiore" (Chamber Concerto in F major), whose catalogue number is BWV 1047R. It is similar to the
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173:, and the second and last may have been as well. It also seems likely that Concerto No. 5 was the last to be written; it features a prominent harpsichord part, which is presumed to be for a new instrument ordered for
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It is uncertain when most of the material for the
Brandenburg Concertos was written. It is clear that the first movement of Concerto No. 1 (BWV 1046) was based on an introduction to Bach's 1713 cantata
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After Bach's death only the fifth concerto received any widespread attention, probably due to the fashion for keyboard concertos; the rest seem to have been forgotten. The pieces were rediscovered by
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1553:; in the central movement, Bach uses one of Marchand's themes. Marchand fled before the competition could take place, apparently scared off in the face of Bach's great reputation for virtuosity and
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The violin part in this concerto is extremely virtuosic in the first and third movements. In the second movement, the violin provides a bass when the concertino group plays unaccompanied.
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has noted that the overall forces required (leaving aside the first concerto, which was rewritten for a special occasion) tallies exactly with the 17 players Bach had at his disposal in
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movements from Bach pieces, such as the Largo from the Sonata for Violin and
Continuo in G, BWV 1021 and the Largo from the Sonata for Violin and Obbligato Harpsichord in G major,
1383:" parts. Nowadays these are usually played on alto recorders, although transverse flutes are sometimes used instead: it is also theorised Bach's original intent may have been the
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An earlier version, BWV 1050a, exists, and has many small differences from its later cousin, but no major difference in structure or instrumentation. It is dated ca. 1720–21.
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for several instruments". Some of the pieces feature several solo instruments in combination. They are widely regarded as some of the greatest orchestral compositions of the
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which Bach had brought back from Berlin for the Köthen court. It is also thought that Bach wrote it for a competition at
Dresden with the French composer and organist
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High-Definition video of Brandenburg Concertos 3 & 4 performed on original instruments by the ensemble Voices of Music, copyright free for use in classrooms
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The concerto is well suited throughout to showing off the qualities of a fine harpsichord and the virtuosity of its player, but especially in the lengthy solo
209:(Six Concertos for several instruments) with a dedication dated 24 March. Translated from the original French, the first sentence of Bach's dedication reads:
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1988:
edition of the Brandenburg Concertos is reprinted with a translation in Bärenreiter's Study Score of the Six Brandenburg Concertos (Bärenreiter TP9, 1988)
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856:. This implies a date of composition possibly as early as the 1713 premiere of the cantata, although it could have been used for a subsequent revival.
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Concerto 2 à 1 Tromba, 1 Flauto, 1 Hautbois, 1 Violino, concertati, è 2 Violini, 1 Viola è Violone in Ripieno col Violoncello è Basso per il Cembalo.
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It is likely that the performance this excerpt mentions happened during the trip Bach took to Berlin in 1719, to pay for the new Mietke harpsichord.
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1387:. In some performances, such as those conducted by Nikolaus Harnoncourt, the two recorders are positioned offstage, thus giving an "echo" effect.
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form found in many instrumental and vocal works of the time. The first movement can also be found in reworked form as the sinfonia of the cantata
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Performed by the Advent Chamber Orchestra with Roxana Pavel Goldstein (violin), Constance Schoepflin (flute), and Matthew Ganong (harpsichord)
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for two violas and continuo, although the cello has a decorated version of the continuo bass line. In the last movement, the spirit of the
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Concerto 5 à une Traversiere, une Violino principale, une Violino è una Viola in ripieno, Violoncello, Violone è Cembalo concertato.
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1217:' and although there is no direct evidence to support it, it is likely that these chords were meant to surround or follow a
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and are from the period before the valved trumpet was commonly used usually exclude the trumpet from the second movement.
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The trumpet part is still considered one of the most difficult in the entire repertoire, and was originally written for a
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Concerto 4 à Violino Principale, due Fiauti d'Echo, due Violini, una Viola è Violone in Ripieno, Violoncello è Continuo.
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Concerto 1 à 2 Corni di Caccia, 3 Hautb: è Bassono, Violino Piccolo concertato, 2 Violini, una Viola col Basso Continuo.
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Performed by the Advent Chamber Orchestra with Elias Goldstein & Elizabeth Choi (violas) and Anna Steinhoff (cello)
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Johann Sebastian Bach's Werke, vol. 19: Kammermusik, dritter band, Bach-Gesellschaft, Leipzig; ed. Wilhelm Rust, 1871
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instruments, or that the sound was intended to evoke a larger orchestra even with only one player to a part.
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The range of both recorder parts in the 4th Brandenburg concerto corresponds to that of the alto recorder
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that is closer to Sinfonia BWV 1046a. The third movement was used as the opening chorus of the cantata
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made the pieces popular for further recordings on period instruments. They have also been performed as
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The harpsichord is both a concertino and a ripieno instrument. In the concertino passages the part is
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2144:"Sinfonia, F (Brandenburg Concerto no. 1, early version) BWV 1046.1; BWV 1046a; formerly BWV 1071"
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Bach's titular reference to scoring the concertos for "several instruments" has drawn commentary.
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in his interview about the sixth concerto, which features in the 2009 Deutsche Grammophon DVD
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1367:: two violins, violas, violone, cellos and basso continuo (harpsichord and/or viola da gamba)
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The first movement of this concerto was chosen as the first musical piece to be played on the
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1743:. The two violas da gamba are silent in the second movement, leaving the texture of a trio
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No. 1, BWV 1046.2 (BWV 1046), is the only one in the collection with four
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The absence of violins is unusual, but it is also found in a cantata written at Wiemar
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849:) from the final movement, appears to have been intended as the opening of the cantata
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Concerto 6 a due Viole da Braccio, due Viole da Gamba, Violoncello, Violone e Cembalo.
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The second movement consists of a single measure with the two chords that make up a '
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1359:: violin and two recorders (described in the original score as "flauti d'echo").
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1204:: three violins, three violas, three cellos, and harpsichord (as basso continuo)
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Concerto 3 à tre Violini, tre Viole, è tre Violoncelli col Basso per il Cembalo.
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189:, writing them almost entirely in his own hand instead of leaving the work to a
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2428:– Comprehensive discussion by Peter Gutmann including assessment of recordings
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263:(now the Berlin State Library) in 1914. The manuscript was nearly lost during
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in the early-to-mid 1980s, while the third movement served as the theme for
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136:, in 1721 (though probably composed earlier). The original French title is
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The two violas start the first movement with a vigorous subject in close
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movement of the late twentieth century, the part was often played on the
1008:: two violins, viola, violone, cello and harpsichord (as basso continuo)
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In the overview table, the first column shows the title, the second the
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350: in this section. Unsourced material may be challenged and removed.
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The Social and Religious Designs of J. S. Bach's Brandenburg Concertos
2120:"Brandenburg Concerto no. 1, F (revised version) BWV 1046.2; BWV 1046"
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underlies everything, as it did in the finale of the fifth concerto.
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1390:
Bach adapted the 4th Brandenburg concerto as a harpsichord concerto,
870:
801:
1728:
means the normal viola, and is used here to distinguish it from the
2170:(1992). "On linking Bach's F-major Sinfonia and his Hunt Cantata".
2361:"Bach's Groundbreaking 'Brandenburg Concertos': Masterpiece Guide"
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817:
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The first movement can also be found as the sinfonia of a later
789:
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are a collection of six instrumental works presented by Bach to
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recording of Concerto No. 2 was sent into space in 1977 on the
1769:"Milestones of the Millennium: Bach's "Brandenburg" Concertos"
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It has been debated what instrument Bach had in mind for the "
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603:
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1404:
1261:
1097:
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listing. In 2007, all six of the concertos appeared on the
2594:
Sonatas for viola da gamba and harpsichord, BWV 1027–1029
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516:
483:
450:
1944:
1942:
2650:
Canonic Sonata for oboe, violin and continuo, BWV 1040
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2589:
Six Sonatas for Violin and Harpsichord, BWV 1014–1019
1815:
1813:
2025:
The Cello Suites: In Search of a Baroque Masterpiece
1021:
specialist, almost certainly the court trumpeter in
430:(BWV), the fourth the prominent instruments (solo).
255:
on his death, who subsequently bequeathed it to the
3147:
3032:
2901:
2803:
2767:
2743:
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2546:
Sonatas and Partitas for Solo Violin, BWV 1001–1006
2538:
102:, for whom Bach copied the concertos, portrayed by
85:
77:
66:
34:
2451:List of recordings, with reviews, from jsbach.org
1058:probes. The first movement served as a theme for
27:Collection of six works by Johann Sebastian Bach
1720:Gleichwie der Regen und Schnee vom Himmel fällt
304:In 2001, the piece came in at number 22 in the
2978:
2952:List of compositions by Johann Sebastian Bach
2502:
2344:. Princeton, NJ: Princeton University Press.
2295:Johann Sebastian Bach: Brandenburg Concertos.
2201:"J. S. Bach and the 2nd Brandenburg Concerto"
1087:Bärenreiter Verlag (Product Number BA 5196).
707:IV. Menuet; Trio 1; Polacca; Trio 2
8:
3092:Prelude and Fugue in C major, BWV 870, from
2645:Sonata for two flutes and continuo, BWV 1039
880:, where the horns are replaced by trumpets.
876:Vereinigte Zwietracht der wechselnden Saiten
2693:Sinfonia for violin and orchestra, BWV 1045
2438:good-music-guide.com: Brandenburg Concertos
2381:Johann Sebastian Bach: The Learned Musician
61:Title page, in French, of the six concertos
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2971:
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2509:
2495:
2487:
1251:This concerto is the shortest of the six.
55:
31:
2733:For two harpsichords in C minor, BWV 1060
2426:classicalnotes.net: Brandenburg Concertos
2414:International Music Score Library Project
2314:. Cambridge: Cambridge University Press.
1162:Performed by the Advent Chamber Orchestra
410:Learn how and when to remove this message
2383:(1st ed.). New York: W. W. Norton.
1572:Concerto No. 6 in B-flat major, BWV 1051
1236:Ich liebe den Höchsten von ganzem Gemüte
432:
81:Six concertos, each of several movements
3376:
3061:Dark Was the Night, Cold Was the Ground
2271:A Companion to Mozart's Piano Concertos
1819:
1760:
869:, but in a version without the piccolo
852:Was mir behagt, ist nur die muntre Jagd
207:Six Concerts Avec plusieurs instruments
139:Six Concerts Avec plusieurs instruments
2105:
2103:
2101:
2099:
2097:
2095:
725:
3487:Contents of the Voyager Golden Record
2758:Orchestral Suite in G minor, BWV 1070
1948:
1867:
259:from which it was transferred to the
7:
3354:
2675:Violin Concerto in E major, BWV 1042
2670:Violin Concerto in A minor, BWV 1041
2060:
2048:
2009:
1997:
1972:
1960:
1933:
1891:
1879:
1855:
1843:
1831:
348:adding citations to reliable sources
1905:"Bach – Brandenburg Concerto No. 3"
1537:; in the ripieno passages it has a
1524:: violin, viola, cello and violone
1398:Concerto No. 5 in D major, BWV 1050
1255:Concerto No. 4 in G major, BWV 1049
1091:Concerto No. 3 in G major, BWV 1048
884:Concerto No. 2 in F major, BWV 1047
632:Concerto No. 1 in F major, BWV 1046
3492:Concertos for multiple instruments
3467:Concertos by Johann Sebastian Bach
3068:Partita for Violin No. 3, BWV 1006
2680:Concerto for Two Violins, BWV 1043
2478:(video and background information)
2434:– An introduction by Benjamin Chee
2273:, p. 26, Oxford University Press.
1708:, cello, violone, and harpsichord
1373:: about 15 minutes and 20 seconds
726:Problems playing these files? See
25:
3050:Beethoven's String Quartet No. 13
2713:Keyboard concertos, BWV 1052–1065
2432:Inkpot: The Brandenburg Concertos
2359:Stewart, Andrew (24 March 2023).
2074:"Golden Record: Music From Earth"
1027:historically informed performance
280:historically informed performance
278:, and the revival of interest in
193:. He presented the collection to
3379:
3353:
3344:
3343:
3138:
2753:Orchestral Suites, BWV 1066–1069
2573:Partita for Solo Flute, BWV 1013
2251:The Concerto: A Listener's Guide
1633:
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909:
865:Falsche Welt, dir trau ich nicht
711:
693:
675:
657:
324:
2312:Bach: The Brandenburg Concertos
786:corni da caccia (natural horns)
335:needs additional citations for
185:In 1721, Bach compiled the six
100:Christian Ludwig of Brandenburg
2078:NASA Jet Propulsion Laboratory
1791:"Bach – Brandenburg Concertos"
1078:also used the first movement.
426:, the third the number in the
1:
3106:Queen of the Night aria from
2838:Everything's Gonna Be Alright
2474:, : performances by the
2289:This explanation is given by
2028:. Random House. p. 266.
1240:, with the addition of three
251:, who left the collection to
162:Dedication, Bach's manuscript
3422:Compositions in B-flat major
1909:Classical Music for Pleasure
1229:The outer movements use the
89:Collection assembled in 1721
3209:Columbia Symphony Orchestra
3123:Songs of the Humpback Whale
2852:Jesu, Joy of Man's Desiring
2568:Cello Suites, BWV 1007–1012
3508:
3130:Beethoven's Symphony No. 5
3066:"Gavotte en Rondeau" from
2728:No. 4 in A major, BWV 1055
2723:No. 2 in E major, BWV 1053
2718:No. 1 in D minor, BWV 1052
2472:Brandenburg Concerto No. 6
2468:Brandenburg Concerto No. 5
2464:Brandenburg Concerto No. 4
2460:Brandenburg Concerto No. 3
2456:Brandenburg Concerto No. 2
1984:Besseler's preface to the
1650:Title on autograph score:
1588:Brandenburg Concerto No. 6
1482:Title on autograph score:
1478:Brandenburg Concerto No. 5
1475:
1414:Brandenburg Concerto No. 5
1330:Title on autograph score:
1271:Brandenburg Concerto No. 4
1169:Title on autograph score:
1107:Brandenburg Concerto No. 3
959:Title on autograph score:
900:Brandenburg Concerto No. 2
735:Title on autograph score:
648:Brandenburg Concerto No. 1
604:Brandenburg Concerto No. 6
574:Brandenburg Concerto No. 5
547:Brandenburg Concerto No. 4
517:Brandenburg Concerto No. 3
484:Brandenburg Concerto No. 2
451:Brandenburg Concerto No. 1
310:Classic 100 Concerto (ABC)
306:Classic 100 Original (ABC)
177:from the instrument-maker
3339:
3136:
3113:"Sacrificial Dance" from
3094:The Well-Tempered Clavier
3000:
2947:
2379:Wolff, Christoph (2000).
1541:part and plays continuo.
765:Menuet – Trio I – Menuet
54:
41:
3442:Compositions for bassoon
3427:Compositions for trumpet
3272:MĂĽnchener Bach-Orchester
2476:Netherlands Bach Society
1671:Adagio ma non tanto (in
1039:, and occasionally on a
3417:Compositions in D major
3412:Compositions in G major
3407:Compositions in F major
3267:Wolfgang Amadeus Mozart
3189:Budapest String Quartet
3074:Izlel ye Delyo Haydutin
2253:, p. 14, Oxford (1998)
2156:; et al. 15 April 2020.
2132:; et al. 15 April 2020.
1611:II. Adagio ma non tanto
359:"Brandenburg Concertos"
261:Royal Library of Berlin
3452:Compositions for flute
3447:Compositions for cello
3432:Compositions for viola
3303:Philharmonia Orchestra
2892:A Whiter Shade of Pale
2873:Sheep may safely graze
2310:Boyd, Malcolm (1993).
1660:(usually performed at
1583:
1409:
1266:
1179:(usually performed at
1102:
1074:; a revival featuring
1066:William F. Buckley Jr.
969:(usually performed at
895:
745:(usually performed at
643:
428:Bach-Werke-Verzeichnis
257:Joachimsthal Gymnasium
216:
163:
107:
3472:Harpsichord concertos
3457:Compositions for oboe
3437:Compositions for horn
3194:Johann Sebastian Bach
2994:Voyager Golden Record
2886:Trio Sonata, BWV 525a
2699:Brandenburg Concertos
2531:Johann Sebastian Bach
2440:– Introductory survey
2409:Brandenburg Concertos
2230:wikt:Phrygian cadence
2022:Siblin, Eric (2010).
1582:
1408:
1265:
1215:Phrygian half cadence
1101:
1052:Voyager Golden Record
894:
642:
299:Voyager Golden Record
211:
161:
122:Johann Sebastian Bach
113:Brandenburg Concertos
98:
36:Brandenburg Concertos
3257:Blind Willie Johnson
3199:Ludwig van Beethoven
3172:Bavarian State Opera
3042:Brandenburg Concerto
2910:Bach's Greatest Hits
2832:Bach-Busoni Editions
2778:The Musical Offering
2635:in E major, BWV 1035
2630:in E minor, BWV 1034
2624:in C major, BWV 1033
2619:in A major, BWV 1032
2602:in B minor, BWV 1030
2291:Nikolaus Harnoncourt
2269:Hutchings, A. 1997.
2211:on 27 September 2011
1894:, pp. 9–11, 24.
839:Brandenburg Concerto
344:improve this article
253:Princess Anna Amalia
3291:Early Music Consort
3182:Wolfgang Sawallisch
2938:Switched-On Bach II
2924:Jazz Sebastian Bach
2812:Air on the G String
1882:, pp. 38, 100.
1870:, pp. 232–233.
1714:: about 16 minutes
1530:: about 23 minutes
1210:: about 10 minutes
1014:: about 13 minutes
834:: about 22 minutes
773:– Trio II – Menuet
769:– Polacca – Menuet
203:Brandenburg-Schwedt
134:Brandenburg-Schwedt
3298:K. P. H. Notoprojo
3128:first movement of
3116:The Rite of Spring
3039:first movement of
1915:on 20 January 2012
1846:, pp. 10, 15.
1584:
1410:
1267:
1103:
1061:Great Performances
941:III. Allegro assai
896:
644:
205:, under the title
164:
108:
3402:1721 compositions
3367:
3366:
3160:and His Hot Seven
2960:
2959:
2338:Marissen, Michael
2168:Marissen, Michael
2063:, pp. 21–22.
2051:, pp. 19–20.
1986:Neue Bach-Ausgabe
1858:, pp. 14–15.
1834:, pp. 12–13.
1683:imperfect cadence
1638:
1620:
1602:
1464:
1446:
1428:
1321:
1303:
1285:
1157:
1139:
1121:
950:
932:
914:
716:
698:
680:
662:
629:
628:
420:
419:
412:
394:
249:Johann Kirnberger
232:Heinrich Besseler
93:
92:
16:(Redirected from
3499:
3477:Violin concertos
3384:
3383:
3382:
3375:
3357:
3356:
3347:
3346:
3247:Anthony Holborne
3142:
3048:"Cavatina" from
2987:
2980:
2973:
2964:
2931:Switched-On Bach
2786:The Art of Fugue
2612:
2611:
2533:
2522:orchestral works
2511:
2504:
2497:
2488:
2412:: Scores at the
2392:
2375:
2373:
2371:
2355:
2333:
2297:
2287:
2281:
2267:
2261:
2247:
2241:
2238:
2232:
2227:
2221:
2220:
2218:
2216:
2207:. Archived from
2196:
2190:
2189:
2164:
2158:
2157:
2140:
2134:
2133:
2116:
2110:
2107:
2090:
2089:
2087:
2085:
2070:
2064:
2058:
2052:
2046:
2040:
2039:
2019:
2013:
2007:
2001:
1995:
1989:
1982:
1976:
1970:
1964:
1958:
1952:
1946:
1937:
1931:
1925:
1924:
1922:
1920:
1911:. Archived from
1901:
1895:
1889:
1883:
1877:
1871:
1865:
1859:
1853:
1847:
1841:
1835:
1829:
1823:
1817:
1808:
1807:
1805:
1803:
1787:
1781:
1780:
1778:
1776:
1765:
1726:Viola da braccio
1702:viole da braccio
1678:
1677:
1666:Allegro moderato
1640:
1639:
1622:
1621:
1604:
1603:
1581:
1466:
1465:
1448:
1447:
1430:
1429:
1407:
1323:
1322:
1305:
1304:
1287:
1286:
1264:
1185:Allegro moderato
1159:
1158:
1141:
1140:
1123:
1122:
1100:
1038:
1037:
952:
951:
934:
933:
916:
915:
893:
751:Allegro moderato
718:
717:
700:
699:
682:
681:
664:
663:
641:
433:
415:
408:
404:
401:
395:
393:
352:
328:
320:
195:Christian Ludwig
126:Christian Ludwig
59:
50:
32:
21:
3507:
3506:
3502:
3501:
3500:
3498:
3497:
3496:
3482:Köthen (Anhalt)
3462:Concerti grossi
3392:
3391:
3390:
3386:Classical music
3380:
3378:
3370:
3368:
3363:
3335:
3262:Kesarbai Kerkar
3237:Arthur Grumiaux
3215:Igor Stravinsky
3167:Valya Balkanska
3155:Louis Armstrong
3143:
3134:
3108:The Magic Flute
3081:Johnny B. Goode
3045:No. 2, BWV 1047
3028:
3010:Voyager program
2996:
2991:
2961:
2956:
2943:
2897:
2799:
2763:
2739:
2701:, BWV 1046–1051
2686:Triple Concerto
2656:
2613:major, BWV 1031
2609:
2608:
2577:
2534:
2529:
2515:
2399:
2378:
2369:
2367:
2365:uDiscover Music
2358:
2352:
2336:
2322:
2309:
2306:
2304:Further reading
2301:
2300:
2288:
2284:
2268:
2264:
2248:
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2239:
2235:
2228:
2224:
2214:
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2166:
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2142:
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2113:
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1801:
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1757:
1698:Instrumentation
1695:
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1262:
1257:
1202:Instrumentation
1199:
1167:
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1164:
1163:
1160:
1153:
1150:
1144:
1143:
1142:
1135:
1132:
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1125:
1124:
1117:
1114:
1108:
1104:
1098:
1093:
1076:Margaret Hoover
1035:
1034:
1031:piccolo trumpet
1000:, oboe, violin
994:natural trumpet
985:
957:
956:
955:
954:
953:
946:
943:
937:
936:
935:
928:
925:
919:
918:
917:
910:
907:
901:
897:
891:
886:
798:violino piccolo
782:Instrumentation
779:
733:
732:
724:
722:
721:
720:
719:
712:
709:
703:
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694:
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658:
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634:
625:
598:
568:
541:
511:
478:
475:violino piccolo
466:2 natural horns
416:
405:
399:
396:
353:
351:
341:
329:
318:
244:
223:Christoph Wolff
156:
142:, meaning "Six
62:
46:
28:
23:
22:
15:
12:
11:
5:
3505:
3503:
3495:
3494:
3489:
3484:
3479:
3474:
3469:
3464:
3459:
3454:
3449:
3444:
3439:
3434:
3429:
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3419:
3414:
3409:
3404:
3394:
3393:
3389:
3388:
3365:
3364:
3362:
3361:
3351:
3340:
3337:
3336:
3334:
3333:
3331:GorĹŤ Yamaguchi
3328:
3326:Laurie Spiegel
3323:
3318:
3313:
3312:
3311:
3309:Otto Klemperer
3300:
3295:
3294:
3293:
3282:
3281:
3280:
3269:
3264:
3259:
3254:
3249:
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3206:
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3119:
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3103:
3098:
3089:
3084:
3077:
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3019:
3012:
3007:
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2903:
2899:
2898:
2896:
2895:
2888:
2883:
2876:
2869:
2862:
2855:
2848:
2845:Feel My Rhythm
2841:
2834:
2829:
2822:
2815:
2807:
2805:
2801:
2800:
2798:
2797:
2796:
2795:
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2762:
2761:
2755:
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2730:
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2708:
2695:
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2677:
2672:
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2658:
2657:
2655:
2654:
2653:
2652:
2647:
2639:
2638:
2637:
2632:
2627:
2621:
2616:
2604:
2598:Flute Sonatas
2596:
2591:
2585:
2583:
2579:
2578:
2576:
2575:
2570:
2565:
2564:
2563:
2558:
2553:
2551:Partita No. 1
2542:
2540:
2536:
2535:
2526:transcriptions
2516:
2514:
2513:
2506:
2499:
2491:
2485:
2484:
2479:
2453:
2442:
2441:
2435:
2429:
2417:
2416:
2398:
2397:External links
2395:
2394:
2393:
2376:
2356:
2350:
2334:
2320:
2305:
2302:
2299:
2298:
2282:
2262:
2249:Steinberg, M.
2242:
2233:
2222:
2199:Utnes, Ole J.
2191:
2159:
2135:
2111:
2091:
2065:
2053:
2041:
2035:978-1409089100
2034:
2014:
2002:
1990:
1977:
1965:
1953:
1951:, p. 232.
1938:
1926:
1896:
1884:
1872:
1860:
1848:
1836:
1824:
1809:
1782:
1759:
1758:
1756:
1753:
1730:viola da gamba
1706:viole da gamba
1694:
1693:
1690:
1669:
1657:
1642:
1632:
1627:
1626:
1614:
1609:
1608:
1596:
1591:
1590:
1587:
1586:
1577:
1576:
1575:
1573:
1570:
1551:Louis Marchand
1547:Michael Mietke
1503:
1502:
1499:
1495:Affettuoso in
1493:
1489:
1468:
1458:
1453:
1452:
1440:
1437:II. Affettuoso
1435:
1434:
1422:
1417:
1416:
1413:
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926:
921:
920:
908:
903:
902:
899:
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882:
822:viola da gamba
810:basso continuo
778:
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763:
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332:
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317:
314:
272:Siegfried Dehn
243:
242:In later years
240:
179:Michael Mietke
175:Prince Leopold
170:Was mir behagt
155:
152:
120:1046–1051) by
91:
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3255:
3253:
3252:Kamil Jalilov
3250:
3248:
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3180:, conductor:
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3025:
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355:Find sources:
349:
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333:This section
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19:
3285:David Munrow
3278:Karl Richter
3148:Contributors
3121:
3114:
3107:
3093:
3041:
3040:
3021:
3014:
2936:
2929:
2922:
2917:Back to Bach
2915:
2908:
2785:
2777:
2698:
2697:
2685:
2444:
2443:
2419:
2418:
2408:
2401:
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2368:. Retrieved
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2236:
2225:
2213:. Retrieved
2209:the original
2205:Abel.hive.no
2204:
2194:
2180:(2): 31–46.
2177:
2171:
2162:
2154:Bach Archive
2149:Bach Digital
2147:
2138:
2130:Bach Archive
2125:Bach Digital
2123:
2114:
2082:. Retrieved
2077:
2068:
2056:
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2017:
2005:
1993:
1985:
1980:
1968:
1956:
1929:
1917:. Retrieved
1913:the original
1908:
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1820:Stewart 2023
1800:. Retrieved
1794:
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1629:III. Allegro
1567:
1559:
1543:
1539:figured bass
1532:
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1520:
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1484:
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1455:III. Allegro
1389:
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1148:III. Allegro
1080:
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689:III. Allegro
609:B-flat major
421:
406:
397:
387:
380:
373:
366:
354:
342:Please help
337:verification
334:
303:
295:Karl Richter
292:
269:
265:World War II
245:
227:
220:
217:
212:
206:
184:
168:
165:
138:
137:
112:
111:
109:
35:
29:
3307:conductor:
3276:conductor:
3242:Guan Pinghu
3232:Glenn Gould
3213:conductor:
3204:Chuck Berry
2804:Adaptations
2793:discography
2152:. Leipzig:
2128:. Leipzig:
1513:harpsichord
1343:Andante in
1312:III. Presto
1294:II. Andante
1071:Firing Line
1041:French horn
976:Andante in
923:II. Andante
814:harpsichord
595:harpsichord
562:2 recorders
276:Adolf Busch
148:Baroque era
3396:Categories
3321:Nick Sagan
3316:Carl Sagan
3227:Ann Druyan
3222:John Cohen
3178:Edda Moser
3101:Puspawarna
2866:Lady Lynda
2788:, BWV 1080
2780:, BWV 1079
2760:(doubtful)
2688:, BWV 1044
2626:(doubtful)
2615:(doubtful)
2445:Recordings
2321:0521382769
2215:20 January
1949:Wolff 2000
1868:Wolff 2000
1802:7 December
1796:Classic FM
1775:7 December
1755:References
1593:I. Allegro
1515:, violin,
1508:Concertino
1476:See also:
1419:I. Allegro
1356:Concertino
1276:I. Allegro
1231:ritornello
1190:Adagio in
1130:II. Adagio
1112:I. Allegro
1084:orchestral
989:Concertino
905:I. Allegro
756:Adagio in
728:media help
671:II. Adagio
653:I. Allegro
400:March 2022
370:newspapers
48:J. S. Bach
3289:with the
3096:, Book II
3023:Voyager 2
3016:Voyager 1
2826:Ave Maria
2662:Concertos
2370:25 August
2084:25 August
2061:Boyd 1993
2049:Boyd 1993
2010:Boyd 1993
1998:Boyd 1993
1973:Boyd 1993
1961:Boyd 1993
1934:Boyd 1993
1892:Boyd 1993
1880:Boyd 1993
1856:Boyd 1993
1844:Boyd 1993
1832:Boyd 1993
1741:polyphony
1535:obbligato
1385:flageolet
1238:, BWV 174
878:, BWV 207
854:, BWV 208
847:polonaise
843:movements
532:3 violins
316:Concertos
312:listing.
288:Max Reger
228:different
187:concertos
144:Concertos
73:1046–1051
67:Catalogue
43:Concertos
18:BWV 1046a
3349:Category
3055:Chakrulo
3005:Contents
2819:Alphabet
2610:♭
2582:Ensemble
2524:by, and
2389:7451664M
2340:(1999).
2330:1734852M
2186:41634120
1919:10 March
1722:, BWV 18
1712:Duration
1676:♭
1528:Duration
1392:BWV 1057
1371:Duration
1244:and two
1224:BWV 1019
1208:Duration
1036:♭
1012:Duration
998:recorder
867:, BWV 52
832:Duration
788:, three
619:2 violas
538:3 cellos
535:3 violas
502:recorder
436:Concerto
199:Margrave
130:Margrave
86:Composed
3359:Commons
2528:after,
1692:Allegro
1687:G minor
1662:Allegro
1562:cadenza
1522:Ripieno
1501:Allegro
1497:B minor
1492:Allegro
1364:Ripieno
1345:E minor
1340:Allegro
1219:cadenza
1196:Allegro
1192:E minor
1181:Allegro
1056:Voyager
1019:clarino
1005:Ripieno
978:D minor
971:Allegro
861:cantata
826:violone
824:and/or
802:violins
794:bassoon
775:da capo
771:da capo
767:da capo
762:Allegro
758:D minor
747:Allegro
579:D major
552:G major
522:G major
499:trumpet
489:F major
472:bassoon
469:3 oboes
456:F major
384:scholar
191:copyist
154:History
106:in 1710
3372:Portal
3087:Mugham
2902:Albums
2745:Suites
2420:Essays
2402:Scores
2387:
2348:
2328:
2318:
2277:
2257:
2184:
2080:. NASA
2032:
1745:sonata
1704:, two
1700:: two
1349:Presto
1023:Köthen
996:in F,
871:violin
800:, two
784:: two
592:violin
565:violin
508:violin
386:
379:
372:
365:
357:
236:Köthen
3176:with
3033:Sound
2769:Fugal
2706:No. 5
2561:No. 3
2556:No. 2
2182:JSTOR
1771:. NPR
1749:gigue
1737:canon
1679:major
1517:flute
1246:horns
1242:oboes
818:cello
806:viola
790:oboes
622:cello
589:flute
445:Solo
391:JSTOR
377:books
2880:They
2607:in E
2539:Solo
2520:and
2470:and
2372:2023
2346:ISBN
2316:ISBN
2275:ISBN
2255:ISBN
2217:2018
2173:Bach
2086:2023
2030:ISBN
1921:2014
1804:2019
1777:2019
1033:in B
837:The
808:and
613:1051
583:1050
556:1049
526:1048
505:oboe
493:1047
460:1046
363:news
110:The
78:Form
2859:Joy
1685:of
1664:or
1183:or
1068:'s
749:or
442:BWV
439:Key
424:key
346:by
201:of
132:of
118:BWV
71:BWV
45:by
3398::
2466:,
2462:,
2458:,
2385:OL
2363:.
2326:OL
2324:.
2203:.
2178:23
2176:.
2146:.
2122:.
2094:^
2076:.
1941:^
1907:.
1812:^
1793:.
1724:.
1557:.
1511::
1394:.
1248:.
1043:.
992::
828:)
820:,
816:,
804:,
796:,
792:,
301:.
293:A
290:.
197:,
150:.
128:,
3374::
3083:"
3079:"
3076:"
3072:"
3063:"
3059:"
2986:e
2979:t
2972:v
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2817:"
2814:"
2810:"
2510:e
2503:t
2496:v
2391:.
2374:.
2354:.
2332:.
2219:.
2188:.
2088:.
2038:.
1923:.
1822:.
1806:.
1779:.
1689:)
1673:E
1668:)
1187:)
973:)
812:(
753:)
730:.
413:)
407:(
402:)
398:(
388:·
381:·
374:·
367:·
340:.
116:(
20:)
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