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Gottes Zeit ist die allerbeste Zeit, BWV 106

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74: 1016: 446:. The musicologist Carol Traupman-Carr notes: "Although movements are marked by tempo changes, occasionally key changes, meter changes, and double bar lines, Cantata 106 appears to be a continuous work. Bach helps create a more seamless effect by occasionally resolving the cadence of one section at the downbeat of another, thus blurring the beginnings and endings of traditional movements." The 987: 937: 879: 809: 645: 620: 541: 386:, which all together refer to finitude, preparation for death and dying. There are two distinct parts to the cantata: the view of the Old Testament on death shown in the first part is confronted by that of the New Testament in the second part, leading to a symmetrical structure. The juxtaposition of texts from the Old and New Testament appeared before in the 300:
The earliest source for the composition is a copied manuscript dated 1768, therefore the date of the composition is not certain. Research leads to a funeral of a former mayor of Mühlhausen on 16 September 1708. The text is a carefully compiled juxtaposition of biblical texts, three quotations from
394:. Markus Rathey, professor at the Yale Institute of Sacred Music, has argued that the sermon given at the funeral of Strecker is similar in ideas to the themes of the cantatas. This may be an indication that Bach composed the work for this occasion. 1262:, while other recordings feature a choir with multiple voices to a part. The following entries are taken from the listing on the Bach Cantatas Website. Choirs with one voice per part (OVPP) and instrumental groups playing period instruments in 1059:
The first vocal movement combines several aspects of getting ready to die, based mostly on texts from the Old Testament. Bach expresses their ideas in a variety of musical form and scoring. The movement opens (2a) on a text in free poetry,
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Bach allows the confident soprano the final word, one that even silences the continuo; the passage concludes with an ornamented cadential passage in semiquaver triplets that arrives with tentative optimism and a distinct lack of
341:, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died in 2656: 4989: 2916: 4061: 4269: 3596: 4763: 3397: 5136: 5071: 5428: 3466: 2586: 5308: 4356: 4099: 2990: 2776: 4264: 2911: 5156: 2604: 5313: 5288: 3753: 5343: 5338: 5250: 4596: 4576: 4371: 3900: 3805: 2956: 2906: 2707: 4964: 3710: 337:
Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of the
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The second vocal movement is a similar combination of ideas, now mostly from the New Testament. It quotes twice what Jesus said on the cross according to the
1125:" (It is the ancient law: human, you must die!), based on Jesus Sirach, the solo soprano turns to accepting death as a union with Jesus, singing three times " 5273: 5076: 5019: 4974: 4852: 4812: 4666: 4661: 4636: 4631: 4591: 4496: 4431: 4234: 4184: 4154: 4144: 4139: 4077: 4007: 3854: 3844: 3838: 3822: 3789: 3644: 3591: 3536: 3440: 3432: 3384: 3349: 3321: 3246: 3241: 3000: 2985: 2961: 2926: 2821: 2366: 4867: 4773: 4748: 4691: 4656: 4621: 4556: 4316: 4042: 3794: 3695: 3606: 3306: 3236: 3206: 3196: 3171: 5363: 4969: 4934: 4696: 4641: 4149: 3601: 3511: 3379: 3311: 5121: 4376: 4300: 4219: 3875: 3080: 3060: 5176: 5051: 4979: 4857: 4822: 4802: 4531: 4481: 4441: 4244: 4094: 3849: 3581: 3488: 3422: 3334: 3211: 3075: 3030: 3010: 2756: 2590: 1137:" (I have brought my affairs home to God). The final call to Jesus closes the movement, leading to a long rest. The musicologist Wendy Heller writes: 1115:, the movement concludes (2d) with the central piece in the symmetrical composition. It presents a contrast: while the lower choral voices recall the 5318: 5222: 5186: 5046: 5040: 5009: 5004: 4994: 4862: 4832: 4817: 4778: 4711: 4671: 4611: 4551: 4294: 4224: 4119: 3890: 3885: 3675: 3626: 3450: 3417: 3412: 3402: 3364: 3261: 3226: 3221: 3040: 2995: 2891: 2791: 2771: 4894: 2831: 5298: 5111: 4914: 4837: 4716: 4706: 4645: 4626: 4546: 4541: 4511: 4361: 4326: 4279: 4254: 4179: 4037: 4012: 3976: 3761: 3736: 3616: 3611: 3407: 3359: 3301: 3231: 3201: 3191: 3181: 3136: 3131: 3085: 3005: 2811: 2722: 5236: 5081: 4753: 4586: 4249: 3817: 3541: 3156: 3141: 1218:" (Glory, praise, honor, and majesty), as a choral movement, but not a simple four-part setting. Introduced by an instrumental passage recalling 5096: 5024: 4999: 4686: 4381: 4284: 4194: 4124: 4072: 4017: 3869: 3685: 3576: 3526: 3374: 3291: 3286: 3045: 3035: 2896: 2746: 5141: 4954: 4651: 4566: 4506: 4446: 4351: 4289: 4229: 4174: 4114: 4067: 4047: 3859: 3779: 3649: 3546: 3521: 3427: 3392: 3344: 3256: 2816: 2801: 2761: 2535: 5216: 5211: 5263: 5243: 5146: 5106: 4797: 4601: 4526: 4466: 4451: 4406: 4396: 4391: 4346: 4341: 4214: 4057: 4052: 3905: 3895: 3531: 3496: 3251: 3146: 3025: 2976: 2941: 2921: 2826: 2786: 2741: 2736: 2727: 5014: 4306: 4159: 3726: 3095: 2781: 5131: 4847: 4386: 4204: 4199: 3799: 3721: 2766: 5191: 5091: 5034: 4521: 3827: 3680: 3166: 1179: 900: 173: 4129: 2881: 1131:" (Yes, come, Lord Jesus!). The personal decision is supported by the instrumental quotation in the recorders of Johann Leon's hymn " 5029: 4959: 4929: 4791: 4676: 4336: 4109: 4089: 4022: 3880: 3561: 3516: 3478: 3271: 3126: 2966: 2692: 2287: 1263: 5229: 4571: 3065: 1445: 5468: 4436: 4421: 4366: 4104: 3586: 3186: 3050: 2871: 391: 5086: 5056: 4877: 4239: 3864: 3731: 3276: 2717: 5257: 5171: 4738: 4476: 4209: 4027: 3339: 3266: 3216: 780: 128: 5433: 4401: 3670: 2702: 5418: 5323: 5181: 5061: 4536: 3455: 3445: 2857: 2421: 1040: 428: 785: 133: 4904: 4784: 4164: 2841: 2610: 3969: 2399: 1448: 1515: 4919: 3070: 2618:
Johann Sebastian Bach / Cantata No. 106, "Gottes Zeit ist die allerbeste Zeit," ("Actus Tragicus"), BWV 106 (BC B18)
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on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708.
338: 79: 2203: 5066: 3784: 1066:" (God's time is the best of all times). The chorus has no initial tempo marking, but has a fugal section marked 685: 118: 849: 721: 143: 123: 5126: 2580: 1792: 1583: 1506: 1108:. Arpeggios of the recorder accompany the voice which has been described as "evocative of the command of God". 5408: 2688: 1469: 374:
The text consists of different Bible passages from the Old and New Testament, as well as individual verses of
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God's time is the very best time (Actus tragicus) BWV 106; BC B 18 / Sacred cantata (Funeral))
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from the Sonatina, the first lines of the hymn are set for four parts. The movement ends in a
455: 420: 358: 3935: 2019: 2009: 1789: 1653: 1523: 1461: 1312: 443: 318: 2634: 1104:" (Put your house in order; for you will die), is performed as an aria by the bass, marked 986: 936: 878: 808: 644: 619: 540: 2482: 2310:""Aus eigener Erfahrung redet": Bach, Luther, and Mary's Voice in the Magnificat, BWV 243" 2125: 1574: 1528: 1379: 1167:" (You have redeemed me, Lord, faithful God), from Psalm 31, is rendered as an alto aria. 432: 2367:"God's own time is the time appointed / Actus tragicus. Trauermusik / BWV 106, 1707/1708" 1996: 2631:, Vol. 27, No. 2 (September 1986), pp. 15–18, American Choral Directors Association 2515: 2338: 2269: 2129: 2034: 1872: 1867: 1853: 1815: 1805: 1687: 1599: 1243: 1152: 1044: 1246:
called the cantata "a work of genius such as even great masters seldom achieve... The
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The Cantatas of J. S. Bach: With Their Librettos in German-English Parallel Text
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Cantata BWV 106 – Gottes Zeit ist die allerbeste Zeit (Johann Sebastian Bach)
2278:(in German). Vol. 1 (4 ed.). Deutscher Taschenbuchverlag. pp.  1533: 1258:
The cantata can be performed with only four singers, as in the recording by
1037: 2552: 2422:"The Portrait in Erfurt Alleged to Depict Bach, the Weimar Concertmeister" 1078: 1029: 2624: 1015: 442:
The sections comprising the cantata are traditionally grouped into four
2576: 1087:" (Ah, Lord, teach us to consider that we must die) is rendered as an 801: 606: 459: 408: 100: 17: 2553:"Cantata BWV 106 Gottes Zeit ist die allerbeste Zeit (Actus Tragicus)" 1242:
The cantata ranks among Bach's most important works. The Bach scholar
1695: 1199: 1088: 342: 1161:" (Into Your hands I commit my spirit), with an added explanation " 30:"Actus tragicus" redirects here. For the Israeli comics group, see 1014: 451: 416: 326: 2395: 352:, was copied in 1768 after Bach's death. It introduced the title 2126:"BWV 106 – Gottes Zeit ist die allerbeste Zeit (Actus Tragicus)" 412: 375: 310: 231: 3958: 2638: 2204:"Bach, a Funeral and the Lamb of God: Notes on recent research" 2175:"Cantata No.106: Gottes Zeit ist die allerbeste Zeit (BWV 106)" 454:
markings are taken from the first publication. The keys in the
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Downloadable score (pdf) with modern clefs by atticbooks, 2016
2339:"BWV 106 Gottes Zeit ist die allerbeste Zeit / Actus tragicus" 2238:
Joh. Seb. Bach's Kirchencantaten ; Bd. 11 / No. 101 – 110
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Bach: Actus Tragicus – Cantatas 106, 131, 99, 56, 82 & 158
1190:(also following Luke), sung by the alto as a cantus firmus. 2611:
Bach Cantata Gottes Zeit (Actus Tragicus) – BWV 106 score
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Johann Sebastian Bach: Kantaten "Actus Tragicus", BWV 106
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mournfully echo each other over a sonorous background of
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Bach: Actus Tragicus – Cantatas BWV 4, 12, 106 & 196
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The warning to be prepared for death (2c) from Isaiah, "
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belongs to the great musical literature of the world".
2396:"Cantata BWV 106 Gottes Zeit ist die allerbeste Zeit" 1095:. The melodic line is broken by rests of reflection. 1084:
Ach, Herr, lehre uns bedenken, daß wir sterben müssen
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Bach's Cantata BWV 106 27:Church cantata by Johann Sebastian Bach (c. 1708) 2389: 2387: 1139: 2487:"Gottes Zeit ist die allerbeste Zeit, BWV 106" 1122:Es ist der alte Bund: Mensch, du mußt sterben! 407:Bach scored the cantata for four vocal parts ( 3970: 3390:Later additions to the chorale cantata cycle: 2650: 839:du hast mich erlöset, Herr, du getreuer Gott. 8: 3124:Chorale cantatas between Trinity and Easter: 2587:Gottes Zeit ist die allerbeste Zeit, BWV 106 2577:Gottes Zeit ist die allerbeste Zeit, BWV 106 1641: 1635: 1562: 1428: 1213: 1207: 1198:The work concludes with the closing seventh 1177: 1171: 1164:du hast mich erlöset, Herr, du getreuer Gott 1162: 1156: 1132: 1126: 1120: 1099: 1082: 1061: 954: 898: 892: 837: 830: 770: 764: 714: 678: 562: 467: 458:and other more recent publications start in 263: 187: 171: 160: 42: 1297: 1184:" (With peace and joy I depart), after the 3977: 3963: 3955: 2657: 2643: 2635: 2451: 2449: 2447: 2168: 2166: 1268: 464: 72: 38: 2591:International Music Score Library Project 2164: 2162: 2160: 2158: 2156: 2154: 2152: 2150: 2148: 2146: 2116: 2114: 1430:Les Grandes Cantates de J.S. Bach Vol. 19 1101:Bestelle dein Haus; denn du wirst sterben 5464:Church cantatas by Johann Sebastian Bach 2303: 2301: 2299: 2197: 2195: 2180:. Bach Cantatas Website. pp. 5, 7–8 2112: 2110: 2108: 2106: 2104: 2102: 2100: 2098: 2096: 2094: 1981: 1911: 1844: 1774: 1716: 1632: 1560: 1497: 1426: 1364: 1303: 325:, are overcome by a soprano calling for 2361: 2359: 2090: 2078:, a thematic catalogue of Bach's works. 2067: 1173:Heute wirst du mit mir im Paradies sein 894:Heute wirst du mit mir im Paradies sein 439:. The duration is given as 23 minutes. 2275:Die Kantaten von Johann Sebastian Bach 2264: 2262: 2260: 1158:In deine Hände befehl ich meinen Geist 832:In deine Hände befehl ich meinen Geist 1913:Bach Edition Vol. 8 – Cantatas Vol. 3 1019:Portrait of the young Bach (disputed) 821: 553: 7: 269:(God's time is the very best time), 2217:(3). Yale Institute of Sacred Music 1272:Gottes Zeit ist die allerbeste Zeit 1134:Ich hab mein Sach Gott heimgestellt 1063:Gottes Zeit ist die allerbeste Zeit 564:Gottes Zeit ist die allerbeste Zeit 469:Gottes Zeit ist die allerbeste Zeit 265:Gottes Zeit ist die allerbeste Zeit 162:Ich hab mein Sach Gott heimgestellt 44:Gottes Zeit ist die allerbeste Zeit 2583:(video and background information) 1264:historically informed performances 1180:Mit Fried und Freud ich fahr dahin 901:Mit Fried und Freud ich fahr dahin 174:Mit Fried und Freud ich fahr dahin 25: 3327:Continuation of the second cycle: 2847:Köthen: BWV Anh. 5 2243:Universitätsbibliothek Heidelberg 1215:Glorie, Lob, Ehr und Herrlichkeit 956:Glorie, Lob, Ehr und Herrlichkeit 1266:are marked by green background. 985: 935: 877: 807: 643: 618: 539: 390:(Christian school of prayer) by 1679:Soloists of Knabenchor Hannover 423:(B)) and a chamber ensemble of 1446:Heinrich-Schütz-Chor Heilbronn 1366:J. S. Bach: Kantaten 106 · 182 1282:Conductor / Choir / Orchestra 1209:In dich hab ich gehoffet, Herr 189:In dich hab ich gehoffet, Herr 1: 2394:Traupman-Carr, Carol (2006). 1155:. The first quotation (3a), " 680:Ach, Herr, lehre uns bedenken 3438:Other late chorale cantatas: 1170:The second quotation (3b), " 3777:Council election (Leipzig): 2869:Between Trinity and Advent: 2400:The Bach Choir of Bethlehem 1846:J. S. Bach: Cantatas Vol. 2 1449:Pforzheim Chamber Orchestra 5495: 1930:Netherlands Bach Collegium 1128:Ja, komm, Herr Jesu, komm! 781:Jesus Sirach 14:17 772:Ja, komm, Herr Jesu, komm! 350:Christian Friedrich Penzel 297:, intended for a funeral. 129:Jesus Sirach 14:17 29: 5385: 4003: 3920: 2173:Isoyama, Tadashi (1995). 1296: 1293: 1290: 1287: 1284: 1281: 1278: 1214: 1208: 1178: 1172: 1163: 1157: 1133: 1127: 1121: 1100: 1083: 1062: 955: 946: 893: 831: 765: 715: 679: 563: 507: 502: 499: 496: 493: 490: 487: 484: 481: 478: 475: 359:Bach-Gesellschaft-Ausgabe 188: 172: 161: 71: 60: 50: 3494:Liturgical year 1725–26: 2581:Netherlands Bach Society 2456:Mincham, Julian (2010). 1793:English Baroque Soloists 1584:Bach-Collegium Stuttgart 1516:Münchener Bach-Orchester 786:Revelation 22:20 309:, combined with funeral 134:Revelation 22:20 5469:Christian funeral music 2555:. Bach Cantatas Website 2528:Oxford University Press 2202:Rathey, Markus (2006). 2026:Stephan Schreckenberger 80:Divi Blasii, Mühlhausen 32:Actus Tragicus (comics) 2982:From Advent to Trinity 2308:Wendy, Heller (2015). 2076:Bach-Werke-Verzeichnis 1776:Bach: Funeral Cantatas 1642: 1640:• Complete Cantatas • 1636: 1563: 1429: 1144: 1020: 947: 899: 838: 822: 771: 554: 508: 468: 264: 43: 3991:Johann Sebastian Bach 3930:List of Bach cantatas 2671:Johann Sebastian Bach 2579:: performance by the 2494:Bach Cantatas Website 2343:University of Alberta 2035:Harmonia Mundi France 1811:Anthony Rolfe-Johnson 1091:of the tenor, marked 1018: 403:Structure and scoring 388:Christliche Betschule 291:Johann Sebastian Bach 139:Luke 18:31,34 2530:. pp. 758–760. 1860:Bach Collegium Japan 1336:Hans-Joachim Rotzsch 922:Arioso & chorale 766:Es ist der alte Bund 686:Psalms 90:12 119:Psalms 90:12 78:Organ of the church 3476:After Trinity 1725: 2524:Richard D. P. Jones 2337:Bischof, Walter F. 1784:John Eliot Gardiner 1663:Knabenchor Hannover 1513:Münchener Bach-Chor 1322:Gewandhausorchester 1275: 1142:completion ... 850:Psalms 31:5 722:Isaiah 38:1 472: 425:Baroque instruments 315:Baroque instruments 144:Psalms 31:5 124:Isaiah 38:1 2629:The Choral Journal 2462:jsbachcantatas.com 1961:Brilliant Classics 1927:Holland Boys Choir 1921:Pieter Jan Leusink 1731:The Bach Ensemble 1581:Gächinger Kantorei 1541:Archiv Production 1269: 1021: 908:Luke 23:43 846:Luke 23:46 716:Bestelle dein Haus 577:Acts 17:28 465: 339:Divi Blasii church 305:and four from the 114:Acts 17:28 5479:1708 compositions 5474:1707 compositions 5451: 5450: 3952: 3951: 3806:1139.1, 1140–1141 2537:978-0-19-929776-4 2420:Towe, Teri Noel. 2317:bachnetwork.co.uk 2059: 2058: 2005:Johanna Koslowsky 1824:Archiv Produktion 1683:Marius van Altena 1672:Leonhardt-Consort 1646:, Folge / Vol. 26 1399:Jacques Villisech 1383:Leonhardt-Consort 1077:The thought from 1070:, and the end is 1008: 1007: 792:Chorus & Solo 456:Neue Bach-Ausgabe 260: 259: 16:(Redirected from 5486: 5443:Secular cantatas 5404:Chorale cantatas 5378: 3993: 3979: 3972: 3965: 3956: 3936:Monteverdi Choir 3778: 3720: 3673: 3633: 3495: 3477: 3439: 3391: 3328: 3125: 2983: 2870: 2673: 2659: 2652: 2645: 2636: 2589:: Scores at the 2565: 2564: 2562: 2560: 2548: 2542: 2541: 2522:. Translated by 2512: 2506: 2505: 2503: 2501: 2496:. pp. 11–14 2491: 2483:Wolff, Christoph 2479: 2473: 2472: 2470: 2468: 2453: 2442: 2441: 2439: 2437: 2428:. 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opening 1026: 1013: 1004: 984: 977: 976: 934: 915: 910: 897: 876: 867: 866: 863: 848: 835: 806: 788: 784: 779: 775: 769: 747: 742: 741: 740: 739: 738: 670: 651: 642: 635: 630: 629: 628: 627: 626: 617: 611: 599: 598: 582: 575: 538: 530: 529: 433:violas da gamba 405: 400: 392:Johann Olearius 372: 335: 271: 256: 250:violas da gamba 210: 208: 200: 193: 179: 166: 148: 82: 56: 35: 28: 23: 22: 15: 12: 11: 5: 5492: 5490: 5482: 5481: 5476: 5471: 5466: 5456: 5455: 5449: 5448: 5446: 5445: 5436: 5434:Picander cycle 5431: 5426: 5421: 5416: 5411: 5406: 5393: 5386: 5383: 5382: 5380: 5379: 5361: 5356: 5351: 5346: 5341: 5336: 5331: 5326: 5321: 5316: 5311: 5306: 5301: 5296: 5291: 5286: 5281: 5276: 5271: 5266: 5261: 5254: 5247: 5240: 5233: 5226: 5219: 5214: 5209: 5204: 5199: 5194: 5189: 5184: 5179: 5174: 5169: 5164: 5159: 5154: 5149: 5144: 5139: 5134: 5129: 5124: 5119: 5114: 5109: 5104: 5099: 5094: 5089: 5084: 5079: 5074: 5069: 5064: 5059: 5054: 5049: 5044: 5037: 5032: 5027: 5022: 5017: 5012: 5007: 5002: 4997: 4992: 4987: 4982: 4977: 4972: 4967: 4962: 4957: 4952: 4947: 4942: 4937: 4932: 4927: 4922: 4917: 4912: 4907: 4902: 4897: 4892: 4885: 4880: 4875: 4870: 4865: 4860: 4855: 4850: 4845: 4840: 4835: 4830: 4825: 4820: 4815: 4810: 4805: 4800: 4795: 4788: 4781: 4776: 4771: 4766: 4761: 4756: 4751: 4746: 4741: 4736: 4731: 4724: 4719: 4714: 4709: 4704: 4699: 4694: 4689: 4684: 4679: 4674: 4669: 4664: 4659: 4654: 4649: 4639: 4634: 4629: 4624: 4619: 4614: 4609: 4604: 4599: 4594: 4589: 4584: 4579: 4574: 4569: 4564: 4559: 4554: 4549: 4544: 4539: 4534: 4529: 4524: 4519: 4514: 4509: 4504: 4499: 4494: 4489: 4484: 4479: 4474: 4469: 4464: 4459: 4454: 4449: 4444: 4439: 4434: 4429: 4424: 4419: 4414: 4409: 4404: 4399: 4394: 4389: 4384: 4379: 4374: 4369: 4364: 4359: 4354: 4349: 4344: 4339: 4334: 4329: 4324: 4319: 4314: 4309: 4304: 4297: 4292: 4287: 4282: 4277: 4272: 4267: 4262: 4257: 4252: 4247: 4242: 4237: 4232: 4227: 4222: 4217: 4212: 4207: 4202: 4197: 4192: 4187: 4182: 4177: 4172: 4167: 4162: 4157: 4152: 4147: 4142: 4137: 4132: 4127: 4122: 4117: 4112: 4107: 4102: 4097: 4092: 4087: 4080: 4075: 4070: 4065: 4055: 4050: 4045: 4040: 4035: 4030: 4025: 4020: 4015: 4010: 4004: 4001: 4000: 3984: 3982: 3981: 3974: 3967: 3959: 3950: 3949: 3947: 3946: 3932: 3927: 3921: 3918: 3917: 3914: 3913: 3908: 3903: 3898: 3893: 3888: 3883: 3878: 3872: 3867: 3862: 3857: 3852: 3847: 3841: 3836: 3830: 3825: 3820: 3815: 3809: 3802: 3797: 3792: 3787: 3782: 3774: 3769: 3739: 3734: 3729: 3724: 3713: 3708: 3703: 3698: 3693: 3688: 3683: 3678: 3671:Picander cycle 3666: 3665: 3663: 3657: 3656: 3653: 3652: 3647: 3642: 3637: 3629: 3624: 3619: 3614: 3609: 3604: 3599: 3594: 3589: 3584: 3579: 3574: 3569: 3564: 3559: 3554: 3549: 3544: 3539: 3534: 3529: 3524: 3519: 3514: 3509: 3504: 3499: 3491: 3486: 3481: 3472: 3471: 3469: 3463: 3462: 3459: 3458: 3453: 3448: 3443: 3435: 3430: 3425: 3420: 3415: 3410: 3405: 3400: 3395: 3387: 3382: 3377: 3372: 3367: 3362: 3357: 3352: 3347: 3342: 3337: 3332: 3324: 3319: 3314: 3309: 3304: 3299: 3294: 3289: 3284: 3279: 3274: 3269: 3264: 3259: 3254: 3249: 3244: 3239: 3234: 3229: 3224: 3219: 3214: 3209: 3204: 3199: 3194: 3189: 3184: 3179: 3174: 3169: 3164: 3159: 3154: 3149: 3144: 3139: 3134: 3129: 3120: 3119: 3117: 3103: 3102: 3099: 3098: 3093: 3088: 3083: 3078: 3073: 3068: 3063: 3058: 3053: 3048: 3043: 3038: 3033: 3028: 3023: 3018: 3013: 3008: 3003: 2998: 2993: 2988: 2979: 2974: 2969: 2964: 2959: 2954: 2949: 2944: 2939: 2934: 2929: 2924: 2919: 2914: 2909: 2904: 2899: 2894: 2889: 2884: 2879: 2874: 2865: 2864: 2862: 2854: 2853: 2850: 2849: 2844: 2839: 2834: 2829: 2824: 2819: 2814: 2809: 2804: 2799: 2794: 2789: 2784: 2779: 2774: 2769: 2764: 2759: 2754: 2749: 2744: 2739: 2730: 2725: 2720: 2715: 2710: 2705: 2700: 2695: 2685: 2684: 2682: 2676: 2675: 2664: 2662: 2661: 2654: 2647: 2639: 2633: 2632: 2621: 2616:Brian Robins: 2614: 2608: 2602: 2593: 2584: 2572: 2571:External links 2569: 2567: 2566: 2543: 2536: 2507: 2474: 2443: 2412: 2383: 2355: 2329: 2295: 2288: 2256: 2228: 2191: 2142: 2130:Emmanuel Music 2122:Dellal, Pamela 2089: 2087: 2084: 2081: 2080: 2066: 2065: 2063: 2060: 2057: 2056: 2050: 2047: 2037: 2032: 2030: 2029: 2022: 2017: 2012: 2007: 2001: 1999: 1985: 1979: 1978: 1975: 1973: 1963: 1958: 1956: 1955: 1950: 1945: 1940: 1934: 1932: 1915: 1909: 1908: 1905: 1903: 1893: 1888: 1886: 1885: 1880: 1875: 1873:Yoshikazu Mera 1870: 1868:Aki Yanagisawa 1864: 1862: 1854:Masaaki Suzuki 1848: 1842: 1841: 1838: 1836: 1826: 1821: 1819: 1818: 1816:Stephen Varcoe 1813: 1808: 1806:Michael Chance 1803: 1797: 1795: 1778: 1772: 1771: 1768: 1765: 1755: 1750: 1748: 1747: 1744: 1741: 1738: 1734: 1732: 1720: 1714: 1713: 1710: 1708: 1698: 1693: 1691: 1690: 1688:Max van Egmond 1685: 1680: 1676: 1674: 1669: 1668: 1665: 1659: 1648: 1630: 1629: 1627: 1625: 1615: 1610: 1608: 1607: 1602: 1600:Adalbert Kraus 1597: 1592: 1588: 1586: 1569: 1558: 1557: 1554: 1552: 1542: 1539: 1537: 1536: 1531: 1526: 1520: 1518: 1501: 1495: 1494: 1492: 1490: 1480: 1475: 1473: 1472: 1470:Jakob Stämpfli 1467: 1464: 1459: 1453: 1451: 1434: 1424: 1423: 1421: 1419: 1409: 1404: 1402: 1401: 1396: 1391: 1387: 1385: 1374:Jürgen Jürgens 1368: 1362: 1361: 1359: 1357: 1347: 1344: 1342: 1341: 1338: 1333: 1326: 1324: 1307: 1301: 1300: 1295: 1292: 1289: 1286: 1283: 1280: 1270:Recordings of 1255: 1252: 1248:Actus tragicus 1239: 1236: 1195: 1192: 1153:Gospel of Luke 1148: 1145: 1056: 1053: 1041:alto recorders 1025: 1022: 1012: 1009: 1006: 1005: 1003: 1002: 997: 993: 991: 982: 973: 970: 967: 964: 959: 952: 950: 944: 943: 941: 932: 929: 926: 923: 920: 905: 890: 886: 885: 883: 874: 861: 858: 855: 852: 843: 828: 825: 819: 818: 813: 804: 799: 796: 793: 790: 777: 762: 758: 757: 752: 743: 736: 733: 730: 727: 724: 719: 712: 708: 707: 702: 700: 697: 694: 691: 688: 683: 676: 672: 671: 669: 668: 663: 658: 654: 652: 650: 649: 640: 631: 624: 614: 612: 610: 609: 604: 594: 592: 589: 586: 583: 581: 580: 573: 569: 567: 560: 557: 551: 550: 545: 536: 525: 522: 520: 518: 516: 513: 511: 505: 504: 501: 498: 495: 492: 489: 486: 483: 480: 477: 437:basso continuo 429:alto recorders 404: 401: 399: 396: 371: 368: 354:Actus tragicus 334: 331: 278:Actus tragicus 258: 257: 255: 254: 251: 248: 244: 242: 238: 237: 236:solo and choir 229: 225: 224: 221: 217: 216: 206: 202: 201: 199: 198: 184: 168: 167:by Johann Leon 156: 154: 150: 149: 147: 146: 141: 136: 131: 126: 121: 116: 110: 108: 104: 103: 98: 94: 93: 91:Actus tragicus 88: 84: 83: 77: 69: 68: 62:Church cantata 58: 57: 51: 48: 47: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 5491: 5480: 5477: 5475: 5472: 5470: 5467: 5465: 5462: 5461: 5459: 5444: 5440: 5437: 5435: 5432: 5430: 5427: 5425: 5422: 5420: 5417: 5415: 5412: 5410: 5407: 5405: 5401: 5397: 5394: 5392: 5388: 5387: 5384: 5377: 5376: 5371: 5365: 5362: 5360: 5357: 5355: 5352: 5350: 5347: 5345: 5342: 5340: 5339:1138.1–1139.1 5337: 5335: 5332: 5330: 5327: 5325: 5322: 5320: 5317: 5315: 5312: 5310: 5307: 5305: 5302: 5300: 5297: 5295: 5292: 5290: 5287: 5285: 5282: 5280: 5277: 5275: 5272: 5270: 5267: 5265: 5262: 5260: 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3992: 3987: 3980: 3975: 3973: 3968: 3966: 3961: 3960: 3957: 3945: 3941: 3937: 3934:Discography: 3933: 3931: 3928: 3926: 3923: 3922: 3919: 3912: 3909: 3907: 3904: 3902: 3899: 3897: 3894: 3892: 3889: 3887: 3884: 3882: 3879: 3877: 3873: 3871: 3868: 3866: 3863: 3861: 3858: 3856: 3853: 3851: 3848: 3846: 3842: 3840: 3837: 3835: 3831: 3829: 3826: 3824: 3821: 3819: 3816: 3814: 3810: 3807: 3803: 3801: 3798: 3796: 3793: 3791: 3788: 3786: 3783: 3781: 3775: 3773: 3770: 3767: 3763: 3759: 3755: 3751: 3747: 3743: 3740: 3738: 3735: 3733: 3730: 3728: 3725: 3723: 3718: 3717:Late parodies 3714: 3712: 3709: 3707: 3704: 3702: 3699: 3697: 3694: 3692: 3689: 3687: 3684: 3682: 3679: 3677: 3672: 3668: 3667: 3664: 3658: 3651: 3648: 3646: 3643: 3641: 3638: 3636: 3630: 3628: 3625: 3623: 3620: 3618: 3615: 3613: 3610: 3608: 3605: 3603: 3600: 3598: 3595: 3593: 3590: 3588: 3585: 3583: 3580: 3578: 3575: 3573: 3570: 3568: 3565: 3563: 3560: 3558: 3555: 3553: 3550: 3548: 3545: 3543: 3540: 3538: 3535: 3533: 3530: 3528: 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Hickman: 2622: 2619: 2615: 2612: 2609: 2606: 2603: 2600: 2597: 2594: 2592: 2588: 2585: 2582: 2578: 2575: 2574: 2570: 2554: 2551:Oron, Aryeh. 2547: 2544: 2539: 2533: 2529: 2525: 2521: 2517: 2511: 2508: 2495: 2488: 2484: 2478: 2475: 2463: 2459: 2452: 2450: 2448: 2444: 2431: 2427: 2423: 2416: 2413: 2401: 2397: 2390: 2388: 2384: 2372: 2368: 2362: 2360: 2356: 2344: 2340: 2333: 2330: 2318: 2311: 2304: 2302: 2300: 2296: 2291: 2289:3-423-04080-7 2285: 2281: 2277: 2276: 2271: 2265: 2263: 2261: 2257: 2244: 2240: 2239: 2232: 2229: 2216: 2212: 2205: 2198: 2196: 2192: 2176: 2169: 2167: 2165: 2163: 2161: 2159: 2157: 2155: 2153: 2151: 2149: 2147: 2143: 2131: 2127: 2123: 2117: 2115: 2113: 2111: 2109: 2107: 2105: 2103: 2101: 2099: 2097: 2095: 2091: 2085: 2077: 2071: 2068: 2061: 2055: 2051: 2048: 2038: 2036: 2033: 2027: 2023: 2021: 2018: 2016: 2013: 2011: 2008: 2006: 2003: 2002: 2000: 1998: 1992: 1986: 1984: 1980: 1976: 1974: 1964: 1962: 1959: 1954: 1953:Bas Ramselaar 1951: 1949: 1946: 1944: 1943:Sytse Buwalda 1941: 1939: 1938:Marjon Strijk 1936: 1935: 1933: 1931: 1928: 1922: 1916: 1914: 1910: 1906: 1904: 1894: 1892: 1889: 1884: 1881: 1879: 1876: 1874: 1871: 1869: 1866: 1865: 1863: 1861: 1855: 1849: 1847: 1843: 1839: 1837: 1827: 1825: 1822: 1817: 1814: 1812: 1809: 1807: 1804: 1802: 1801:Nancy Argenta 1799: 1798: 1796: 1794: 1791: 1785: 1779: 1777: 1773: 1769: 1766: 1756: 1754: 1751: 1745: 1742: 1739: 1736: 1735: 1733: 1727: 1726:Joshua Rifkin 1721: 1719: 1715: 1711: 1709: 1699: 1697: 1694: 1689: 1686: 1684: 1681: 1678: 1677: 1675: 1673: 1666: 1664: 1661: 1660: 1655: 1649: 1647: 1644: 1638: 1631: 1628: 1626: 1616: 1614: 1611: 1606: 1603: 1601: 1598: 1596: 1595:Hanna Schwarz 1593: 1590: 1589: 1587: 1585: 1582: 1576: 1570: 1568: 1565: 1559: 1555: 1553: 1543: 1540: 1535: 1532: 1530: 1527: 1525: 1524:Hertha Töpper 1522: 1521: 1519: 1517: 1514: 1508: 1502: 1500: 1496: 1493: 1491: 1481: 1479: 1476: 1471: 1468: 1465: 1463: 1460: 1458: 1455: 1454: 1452: 1450: 1447: 1441: 1435: 1433: 1431: 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cantata 3813:BWV 34a 3780:BWV 119 3676:BWV 149 3497:BWV 110 3479:BWV 168 3441:BWV 117 3107:Second cycle 2712: 2628: 2599:Bach Digital 2557:. Retrieved 2546: 2519: 2516:Dürr, Alfred 2510: 2498:. Retrieved 2493: 2477: 2465:. Retrieved 2461: 2434:. Retrieved 2430:the original 2425: 2415: 2403:. Retrieved 2374:. Retrieved 2371:Carus-Verlag 2346:. Retrieved 2332: 2320:. Retrieved 2316: 2274: 2270:Dürr, Alfred 2247:. Retrieved 2237: 2231: 2219:. Retrieved 2214: 2210: 2182:. Retrieved 2133:. Retrieved 2070: 2053: 1997:Cantus Cölln 1982: 1912: 1845: 1775: 1740:Ann Monoyios 1717: 1643:Les Cantates 1634:J. S. Bach: 1633: 1561: 1507:Karl Richter 1498: 1466:Georg Jelden 1440:Fritz Werner 1427: 1365: 1331:Thomanerchor 1319:Thomanerchor 1304: 1271: 1257: 1247: 1241: 1231: 1227: 1224:double fugue 1204:Adam Reusner 1197: 1169: 1150: 1140: 1117:Old Covenant 1112: 1110: 1105: 1097: 1092: 1076: 1072:Adagio assai 1071: 1067: 1058: 1034:Molto adagio 1033: 1027: 999: 962:Adam Reusner 836: 815: 754: 744: 704: 666:Adagio assai 665: 660: 632: 548:Molto adagio 547: 441: 406: 387: 384:Adam Reusner 373: 364:Wilhelm Rust 362:, edited by 357: 353: 347: 336: 323:Old Covenant 299: 289:composed by 277: 276: 270: 262: 261: 241:Instrumental 196:Adam Reusner 90: 36: 3722:BWV 36 3635:BWV 82 3467:Third cycle 3393:BWV 80 3127:BWV 20 2986:BWV 40 2872:BWV 75 2858:First cycle 2737:BWV 61 2559:13 February 2500:13 February 2405:24 February 2376:25 February 2348:13 February 2322:13 February 2221:25 February 2184:13 February 1948:Knut Schoch 1743:Jan Opalach 1457:Edith Selig 1244:Alfred Dürr 789:Johann Leon 247:2 recorders 209:1707–1708: 5458:Categories 3874:Doubtful: 3330:BWV 6 2693:BWV 4 2607:ChoralWiki 2086:References 1883:Peter Kooy 1407:Telefunken 1390:Julia Falk 1294:Choir type 1274:, BWV 106 1254:Recordings 1238:Evaluation 431:(Fl), two 295:Mühlhausen 212:Mühlhausen 107:Bible text 87:Other name 66:J. S. Bach 5429:3rd cycle 5424:2nd cycle 5419:1st cycle 5344:1140–1141 3832:Funeral: 3811:Wedding: 3662:and other 2860:(1723–24) 2467:25 August 2135:25 August 2074:"BWV" is 2015:Gerd Türk 1878:Gerd Türk 1591:Eva Csapó 1534:Theo Adam 1285:Soloists 1206:'s hymn " 1038:obbligato 1032:, marked 1011:Movements 444:movements 419:(T), and 319:movements 220:Movements 5441: ; 5398: ; 5396:Cantatas 5375:spurious 5370:doubtful 4062:oratorio 3986:Cantatas 3114:cantatas 2620:AllMusic 2518:(2006). 2485:(1995). 2436:28 April 2272:(1981). 1613:Hänssler 1556:Chamber 1346:Fidelio 1079:Psalm 90 1049:continuo 1030:sonatina 978:♭ 868:♭ 600:♭ 531:♭ 515:Sonatina 281:, is an 253:continuo 205:Composed 97:Occasion 5389:Lists: 5364:Anh. 18 5359:Anh. 11 5289:248 III 3940:Koopman 3843:Other: 3804:(lost: 3112:chorale 2681:Leipzig 2280:447–450 2249:8 April 2052:Period 2041: ( 1977:Period 1967: ( 1907:Period 1897: ( 1840:Period 1830: ( 1770:Period 1759: ( 1712:Period 1702: ( 1619: ( 1567:Vol. 68 1546: ( 1484: ( 1413: ( 1351: ( 1232:Allegro 1230:marked 1113:Andante 1111:Marked 1081:(2b), " 1068:Allegro 1000:Allegro 972:2Fl 2Vg 931:C minor 816:Andante 802:F minor 798:2Fl 2Vg 735:C minor 732:2Fl 2Vg 699:C minor 696:2Fl 2Vg 661:Allegro 607:C minor 591:2Fl 2Vg 524:2Fl 2Vg 494:Instr. 491:Voices 460:F major 409:soprano 333:History 287:cantata 285:sacred 272:BWV 106 153:Chorale 101:Funeral 18:BWV 106 5414:Weimar 5354:Anh. 9 5349:Anh. 5 5304:248 VI 5294:248 IV 5284:248 II 3998:number 3944:Teldec 2733:Weimar 2679:Before 2534:  2286:  2245:. 1876 1696:Teldec 1298:Instr. 1288:Label 1279:Title 1220:motifs 1200:stanza 1106:Vivace 1089:arioso 1036:, two 966:Chorus 914:after 755:Vivace 690:Arioso 585:Chorus 503:Tempo 482:Title 435:(Vg), 427:: two 343:Erfurt 5409:Early 5299:248 V 5279:248 I 4646:motet 3660:Later 3632:1727: 3110:(and 2689:Early 2490:(PDF) 2313:(PDF) 2211:Prism 2207:(PDF) 2178:(PDF) 2062:Notes 2049:OVPP 1767:OVPP 1753:Decca 1478:Erato 1291:Year 1093:Lento 981:major 871:minor 795:ATB S 705:Lento 603:major 572:anon. 534:major 500:Time 488:Type 485:Text 476:Mvmt 452:tempo 417:tenor 415:(A), 411:(S), 398:Music 376:hymns 370:Theme 327:Jesus 311:hymns 283:early 228:Vocal 5439:Late 5334:1127 5329:1083 5324:1045 5319:1040 5314:249b 5309:249a 5274:244a 5217:216a 5182:210a 5167:208a 5157:207a 5142:205a 5097:197a 5072:193a 5052:190a 4960:173a 4823:147a 4749:134a 4728:131a 4667:120b 4662:120a 3855:120b 3850:190a 3839:244a 3823:120a 3772:1083 3686:197a 2757:147a 2747:186a 2561:2016 2532:ISBN 2502:2016 2469:2022 2438:2014 2407:2016 2378:2016 2350:2016 2324:2016 2284:ISBN 2251:2013 2223:2016 2186:2016 2137:2022 2043:2000 2039:2000 1969:1999 1965:1999 1899:1995 1895:1995 1832:1989 1828:1989 1761:1985 1757:1985 1704:1980 1700:1980 1621:1975 1617:1975 1548:1966 1544:1966 1486:1964 1482:1964 1415:1963 1411:1963 1353:1953 1349:1953 1228:Amen 1212:", " 1047:and 969:SATB 854:Aria 726:Aria 588:SATB 497:Key 479:No. 450:and 448:keys 421:bass 413:alto 382:and 301:the 233:SATB 5372:); 5269:224 5264:223 5258:222 5251:221 5244:220 5237:219 5230:218 5223:217 5212:216 5207:215 5202:214 5197:213 5192:212 5187:211 5177:210 5172:209 5162:208 5152:207 5147:206 5137:205 5132:204 5127:203 5122:202 5117:201 5112:200 5107:199 5102:198 5092:197 5087:196 5082:195 5077:194 5067:193 5062:192 5057:191 5047:190 5041:189 5035:188 5030:187 5025:186 5020:185 5015:184 5010:183 5005:182 5000:181 4995:180 4990:179 4985:178 4980:177 4975:176 4970:175 4965:174 4955:173 4950:172 4945:171 4940:170 4935:169 4930:168 4925:167 4920:166 4915:165 4910:164 4905:163 4900:162 4895:161 4889:160 4883:159 4878:158 4873:157 4868:156 4863:155 4858:154 4853:153 4848:152 4843:151 4838:150 4833:149 4828:148 4818:147 4813:146 4808:145 4803:144 4798:143 4792:142 4785:141 4779:140 4774:139 4769:138 4764:137 4759:136 4754:135 4744:134 4739:133 4734:132 4722:131 4717:130 4712:129 4707:128 4702:127 4697:126 4692:125 4687:124 4682:123 4677:122 4672:121 4657:120 4652:119 4642:118 4637:117 4632:116 4627:115 4622:114 4617:113 4612:112 4607:111 4602:110 4597:109 4592:108 4587:107 4582:106 4577:105 4572:104 4567:103 4562:102 4557:101 4552:100 4452:80a 4392:69a 4372:66a 4215:36c 4210:36b 4205:36a 4190:34a 4165:30a 3996:BWV 3994:by 3988:by 3911:224 3906:223 3901:221 3896:220 3891:217 3886:189 3881:142 3865:158 3845:194 3834:157 3828:197 3818:195 3795:120 3785:193 3754:III 3742:248 3737:200 3732:191 3711:174 3706:145 3701:159 3696:156 3691:171 3681:188 3650:173 3602:169 3572:102 3562:187 3557:170 3537:146 3507:151 3484:164 3451:100 3446:192 3423:177 3418:140 3413:112 3403:129 3398:137 3385:176 3380:175 3365:183 3360:128 3350:108 3345:103 3317:127 3312:126 3307:125 3297:111 3287:124 3282:123 3272:122 3267:133 3262:121 3247:116 3237:139 3232:115 3222:180 3207:114 3202:130 3177:113 3172:101 3162:178 3157:107 3142:135 3096:184 3071:166 3066:104 3056:134 3036:181 3031:144 3011:154 3001:153 2996:190 2957:109 2947:148 2937:138 2922:69a 2917:179 2907:105 2902:136 2897:186 2892:147 2887:167 2842:163 2837:162 2832:161 2827:199 2822:185 2812:165 2807:172 2792:182 2787:80a 2772:155 2767:152 2752:132 2742:70a 2728:143 2723:150 2718:196 2713:106 2698:131 2668:by 2627:in 1891:BIS 1226:on 1202:of 1119:, " 928:2Vg 925:B A 860:2Vg 378:by 293:in 194:by 180:by 64:by 55:106 53:BWV 5460:: 5402:: 4547:99 4542:98 4537:97 4532:96 4527:95 4522:94 4517:93 4512:92 4507:91 4502:90 4497:89 4492:88 4487:87 4482:86 4477:85 4472:84 4467:83 4462:82 4457:81 4447:80 4442:79 4437:78 4432:77 4427:76 4422:75 4417:74 4412:73 4407:72 4402:71 4397:70 4387:69 4382:68 4377:67 4367:66 4362:65 4357:64 4352:63 4347:62 4342:61 4337:60 4332:59 4327:58 4322:57 4317:56 4312:55 4307:54 4301:53 4295:52 4290:51 4285:50 4280:49 4275:48 4270:47 4265:46 4260:45 4255:44 4250:43 4245:42 4240:41 4235:40 4230:39 4225:38 4220:37 4200:36 4195:35 4185:34 4180:33 4175:32 4170:31 4160:30 4155:29 4150:28 4145:27 4140:26 4135:25 4130:24 4125:23 4120:22 4115:21 4110:20 4105:19 4100:18 4095:17 4090:16 4084:15 4078:14 4073:13 4068:12 4058:11 4053:10 3876:53 3870:50 3860:51 3800:69 3790:29 3766:VI 3764:, 3760:, 3758:IV 3756:, 3752:, 3750:II 3748:, 3727:30 3674:: 3645:34 3640:84 3627:52 3622:55 3617:98 3612:49 3607:56 3597:47 3592:27 3587:19 3582:17 3577:35 3567:45 3552:88 3547:39 3542:43 3532:72 3527:13 3522:32 3517:16 3512:28 3502:57 3489:79 3456:97 3433:14 3408:58 3375:68 3370:74 3355:87 3340:85 3335:42 3302:92 3277:41 3257:91 3252:62 3242:26 3227:38 3212:96 3192:99 3187:78 3182:33 3167:94 3152:93 3147:10 3091:59 3086:44 3081:37 3076:86 3061:67 3051:66 3046:23 3041:22 3026:83 3021:81 3016:73 3006:65 2991:64 2984:: 2977:70 2972:90 2967:60 2962:89 2952:48 2942:95 2932:25 2927:77 2912:46 2882:24 2877:76 2817:21 2802:12 2797:31 2782:54 2777:18 2762:63 2735:: 2703:71 2691:: 2526:. 2492:. 2460:. 2446:^ 2424:. 2398:. 2386:^ 2369:. 2358:^ 2341:. 2315:. 2298:^ 2282:. 2259:^ 2241:. 2215:15 2213:. 2209:. 2194:^ 2145:^ 2128:. 2124:. 2093:^ 1074:. 1051:. 889:3b 827:3a 761:2d 711:2c 675:2b 559:2a 462:. 366:. 329:. 5368:( 5253:) 5249:( 5246:) 5242:( 5225:) 5221:( 5043:) 5039:( 4794:) 4790:( 4730:) 4726:( 4648:) 4644:( 4303:) 4299:( 4064:) 4060:( 4048:9 4043:8 4038:7 4033:6 4028:5 4023:4 4018:3 4013:2 4008:1 3978:e 3971:t 3964:v 3942:/ 3938:/ 3808:) 3768:) 3762:V 3746:I 3744:( 3719:: 3428:9 3322:1 3292:3 3217:5 3197:8 3137:7 3132:2 3116:) 2658:e 2651:t 2644:v 2563:. 2540:. 2504:. 2471:. 2440:. 2409:. 2380:. 2352:. 2326:. 2292:. 2253:. 2225:. 2188:. 2139:. 2045:) 1971:) 1901:) 1834:) 1763:) 1706:) 1623:) 1550:) 1488:) 1417:) 1355:) 1194:4 1147:3 1060:" 1055:2 1024:1 996:– 975:E 948:4 865:B 857:A 823:3 745:8 729:B 693:T 657:– 633:4 597:E 555:2 528:E 509:1 223:4 192:" 186:" 178:" 170:" 165:" 159:" 34:. 20:)

Index

BWV 106
Actus Tragicus (comics)
BWV
Church cantata
J. S. Bach

Divi Blasii, Mühlhausen
Funeral
Acts 17:28
Psalms 90:12
Isaiah 38:1
Jesus Sirach 14:17
Revelation 22:20
Luke 18:31,34
Psalms 31:5
Mit Fried und Freud ich fahr dahin
Martin Luther
Adam Reusner
Mühlhausen
SATB
early
cantata
Johann Sebastian Bach
Mühlhausen
Old Testament
New Testament
hymns
Baroque instruments
movements
Old Covenant

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