2065:
2099:, ending with the loud shouts of "Herr, Herr, Herr!" in the first bars of the chorus. Soon, after the first part of the theme, comes the triple shout again, but this time, at the end of the bars, as a contra answer for the corresponding orchestral deep stresses at the beginning of the bars. Finally, the entire A section is repeated."Herr, unser Herrscher" and "O Mensch, bewein dein Sünde groß" are very different in character. The latter is full of torment in its text, but a serenely majestic piece of music. "Herr, unser Herrscher" sounds as if it has chains of dissonance between the two oboes and the turmoil of the
72:
1853:. The architecture of Part Two shows symmetry around this movement, the music of the preceding chorus #21f "Wir haben ein Gesetz" corresponds to #23b "Lässest du diesen los", the demand #21d "Kreuzige ihn!" is repeated in an intensified way in #23d "Weg, weg mit dem, kreuzige ihn!", #21b "Sei gegrüßet, lieber Judenkönig" reappears as #25b "Schreibe nicht: der Juden König".
2091:'opening chorus': "Herr, unser Herrscher ..." ("Lord, our master, ..."). There is an orchestral intonation of 36 bars before the explosive entrance of the chorus. Each of these bars is a single stress of lower tones, weakening till the end of the bar. These bass beats are accompanied by the remaining instruments of higher tones, by
2150:). This chorale – with alternative lyrics – is still in regular use in the congregations. The beginning of the theme is a descending sequence, but in overall the theme is full of emotion as well. Singing this chorale standalone, however, does not sound as a closing chorale, except if it is sung at the end of a real ceremony.
1848:
For the central chorale (#22) "Durch dein Gefängnis, Gottes Sohn, muß uns die
Freiheit kommen" ("Through Your prison, Son of God, must freedom come to us) Bach adapted the words of an aria from the Johannes-Passion of Christian Heinrich Postel (1700) and used the melody of "Mach's mit mir, Gott, nach
2117:
includes three commenting arias. There is an alto aria, "Von den
Stricken meiner Sünden" (From the bonds of my sins). This includes an intertwined oboe line that brings back many characteristics of the opening chorus. Another aria is an enchanting flute and soprano duet, "Ich folge dir gleichfalls".
2005:
taken as a lesser sacred concert. The text for the opening prayer, "Herr, unser
Herrscher, dessen Ruhm", as well as the arias, chorales and the penultimate chorus "Ruht wohl, ihr heiligen Gebeine", come from various other sources. Two recitative passages, the first dealing with Peter's weeping after
1898:
was subject to several major revisions. The version most familiar to us today is not the original version from 1724, but rather the version of 1739–1749. In the 1724 version, the
Recitative Movement No. 33 reads "Und die Vorhang im Tempel zerriß in zwei Stück; von oben an bis unten aus." (Mark 15,
2177:, who came to the United States in 1937 as a Jewish refugee from Nazi Germany, changed the text from "Juden" to "Leute" (people) when he conducted performances of the work. This has been the trend of numerous mainline Christian denominations since the late 20th century as well, for instance, the
1936:
again, restoring the original opening chorus, removing the final
Chorale (thus ending the work with the choral Movement No. 39), and removing the three new arias. He also excised the two interpolations from the Gospel of Matthew that appeared in the work, probably due to objections by the
374:
needed some repair, all of which, however, could be attended to at little cost; but he requested that a little additional room be provided in the choir loft of St. Nicholas Church, where he planned to place the musicians needed to perform the music. He also asked that the harpsichord be
2201:
contain fewer statements derogatory toward Jews than many other contemporary musical settings of the
Passion. He also noted that Bach used words for the commenting arias and hymns that tended to shift the blame for the death of Jesus from "the Jews" to the congregation of Christians.
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3067:
1759:
Bach followed the Gospel of John but added two lines from the Gospel of
Matthew, the account of Peter's weeping and the rending of the veil in the temple (in Version I, this second line was replaced by the line from the Gospel of Mark).
2124:: "Es ist vollbracht! ..." ("It is accomplished; what comfort for suffering human souls! I can see the end of the night of sorrow. The hero from Judah ends his victorious fight. It is accomplished!"). The central part is essentially a
2118:
In this piece the verbs "ziehen" (to pull) and "schieben" (to push) stimulate Bach's delight in musical illustration. The third aria is a passionate tenor solo that is accompanied by all the instruments, "Ach, mein Sinn" (O my soul).
3060:
2042:. Hence, by inserting four missing features, the whole Passion could be performed as if it were part of the liturgy. There would have been no applause, either at the beginning or at the end. The Passion contains quite a few
337:
The work is most often heard today in the 1739–1749 version (never performed during Bach's lifetime). Bach first performed the oratorio in 1724 and revised it in 1725, 1730, and 1749, adding several numbers.
2807:
At the end, the blessing is given by the priest: "The LORD bless you, and keep you; the LORD make His face shine on you, and be gracious to you; the LORD lift up His countenance on you, and give you peace."
1990:
chapters 18 and 19. To augment these chapters, which he summarized in the music, Bach used an elaborate body of commentary consisting of hymns, which were often called chorales, and arias. He adhered to
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4146:
1941:. Neither the aria nor the sinfonia has been preserved. Overall, Bach chose to keep the biblical text, and inserted Lutheran hymn verses so that he could return the work to its liturgical substance.
1865:
several times before producing a final version in the 1740s. Alternate numbers that Bach introduced in 1725 but later removed can be found in the appendix to scores of the work, such as that of the
1995:'s translation of the Bible and made no noticeable modifications. Bach proved that the sacred opera as a musical genre did not have to become shallow in liturgical use by remaining loyal to the
1899:
33) and was in 3 measures. From 1725 on, this was replaced by the more familiar 7-measure quote from
Matthew 27: 51–52 (except in the 3rd version, in which this was taken out altogether).
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3288:
346:", a 1725 replacement for the opening chorus, found a new home in the 1736 St Matthew Passion but several arias from the revisions are found only in the appendices to modern editions.
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1937:
ecclesiastical authorities. The first of these he simply removed; he composed a new instrumental sinfonia in lieu of the second. He also inserted an aria to replace the still-missing
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today one can sense an older feel to some of the music, and some scholars believe that those portions are the surviving parts of the Weimar
Passion. Unlike the
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In 1749, he reverted more or less to the original of 1724, making only slight changes to the orchestration, most notably replacing the by-then almost obsolete
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in
Leipzig, but due to a last-minute change by the music council, it was to be first performed at St. Nicholas. Bach quickly agreed to the move,
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1923:
341:
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In present-day performances the part of Jesus is often given to one bass soloist, Pilate and the bass arias to another. Some tenors sing the
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3138:
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was not Bach's first passion. While he was working as Konzertmeister (1714–1717) in Weimar, Bach possibly wrote a Passion, known as the
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2804:
together, after Jesus' death "Und neiget das Haupt und verschied" and before the aria-chorale "Mein teurer Heiland, lass dich fragen".
2006:
his betrayal and the second portraying the temple veil's ripping during the crucifixion, do not appear in the Gospel of John, but the
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sixteenth notes in the strings. Especially, when they invade the bass, it is full of anguish and therefore it characterizes the
1986:, Bach intended to retain the congregational spirit of the worship service. The text for the body of the work is taken from the
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444:– a very demanding part – and the arias. The smaller parts (Peter, Maid, Servant) are sometimes performed by choir members.
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1955:. Also, Bach's orchestra for this piece would have been very delicate in nature because he called for many gamba strings.
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Paluu kansankielisyyteen ‒ Johannes-passio esitetään Martti Laitisen johdolla ruotsiksi Kokkolassa pitkäperjantaina
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363:
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has been described as more extravagant, with an expressive immediacy, at times more unbridled and less "finished".
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Before the beginning of the service, "In the name of the Father, the Son and the Holy Spirit.", announced by the
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293:
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4403:
2694:"Vi ger åhörarna något de antagligen aldrig tidigare hört" – på långfredagen får musiken dominera i gudstjänsten
383:. The council made the arrangements requested by Bach regarding the harpsichord and space needed for the choir.
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1823:
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The numbering of the movements is different in different editions. The following table uses the numbers of the
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1967:
1919:
1870:
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falls in two halves, intended to flank a sermon. The anonymous libretto draws on existing works (notably by
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follows exactly the words of that bible. The compiler of the additional poetry is unknown. Models are the
251:
50:
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3661:
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2305:"Zwei Bach-Funde in Mügeln. C. P. E. Bach, Picander und die Leipziger Kirchenmusik in den 1730er Jahren"
1850:
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63:
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but pointed out that the booklet was already printed, that there was no room available and that the
4112:
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that were in regular use in worship. The congregation and the audience, however, remained silent.
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using hymn tunes and texts familiar to a congregation of Bach's contemporaries. Compared with the
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3204:
2071:
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326:
4017:
3335:
3133:
2935:
2895:
2873:
2845:
2388:
2324:
2007:
1866:
1768:
487:
452:
441:
4183:
4107:
3826:
3666:
3589:
3178:
2961:
2837:
2574:
2376:
2316:
2186:
1945:
1882:
1841:
For the words of the aria "Ach, mein Sinn" (#13), Bach used an adaptation of a 1675 poem by
1834:
1816:
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The Triumph of 'Instrumental Melody': Aspects of Musical Poetics in Bach's St John Passion
2095:
singing the prospective theme. The last six bars of the orchestral intro produce a robust
1842:
1772:
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267:
255:
59:
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3043:, text (in many languages), details, recordings, reviews, discussions – bach-cantatas.com
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379:
The council agreed and sent a flyer announcing the new location to all the people around
2163:. This accusation is closely connected to a wider controversy regarding the tone of the
483:, and the crowd is not interrupted by reflective elements but a single central chorale.
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2133:
2125:
1987:
1809:
472:
422:
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309:
2021:. In the early 1950s musicians were allowed to play church music only in the frame of
1966:
was soon to follow. Fred Wolle, with his Choral Union of 1888 at the Moravian town of
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1997:
1992:
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of 1724, shortly after Bach's 39th birthday. It was originally planned to be held at
1958:
In the summer of 1815, Bach's Passions began to be studied once again. Parts of the
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3014:
2801:
2304:
1949:
448:
410:
271:
479:, and the third finally at the burial site. The dramatic argument between Pilate,
3038:
2084:: Alto enters after these first few bars of Viola da gamba solo. Continuo omitted
1974:
in the Americas. This spurred a revival of Bach's choral music in the New World.
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Johann Sebastian Bach's 'St John Passion' from 1725: A Liturgical Interpretation
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Between the first and second part of the Passion, the priest gives a very short
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275:
99:
2948:"Luther, Bach, and the Jews: The Place of Objectionable Texts in the Classroom"
1902:
In 1725, Bach replaced the opening and closing choruses and added three arias (
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aria. The theme is introduced by the viola da gamba gently accompanied by the
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71:
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Performance Practice of the Instrumental-Vocal Works of Johann Sebastian Bach
2420:
2328:
2053:
in a full-scale Good Friday service was revived in Kokkola, Finland in 2023.
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Die Kriegsknechte aber, da sie Jesum gekreuziget hatten, nahmen seine Kleider
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2014:
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Johann Sebastian Bach, St John Passion: Genesis, Transmission, and Meaning
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3744:
3545:
2030:
1812:(1633), verse 10 for movement 14, verse 20 for 28, the last verse for 32,
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259:
1645:
My heart, in which the whole world in Jesus' suffering likewise suffers
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Wäre dieser nicht ein Übeltäter, wir hätten dir ihn nicht überantwortet.
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17:
1914:, which was later transposed and reused at the end of part one of the
1496:
Lasset uns den nicht zerteilen, sondern darum losen, wes er sein soll.
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If he were not a malefactor, we would not have delivered him to you.
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Then the soldiers, when they had crucified Jesus, took his garments
30:
For other musical settings of the Passion according to St John, see
1640:
Mein Herz, in dem die ganze Welt bei Jesu Leiden gleichfalls leidet
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3821:
3806:
3390:
2385:
Bach Perspectives, Volume 8: J. S. Bach and the Oratorio Tradition
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301:
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Bach's Latin title is more literally "Passion according to John".
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2129:
1910:) from the original version. The opening chorus was replaced by
434:
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418:
317:
217:
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Herr, unser Herrscher, dessen Ruhm in allen Landen herrlich ist
1918:. The closing chorale was replaced by a brilliant setting of "
1903:
1249:
Through thy captivity, Son of God, has come to us the freedom
1244:
Durch dein Gefängnis, Gottes Sohn, muß uns die Freiheit kommen
447:
Bach followed chapters 18 and 19 of the Gospel of John in the
2193:
examines the controversy in detail. He concludes that Bach's
1894:, to which Bach made very few and insignificant changes, the
1501:
Let us not rend it, but cast lots for it, whose it shall be.
925:
Then led they Jesus from Caiaphas into the hall of judgment
526:
Lord, our Lord, whose glory is magnificent in all the earth
1555:
And from that hour that disciple took her to his own home.
796:
Now Annas had sent him bound unto Caiaphas the high priest
791:
Und Hannas sandte ihn gebunden zu dem Hohenpriester Kaiphas
437:, instruments that were already old-fashioned at the time.
2191:
Lutheranism, Anti-Judaism, and Bach's 'St John's Passion'
1869:(and heard in the recording by Emmanuel Music directed by
1280:
Lässest du diesen los, so bist du des Kaisers Freund nicht
544:
Jesus went forth with his disciples over the brook Cedron
2070:
Audio playback is not supported in your browser. You can
1929:. The three new arias are not known to have been reused.
1208:
Wir haben ein Gesetz, und nach dem Gesetz soll er sterben
2281:, 107. Canada: Associated University Presses, Inc. 1981.
1775:(1630), verse 6 for movement 3, verses 7 & 8 for 17,
1622:
Und siehe da, der Vorhang im Tempel zerriß in zwei Stück
2663:
A Deák téri János passió-előadások kulisszatitkaiból I.
1886:, but it is now lost. Sometimes while listening to the
1681:
The Jews therefore, because it was the preparation day
1226:
Da Pilatus das Wort hörete, fürchtet' er sich noch mehr
3167:
Jesus Christus ist um unsrer Missetat willen verwundet
2842:
Lutheranism, Anti-Judaism, and Bach's St. John Passion
1303:
When Pilate heard that saying, he brought Jesus forth
1231:
When Pilate heard that saying, he was the more afraid
611:
Jesus antwortete: Ich hab's euch gesagt, daß ich's sei
405:
with soloists, as well as an instrumental ensemble of
2017:
Hungary demonstrates the congregational character of
218:
2279:
The Music of Johann Sebastian Bach: The Choral Works
1627:
And, behold, the veil of the temple was torn in two
1285:
If you let this man go, you are not Caesar's friend
1118:
Und die Kriegsknechte flochten eine Krone von Dornen
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2254:, 114. Cambridge: Cambridge University Press. 2004.
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Da Pilatus das Wort hörete, führete er Jesum heraus
920:
Da führeten sie Jesum von Kaiphas vor das Richthaus
210:
127:
105:
95:
81:
41:
2797:, intended to be understood even by non-believers.
2159:The text Bach set to music has been criticized as
2136:setting. Then comes the solo vocal interpretation.
1861:Researchers have discovered that Bach revised his
1370:Da überantwortete er ihn daß er gekreuziget würde.
539:Jesus ging mit seinen Jüngern über den Bach Kidron
467:, and the second in the palace of the high priest
2696:, 7 April 2023, Österbottens Tidning (in Swedish)
1082:Betrachte, meine Seel', mit ängstlichem Vergnügen
737:Ich folge dir gleichfalls mit freudigen Schritten
225:orchestra of woodwinds, strings and basso contiuo
27:1724 musical composition by Johann Sebastian Bach
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1819:(1531), verse 1 for movement 15, verse 8 for 37,
1717:And after this Joseph of Arimathea asked Pilate
4435:Passions and oratorios by Johann Sebastian Bach
2870:Bach's Major Vocal Works. Music, Drama, Liturgy
2421:Architecture and Sources of the St John Passion
2387:, 100–101. University of Illinois Press. 2011.
2231:
2229:
2227:
1375:Then he delivered him to them to be crucified.
755:Derselbige Jünger war dem Hohenpriester bekannt
2499:
2497:
2495:
2049:More recently, the tradition of including the
1550:Und von Stund' an nahm sie der Jünger zu sich.
1213:We have a law, and by our law he ought to die
3367:
3341:List of compositions by Johann Sebastian Bach
3068:
2844:. New York, Oxford: Oxford University Press.
2458:
2456:
2454:
2452:
2450:
2448:
2001:and the scriptural word. He did not want the
742:I will follow you likewise with joyful steps
670:Thy will be done, Lord God, at the same time
8:
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997:That the saying of Jesus might be fulfilled
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274:and was first performed on 7 April 1724, at
2914:Johann Sebastian Bach: The Learned Musician
2684:, 7 April 2023, Keskipohjanmaa (in Finnish)
2558:
2556:
2554:
2552:
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1658:Zerfließe, mein Herze, in Fluten der Zähren
1123:And the soldiers plaited a crown of thorns
760:That disciple was known to the high priest
86:
3401:
3374:
3360:
3352:
3084:Masses, magnificat, passions and oratorios
3075:
3061:
3053:
2832:. Ann Arbor, Michigan: UMI Research Press.
2790:; this is the start of a Lutheran liturgy.
2581:, 11. Maryland, The Scarecrow Press. 2002.
1676:Die Juden aber, dieweil es der Rüsttag war
616:Jesus answered, I have told you that I am
70:
38:
3034:International Music Score Library Project
2965:
2934:. Oxford: Oxford University Press, 2000.
2739:
2724:
2614:
2541:
2518:
2290:
2235:
1801:(1647), verses 3 & 4 for movement 11,
2946:McGinnis, Beth; McGinnis, Scott (2017).
2751:
2262:
2260:
1833:"Herzlich lieb hab ich dich, o Herr" by
1712:Darnach bat Pilatum Joseph von Arimathia
873:
750:Evangelist, Maid, Peter, Jesus, Servant
665:Dein Will' gescheh', Herr Gott, zugleich
634:O great love, o love beyond all measure
492:
471:. Part Two shows three scenes, one with
2767:
2653:, 10 April 2009, TajKéAp (in Hungarian)
2503:
2486:
2223:
2148:O Lord, let your dear little angels ...
1352:Wir haben keinen König denn den Kaiser.
358:was intended for the vesper service on
270:. It was written during his first year
2892:Choral Masterworks: A Listener's Guide
2783:These missing features are, in order:
2711:Evangelical-Lutheran Church in Hungary
2266:
1519:That the scripture might be fulfilled
1010:Ach großer König, groß zu allen Zeiten
272:as director of church music in Leipzig
3642:Jesus and the woman taken in adultery
2638:
2626:
2474:
2462:
2439:
2346:
2144:Ach Herr, lass dein lieb Engelein ...
1159:And they smote him with their hands.
1100:Erwäge, wie sein blutgefärbter Rücken
1087:Look, my soul, with anxious pleasure
629:O große Lieb', o Lieb' ohn' alle Maße
7:
2872:. New Haven: Yale University Press.
2863:. New York: Oxford University Press.
2602:
2590:
2562:
1753:O Lord, let your dear little angels
1604:Mein teurer Heiland, laß dich fragen
1586:Und neiget' das Haupt und verschied.
1105:Consider how his blood-stained back
992:Auf daß erfüllet würde das Wort Jesu
683:Die Schar aber und der Oberhauptmann
425:. For special colors Bach also used
2894:. Oxford: Oxford University Press.
2430:Neuer Basler Kammerchor (in German)
2181:, when they read the gospel during
1815:"Christus, der uns selig macht" by
1748:Ach Herr, lass dein' lieb' Engelein
1663:Melt, my heart, in floods of tears
719:Simon Petrus aber folgete Jesu nach
652:That the saying might be fulfilled
3024:(video and background information)
3011:(video and background information)
2405:The Passion of Saint John, BWV 245
2167:'s Gospel of John with regards to
1514:Auf daß erfüllet würde die Schrift
1321:Away, away with him, crucify him!
1015:Oh great king, great at all times
979:We must not put any man to death.
814:Are you not one of his disciples?
809:Bist du nicht seiner Jünger einer?
25:
1591:He bowed his head, and departed.
1267:But the Jews cried out, and said
3129:Kyrie–Gloria masses, BWV 233–236
2013:A modern example originating in
1912:O Mensch, bewein dein Sünde groß
1837:(1571), verse 3 for movement 40.
1830:(1613), verse 3 for movement 26,
1609:My precious Savior, let ask you
1429:Write not, The King of the Jews
1136:Sei gegrüßet, lieber Judenkönig!
387:Musical architecture and sources
342:O Mensch, bewein dein Sünde groß
266:, the earliest of the surviving
32:St John Passion (disambiguation)
4147:Pillar New Testament Commentary
3047:Text and translation to English
1970:, was the first to perform the
1932:In the 1730s, Bach revised the
1786:(1539), verse 4 for movement 5,
1730:Ruht wohl, ihr heiligen Gebeine
1424:Schreibe nicht: der Juden König
1316:Weg, weg mit dem, kreuzige ihn!
1046:Nicht diesen, sondern Barrabam!
868:Peter, who does not think back
724:And Simon Peter followed Jesus
647:Auf daß das Wort erfüllet würde
3238:Wer ist der, so von Edom kömmt
1925:Du wahrer Gott und Davids Sohn
863:Petrus, der nicht denkt zurück
701:Von den Stricken meiner Sünden
688:Then the band and the captain
421:, the latter both doubling on
320:reflecting on the action, and
1:
1962:were being rehearsed and the
1771:, was hast du verbrochen" by
1537:He was careful of everything
1388:Eilt, ihr angefochtnen Seelen
1154:Und gaben ihm Backenstreiche.
1069:Now Barabbas was a murderer.
1064:Barrabas aber war ein Mörder.
1033:Pilate therefore said to him
907:Christ, who makes us blessed
902:Christus, der uns selig macht
2303:Wollny, Peter (2018-07-24).
2067:
1793:O Welt, sieh hier dein Leben
1694:O hilf, Christe, Gottes Sohn
1357:We have no king but Caesar.
1051:Not this man, but Barabbas!
463:. The first scene is in the
3786:The truth will set you free
3243:includes BWV 1088 and
2859:Melamed, Daniel R. (2005).
2800:The congregation prays the
2212:St John Passion discography
1906:245a-c) while cutting one (
1699:O help, Christ, Son of God
822:Evangelist, Peter, Servant
401:is written for a four-part
76:First page of the autograph
4456:
4373:Ohrid Glagolitic fragments
1922:", taken from the cantata
1780:Vater unser im Himmelreich
1532:Er nahm alles wohl in acht
1465:In the bottom of my heart
1221:Evangelist, Pilate, Jesus
1177:Crucify him, crucify him!
1059:Evangelist, Pilate, Jesus
1023:Evangelist, Pilate, Jesus
987:Evangelist, Pilate, Jesus
956:Da sprach Pilatus zu ihnen
773:Wer hat dich so geschlagen
706:From the bonds of my sins
459:and a Johannes-Passion by
390:
29:
4409:American Standard Version
4142:Second Apocalypse of John
3728:Disciple whom Jesus loved
3331:
2916:. New York: W. W. Norton.
1845:, "Der weinende Petrus".
1806:Jesu Leiden, Pein und Tod
1791:
1747:
1729:
1711:
1693:
1675:
1657:
1639:
1621:
1603:
1585:
1567:
1549:
1531:
1513:
1495:
1477:
1459:
1441:
1423:
1411:There they crucified him
1405:
1387:
1369:
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1315:
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1099:
1081:
1063:
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1009:
991:
974:Wir dürfen niemand töten.
973:
961:Then said Pilate to them
955:
937:
919:
901:
888:
885:
882:
879:
862:
844:
826:
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754:
736:
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682:
664:
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628:
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592:
574:
556:
538:
520:
507:
504:
501:
498:
461:Christian Heinrich Postel
393:St John Passion structure
340:
294:Barthold Heinrich Brockes
69:
58:
48:
3774:That they all may be one
3022:Netherlands Bach Society
3009:Netherlands Bach Society
2383:. In Melamed, Daniel R.
2360:"St John Passion – Bach"
2113:: The first part of the
1824:Valet will ich dir geben
1460:In meines Herzens Grunde
1406:Allda kreuzigten sie ihn
1334:Spricht Pilatus zu ihnen
1141:Hail, King of the Jews!
1028:Da sprach Pilatus zu ihm
3617:Bread of Life Discourse
3320:Ascension Oratorio
3266:Christmas Oratorio
2868:Rathey, Markus (2016).
2861:Hearing Bach's Passions
2072:download the audio file
1968:Bethlehem, Pennsylvania
1920:Christe, du Lamm Gottes
1763:He chose the chorales:
1262:Die Juden aber schrieen
1190:Pilatus sprach zu ihnen
296:) and is compiled from
237:Passio secundum Joannem
155:30 March 1725
88:Passio secundum Joannem
4076:Via et veritas et vita
3867:Mary, sister of Martha
3780:Via et veritas et vita
3172:includes BWV 1084
2982:, Colloquium 4 (2007)
2828:Herz, Gerhard (1985).
2321:10.13141/bjb.v20101883
2029:is an almost complete
1735:Rest well, holy bones
575:Jesus spricht zu ihnen
377:
247:
135:7 April 1724
87:
4414:World English Version
3768:Quod scripsi, scripsi
3697:Resurrection of Jesus
3089:Johann Sebastian Bach
3020:: performance by the
3007:: performance by the
2364:www.bachvereniging.nl
1851:Johann Hermann Schein
368:
290:structure of the work
264:Johann Sebastian Bach
4120:Johannine literature
4043:I am (biblical term)
3702:Restoration of Peter
3312:Easter Oratorio
2830:Essays on J. S. Bach
1339:Pilate says to them
1195:Pilate said to them
4167:(J. S. Bach, 1724)
4113:John the Evangelist
4103:Johannine community
4069:Resurrectio et Vita
3832:Joseph of Arimathea
3745:Feast of Dedication
3632:Healing a paralytic
3627:Healing a blind man
3049:– emmanuelmusic.org
2984:Colloquium 4 (2007)
2442:, pp. 293–294.
1437:Evangelist, Pilate
1329:Evangelist, Pilate
1293:Evangelist, Pilate
1185:Evangelist, Pilate
1172:Kreuzige, kreuzige!
1149:Evangelist, Pilate
951:Evangelist, Pilate
915:Evangelist, Pilate
876:
580:Jesus says to them
495:
283:St. Nicholas Church
4404:King James Version
4200:The Gospel of John
4192:The Gospel of John
4137:Apocryphon of John
4058:Gate for the Sheep
4053:Light of the World
3750:"Love one another"
3677:Farewell Discourse
3652:Raising of Lazarus
3637:Healing a sick son
3205:St Matthew Passion
3098:Latin church music
2989:2013-01-31 at the
2967:10.3390/rel8040053
2888:Steinberg, Michael
2426:2011-07-07 at the
2199:St Matthew Passion
2122:the death of Jesus
1982:While writing the
1978:Congregational use
1964:St Matthew Passion
1916:St Matthew Passion
1892:St Matthew Passion
1828:Valerius Herberger
1568:Es ist vollbracht!
1545:Evangelist, Jesus
1509:Evangelist, Jesus
1442:Pilatus antwortet'
874:
642:Evangelist, Jesus
606:Evangelist, Jesus
598:Jesus of Nazareth
593:Jesum von Nazareth
570:Evangelist, Jesus
562:Jesus of Nazareth
557:Jesum von Nazareth
534:Evangelist, Jesus
493:
327:St Matthew Passion
4440:1724 compositions
4422:
4421:
3598:
3597:
3349:
3348:
2838:Marissen, Michael
2575:Hochreither, Karl
2409:Michael Steinberg
2393:978-0-252-03584-5
2377:Dreyfus, Laurence
2082:Es ist vollbracht
2076:
2036:, focused on the
2008:Gospel of Matthew
1867:Neue Bach-Ausgabe
1769:Herzliebster Jesu
1757:
1756:
1393:Hurry, you souls
872:
871:
488:Neue Bach-Ausgabe
350:First performance
306:Passion of Christ
232:
231:
16:(Redirected from
4447:
4399:Wycliffe Version
4132:Textual variants
4108:John the Apostle
3827:John the Baptist
3718:In the beginning
3667:Passion of Jesus
3647:Walking on water
3622:Feeding the 5000
3402:
3376:
3369:
3362:
3353:
3179:Weimarer Passion
3091:
3077:
3070:
3063:
3054:
3032:: Scores at the
2975:
2969:
2917:
2910:Wolff, Christoph
2905:
2883:
2864:
2855:
2833:
2815:
2781:
2775:
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2350:
2344:
2333:
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2300:
2294:
2288:
2282:
2275:
2269:
2264:
2255:
2252:The Life of Bach
2245:
2239:
2233:
2187:Michael Marissen
2179:Episcopal Church
2111:commenting arias
1883:Weimarer Passion
1873:, cited below).
1835:Martin Schalling
1796:
1795:
1750:
1749:
1732:
1731:
1714:
1713:
1696:
1695:
1678:
1677:
1660:
1659:
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1606:
1605:
1588:
1587:
1573:It is finished!
1570:
1569:
1552:
1551:
1534:
1533:
1516:
1515:
1498:
1497:
1480:
1479:
1462:
1461:
1447:Pilate answered
1444:
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1407:
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1371:
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1084:
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939:
922:
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904:
903:
877:
865:
864:
847:
846:
829:
828:
827:Er leugnete aber
811:
810:
793:
792:
775:
774:
757:
756:
739:
738:
721:
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703:
702:
685:
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631:
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613:
612:
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577:
576:
559:
558:
541:
540:
523:
522:
496:
451:, and the tenor
345:
344:
268:Passions by Bach
248:Johannes-Passion
220:
202:
201:
197:
195:
185:
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180:
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169:
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149:
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91:
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74:
39:
21:
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4449:
4448:
4446:
4445:
4444:
4425:
4424:
4423:
4418:
4377:
4206:
4164:St John Passion
4151:
4086:
4027:
4018:Solomon's Porch
3936:
3842:Mother of Jesus
3790:
3761:Noli me tangere
3733:Doubting Thomas
3706:
3612:Wedding at Cana
3605:(chronological)
3604:
3594:
3532:
3393:
3385:
3380:
3350:
3345:
3327:
3326:
3252:
3251:
3231:St Mark Passion
3224:St Luke Passion
3186:St John Passion
3151:
3150:
3107:Mass in B minor
3092:
3087:
3081:
3040:St John Passion
3029:St John Passion
3016:St John Passion
3004:St John Passion
2999:
2991:Wayback Machine
2978:Markus Rathey.
2945:
2924:
2922:Further reading
2908:
2902:
2886:
2880:
2867:
2858:
2852:
2836:
2827:
2824:
2819:
2818:
2810:Numbers 6:24–26
2782:
2778:
2773:
2769:
2764:
2759:
2758:
2750:
2746:
2738:
2731:
2723:
2716:
2704:
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2510:
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2428:Wayback Machine
2419:
2415:
2403:
2399:
2375:
2371:
2358:
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2353:
2345:
2336:
2302:
2301:
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2276:
2272:
2265:
2258:
2248:Williams, Peter
2246:
2242:
2234:
2225:
2220:
2208:
2195:St John Passion
2157:
2140:closing chorale
2115:St John Passion
2105:St John Passion
2088:
2087:
2086:
2085:
2079:
2078:
2077:
2075:
2059:
2051:St John Passion
2027:St John Passion
2025:. However, the
2019:St John Passion
1984:St John Passion
1980:
1972:St John Passion
1960:St John Passion
1934:St John Passion
1896:St John Passion
1888:St John Passion
1878:St John Passion
1863:St John Passion
1859:
1849:deiner Güt" by
1843:Christian Weise
1773:Johann Heermann
1653:Aria (soprano)
1635:Arioso (tenor)
778:Who hit you so
732:Aria (soprano)
457:Brockes Passion
415:flauti traversi
399:St John Passion
395:
389:
356:St John Passion
352:
332:St John Passion
308:as told in the
243:St John Passion
228:
206:
199:
193:
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189:
182:
176:
174:
172:
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158:
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144:
138:
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117:madrigal poetry
85:
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54:
43:St John Passion
35:
28:
23:
22:
15:
12:
11:
5:
4453:
4451:
4443:
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4427:
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4065:
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4055:
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4029:
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4020:
4015:
4013:Sea of Galilee
4010:
4005:
4000:
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3990:
3985:
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3970:
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3955:
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3899:
3894:
3889:
3887:Pontius Pilate
3884:
3879:
3874:
3869:
3864:
3862:Mary Magdalene
3859:
3854:
3849:
3844:
3839:
3837:Judas Iscariot
3834:
3829:
3824:
3819:
3814:
3809:
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3408:
3399:
3387:
3386:
3383:Gospel of John
3381:
3379:
3378:
3371:
3364:
3356:
3347:
3346:
3344:
3343:
3338:
3332:
3329:
3328:
3325:
3324:
3316:
3314:, BWV 249
3308:
3307:
3306:
3301:
3296:
3291:
3286:
3281:
3275:
3268:, BWV 248
3261:
3260:
3258:
3254:
3253:
3250:
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3234:
3227:
3220:
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3082:
3080:
3079:
3072:
3065:
3057:
3051:
3050:
3044:
3036:
3025:
3018:(1725 version)
3012:
2998:
2997:External links
2995:
2994:
2993:
2976:
2943:
2923:
2920:
2919:
2918:
2906:
2900:
2884:
2879:978-0300217209
2878:
2865:
2856:
2850:
2834:
2823:
2820:
2817:
2816:
2814:
2813:
2805:
2798:
2791:
2776:
2766:
2765:
2763:
2760:
2757:
2756:
2744:
2740:Steinberg 2005
2729:
2725:Steinberg 2005
2714:
2698:
2686:
2674:
2672:(in Hungarian)
2668:2012-08-02 at
2655:
2643:
2641:, p. 293.
2631:
2629:, p. 292.
2619:
2615:Steinberg 2005
2607:
2605:, p. 199.
2595:
2583:
2567:
2546:
2542:Steinberg 2005
2523:
2519:Steinberg 2005
2508:
2491:
2479:
2477:, p. 297.
2467:
2444:
2432:
2413:
2407:commentary of
2397:
2369:
2351:
2334:
2295:
2291:Steinberg 2005
2283:
2277:Daw, Stephen.
2270:
2256:
2240:
2236:Steinberg 2005
2222:
2221:
2219:
2216:
2215:
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2156:
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2151:
2137:
2134:basso continuo
2126:viola da gamba
2119:
2108:
2080:
2069:
2066:
2064:
2063:
2062:
2061:
2060:
2058:
2055:
1988:Gospel of John
1979:
1976:
1939:Ach, mein Sinn
1908:Ach, mein Sinn
1858:
1855:
1839:
1838:
1831:
1820:
1813:
1810:Paul Stockmann
1802:
1787:
1776:
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1077:Arioso (bass)
1075:
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845:Ach, mein Sinn
841:
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473:Pontius Pilate
435:viola da gamba
423:oboe da caccia
413:with pairs of
411:basso continuo
391:Main article:
388:
385:
351:
348:
310:Gospel of John
304:narrating the
230:
229:
227:
226:
223:
222:choir and solo
214:
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208:
207:
205:
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187:
170:
151:
131:
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125:
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121:
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115:
113:John 18–19
109:
107:
103:
102:
97:
93:
92:
83:
79:
78:
75:
67:
66:
56:
55:
49:
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26:
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10:
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4:
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2:
4452:
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4407:
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4394:Latin Vulgate
4392:
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4066:
4064:
4063:Good Shepherd
4061:
4059:
4056:
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4049:
4048:Bread of Life
4046:
4044:
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4024:
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4019:
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4009:
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3817:Herod Antipas
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3507:
3504:
3502:
3499:
3497:
3494:
3492:
3489:
3487:
3484:
3483:
3482:
3481:Book of Glory
3479:
3475:
3472:
3470:
3467:
3465:
3462:
3460:
3457:
3455:
3452:
3450:
3447:
3445:
3442:
3440:
3437:
3435:
3432:
3430:
3427:
3425:
3422:
3421:
3420:
3419:Book of Signs
3417:
3415:
3412:
3411:
3409:
3407:
3403:
3400:
3397:
3396:New Testament
3392:
3388:
3384:
3377:
3372:
3370:
3365:
3363:
3358:
3357:
3354:
3342:
3339:
3337:
3334:
3333:
3330:
3323:
3322:, BWV 11
3321:
3317:
3315:
3313:
3309:
3305:
3302:
3300:
3297:
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3170:
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3160:
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3145:
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3140:
3139:early version
3137:
3136:
3135:
3132:
3130:
3127:
3123:
3120:
3118:
3115:
3113:
3112:early version
3110:
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3073:
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3019:
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2959:
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2949:
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2940:0-19-816240-5
2937:
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2911:
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2903:
2901:0-19-802921-7
2897:
2893:
2889:
2885:
2881:
2875:
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2862:
2857:
2853:
2851:9780195344349
2847:
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2826:
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2821:
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2803:
2799:
2796:
2792:
2789:
2785:
2784:
2780:
2777:
2771:
2768:
2761:
2753:
2752:Marissen 1998
2748:
2745:
2741:
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2734:
2730:
2726:
2721:
2719:
2715:
2712:
2708:
2702:
2699:
2695:
2690:
2687:
2683:
2678:
2675:
2671:
2670:archive.today
2667:
2664:
2659:
2656:
2652:
2647:
2644:
2640:
2635:
2632:
2628:
2623:
2620:
2617:, p. 20.
2616:
2611:
2608:
2604:
2599:
2596:
2593:, p. 94.
2592:
2587:
2584:
2580:
2576:
2571:
2568:
2564:
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2532:
2530:
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2509:
2505:
2500:
2498:
2496:
2492:
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2476:
2471:
2468:
2465:, p. 294
2464:
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2365:
2361:
2355:
2352:
2349:, p. 291
2348:
2343:
2341:
2339:
2335:
2330:
2326:
2322:
2318:
2314:
2311:(in German).
2310:
2309:Bach-Jahrbuch
2306:
2299:
2296:
2293:, p. 22.
2292:
2287:
2284:
2280:
2274:
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2268:
2263:
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2257:
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2205:
2203:
2200:
2196:
2192:
2188:
2184:
2180:
2176:
2172:
2170:
2166:
2165:New Testament
2162:
2154:
2149:
2145:
2141:
2138:
2135:
2131:
2127:
2123:
2120:
2116:
2112:
2109:
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2102:
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2056:
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2040:
2035:
2032:
2028:
2024:
2020:
2016:
2011:
2009:
2004:
2000:
1999:
1998:cantus firmus
1994:
1993:Martin Luther
1989:
1985:
1977:
1975:
1973:
1969:
1965:
1961:
1956:
1954:
1951:
1947:
1946:viola d'amore
1942:
1940:
1935:
1930:
1928:
1926:
1921:
1917:
1913:
1909:
1905:
1900:
1897:
1893:
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1864:
1856:
1854:
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1844:
1836:
1832:
1829:
1825:
1821:
1818:
1817:Michael Weiße
1814:
1811:
1807:
1803:
1800:
1799:Paul Gerhardt
1794:
1788:
1785:
1784:Martin Luther
1781:
1777:
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1199:
1198:
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1176:
1169:
1166:
1163:
1162:
1158:
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1140:
1133:
1130:
1127:
1126:
1122:
1115:
1112:
1109:
1108:
1104:
1097:
1095:Aria (tenor)
1094:
1091:
1090:
1086:
1079:
1076:
1073:
1072:
1068:
1061:
1058:
1055:
1054:
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1019:
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1004:
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1000:
996:
989:
986:
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978:
971:
968:
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964:
960:
953:
950:
947:
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914:
911:
910:
906:
899:
896:
893:
892:
878:
867:
860:
857:
854:
853:
850:Oh, my sense
849:
842:
840:Aria (tenor)
839:
836:
835:
832:He denied it
831:
824:
821:
818:
817:
813:
806:
803:
800:
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777:
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764:
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705:
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669:
662:
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626:
623:
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619:
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4198:
4190:
4187:(Pärt, 1982)
4182:
4163:
4162:
4074:
4067:
3993:Jordan River
3983:Jacob's Well
3822:Jesus Christ
3778:
3766:
3759:
3737:
3662:Foot washing
3528:Epilogue: 21
3319:
3311:
3265:
3236:
3229:
3222:
3203:
3185:
3184:
3177:
3165:
3039:
3028:
3015:
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2979:
2970:– via
2957:
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2913:
2891:
2869:
2860:
2841:
2829:
2802:Pater noster
2779:
2770:
2747:
2742:, p. 26
2727:, p. 23
2701:
2689:
2677:
2658:
2646:
2634:
2622:
2610:
2598:
2586:
2578:
2570:
2565:, p. 58
2544:, p. 21
2521:, p. 25
2506:, p. 75
2504:Melamed 2005
2489:, p. 72
2487:Melamed 2005
2482:
2470:
2435:
2416:
2400:
2384:
2380:
2372:
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2354:
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2308:
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2251:
2243:
2238:, p. 19
2198:
2194:
2190:
2173:
2161:anti-Semitic
2158:
2147:
2143:
2139:
2128:solo and an
2121:
2114:
2110:
2104:
2081:
2050:
2048:
2037:
2026:
2018:
2012:
2002:
1996:
1983:
1981:
1971:
1963:
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1924:
1915:
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1762:
1758:
1599:Aria (bass)
1563:Aria (alto)
1383:Aria (bass)
696:Aria (alto)
485:
449:Luther Bible
446:
439:
398:
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378:
369:
355:
353:
336:
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287:
242:
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236:
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42:
36:
4211:Manuscripts
4203:(2014 film)
4195:(2003 film)
4176:Discography
4156:Adaptations
4125:Holy Spirit
3892:Simon Peter
3682:Crucifixion
3672:Last Supper
3273:discography
3216:discography
3197:discography
3144:discography
3122:discography
2928:Alfred Dürr
2315:: 111–131.
2267:Rathey 2016
2183:Good Friday
1871:Craig Smith
1707:Evangelist
1671:Evangelist
1617:Evangelist
1581:Evangelist
1473:Evangelist
1401:Evangelist
1365:Evangelist
1257:Evangelist
1113:Evangelist
786:Evangelist
714:Evangelist
678:Evangelist
372:harpsichord
360:Good Friday
298:recitatives
276:Good Friday
203:(version 4)
186:(version 3)
168:(version 2)
150:(version 1)
100:Good Friday
82:Native name
4429:Categories
4389:Greek Text
4098:Authorship
3927:Samaritans
3755:Jesus wept
3692:Empty tomb
3336:Evangelist
3134:Magnificat
2639:Wolff 2000
2627:Wolff 2000
2475:Wolff 2000
2463:Wolff 2000
2440:Wolff 2000
2347:Wolff 2000
2218:References
2185:services.
2175:Lukas Foss
2057:Highlights
2039:Evangelium
453:Evangelist
442:Evangelist
364:St. Thomas
254:245, is a
194:1739/1749?
190:1739/1749?
159:1725-03-30
139:1724-04-07
64:J. S. Bach
4218:Papyrus 2
4171:Structure
4082:True Vine
4036:" sayings
3988:Jerusalem
3973:Capernaum
3963:Bethsaida
3953:Bethabara
3932:Sanhedrin
3922:Sadducees
3917:Pharisees
3877:Nicodemus
3872:Nathanael
3739:Ecce homo
3657:Anointing
3257:Oratorios
3211:structure
3192:structure
3117:structure
2960:(4): 53.
2953:Religions
2707:the score
2603:Herz 1985
2591:Herz 1985
2329:0084-7682
2155:Criticism
2097:crescendo
2015:Communist
875:Part Two
494:Part One
475:, one at
375:repaired.
246:(German:
128:Performed
3812:Caiaphas
3546:John 1:1
3406:Chapters
3157:Passions
2987:Archived
2912:(2000).
2890:(2005).
2840:(1998).
2666:Archived
2563:Herz1985
2424:Archived
2206:See also
2044:chorales
2031:Lutheran
1927:, BWV 23
1857:Versions
1743:Chorale
1689:Chorale
1527:Chorale
1455:Chorale
1239:Chorale
1005:Chorale
897:Chorale
889:English
858:Chorale
768:Chorale
660:Chorale
624:Chorale
508:English
477:Golgatha
322:chorales
302:choruses
260:oratorio
181:/1730?:
120:chorales
96:Occasion
4382:Sources
4091:Related
4008:Samaria
3978:Galilee
3958:Bethany
3902:Zebedee
3852:Malchus
3847:Lazarus
3711:Phrases
3590:20:1–31
3277:Parts:
2822:Sources
2709:of the
2651:BWV 245
2169:Judaism
2101:roiling
2034:liturgy
2023:liturgy
2003:Passion
1953:violins
886:German
883:Voices
505:German
502:Voices
490:(NBA).
469:Kaiphas
407:strings
381:Leipzig
314:ariosos
281:at the
279:Vespers
256:Passion
211:Scoring
200:Leipzig
192: (
183:Leipzig
175: (
165:Leipzig
157: (
146:Leipzig
137: (
60:Passion
18:BWV 245
4184:Passio
4023:Sychar
4003:Kidron
3941:Places
3912:Angels
3908:Groups
3897:Thomas
3882:Philip
3857:Martha
3802:Andrew
3795:People
3687:Burial
3603:Events
3538:Verses
3414:John 1
2938:
2898:
2876:
2848:
2795:sermon
2788:priest
2411:(2004)
2391:
2327:
2093:legato
330:, the
3998:Judea
3807:Annas
3723:Logos
3585:18:38
3391:Bible
2762:Notes
1950:muted
1948:with
1826:" by
1808:" by
1797:" by
1782:" by
1725:Coro
1491:Coro
1419:Coro
1347:Coro
1311:Coro
1275:Coro
1203:Coro
1167:Coro
1131:Coro
1041:Coro
969:Coro
933:Coro
804:Coro
588:Coro
552:Coro
516:Coro
481:Jesus
419:oboes
403:choir
318:arias
4034:I AM
3968:Cana
3948:Ænon
3580:14:6
3575:3:16
3245:1149
2972:MDPI
2936:ISBN
2896:ISBN
2874:ISBN
2846:ISBN
2705:see
2389:ISBN
2325:ISSN
2197:and
2130:alto
1876:The
1506:27c
1488:27b
1470:27a
1434:25c
1416:25b
1398:25a
1362:23g
1344:23f
1326:23e
1308:23d
1290:23c
1272:23b
1254:23a
1218:21g
1200:21f
1182:21e
1164:21d
1146:21c
1128:21b
1110:21a
1056:18c
1038:18b
1020:18a
984:16e
966:16d
948:16c
930:16b
912:16a
880:NBA
819:12c
801:12b
783:12a
499:NBA
433:and
427:lute
417:and
409:and
397:The
354:The
316:and
300:and
288:The
234:The
219:SATB
177:1728
173:1728
106:Text
4368:128
4363:122
4358:121
4353:120
4348:119
4343:109
4338:108
4333:107
4328:106
3289:III
3086:by
2962:doi
2317:doi
2189:'s
1904:BWV
1740:40
1722:39
1704:38
1686:37
1668:36
1650:35
1632:34
1614:33
1596:32
1578:31
1560:30
1542:29
1524:28
1452:26
1380:24
1236:22
1092:20
1074:19
1002:17
894:15
855:14
837:13
765:11
747:10
603:2e
585:2d
567:2c
549:2b
531:2a
262:by
258:or
252:BWV
250:),
240:or
62:by
53:245
51:BWV
4431::
4323:95
4318:93
4313:90
4308:84
4303:80
4298:76
4293:75
4288:66
4283:63
4278:60
4273:59
4268:55
4263:52
4258:45
4253:44
4248:39
4243:36
4238:28
4233:22
3570:42
3566:35
3564:;
3562:33
3558:25
3556:;
3554:23
3552:;
3550:20
3521:20
3516:19
3511:18
3506:17
3501:16
3496:15
3491:14
3486:13
3474:12
3469:11
3464:10
3304:VI
3294:IV
3284:II
2956:.
2950:.
2930:.
2812:).
2732:^
2717:^
2577:.
2549:^
2526:^
2511:^
2494:^
2447:^
2379:.
2362:.
2337:^
2323:.
2313:96
2307:.
2259:^
2250:.
2226:^
2171:.
2142::
2010:.
729:9
711:8
693:7
675:6
657:5
639:4
621:3
513:1
429:,
312:,
285:.
198::
163::
143::
4228:6
4223:5
4032:"
3568:–
3560:–
3548:–
3459:9
3454:8
3449:7
3444:6
3439:5
3434:4
3429:3
3424:2
3398:)
3394:(
3375:e
3368:t
3361:v
3299:V
3279:I
3076:e
3069:t
3062:v
2974:.
2964::
2958:8
2942:.
2904:.
2882:.
2854:.
2808:(
2754:.
2395:.
2366:.
2331:.
2319::
2146:(
2107:.
2074:.
1822:"
1804:"
1789:"
1778:"
1767:"
338:"
196:)
179:)
161:)
141:)
34:.
20:)
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