548:
342:
62:
591:. The three trumpets and timpani that played in the outer movements of the cantata's secular model, were not copied in Bach's autograph of the sacred work, but could be added ad libitum to the respective movements of that version of the work, as the Bach-Gesellschaft did when they published the composition. In 1752, two years after Bach's death, his son
1306:, which included the cantata in the 29th volume of its first series (score: 1982; critical commentary: 1984). The composer's autograph scores (P 43 and 44) and performance parts (St 31) of both the secular and sacred versions of the work are conserved in the
322:
in its outer movements, Bach did not copy these parts in his autograph score of the sacred version of the work. Later it was suggested, likely not by the composer, that these parts could be added ad libitum. The 19th-century publication of the cantata by the
1236:
rhythms, and an operatic style. The penultimate movement is a tenor recitative with "elongated phrases and weird chromatic harmonies", representing a tortured soul. The piece concludes with a repetition of the chorus on a different text.
942:
notes that "one can hardly think of another Bach aria that so profoundly illustrates a state of grace. The gentle dance rhythms are celestial and heavenly in their inexorable progress". Part I concludes with the cantata's only chorale.
911:: the A section appears in the middle of the B section. The movement also reverses expectations regarding introductions, beginning with a combined vocal and instrumental thematic statement before presenting it without voices.
2114:
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describes the over-all mood of the cantata as "joyful, relaxed and unproblematic", with a dance-like character appearing in the arias. A performance of the cantata takes around 40 minutes.
4221:
2855:
4594:
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1991:
520:). The sixth movement of BWV 30.2 is, as far as known, the eighth and last time Bach adopted this chorale melody in one of his compositions: he used it, with various hymn texts, in seven
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1980:
1969:
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of the orchestral material) of the cantata, which in the first half of the 20th century was republished with an
English translation by Alfred G. Langley (
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460:, known under the pen name Picander, as seems to have been the case for BWV 30.2 too. Possibly the cantata was a late addition to the
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1975:
Geschichte der
Gewandhausconcerte zu Leipzig vom 25. November 1781 bis 25. November 1881: Im Auftrage der Concert-Direction verfasst
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in 1780. After the publication of the cantata in the second half of the 19th century, it was for instance performed in the
595:
added reworked parts for two trumpets and timpani in these movements, and applied some other changes, for a performance in
4876:
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3994:
2913:
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1310:: digitized facsimiles of these manuscripts have been made available online, as well at that Library's website as at the
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251:
242:
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1232:" that repeats throughout the movement. A secco soprano recitative prepares a 9/8 soprano aria with chromatic bass,
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of the secular model of the cantata, is likely also the author of the sacred cantata's version of the text.
74:
1228:, for bass with oboes and continuo. This prepares a bass aria, which opens with an "aggressive 'scotch snap
4861:
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1811:
1704:
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performed the work in the second half of the 18th century: the former in Halle in 1752, and the latter in
213:
40:
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341:
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1367:
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1783:
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1307:
452:, an era when he composed, as far as known, mostly isolated cantatas that were either an addition to
1451:
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2019:
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611:
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61:
1995:
1917:
7 Four-Part
Chorale Settings of Louis Bourgeois's "Freu dich sehr, o meine Seele" by J. S. Bach
1965:
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1944:
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68:
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606:, divided in two parts, to be performed before and after the sermon. In his translation of
1375:
1282:
923:
919:
900:
511:
502:. This melody, based on an older tune, first appeared in its chorale form as a setting of
315:
1527:
926:. It includes the same foundational motive as the alto aria, and is formally in modified
572:
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2055:
2050:
1762:
1555:
1531:
1465:
607:
588:
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398:
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311:
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279:
230:
425:, BWV 30.1 (previously BWV 30a), which he had composed in 1737 to celebrate
4915:
1853:
1565:
The
Cantatas of J. S. Bach: With Their Librettos in German-English Parallel Text
1523:
1339:
596:
525:
440:
was realised the next year, and first performed on St. John's Day of that year.
1861:
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3382:
1819:
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1331:
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475:, so he may have wished to complement that cycle with one of his own compositions.
102:
1758:
903:
introductory rhythm that later reappears in the alto aria. The form is between a
4827:
2000:
1864:
1479:
1437:
1278:
559:
Bach scored the cantata for four vocal soloists (soprano, alto, tenor, bass), a
495:
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1254:
931:
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1832:
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Violin (col soprano), violin (coll'alto), viola (col tenore), basso continuo
2068:
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386:
303:
1644:
286:
as conclusion of the first half of the cantata. The cantata is scored for
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552:
503:
346:
282:
from the secular work. Bach recomposed the five recitatives, and added a
264:
260:
108:
1250:
1212:
1136:
1063:
1023:
935:
918:. The "dazzling and brilliant" bass aria of Part I is characterized by
904:
896:
883:
843:
769:
696:
483:
382:
319:
287:
283:
17:
580:
1626:
1528:
Bach
Cantata Translations: BWV 30 – "Freue dich, erlöste Schar"
1273:, as last cantata in their third volume of church cantatas. In 1866
2006:
1904:
1233:
908:
584:
546:
340:
295:
934:
and "blues-like" final cadence; structurally, the movement is a
568:
560:
529:
482:'s 1671 hymn "Tröstet, tröstet meine Lieben" is the text of the
436:'s acquisition of Wiederau manor. It is assumed that the sacred
291:
275:
159:
3416:
2096:
1921:
1837:
899:
and displays continuous dynamic musical movement. It adopts a
1970:"Statistik der Concerte im Saale des Gewandhauses zu Leipzig"
486:
movement which closes the first part of the cantata, using "
1945:"Chapter 52 Bwv 30 – The Cantatas of Johann Sebastian Bach"
367:(ceiling of its two-storey high celebration hall pictured).
2051:"Bach Cantatas: in Print and Recordings", pp. 93–114
1729:
1858:
Die
Melodien der deutschen evangelischen Kirchenlieder
1358:
Bach
Cantatas Vol. 3 – Ascension Day, Whitsun, Trinity
1725:
Schloss
Wiederau: Gerettet vor den Braunkohle-Baggern
160:
3117:
2923:
2563:
2314:
2136:
168:
155:
147:
126:
115:
101:
88:
29:
930:. The alto aria is remarkable for its binary-form
922:figures and includes full string accompaniment in
464:: in the third cycle year 1726 Bach had performed
333:, BGA) included these parts in the printed score.
419:). Bach based the cantata on a secular cantata,
1709:Angenehmes Wiederau, freue dich in deinen Auen
471:, a St. John's Day cantata by his cousin
249:June) in 1738, and based its music largely on
214:
3428:
2848:Later additions to the chorale cantata cycle:
2108:
1245:Both Wilhelm Friedemann Bach and his brother
872:2 flute (col soprano), 2 oboes (col soprano)
259:a year earlier. Christian Friedrich Henrici (
8:
2582:Chorale cantatas between Trinity and Easter:
1670:
1186:
1152:
1113:
1079:
1039:
999:
953:
859:
819:
785:
746:
712:
670:
624:
515:
487:
443:
420:
372:
328:
206:
30:
1372:Württembergisches Kammerorchester Heilbronn
1328:Württembergisches Kammerorchester Heilbronn
393:: "the voice of a preacher in the desert" (
3435:
3421:
3413:
2115:
2101:
2093:
1336:Les Grandes Cantates de J. S. Bach Vol. 26
950:
621:
60:
26:
2088:International Music Score Library Project
1269:published the cantata in 1855, edited by
314:. While the earlier composition had also
4922:Church cantatas by Johann Sebastian Bach
1632:Journal of the Royal Musical Association
1486:. Switzerland: Gallus Media, 2016 (DVD).
551:First page of Bach's autograph score of
1882:Handbook to Bach's Sacred Cantata Texts
1699:
1697:
1695:
1599:
1597:
1595:
1593:
1591:
1589:
1516:
1434:Amsterdam Baroque Orchestra & Choir
787:Der Herold kömmt und meldt den König an
1938:
1936:
1934:
1484:Freue dich, erlöste Schar: BWV 30
1402:Bach Edition Vol. 15 – Cantatas Vol. 8
1224:Part II opens with the cantata's only
385:, where the traditional readings from
107:Possibly Christian Friedrich Henrici (
1658:
1656:
1654:
1470:J. S. Bach: Complete Cantatas Vol. 55
1442:J. S. Bach: Complete Cantatas Vol. 22
914:All of the recitatives in Part I are
610:'s standard work on Bach's cantatas,
450:Bach's late church cantata production
257:secular cantata which he had composed
7:
2025:Bach Cantatas Vol. 1: City of London
1749:
1747:
1745:
1550:
1548:
1546:
1544:
1542:
1540:
1456:Bach Cantates De Saint-Jean Baptiste
1424:Bach Cantatas Vol. 1: City of London
379:cantata for St. John's Day (24 June)
1816:Siehe, ich will meinen Engel senden
1001:So bist du denn, mein Heil, bedacht
748:Gelobet sei Gott, gelobet sein Name
467:Siehe, ich will meinen Engel senden
239:his later realisations in the genre
1790:(in German). CH Beck. p. 74.
1669:, Vol. 3, Vol. 5 of the
955:Freue dich, erlöste Schar, Part II
579:violin, accompanying strings (two
119:Tröstet, tröstet meine Lieben, by
25:
2785:Continuation of the second cycle:
2305:Köthen: BWV Anh. 5
2084:Freue dich, erlöste Schar, BWV 30
1681:, pp. XIII–XVI, XXXII–XXXV (
1625:C. S. Terry and D. Litti (1917).
1055:3 violins, viola, basso continuo
835:2 violins, viola, basso continuo
761:2 violins, viola, basso continuo
686:2 violins, viola, basso continuo
626:Freue dich, erlöste Schar, Part I
389:for the feast day were, from the
1884:. Scarecrow Press. p. 755.
1667:Joh. Seb. Bach's Kirchenkantaten
1202:2 violin, viola, basso continuo
1115:Eilt, ihr Stunden, kommt herbei
517:Pseaumes octante trois de David
2061:Riemenschneider Bach Institute
1572:. pp. 41–42 and 689–694.
1324:Heinrich-Schütz-Chor Heilbronn
1081:Und obwohl sonst der Unbestand
821:Kommt, ihr angefochtnen Sünder
1:
1287:Sing For Joy ye Ransomed Band
510:, in the 1551 edition of the
490:Freu dich sehr, o meine Seele
427:Johann Christian von Hennicke
78:
2896:Other late chorale cantatas:
861:Eine Stimme lässt sich hören
3235:Council election (Leipzig):
2327:Between Trinity and Advent:
2059:Vol. 48, No. 1.
1302:edited the cantata for the
1188:Freue dich, geheilgte Schar
535:Meine Seufzer, meine Tränen
458:Christian Friedrich Henrici
270:The cantata's outer choral
212:(Rejoice, redeemed flock),
4943:
1759:"Programme notes – BWV 30"
1472:. BIS, 2013 (SACD hybrid).
1394:Netherlands Bach Collegium
345:In 1737 Bach had composed
4843:
3461:
3378:
1673:Bach-Gesellschaft Ausgabe
1627:"Bach's Cantata Libretti"
1609:Freue dich, erlöste Schar
1560:Jones, Richard D. P.
1500:Freue dich, erlöste Schar
1444:. Antoine Marchand, 2002.
1187:
1154:Geduld, der angenehme Tag
1153:
1114:
1080:
1040:
1000:
988:
985:
982:
979:
976:
973:
970:
967:
964:
961:
895:The opening chorus is in
860:
820:
786:
747:
713:
672:Freue dich, erlöste Schar
671:
659:
656:
653:
650:
647:
644:
641:
638:
635:
632:
602:The cantata is in twelve
532:in the third movement of
488:
454:one of his earlier cycles
448:belongs to the period of
445:Freue dich, erlöste Schar
403:birth of John the Baptist
374:Freue dich, erlöste Schar
354:Freue dich, erlöste Schar
330:Bach-Gesellschaft Ausgabe
243:Feast of John the Baptist
241:: he composed it for the
208:Freue dich, erlöste Schar
59:
48:
43:30 • 30.2
38:
32:Freue dich, erlöste Schar
2952:Liturgical year 1725–26:
2049:Robin A. Leaver (2017).
1880:Melvin P. Unger (1996).
1476:J. S. Bach-Stiftung
1416:English Baroque Soloists
1350:Münchener Bach-Orchester
522:four-part harmonizations
352:, the secular model for
2069:10.22513/bach.48.1.0093
1570:Oxford University Press
1458:. ATMA Classique, 2004.
1380:Die Bach Kantate Vol. 9
1226:recitativo accompagnato
1181:
1147:
1128:Violin, basso continuo
1108:
75:Lucas Cranach the Elder
67:There was a man, named
2440:From Advent to Trinity
1679:Breitkopf & Härtel
1671:
1199:Two flutes, two oboes
1074:
1034:
994:
954:
854:
814:
780:
741:
707:
665:
625:
556:
516:
444:
421:
373:
368:
329:
207:
131:24 June 1738
31:
3449:Johann Sebastian Bach
3388:List of Bach cantatas
2129:Johann Sebastian Bach
1788:Johann Sebastian Bach
550:
395:Isaiah 40:1–5
356:, for performance at
344:
235:Johann Sebastian Bach
71:, who was sent by God
2020:Gardiner, John Eliot
1907:(1998), p. 481.
1645:10.1093/jrma/44.1.71
1462:Bach Collegium Japan
1308:Berlin State Library
1247:Carl Philipp Emanuel
478:The third stanza of
417:Luke 1:57–80
2934:After Trinity 1725:
1496:Eduard van Hengel.
1420:John Eliot Gardiner
1346:Münchener Bach-Chor
1041:Ich will nun hassen
958:
629:
612:Richard D. P. Jones
422:Angenehmes Wiederau
348:Angenehmes Wiederau
252:Angenehmes Wiederau
95:Angenehmes Wiederau
1833:BWV 30, movement 6
1831:Luke Dahn (2018):
1406:Brilliant Classics
1398:Pieter Jan Leusink
1390:Holland Boys Choir
1368:Gächinger Kantorei
951:
683:2 flutes, 2 oboes
622:
593:Wilhelm Friedemann
557:
369:
4927:1738 compositions
4909:
4908:
3410:
3409:
3264:1139.1, 1140–1141
2007:Bach Bibliography
1891:978-1-4616-5905-1
1797:978-3-406-62228-1
1784:Dorothea Schröder
1665:, editor (1855).
1579:978-0-19-929776-4
1498:J. S. BACH:
1362:Archiv Produktion
1267:Bach Gesellschaft
1222:
1221:
893:
892:
325:Bach Gesellschaft
203:
202:
181:2 flauti traversi
16:(Redirected from
4934:
4901:Secular cantatas
4862:Chorale cantatas
4836:
3451:
3437:
3430:
3423:
3414:
3394:Monteverdi Choir
3236:
3178:
3131:
3091:
2953:
2935:
2897:
2849:
2786:
2583:
2441:
2328:
2131:
2117:
2110:
2103:
2094:
2086:: Scores at the
2071:
2047:
2041:
2040:
2037:Hyperion Records
2030:
2016:
2010:
2004:
1989:
1983:
1963:
1957:
1956:
1954:
1952:
1947:. jsbachcantatas
1943:Julian Mincham.
1940:
1929:
1928:
1925:
1923:
1914:
1908:
1902:
1896:
1895:
1877:
1871:
1851:
1845:
1844:
1841:
1839:
1829:
1823:
1808:
1802:
1801:
1780:
1774:
1773:
1771:
1769:
1751:
1740:
1739:
1736:
1733:
1731:
1722:
1716:
1701:
1690:
1676:
1660:
1649:
1648:
1622:
1616:
1601:
1584:
1583:
1552:
1535:
1521:
1506:
1448:Montréal Baroque
1412:Monteverdi Choir
1304:New Bach Edition
1301:
1231:
1215:
1190:
1189:
1156:
1155:
1139:
1117:
1116:
1083:
1082:
1066:
1043:
1042:
1026:
1003:
1002:
959:
957:
886:
863:
862:
846:
823:
822:
789:
788:
772:
750:
749:
716:
715:
699:
674:
673:
630:
628:
519:
493:
492:
447:
435:
424:
397:), and from the
376:
366:
332:
248:
226:
220:
216:
210:
162:
143:
142:
138:
136:
83:
80:
64:
34:
27:
21:
4942:
4941:
4937:
4936:
4935:
4933:
4932:
4931:
4912:
4911:
4910:
4905:
4858:Church cantatas
4839:
4825:
4824:— discography;
3457:
3447:
3441:
3411:
3406:
3374:
3373:
3234:
3173:
3127:
3119:
3113:
3112:
3089:
2951:
2933:
2919:
2918:
2895:
2847:
2784:
2581:
2571:
2567:
2559:
2558:
2439:
2326:
2317:
2310:
2309:
2166:1138.1 & .2
2138:
2132:
2127:
2124:Church cantatas
2121:
2080:
2075:
2074:
2048:
2044:
2033:Soli Deo Gloria
2031:(Media notes).
2028:
2018:
2017:
2013:
1998:
1990:
1986:
1979:Leipzig, 1884,
1964:
1960:
1950:
1948:
1942:
1941:
1932:
1920:
1915:
1911:
1903:
1899:
1892:
1879:
1878:
1874:
1852:
1848:
1836:
1830:
1826:
1809:
1805:
1798:
1782:
1781:
1777:
1767:
1765:
1753:
1752:
1743:
1737:
1728:
1723:
1719:
1702:
1693:
1685:) and 321–395 (
1661:
1652:
1624:
1623:
1619:
1602:
1587:
1580:
1554:
1553:
1538:
1522:
1518:
1513:
1504:
1493:
1491:Further reading
1428:Soli Deo Gloria
1376:Helmuth Rilling
1320:
1295:
1283:piano reduction
1263:
1243:
1229:
1211:
1167:Basso continuo
1135:
1094:Basso continuo
1062:
1022:
1015:Basso continuo
949:
882:
842:
800:Basso continuo
768:
727:Basso continuo
695:
620:
561:four-part choir
545:
512:Genevan Psalter
508:Louis Bourgeois
498: 6543, as
480:Johann Olearius
429:
360:
350:, BWV 30.1
339:
274:, and its four
246:
237:. It is one of
224:
218:
199:
140:
134:
132:
130:
121:Johann Olearius
84:
81:
44:
23:
22:
15:
12:
11:
5:
4940:
4938:
4930:
4929:
4924:
4914:
4913:
4907:
4906:
4904:
4903:
4894:
4892:Picander cycle
4889:
4884:
4879:
4874:
4869:
4864:
4851:
4844:
4841:
4840:
4838:
4837:
4819:
4814:
4809:
4804:
4799:
4794:
4789:
4784:
4779:
4774:
4769:
4764:
4759:
4754:
4749:
4744:
4739:
4734:
4729:
4724:
4719:
4712:
4705:
4698:
4691:
4684:
4677:
4672:
4667:
4662:
4657:
4652:
4647:
4642:
4637:
4632:
4627:
4622:
4617:
4612:
4607:
4602:
4597:
4592:
4587:
4582:
4577:
4572:
4567:
4562:
4557:
4552:
4547:
4542:
4537:
4532:
4527:
4522:
4517:
4512:
4507:
4502:
4495:
4490:
4485:
4480:
4475:
4470:
4465:
4460:
4455:
4450:
4445:
4440:
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4425:
4420:
4415:
4410:
4405:
4400:
4395:
4390:
4385:
4380:
4375:
4370:
4365:
4360:
4355:
4350:
4343:
4338:
4333:
4328:
4323:
4318:
4313:
4308:
4303:
4298:
4293:
4288:
4283:
4278:
4273:
4268:
4263:
4258:
4253:
4246:
4239:
4234:
4229:
4224:
4219:
4214:
4209:
4204:
4199:
4194:
4189:
4182:
4177:
4172:
4167:
4162:
4157:
4152:
4147:
4142:
4137:
4132:
4127:
4122:
4117:
4112:
4107:
4097:
4092:
4087:
4082:
4077:
4072:
4067:
4062:
4057:
4052:
4047:
4042:
4037:
4032:
4027:
4022:
4017:
4012:
4007:
4002:
3997:
3992:
3987:
3982:
3977:
3972:
3967:
3962:
3957:
3952:
3947:
3942:
3937:
3932:
3927:
3922:
3917:
3912:
3907:
3902:
3897:
3892:
3887:
3882:
3877:
3872:
3867:
3862:
3857:
3852:
3847:
3842:
3837:
3832:
3827:
3822:
3817:
3812:
3807:
3802:
3797:
3792:
3787:
3782:
3777:
3772:
3767:
3762:
3755:
3750:
3745:
3740:
3735:
3730:
3725:
3720:
3715:
3710:
3705:
3700:
3695:
3690:
3685:
3680:
3675:
3670:
3665:
3660:
3655:
3650:
3645:
3640:
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3620:
3615:
3610:
3605:
3600:
3595:
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3575:
3570:
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3528:
3523:
3513:
3508:
3503:
3498:
3493:
3488:
3483:
3478:
3473:
3468:
3462:
3459:
3458:
3442:
3440:
3439:
3432:
3425:
3417:
3408:
3407:
3405:
3404:
3390:
3385:
3379:
3376:
3375:
3372:
3371:
3366:
3361:
3356:
3351:
3346:
3341:
3336:
3330:
3325:
3320:
3315:
3310:
3305:
3299:
3294:
3288:
3283:
3278:
3273:
3267:
3260:
3255:
3250:
3245:
3240:
3232:
3227:
3197:
3192:
3187:
3182:
3171:
3166:
3161:
3156:
3151:
3146:
3141:
3136:
3129:Picander cycle
3124:
3123:
3121:
3115:
3114:
3111:
3110:
3105:
3100:
3095:
3087:
3082:
3077:
3072:
3067:
3062:
3057:
3052:
3047:
3042:
3037:
3032:
3027:
3022:
3017:
3012:
3007:
3002:
2997:
2992:
2987:
2982:
2977:
2972:
2967:
2962:
2957:
2949:
2944:
2939:
2930:
2929:
2927:
2921:
2920:
2917:
2916:
2911:
2906:
2901:
2893:
2888:
2883:
2878:
2873:
2868:
2863:
2858:
2853:
2845:
2840:
2835:
2830:
2825:
2820:
2815:
2810:
2805:
2800:
2795:
2790:
2782:
2777:
2772:
2767:
2762:
2757:
2752:
2747:
2742:
2737:
2732:
2727:
2722:
2717:
2712:
2707:
2702:
2697:
2692:
2687:
2682:
2677:
2672:
2667:
2662:
2657:
2652:
2647:
2642:
2637:
2632:
2627:
2622:
2617:
2612:
2607:
2602:
2597:
2592:
2587:
2578:
2577:
2575:
2561:
2560:
2557:
2556:
2551:
2546:
2541:
2536:
2531:
2526:
2521:
2516:
2511:
2506:
2501:
2496:
2491:
2486:
2481:
2476:
2471:
2466:
2461:
2456:
2451:
2446:
2437:
2432:
2427:
2422:
2417:
2412:
2407:
2402:
2397:
2392:
2387:
2382:
2377:
2372:
2367:
2362:
2357:
2352:
2347:
2342:
2337:
2332:
2323:
2322:
2320:
2312:
2311:
2308:
2307:
2302:
2297:
2292:
2287:
2282:
2277:
2272:
2267:
2262:
2257:
2252:
2247:
2242:
2237:
2232:
2227:
2222:
2217:
2212:
2207:
2202:
2197:
2188:
2183:
2178:
2173:
2168:
2163:
2158:
2153:
2143:
2142:
2140:
2134:
2133:
2122:
2120:
2119:
2112:
2105:
2097:
2091:
2090:
2079:
2078:External links
2076:
2073:
2072:
2042:
2011:
1984:
1966:Alfred Dörffel
1958:
1930:
1924:.bach-chorales
1909:
1897:
1890:
1872:
1846:
1840:.bach-chorales
1824:
1803:
1796:
1775:
1763:Emmanuel Music
1741:
1717:
1691:
1650:
1617:
1585:
1578:
1536:
1532:Emmanuel Music
1515:
1514:
1512:
1509:
1508:
1507:
1492:
1489:
1488:
1487:
1473:
1466:Masaaki Suzuki
1459:
1452:Eric J. Milnes
1445:
1431:
1409:
1387:
1365:
1343:
1319:
1316:
1262:
1259:
1242:
1239:
1220:
1219:
1216:
1209:
1206:
1203:
1200:
1197:
1194:
1191:
1184:
1178:
1177:
1174:
1172:
1170:
1168:
1165:
1163:
1160:
1157:
1150:
1144:
1143:
1140:
1133:
1131:
1129:
1126:
1124:
1121:
1118:
1111:
1105:
1104:
1101:
1099:
1097:
1095:
1092:
1090:
1087:
1084:
1077:
1071:
1070:
1067:
1060:
1058:
1056:
1053:
1052:Oboe d'amoure
1050:
1047:
1044:
1037:
1031:
1030:
1027:
1020:
1018:
1016:
1013:
1010:
1007:
1004:
997:
991:
990:
987:
984:
981:
978:
975:
972:
969:
966:
963:
948:
945:
891:
890:
887:
880:
878:
876:
873:
870:
867:
864:
857:
851:
850:
847:
840:
838:
836:
833:
830:
827:
824:
817:
811:
810:
807:
805:
803:
801:
798:
796:
793:
790:
783:
777:
776:
773:
766:
764:
762:
759:
757:
754:
751:
744:
738:
737:
734:
732:
730:
728:
725:
723:
720:
717:
714:Wir haben Rast
710:
704:
703:
700:
693:
690:
687:
684:
681:
678:
675:
668:
662:
661:
658:
655:
652:
649:
646:
643:
640:
637:
634:
619:
616:
589:basso continuo
583:parts and one
544:
541:
399:Gospel of Luke
391:Book of Isaiah
371:Bach composed
358:Wiederau manor
338:
335:
231:church cantata
201:
200:
198:
197:
194:
191:
188:
185:
182:
179:
176:
172:
170:
166:
165:
164:choir and solo
157:
153:
152:
149:
145:
144:
128:
124:
123:
117:
113:
112:
105:
99:
98:
90:
86:
85:
65:
57:
56:
50:Church cantata
46:
45:
39:
36:
35:
24:
14:
13:
10:
9:
6:
4:
3:
2:
4939:
4928:
4925:
4923:
4920:
4919:
4917:
4902:
4898:
4895:
4893:
4890:
4888:
4885:
4883:
4880:
4878:
4875:
4873:
4870:
4868:
4865:
4863:
4859:
4855:
4852:
4850:
4846:
4845:
4842:
4835:
4834:
4829:
4823:
4820:
4818:
4815:
4813:
4810:
4808:
4805:
4803:
4800:
4798:
4797:1138.1–1139.1
4795:
4793:
4790:
4788:
4785:
4783:
4780:
4778:
4775:
4773:
4770:
4768:
4765:
4763:
4760:
4758:
4755:
4753:
4750:
4748:
4745:
4743:
4740:
4738:
4735:
4733:
4730:
4728:
4725:
4723:
4720:
4718:
4717:
4713:
4710:
4706:
4703:
4699:
4697:
4696:
4692:
4690:
4689:
4685:
4682:
4678:
4676:
4673:
4671:
4668:
4666:
4663:
4661:
4658:
4656:
4653:
4651:
4648:
4646:
4643:
4641:
4638:
4636:
4633:
4631:
4628:
4626:
4623:
4621:
4618:
4616:
4613:
4611:
4608:
4606:
4603:
4601:
4598:
4596:
4593:
4591:
4588:
4586:
4583:
4581:
4578:
4576:
4573:
4571:
4568:
4566:
4563:
4561:
4558:
4556:
4553:
4551:
4548:
4546:
4543:
4541:
4538:
4536:
4533:
4531:
4528:
4526:
4523:
4521:
4518:
4516:
4513:
4511:
4508:
4506:
4503:
4500:
4496:
4494:
4491:
4489:
4486:
4484:
4481:
4479:
4476:
4474:
4471:
4469:
4466:
4464:
4461:
4459:
4456:
4454:
4451:
4449:
4446:
4444:
4441:
4439:
4436:
4434:
4431:
4429:
4426:
4424:
4421:
4419:
4416:
4414:
4411:
4409:
4406:
4404:
4401:
4399:
4396:
4394:
4391:
4389:
4386:
4384:
4381:
4379:
4376:
4374:
4371:
4369:
4366:
4364:
4361:
4359:
4356:
4354:
4351:
4349:
4348:
4344:
4342:
4339:
4337:
4334:
4332:
4329:
4327:
4324:
4322:
4319:
4317:
4314:
4312:
4309:
4307:
4304:
4302:
4299:
4297:
4294:
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4287:
4284:
4282:
4279:
4277:
4274:
4272:
4269:
4267:
4264:
4262:
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4254:
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4128:
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4033:
4031:
4028:
4026:
4023:
4021:
4018:
4016:
4013:
4011:
4008:
4006:
4003:
4001:
3998:
3996:
3993:
3991:
3988:
3986:
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3981:
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3973:
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3968:
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3928:
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3916:
3913:
3911:
3908:
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3903:
3901:
3898:
3896:
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3888:
3886:
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3876:
3873:
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3868:
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3863:
3861:
3858:
3856:
3853:
3851:
3848:
3846:
3843:
3841:
3838:
3836:
3833:
3831:
3828:
3826:
3823:
3821:
3818:
3816:
3813:
3811:
3808:
3806:
3803:
3801:
3798:
3796:
3793:
3791:
3788:
3786:
3783:
3781:
3778:
3776:
3773:
3771:
3768:
3766:
3763:
3760:
3756:
3754:
3751:
3749:
3746:
3744:
3741:
3739:
3736:
3734:
3731:
3729:
3726:
3724:
3721:
3719:
3716:
3714:
3711:
3709:
3706:
3704:
3701:
3699:
3696:
3694:
3691:
3689:
3686:
3684:
3681:
3679:
3676:
3674:
3671:
3669:
3666:
3664:
3661:
3659:
3656:
3654:
3651:
3649:
3646:
3644:
3641:
3639:
3636:
3634:
3631:
3629:
3626:
3624:
3621:
3619:
3616:
3614:
3611:
3609:
3606:
3604:
3601:
3599:
3596:
3594:
3591:
3589:
3586:
3584:
3581:
3579:
3576:
3574:
3571:
3569:
3566:
3564:
3561:
3559:
3556:
3554:
3551:
3549:
3546:
3544:
3543:
3539:
3537:
3534:
3532:
3529:
3527:
3524:
3521:
3517:
3514:
3512:
3509:
3507:
3504:
3502:
3499:
3497:
3494:
3492:
3489:
3487:
3484:
3482:
3479:
3477:
3474:
3472:
3469:
3467:
3464:
3463:
3460:
3455:
3450:
3445:
3438:
3433:
3431:
3426:
3424:
3419:
3418:
3415:
3403:
3399:
3395:
3392:Discography:
3391:
3389:
3386:
3384:
3381:
3380:
3377:
3370:
3367:
3365:
3362:
3360:
3357:
3355:
3352:
3350:
3347:
3345:
3342:
3340:
3337:
3335:
3331:
3329:
3326:
3324:
3321:
3319:
3316:
3314:
3311:
3309:
3306:
3304:
3300:
3298:
3295:
3293:
3289:
3287:
3284:
3282:
3279:
3277:
3274:
3272:
3268:
3265:
3261:
3259:
3256:
3254:
3251:
3249:
3246:
3244:
3241:
3239:
3233:
3231:
3228:
3225:
3221:
3217:
3213:
3209:
3205:
3201:
3198:
3196:
3193:
3191:
3188:
3186:
3183:
3181:
3176:
3175:Late parodies
3172:
3170:
3167:
3165:
3162:
3160:
3157:
3155:
3152:
3150:
3147:
3145:
3142:
3140:
3137:
3135:
3130:
3126:
3125:
3122:
3116:
3109:
3106:
3104:
3101:
3099:
3096:
3094:
3088:
3086:
3083:
3081:
3078:
3076:
3073:
3071:
3068:
3066:
3063:
3061:
3058:
3056:
3053:
3051:
3048:
3046:
3043:
3041:
3038:
3036:
3033:
3031:
3028:
3026:
3023:
3021:
3018:
3016:
3013:
3011:
3008:
3006:
3003:
3001:
2998:
2996:
2993:
2991:
2988:
2986:
2983:
2981:
2978:
2976:
2973:
2971:
2968:
2966:
2963:
2961:
2958:
2956:
2950:
2948:
2945:
2943:
2940:
2938:
2932:
2931:
2928:
2926:
2922:
2915:
2912:
2910:
2907:
2905:
2902:
2900:
2894:
2892:
2889:
2887:
2884:
2882:
2879:
2877:
2874:
2872:
2869:
2867:
2864:
2862:
2859:
2857:
2854:
2852:
2846:
2844:
2841:
2839:
2836:
2834:
2831:
2829:
2826:
2824:
2821:
2819:
2816:
2814:
2811:
2809:
2806:
2804:
2801:
2799:
2796:
2794:
2791:
2789:
2783:
2781:
2778:
2776:
2773:
2771:
2768:
2766:
2763:
2761:
2758:
2756:
2753:
2751:
2748:
2746:
2743:
2741:
2738:
2736:
2733:
2731:
2728:
2726:
2723:
2721:
2718:
2716:
2713:
2711:
2708:
2706:
2703:
2701:
2698:
2696:
2693:
2691:
2688:
2686:
2683:
2681:
2678:
2676:
2673:
2671:
2668:
2666:
2663:
2661:
2658:
2656:
2653:
2651:
2648:
2646:
2643:
2641:
2638:
2636:
2633:
2631:
2628:
2626:
2623:
2621:
2618:
2616:
2613:
2611:
2608:
2606:
2603:
2601:
2598:
2596:
2593:
2591:
2588:
2586:
2580:
2579:
2576:
2573:
2566:
2562:
2555:
2552:
2550:
2547:
2545:
2542:
2540:
2537:
2535:
2532:
2530:
2527:
2525:
2522:
2520:
2517:
2515:
2512:
2510:
2507:
2505:
2502:
2500:
2497:
2495:
2492:
2490:
2487:
2485:
2482:
2480:
2477:
2475:
2472:
2470:
2467:
2465:
2462:
2460:
2457:
2455:
2452:
2450:
2447:
2445:
2438:
2436:
2433:
2431:
2428:
2426:
2423:
2421:
2418:
2416:
2413:
2411:
2408:
2406:
2403:
2401:
2398:
2396:
2393:
2391:
2388:
2386:
2383:
2381:
2378:
2376:
2373:
2371:
2368:
2366:
2363:
2361:
2358:
2356:
2353:
2351:
2348:
2346:
2343:
2341:
2338:
2336:
2333:
2331:
2325:
2324:
2321:
2319:
2313:
2306:
2303:
2301:
2298:
2296:
2293:
2291:
2288:
2286:
2283:
2281:
2278:
2276:
2273:
2271:
2268:
2266:
2263:
2261:
2258:
2256:
2253:
2251:
2248:
2246:
2243:
2241:
2238:
2236:
2233:
2231:
2228:
2226:
2223:
2221:
2218:
2216:
2213:
2211:
2208:
2206:
2203:
2201:
2198:
2196:
2192:
2189:
2187:
2184:
2182:
2179:
2177:
2174:
2172:
2169:
2167:
2164:
2162:
2159:
2157:
2154:
2152:
2148:
2145:
2144:
2141:
2135:
2130:
2125:
2118:
2113:
2111:
2106:
2104:
2099:
2098:
2095:
2089:
2085:
2082:
2081:
2077:
2070:
2066:
2062:
2058:
2057:
2052:
2046:
2043:
2038:
2034:
2027:
2026:
2021:
2015:
2012:
2008:
2002:
1997:
1993:
1992:Franz, Robert
1988:
1985:
1982:
1978:
1976:
1971:
1967:
1962:
1959:
1946:
1939:
1937:
1935:
1931:
1927:
1918:
1913:
1910:
1906:
1901:
1898:
1893:
1887:
1883:
1876:
1873:
1870:
1866:
1863:
1862:Vol. IV.
1859:
1855:
1854:Johannes Zahn
1850:
1847:
1843:
1834:
1828:
1825:
1821:
1817:
1813:
1807:
1804:
1799:
1793:
1789:
1785:
1779:
1776:
1764:
1760:
1756:
1750:
1748:
1746:
1742:
1735:
1726:
1721:
1718:
1714:
1710:
1706:
1700:
1698:
1696:
1692:
1688:
1684:
1680:
1675:
1674:
1668:
1664:
1659:
1657:
1655:
1651:
1646:
1642:
1639:(1): 71–125.
1638:
1634:
1633:
1628:
1621:
1618:
1614:
1610:
1606:
1600:
1598:
1596:
1594:
1592:
1590:
1586:
1581:
1575:
1571:
1567:
1566:
1561:
1557:
1551:
1549:
1547:
1545:
1543:
1541:
1537:
1533:
1529:
1525:
1524:Pamela Dellal
1520:
1517:
1510:
1503:
1502:(BWV 30)
1501:
1495:
1494:
1490:
1485:
1481:
1477:
1474:
1471:
1467:
1463:
1460:
1457:
1453:
1449:
1446:
1443:
1439:
1435:
1432:
1429:
1425:
1421:
1417:
1413:
1410:
1407:
1403:
1399:
1395:
1391:
1388:
1385:
1381:
1377:
1373:
1369:
1366:
1363:
1359:
1355:
1351:
1347:
1344:
1341:
1337:
1333:
1329:
1325:
1322:
1321:
1317:
1315:
1313:
1309:
1305:
1299:
1294:
1293:Frieder Rempp
1290:
1288:
1284:
1280:
1276:
1272:
1268:
1260:
1258:
1256:
1252:
1248:
1240:
1238:
1235:
1227:
1217:
1214:
1210:
1207:
1204:
1201:
1198:
1195:
1192:
1185:
1183:
1180:
1179:
1175:
1173:
1171:
1169:
1166:
1164:
1161:
1158:
1151:
1149:
1146:
1145:
1141:
1138:
1134:
1132:
1130:
1127:
1125:
1122:
1119:
1112:
1110:
1107:
1106:
1102:
1100:
1098:
1096:
1093:
1091:
1088:
1085:
1078:
1076:
1073:
1072:
1068:
1065:
1061:
1059:
1057:
1054:
1051:
1048:
1045:
1038:
1036:
1033:
1032:
1028:
1025:
1021:
1019:
1017:
1014:
1011:
1008:
1005:
998:
996:
993:
992:
960:
956:
952:Movements of
946:
944:
941:
937:
933:
929:
925:
921:
917:
912:
910:
906:
902:
898:
888:
885:
881:
879:
877:
874:
871:
868:
865:
858:
856:
853:
852:
848:
845:
841:
839:
837:
834:
831:
828:
825:
818:
816:
813:
812:
808:
806:
804:
802:
799:
797:
794:
791:
784:
782:
779:
778:
774:
771:
767:
765:
763:
760:
758:
755:
752:
745:
743:
740:
739:
735:
733:
731:
729:
726:
724:
721:
718:
711:
709:
706:
705:
701:
698:
694:
691:
688:
685:
682:
679:
676:
669:
667:
664:
663:
631:
627:
623:Movements of
617:
615:
613:
609:
605:
600:
598:
594:
590:
586:
582:
578:
574:
570:
566:
562:
554:
553:BWV 30.1
549:
542:
540:
538:
537:, BWV 13
536:
531:
527:
526:cantus firmus
523:
518:
513:
509:
505:
504:Psalm 42
501:
497:
491:
485:
481:
476:
474:
473:Johann Ludwig
470:
469:, JLB 17
468:
463:
459:
455:
451:
446:
441:
439:
433:
428:
423:
418:
414:
410:
409:
404:
400:
396:
392:
388:
384:
380:
375:
364:
359:
355:
351:
349:
343:
336:
334:
331:
326:
321:
317:
313:
309:
305:
301:
297:
293:
289:
285:
281:
277:
273:
268:
266:
262:
258:
254:
253:
244:
240:
236:
232:
228:
217:
211:
209:
195:
192:
189:
186:
183:
180:
177:
174:
173:
171:
167:
163:
158:
154:
150:
146:
129:
125:
122:
118:
114:
110:
106:
104:
100:
97:
96:
91:
87:
76:
72:
70:
63:
58:
55:
51:
47:
42:
37:
33:
28:
19:
4849:Compositions
4831:
4714:
4693:
4686:
4345:
4241:
3617:
3540:
3383:Bach cantata
3271:BWV 34a
3238:BWV 119
3184:
3134:BWV 149
2955:BWV 110
2937:BWV 168
2899:BWV 117
2565:Second cycle
2054:
2045:
2024:
2014:
1987:
1974:
1961:
1949:. Retrieved
1912:
1900:
1881:
1875:
1857:
1849:
1827:
1820:Bach Digital
1815:
1806:
1787:
1778:
1766:. Retrieved
1720:
1713:Bach Digital
1708:
1666:
1663:Wilhelm Rust
1636:
1630:
1620:
1613:Bach Digital
1608:
1564:
1556:Dürr, Alfred
1519:
1499:
1483:
1469:
1455:
1441:
1423:
1401:
1379:
1357:
1354:Karl Richter
1335:
1332:Fritz Werner
1312:Bach Digital
1291:
1286:
1277:published a
1275:Robert Franz
1271:Wilhelm Rust
1264:
1257:in Leipzig.
1244:
1223:
913:
897:D major
894:
601:
573:oboe d'amore
558:
534:
477:
466:
442:
406:
370:
353:
347:
269:
250:
222:
205:
204:
187:oboe d'amore
169:Instrumental
103:Cantata text
93:
66:
3180:BWV 36
3093:BWV 82
2925:Third cycle
2851:BWV 80
2585:BWV 20
2444:BWV 40
2330:BWV 75
2316:First cycle
2195:BWV 61
1999: [
1869:p. 102
1865:Bertelsmann
1755:Craig Smith
1738:(in German)
1480:Rudolf Lutz
1438:Ton Koopman
1296: [
1279:vocal score
1261:Publication
1205:3 trumpets
1159:Recitative
1086:Recitative
1006:Recitative
983:Percussion
940:Craig Smith
792:Recitative
719:Recitative
689:3 trumpets
654:Percussion
608:Alfred Dürr
543:Composition
462:third cycle
430: [
361: [
82: 1551
4916:Categories
3332:Doubtful:
2788:BWV 6
2151:BWV 4
1511:References
1505:(in Dutch)
1318:Recordings
1314:platform.
1281:(with his
1255:Gewandhaus
932:ritornello
901:syncopated
587:part) and
577:concertato
408:Benedictus
265:librettist
175:3 trumpets
135:1738-06-24
54:J. S. Bach
4887:3rd cycle
4882:2nd cycle
4877:1st cycle
4802:1140–1141
3290:Funeral:
3269:Wedding:
3120:and other
2318:(1723–24)
2039:website).
1996:Yo Tomita
1981:p. 3
1951:18 August
1768:20 August
1732:.burgerbe
1241:Reception
604:movements
565:traversos
524:and as a
500:hymn tune
413:Zechariah
387:scripture
304:woodwinds
302:singers,
272:movements
190:2 violins
148:Movements
127:Performed
92:based on
4899: ;
4856: ;
4854:Cantatas
4833:spurious
4828:doubtful
3520:oratorio
3444:Cantatas
2572:cantatas
2022:(2004).
2009:website.
1856:(1891).
1822:website.
1786:(2012).
1715:website.
1615:website.
1562:(2006).
1534:website.
1384:Hänssler
1208:Timpani
1123:Soprano
1089:Soprano
1012:2 oboes
924:roulades
866:Chorale
692:Timpani
496:Zahn No.
405:and the
316:trumpets
312:continuo
280:parodied
261:Picander
196:continuo
109:Picander
69:Johannes
4847:Lists:
4822:Anh. 18
4817:Anh. 11
4747:248 III
3398:Koopman
3301:Other:
3262:(lost:
2570:chorale
2139:Leipzig
1683:Preface
1430:, 2000.
1408:, 2000.
1386:, 1984.
1364:, 1975.
1342:, 1972.
1251:Hamburg
1213:D major
1193:Chorus
1137:E minor
1064:B minor
1024:E minor
977:Strings
947:Part II
936:gavotte
928:ternary
920:triplet
905:da capo
884:A major
844:A major
770:G major
697:D major
677:Chorus
648:Strings
528:by the
484:chorale
383:Leipzig
363:commons
337:Context
320:timpani
308:strings
288:soprano
284:chorale
263:), the
229:, is a
184:2 oboes
178:timpani
141:Leipzig
133: (
116:Chorale
89:Related
4872:Weimar
4812:Anh. 9
4807:Anh. 5
4762:248 VI
4752:248 IV
4742:248 II
3456:number
3402:Teldec
2191:Weimar
2137:Before
1888:
1794:
1576:
1298:scores
1162:Tenor
965:Title
907:and a
832:Flute
636:Title
618:Part I
581:violin
567:, two
563:, two
438:parody
401:: the
310:, and
278:, are
247:
225:
221:30.2,
219:
18:BWV 30
4867:Early
4757:248 V
4737:248 I
4104:motet
3118:Later
3090:1727:
2568:(and
2147:Early
2029:(PDF)
2003:]
1818:, at
1812:08310
1810:Work
1711:, at
1705:00039
1703:Work
1687:score
1611:, at
1605:00038
1603:Work
1340:Erato
1300:]
1234:gigue
1196:SATB
1120:Aria
1049:Bass
1046:Aria
1009:Bass
989:Time
980:Brass
974:Winds
971:Vocal
916:secco
909:rondo
869:SATB
829:Alto
826:Aria
795:Alto
756:Bass
753:Aria
722:Bass
680:SATB
660:Time
651:Brass
645:Winds
642:Vocal
597:Halle
585:viola
569:oboes
434:]
381:, in
365:]
296:tenor
276:arias
193:viola
156:Vocal
4897:Late
4792:1127
4787:1083
4782:1045
4777:1040
4772:249b
4767:249a
4732:244a
4675:216a
4640:210a
4625:208a
4615:207a
4600:205a
4555:197a
4530:193a
4510:190a
4418:173a
4281:147a
4207:134a
4186:131a
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