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1011:, a collector of music by Bach and other Baroque composers. Kittel and Poelchau both thought that the Magnificat for eight voices and orchestra was composed by Bach. Kittel had a copy made of Bach's manuscript, and Poelchau added a flyleaf to it, on which he indicated Bach as its composer. In 1732, some two decades after he had published Bach's Magnificat (
2700:
110:. Both Torri's original and Bach's arrangement were recorded in the first decade of the 21st century. Shortly after the second of these recordings was released in 2012, it was discovered that BWV Anh. 30 was an arrangement of Torri's Magnificat. Before that, Bach's version had been attributed to various composers, including
333:). When both bassoon and organ play, the former's voice is almost entirely identical to the bass line of the latter. The 15 voices can also be defined as singers (8), trumpets (2), strings (4) and basso continuo (1), meaning that the bassoon can be seen as part of the continuo group, together with the organ.
961:
to the composition. Another minor adjustment is that Bach applies a caesura in the music between the end of the Gospel text and the start of the doxology, so that the composition has ten movements ("Gloria Patri" becoming the ninth, and the fugal "Sicut erat" as the tenth and last movement). Whether
956:
Bach copied Torri's
Magnificat, likely from performance parts, around 1742 in Leipzig, where he was employed since 1723, likely in view of a performance of the work. Having copied the work without much modification apart from merging the parts for bassoon and organ in a single continuo part for
944:
in 1714. Johann
Sebastian Bach, who was employed by Ernest Augustus, then Duke of Saxe-Weimar, from 1708, thus likely knew Torri's Magnificat from his time in Weimar, and may have taken performance parts of the work with him when he left that city in 1717.
2239:"Vom "apparat der auserleĂźensten kirchen StĂĽcke" zum "Vorrath an Musicalien, von J. S. Bach und andern berĂĽhmten Musicis": Quellenkundliche Ermittlungen zur frĂĽhen ThĂĽringer Bach-Ăśberlieferung und zu einigen Weimarer SchĂĽlern und Kollegen Bachs"
939:
thinks it likely that it was there that the Prince obtained a copy of Torri's
Magnificat, which he brought back to Germany. That a copy of the work circulated in Thuringia before Torri's return to Munich is attested by an inventory written in
224:
He returned to Munich in 1715, where he would remain till the end of his life, composing still over 20 new operas and other stage works, at a rate of around one every year. Among his liturgical compositions of this period is a
172:
2061:
1142:
published Arne
Thielemann's edition of Bach's version of Torri's Magnificat. The next year a facsimile of a manuscript copy of Torri's Magnificat became available on-line at the website of the
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The fifth movement, setting the next verse of the
Magnificat, is a duet for the alto and tenor of the second choir, accompanied by two violin voices, and continuo.
1030:
did not include the
Magnificat for eight voices and orchestra in the collected edition it published of Bach's works in the second half of the 19th century. In the
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1522:
1015:), however, Poelchau had doubts about Bach's authorship of the Magnificat for double choir and orchestra, writing that it was likely composed by Caldara or
2627:
2380:
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conducting the
Alsfelder Vokalensemble (recorded 2009, released 2012; recording time: 19:01). In 2014, this recording was re-issued in the 8 CD Box
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221:
staged in
Hanover. In 1704 Torri was back in the Netherlands, and a few years later, still in the retinue of the Bavarian elector, in French territory.
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123:
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1054:
had decided not to include the work in their complete edition of Bach's work. Only in 2012 was it discovered that, apart from Bach's modifications,
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992:(later converted to the Berlin State Library), where it was classified as Mus.ms. Bach P 195; before that it was owned by, among others,
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2167:
2623:
863:
The seventh movement, setting the ninth verse of the
Magnificat, is the last duet, for soprano and bass of the second choir, and continuo.
179:
233:, son and successor of Maximilian II Emanuel. Torri's Magnificat disseminated via manuscript copies: one of such manuscripts, from the
106:'s arrangement of Torri's Magnificat. In Bach's version of the work, which originated around 1742, there are an additional trumpet and
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2189:
2114:
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1951:
Latin Church Music, Passions: Works with
Doubtful Authenticity, Arrangements of Music from other Composers (Critical Commentary)
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Lateinische Kirchenmusik, Passionen: Werke zweifelhafter Echtheit, Bearbeitungen fremder Kompositionen (Kritischer Bericht)
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2690:
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1943:
BeiĂźwenger, Kirsten (2000). "Magnificat C-Dur (BWV Anh. 30)" [Magnificat C major (BWV Anh. 30)].
1089:
2128:[On the identification of the Magnificat BWV Anh. 30 from Johann Sebastian Bach's music library]. In
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The text of Torri's Magnificat is the Latin version of the Biblical canticle "My soul doth magnify the Lord" from the
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mentioned Antonio Lotti as its possible composer. Before the end of the 20th century also the editors of the
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unspecified instruments, he added a third trumpet (which he indicated as "Principale" in his manuscript) and
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by omission or because he didn't know, Bach did not mention the composer of the original on his copy.
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setting of the fifth verse of the canticle, for all four voices of the first choir, and continuo.
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2221:]. Beihefte zum Archiv fĂĽr Musikwissenschaft (in German). Vol. VI. Wiesbaden: Steiner.
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Torri likely wrote for Brussels between 1692 and 1701. Secular works of this period include the
2008:
Bach Werke Verzeichnis: Kleine Ausgabe – Nach der von Wolfgang Schmieder vorgelegten 2. Ausgabe
952:
BWV Anh. 30: first page of Bach's manuscript of his arrangement of Torri's Magnificat
781:, with an orchestral accompaniment. The second verse of the Magnificat follows in a monumental
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visited the Netherlands in 1707, where he may have met the Bavarian Elector and the composer.
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1991:
1987:
1983:
1146:, in 2016 followed by a facsimile of Bach's manuscript of the BWV Anh. 30 version.
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2126:"Zur Identifizierung des Magnificats BWV Anh. 30 aus Johann Sebastian Bachs Notenbibliothek"
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1995:
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The third movement, setting the next verse of the Magnificat, is another duet: soprano and
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1695:"Lost Anh. 30, J. C. L. Kittel (identical to D-B Mus.ms. Bach P 195)"
63:, for double choir and orchestra likely dates from the 1690s. The work is scored for two
2002:
806:
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895:, is a broad fugue with three musical subjects, respectively introduced on the words:
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mass for the Elector, who died in 1726, after which Torri remained in the service of
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Pietro Torri likely wrote his Magnificat in the 1690s, when he was in the service of
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Minuets in G major and G minor, BWV Anh. III 114–115
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The second movement, setting the third verse of the Magnificat, is a duet for the
91:
are either choral movements, in which all singers and instruments participate, or
2100:
985:), carries the name of the original composer in the header of Bach's manuscript.
2242:
2133:
1523:
Pietro Torri, Neue Hofkapelle München, Christoph Hammer – Le Triomphe de la Paix
1039:
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In the course of the movement the musical texture grows ever more closer-knit.
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In the 21st century Torri's Magnificat was recorded, and its score published.
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330:
60:
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36:
First page of a manuscript score of Pietro Torri's Magnificat (copy from the
2013:
Bach Works Catalogue: Small Edition – After Wolfgang Schmieder's 2nd edition
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Stile antico in der Musik Johann Sebastian Bachs: Studien zu Bachs Spätwerk
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Torri was, in the retinue of his employer Max Emanuel, in Brussels and
877:), setting the next verse of the Magnificat, and the first half of the
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The fourth movement, taking a central place in the composition, is a
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in the music of Johann Sebastian Bach: Studies on Bach's late work
2016:
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After an orchestral introduction, dominated by tutti chords, the
2198:(arranger); Horn, Paul (basso continuo realization). Stuttgart:
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for two singers and a more limited instrumental accompaniment.
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in 1701. In the early 1790s Torri wrote scenic works such as
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Kyrie–Gloria Mass for double choir, BWV Anh. 167
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of the first choir, accompanied by both trumpets and the
1411:
Pro defunctis: Liturgy for the death of the baroque area
1301:
2015:] (in German). Kirsten BeiĂźwenger (collaborator). (
977:, which Bach copied and arranged around the same time (
1957:(in German). Vol. II/9. Bärenreiter. p. 66.
821:
of the first choir sing, accompanied by the continuo.
2688:
429:
ecce enim ex hoc beatam me dicent omnes generationes.
375:
Sinfonia (; Vivace ; Adagio): orchestra (tutti)
83:. Its music opens with an instrumental introduction (
1839:
1837:
1187:
Magnificat; V (8), orch, org; C-Dur in Mus.ms. 30299
1113:
A recording of BWV Anh. 30 is included in
126:. In that period Torri followed his employer to the
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2612:
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2503:
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Denn du wirst meine Seele nicht in der Hölle lassen
2407:
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2194:. Stuttgarter Bach-Ausgaben. Vol. Full score.
1254:
1252:
1250:
919:
Magnificat (Bach) § Other Magnificats by Bach?
773:setting of the Magnificat, while the trumpets play
2624:Liebster Gott, wenn werd ich sterben, BWV 8/6
2519:Aria "Dein Kreuz, o Bräutgam meiner Seelen", from
1518:
1516:
2603:Magnificat in C major, BWV Anh. 30
1038:(BWV) it was listed among Bach's doubtful works (
923:Bach's church music in Latin § BWV Anh. 30
27:1690s setting of the Magnificat by Pietro Torri
2673:List of compositions by Johann Sebastian Bach
2332:
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871:The eighth movement is again for all forces (
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505:Et misericordia ejus a progenie in progenies
342:Verses of the Magnificat in Torri's setting
213:, a collection of 60 short vocal works, and
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1627:
1277:
1182:
1180:
1178:
988:By 1841 Bach's manuscript was owned by the
761:of both choirs sing the first verse of the
727:Sicut erat in principio, et nunc, et semper
353:Torri's Magnificat (with performance time)
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189:, around the time when Torri worked there.
2312:International Music Score Library Project
1491:
1489:
1487:
1485:
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855:setting of two verses of the Magnificat.
124:Maximilian II Emanuel, Elector of Bavaria
1671:"D-B Mus.ms. 2755, Fascicle 1"
789:setting for double choir and orchestra.
398:SI and SII (unisono), orchestra (tutti)
340:
2695:
1566:, "Bachs Abschrift" , pp. 218–220.
1154:
426:Quia respexit humilitatem ancillae suae
2522:Ein Lämmlein geht und trägt die Schuld
2347:Compositions spuriously attributed to
2062:Magnificat D dur und vier Sanctus
2036:
1544:
933:Ernest Augustus, Prince of Saxe-Weimar
849:The "Deposuit potentes" movement is a
2630:Liebster Gott, wenn werd ich sterben?
2515:Aria "Bist du bei mir" (BWV 508)
2369:Sanctus in D minor, BWV 239
2005:; Kobayashi, Yoshitake, eds. (1998).
1843:
1789:
1258:
1107:(2004 live recording, released 2005).
912:
636:
542:dispersit superbos mente cordis sui.
352:
7:
1765:
1479:, "Bachs Bearbeitung" , p. 220.
1058:was identical to Torri's Magnificat
678:
516:
470:Quia fecit mihi magna qui potens est
439:
733:
669:Abraham et semini ejus in saecula.
667:Sicut locutus est ad patres nostros
586:
551:
481:
362:
257:(10 verses), followed by the Minor
255:first chapter of the Gospel of Luke
1743:"D-B Kb 76/3 (first edition)"
130:(1692) and was later deputized to
25:
2731:Bach: spurious and doubtful works
2580:Siehe, es hat überwunden der Löwe
2398:(BWV Anh. III 165)
1975:Cyclopedia of Music and Musicians
185:, the palace of Torri's employer
2698:
2582:, TWV 1:1328 (BWV 219)
2188:(2013). Thielemann, Arne (ed.).
2033:. Preface in English and German.
1961: 9790006494927. BA 5095-41.
737:
729:et in saecula saeculorum. Amen.
698:Tutti: SATBI, SATBII, orchestra
599:Tutti: SATBI, SATBII, orchestra
590:
555:
520:
485:
418:Tutti: SATBI, SATBII, orchestra
366:
171:
98:The Magnificat in C major,
2573:, TWV 1:877 (BWV 160)
2571:Ich weiß, daß mein Erlöser lebt
2564:, TWV 1:634 (BWV 218)
2555:, TWV 1:183 (BWV 141)
2455:Schlage doch, gewĂĽnschte Stunde
994:Bach's son Carl Philipp Emanuel
627:recordatus misericordiae suae.
2562:Gott der Hoffnung erfĂĽlle euch
2528:Bekennen will ich seinen Namen
540:Fecit potentiam in brachio suo
144:Gli amori di Titone e d'Aurora
1:
2446:Meine Seele erhebt den Herren
2308:Magnificat in C major (Torri)
1497:"D-B Mus.ms. Bach P 195"
1121: 777561-2, performed by
889:The final movement, also for
564:Duet: AII, TII, Vl1, Vl2, Bc
87:). Most of the composition's
2464:Meine Seele rĂĽhmt und preist
2251:(in German). Vol. 101.
2191:Magnificat in C: BWV Anh. 30
913:Bach's version (BWV Anh. 30)
55:, a setting of the biblical
2423:, JLB 21 (BWV 15)
2257:Evangelische Verlagsanstalt
2152:Evangelische Verlagsanstalt
2146:(in German). Vol. 98.
2079:(in German). Vol. 11.
902:"et in saecula saeculorum",
625:Suscepit Israel puerum suum
612:et divites dimisit inanes.
459:Duet: AI, TI, Tr1, Tr2, Bc
156:Anna Maria Luisa de' Medici
2752:
2506:Gottfried Heinrich Stölzel
2396:Unser Wandel ist im Himmel
2102:Companion to Baroque Music
2068:Magnificat in D major
2043:: CS1 maint: postscript (
1967:Champlin, John Denison Jr.
1900:The Sacred Apocryphal Bach
1755:; et al. 8 September 2018.
1127:The Sacred Apocryphal Bach
1092:CD 424, performed by
968:Magnificat in C major
916:
899:"Sicut erat in principio",
406:Et exultavit spiritus meus
282:(for 15 voices and more):
276:Torri's Magnificat is set
134:(1696), only returning to
2668:
2553:Das ist je gewiĂźlich wahr
2394:(BWV 222) and motet
2124:Thielemann, Arne (2012).
2077:Bach-Gesellschaft Ausgabe
1929:Retrieved 2020-01-08.
1910:Retrieved 2020-01-08.
1888:Retrieved 2020-01-08.
1866:Retrieved 2020-01-08.
1857:Apocryphal Bach Masses II
1778:DĂĽrr & Kobayashi 1998
1731:; et al. 22 October 2018.
1642:Retrieved 2020-01-08.
1620:Retrieved 2020-01-08.
1593:Retrieved 2020-01-08.
1531:Retrieved 2020-01-08.
1462:Retrieved 2020-01-08.
1383:Retrieved 2020-01-10.
1363:Retrieved 2020-01-10.
1327:Retrieved 2020-01-10.
1195:Retrieved 2020-01-11.
1115:Apocryphal Bach Masses II
713:
697:
676:
610:Esurientes implevit bonis
601:
598:
584:
575:Deposuit potentes de sede
377:
360:
357:
349:
346:
2657:Uns ist ein Kind geboren
2491:BWV Anh. 114 melody in "
1683:; et al. 9 January 2020.
1509:; et al. 9 January 2020.
264:. The composition is in
152:I Preggi della primavera
2726:Compositions in C major
2444:Magnificat in A minor (
2107:Oxford University Press
2019: ed.). Wiesbaden:
1979:Charles Scribner's Sons
1971:Apthorp, William Foster
1707:; et al. 4 August 2018.
1585:Mus.ms. Bach P 195
998:Johann Christian Kittel
990:Royal Library at Berlin
769:, on the tune of sixth
472:et sanctum nomen ejus.
2542:Georg Philipp Telemann
2196:Bach, Johann Sebastian
2085:Breitkopf & Härtel
2021:Breitkopf & Härtel
1878:Apocryphal Bach Masses
1086:Le Triomphe de la Paix
1060:
1034:Bach-Werke-Verzeichnis
1032:
1024:
953:
891:
873:
851:
783:
775:
709:Gloria Patri, et Filio
577:et exaltavit humiles.
278:
237:, is conserved in the
41:
2626:, closing chorale of
2392:Mein Odem ist schwach
2350:Johann Sebastian Bach
2253:Neue Bachgesellschaft
2148:Neue Bachgesellschaft
2059:" [Preface].
951:
408:in Deo salutari meo.
249:Scoring and structure
140:L'ambizione fulminata
104:Johann Sebastian Bach
35:
2736:Baroque compositions
2381:Johann Ernst Bach II
2154:. pp. 217–224.
2109:. pp. 242–245.
2087:. pp. XIII–XXI.
1925:Berlin State Library
1589:Berlin State Library
1191:Berlin State Library
1144:Berlin State Library
1096:conducting the Neue
711:et Spiritui Sancto.
241:, another is in the
239:Berlin State Library
235:Bokemeyer collection
38:Bokemeyer collection
2721:Magnificat settings
2642:by unknown composer
2259:. pp. 99–154.
1831:, pp. 217–218.
1547:, pp. 131–132.
931:from 1704 to 1715.
656:Duet: SII, BII, Bc
388:anima mea Dominum.
343:
313:(Vl) parts and two
128:Spanish Netherlands
2493:A Lover's Concerto
2410:Johann Ludwig Bach
2265:10.13141/bjb.v2015
2244:Bach-Jahrbuch 2015
2160:10.13141/bjb.v2012
2140:Bach Yearbook 2012
2135:Bach-Jahrbuch 2012
1098:Hofkapelle MĂĽnchen
1000:, and, from 1809,
954:
347:Magnificat verses
341:
160:Electress Palatine
42:
2686:
2685:
2478:Christian Petzold
2435:Melchior Hoffmann
2274:978-3-374-04320-0
2169:978-3-374-02668-5
2093:Sadie, Julie Anne
2081:Bach Gesellschaft
1026:Bach Gesellschaft
996:, Bach's student
750:
749:
673:Luke 1:55
631:Luke 1:54
616:Luke 1:53
581:Luke 1:52
546:Luke 1:51
511:Luke 1:50
494:Duet: SI, BI, Bc
476:Luke 1:49
434:Luke 1:48
413:Luke 1:47
393:Luke 1:46
290:choir (8 voices),
219:dramma per musica
16:(Redirected from
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1996:Internet Archive
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1955:New Bach Edition
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1310:
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1294:
1285:
1278:Champlin 1888–90
1275:
1266:
1256:
1245:
1239:
1212:
1203:
1197:
1196:
1184:
1123:Wolfgang Helbich
1106:
1094:Christoph Hammer
1081:Original version
1063:
1057:
1052:New Bach Edition
1045:
1037:
1029:
1010:
981: I/C/1 and
976:
894:
876:
859:Seventh movement
854:
788:
780:
743:
742:
741:
695:
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653:
652:
651:
650:
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596:
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561:
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526:
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524:
507:timentibus eum.
491:
490:
489:
456:
455:
454:
453:
452:
430:
415:
395:
372:
371:
370:
344:
309:(4 voices): two
281:
175:
21:
2751:
2750:
2746:
2745:
2744:
2742:
2741:
2740:
2711:
2710:
2709:
2705:Classical music
2699:
2697:
2689:
2687:
2682:
2664:
2663:
2637:
2636:
2608:
2607:
2587:
2586:
2535:
2534:
2499:
2498:
2471:
2470:
2428:
2427:
2419:Easter cantata
2403:
2402:
2374:
2373:
2360:Antonio Caldara
2353:
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2289:
2275:
2233:
2206:
2184:
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2123:
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2001:
1965:
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1829:Thielemann 2012
1827:
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1814:Thielemann 2012
1812:
1808:
1802:BeiĂźwenger 2000
1800:
1796:
1788:
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1658:Thielemann 2012
1656:
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1625:
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1603:
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1598:
1592:
1583:
1570:
1564:Thielemann 2012
1562:
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1514:
1495:
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1483:
1477:Thielemann 2012
1475:
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1461:
1444:
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1427:Thielemann 2012
1425:
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1269:
1257:
1248:
1242:Thielemann 2012
1240:
1215:
1204:
1200:
1194:
1185:
1156:
1152:
1136:
1100:
1078:
1070:
1055:
1048:Christoph Wolff
1043:
1004:
970:
964:Antonio Caldara
925:
915:
887:
869:
867:Eighth movement
861:
847:
839:
827:
825:Fourth movement
815:
795:
793:Second movement
755:
736:
732:
728:
710:
690:
685:
684:
683:
682:
681:
677:
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648:
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642:
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611:
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554:
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541:
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471:
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445:
444:
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442:
438:
428:
427:
411:
407:
391:
387:
365:
361:
339:
297:(Tr; 2 voices),
274:
251:
243:British Library
192:
191:
190:
183:Munich Residenz
181:
176:
120:
28:
23:
22:
15:
12:
11:
5:
2749:
2747:
2739:
2738:
2733:
2728:
2723:
2713:
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2708:
2707:
2684:
2683:
2681:
2680:
2675:
2669:
2666:
2665:
2662:
2661:
2659:(BWV 142)
2652:
2646:
2645:
2643:
2639:
2638:
2635:
2634:
2620:
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2617:
2610:
2609:
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2599:
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2584:
2575:
2566:
2557:
2547:
2546:
2544:
2537:
2536:
2533:
2532:
2530:, BWV 200
2517:
2511:
2510:
2508:
2501:
2500:
2497:
2496:
2489:
2483:
2482:
2480:
2473:
2472:
2469:
2468:
2459:
2450:
2448:, BWV Anh. 21)
2440:
2439:
2437:
2430:
2429:
2426:
2425:
2415:
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2412:
2405:
2404:
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2329:
2321:
2315:
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2303:
2302:External links
2300:
2299:
2298:
2273:
2231:
2204:
2182:
2168:
2121:
2115:
2089:
2072:four Sanctuses
2049:
2029:
1999:
1963:
1938:
1935:
1933:
1932:
1913:
1891:
1869:
1848:
1833:
1818:
1806:
1794:
1782:
1780:, p. 460.
1770:
1758:
1734:
1710:
1686:
1662:
1660:, p. 217.
1645:
1623:
1596:
1568:
1549:
1534:
1512:
1481:
1466:
1431:
1429:, p. 219.
1419:
1403:
1387:
1367:
1331:
1311:
1286:
1267:
1246:
1244:, p. 218.
1213:
1198:
1153:
1151:
1148:
1135:
1132:
1131:
1130:
1111:
1110:Bach's version
1108:
1082:
1077:
1074:
1069:
1066:
1013:BWV 243.1
1002:Georg Poelchau
914:
911:
907:
906:
903:
900:
886:
885:Ninth movement
883:
868:
865:
860:
857:
846:
845:Sixth movement
843:
838:
837:Fifth movement
835:
826:
823:
814:
813:Third movement
811:
794:
791:
754:
753:First movement
751:
748:
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478:
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424:
420:
419:
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409:
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396:
389:
384:
380:
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376:
373:
359:
355:
354:
351:
348:
338:
335:
323:basso continuo
319:
318:
304:
303:(Ba; 1 voice),
298:
291:
273:
270:
250:
247:
231:Charles Albert
178:
177:
170:
169:
168:
119:
116:
81:basso continuo
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
2748:
2737:
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2622:
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2618:
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2615:Daniel Vetter
2611:
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2250:
2249:Bach-Jahrbuch
2246:
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2240:
2236:
2235:Wollny, Peter
2232:
2228:
2224:
2220:
2218:
2213:
2209:
2205:
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2197:
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2192:
2187:
2186:Torri, Pietro
2183:
2179:
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2171:
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2161:
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2149:
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2144:Bach-Jahrbuch
2141:
2137:
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2131:
2130:Wollny, Peter
2127:
2122:
2118:
2116:9780198167044
2112:
2108:
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2053:Rust, Wilhelm
2050:
2046:
2040:
2032:
2030:9783765102493
2026:
2022:
2018:
2014:
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1972:
1968:
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1956:
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1948:
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1936:
1926:
1922:
1921:Mus.ms. 30299
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1779:
1774:
1771:
1768:, p. XV.
1767:
1762:
1759:
1754:
1750:
1749:
1744:
1738:
1735:
1730:
1726:
1725:
1720:
1719:"D-Bsa SA 15"
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1298:
1297:Torri, Pietro
1293:
1291:
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1283:
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1199:
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1053:
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1036:
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1028:
1027:
1020:
1018:
1014:
1008:
1003:
999:
995:
991:
986:
984:
983:BWV 1082
980:
974:
969:
965:
960:
950:
946:
943:
938:
934:
930:
924:
920:
910:
904:
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824:
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790:
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786:
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768:
764:
760:
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745:
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735:
731:
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723:
722:
718:
716:
708:
705:
704:
700:
689:
680:
674:
671:
666:
663:
662:
658:
655:
647:
638:
634:
632:
629:
624:
621:
620:
617:
614:
609:
606:
605:
593:
588:
582:
579:
574:
571:
570:
566:
563:
558:
553:
549:
547:
544:
539:
536:
535:
531:
528:
523:
518:
514:
512:
509:
504:
501:
500:
496:
493:
488:
483:
479:
477:
474:
469:
466:
465:
461:
458:
450:
441:
437:
435:
432:
425:
422:
421:
417:
414:
410:
405:
402:
401:
397:
394:
390:
385:
382:
381:
374:
369:
364:
356:
345:
336:
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324:
316:
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308:
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208:
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167:
165:
161:
157:
153:
149:
145:
141:
137:
133:
129:
125:
117:
115:
113:
112:Antonio Lotti
109:
105:
102: 30, is
101:
100:BWV Anh.
96:
94:
90:
86:
82:
78:
74:
70:
66:
62:
59:of Mary, the
58:
54:
50:
46:
39:
34:
30:
19:
2656:
2629:
2602:
2594:Pietro Torri
2579:
2570:
2561:
2552:
2527:
2525:, model for
2520:
2463:
2454:
2445:
2420:
2395:
2391:
2285:– via
2243:
2217:Stile antico
2215:
2211:
2190:
2139:
2134:
2101:
2066:
2060:
2012:
2006:
2003:DĂĽrr, Alfred
1977:. New York:
1974:
1950:
1945:
1916:
1899:
1894:
1877:
1872:
1856:
1851:
1809:
1797:
1785:
1773:
1761:
1753:Bach Archive
1748:Bach Digital
1746:
1737:
1729:Bach Archive
1724:Bach Digital
1722:
1713:
1705:Bach Archive
1700:Bach Digital
1698:
1689:
1681:Bach Archive
1676:Bach Digital
1674:
1665:
1615:Bach Archive
1610:Bach Digital
1608:
1599:
1507:Bach Archive
1502:Bach Digital
1500:
1422:
1406:
1390:
1370:
1334:
1314:
1201:
1140:Carus-Verlag
1137:
1126:
1114:
1085:
1084:Included in
1071:
1040:Anh. II
1021:
987:
955:
937:Peter Wollny
926:
908:
888:
870:
862:
848:
840:
831:stile antico
828:
816:
796:
756:
687:
645:
448:
327:figured bass
320:
275:
266:C major
262:Gloria Patri
252:
223:
214:
210:
203:S. Landelino
202:
198:
195:S. Vinceslao
194:
193:
164:Leuchtenberg
151:
143:
139:
121:
97:
67:choirs, two
53:C major
48:
45:Pietro Torri
43:
29:
2290: [
2255:. Leipzig:
2150:. Leipzig:
1969:(1888–90).
1751:. Leipzig:
1727:. Leipzig:
1703:. Leipzig:
1679:. Leipzig:
1613:. Leipzig:
1605:"Work 1338"
1545:Wollny 2015
1505:. Leipzig:
1101: [
1068:Publication
1061:Ă 15 et piĂą
1056:BWV Anh. 30
1046:. In 1968,
1044:BWV Anh. 30
1005: [
971: [
777:concertante
317:(Va) parts,
279:Ă 15 et piĂą
187:Max Emanuel
18:BWV Anh. 30
2715:Categories
2632:BWV 8
1906:ArkivMusic
1902:(8-CD Set)
1884:ArkivMusic
1844:Torri 2013
1790:Wolff 1968
1261:, p.
1259:Sadie 1998
1150:References
1076:Recordings
942:Rudolstadt
917:See also:
771:Psalm tone
529:SATBI, Bc
386:Magnificat
61:Magnificat
49:Magnificat
2466:(BWV 189)
2283:0084-7682
2227:651793960
2202:. 35.012.
2178:0084-7682
2055:(1862). "
2039:cite book
1927:website.
1908:website.
1886:website.
1864:website.
1862:Muziekweb
1766:Rust 1862
1638:467019500
1591:website.
1529:website.
1458:800252472
1450:455034485
1415:Muziekweb
1399:703000570
1379:456010822
1359:456010816
1351:456010815
1343:456010812
1323:450022127
1210:455034484
1193:website.
337:Movements
211:Trastulli
207:oratorios
89:movements
2678:BWV Anh.
2655:Cantata
2628:Cantata
2578:Cantata
2569:Cantata
2560:Cantata
2551:Cantata
2462:Cantata
2457:(BWV 53)
2453:Cantata
2390:Cantata
2237:(2015).
2210:(1968).
2097:"Munich"
2095:(1998).
1992:Vol. III
1880:, Vol. 2
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