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Ba Thet

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he had little taste for master-apprentice relations and no sooner had he mastered an art form than he was flouting the conventions of the genre. Some of the early stories about him are undoubtedly apocryphal but there are so many of them that they do clearly indicate the unconventional and somewhat rebellious character of the man. For example, there is a story of him as an adolescent learning Traditional Burmese floral painting from a Mandalay master and being able to reproduce such designs, of a high quality, in the space of a single session. Another story tells of him when he was older and studying goldsmithing as an apprentice, casually producing gold bracelets of a high quality for a client when the master stepped out—appalling his fellow apprentices with his audacity. Another time, as a youngster, he was studying with a Mandalay jade sculptor and was able to produce a ball of jade which the master said was of a standard produced by Hong Kong jade masters.
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The early stories about Ba Thet while he was an adolescent and teenager in training to become an artist are of a legendary quality. He was regarded as something of a prodigy of the arts in Burma because he never acquired his skills through formal training, rather by "seeing and doing." In addition,
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He remained a watercolor painter for many years, painting many Upper Burma scenes of a rote iconic character (Mandalay Palace scenes, Irrawaddy River scenes, et al.) which were very much in the British Watercolor style. However, in the 1990s, unusual works by Ba Thet began to emerge in Burma that
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indicated he was much bored with this watercolor style and was searching for a more adventuresome form of painting. The Mandalay painter and art dealer Myo Khin has described Ba Thet's path as one of rebellion against the "Royal Academy Style", meaning British watercolor painting.
136:, who is known commonly known in Burma as Kin Maung (Bank) to differentiate him from another painter of some renown, Kin Maung (Yangon). Kin Maung (Bank) is generally regarded as the "Father of Modernist Painting" in Burma. 219:
Ba Thet was also the teacher of the major painter Ba Yin Galay and the highly regarded painter Shwe Aung Thein, both of whose work took experimental turns. The watercolorist
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and others) were surprising. Such works have made characterizing Ba Thet's oeuvre very difficult, for it is full of odd leaps and jumps. The man was a true eccentric.
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expressed interest in modernist art, Ba Thet sent the two boys to Kin Maung (Bank) for periodic instruction in more modern concepts of painting.
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were among the first Burmese painters to paint in the western style, but it must be acknowledged that other painters, such as his teachers or
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was interested in creating a modernist art movement in Burma and Ba Thet shared such sympathies. Thus, after Win and
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Ultimately, Ba Thet settled upon painting as his favorite art medium and studied watercolor painting informally from
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and who was known as an advocate of experimentation in the arts. He was an associate of
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In Ba Thet's last years, he began to paint oils and some of these works such as
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was another of his pupils, and expressed deep respect for his teachings.
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Ranard, Andrew (2009). "The Early Mandalay School: The Core Group".
121: 200:(not be confused with the contemporary painter in his early 60s 375:"A brief history of Myanmar modern art: The first generation" 325:. Silkworm Books. pp. 115–116, 126–134, 217, 225–227. 462:
Burmese Painting : A Linear and Lateral History
94: 84: 76: 60: 46: 33: 323:Burmese Painting: A Linear and Lateral History 429:"Lu Tin - the person who possess the natural" 37: 8: 486:(in Burmese). Yarbye Press and Kyibwa Press. 357:(in Burmese). Yarbye Press and Kyibwa Press. 348: 346: 344: 342: 30: 368: 366: 364: 316: 314: 312: 310: 308: 306: 304: 302: 300: 298: 404:"Paintings of Burma: The Art of Win Pe" 265: 196:Two of Ba Thet's major students were 115: 7: 464:. Silkworm Books. pp. 126–134. 14: 208:. Ba Thet's friend and painter 1: 516:20th-century Burmese painters 532: 233:National Museum of Myanmar 28:. There is no family name. 15: 353:Amar, (Ludu Daw) (1997). 112: 38: 182:Ba Thet's Anatomy Lesson 484:Modern Burmese Painting 355:Modern Burmese Painting 321:Andrew Ranard (2009). 124:painter who worked in 501:People from Mandalay 167:M.T. Hla (U Tun Hla) 379:Chris Dodge Gallery 178:Novitiation Pageant 284:on 2 November 2010 278:Magic Art Gellaery 227:Museum collections 471:978-974-9511-76-3 332:978-974-9511-76-3 274:"Mandalay Zaycho" 149:Work as a painter 102: 101: 523: 487: 475: 448: 447: 445: 444: 435:. Archived from 425: 419: 418: 416: 415: 400: 394: 393: 391: 390: 381:. Archived from 370: 359: 358: 350: 337: 336: 318: 293: 292: 290: 289: 280:. Archived from 270: 250:Kin Maung (Bank) 210:Kin Maung (Bank) 119: 117:[ba̰θɛʔ] 114: 71: 69: 41: 40: 31: 531: 530: 526: 525: 524: 522: 521: 520: 491: 490: 478: 472: 459: 456: 451: 442: 440: 427: 426: 422: 413: 411: 408:Radio Free Asia 402: 401: 397: 388: 386: 372: 371: 362: 352: 351: 340: 333: 320: 319: 296: 287: 285: 272: 271: 267: 263: 241: 229: 194: 155:Maung Maung Gyi 151: 142: 98:Mandalay School 67: 65: 56: 51: 42: 36: 29: 12: 11: 5: 529: 527: 519: 518: 513: 508: 503: 493: 492: 489: 488: 480:Amar, Ludu Daw 476: 470: 455: 452: 450: 449: 420: 395: 360: 338: 331: 294: 264: 262: 259: 258: 257: 252: 247: 240: 237: 236: 235: 228: 225: 193: 190: 157:, Ba Zaw, and 150: 147: 141: 138: 100: 99: 96: 92: 91: 86: 85:Known for 82: 81: 78: 74: 73: 72:(aged 69) 62: 58: 57: 52: 48: 44: 43: 34: 13: 10: 9: 6: 4: 3: 2: 528: 517: 514: 512: 509: 507: 504: 502: 499: 498: 496: 485: 481: 477: 473: 467: 463: 458: 457: 453: 439:on 2012-03-14 438: 434: 430: 424: 421: 409: 405: 399: 396: 385:on 2010-10-23 384: 380: 376: 369: 367: 365: 361: 356: 349: 347: 345: 343: 339: 334: 328: 324: 317: 315: 313: 311: 309: 307: 305: 303: 301: 299: 295: 283: 279: 275: 269: 266: 260: 256: 253: 251: 248: 246: 243: 242: 238: 234: 231: 230: 226: 224: 222: 217: 215: 211: 207: 203: 199: 191: 189: 187: 183: 179: 174: 170: 168: 164: 160: 156: 148: 146: 139: 137: 135: 131: 127: 123: 118: 110: 106: 97: 93: 90: 87: 83: 79: 75: 63: 59: 55: 54:British Burma 49: 45: 32: 27: 23: 19: 483: 461: 454:Bibliography 441:. Retrieved 437:the original 432: 423: 412:. Retrieved 410:. 2004-11-17 407: 398: 387:. Retrieved 383:the original 378: 373:Ma Thanegi. 354: 322: 286:. Retrieved 282:the original 277: 268: 218: 202:Win Pe Myint 195: 192:His students 181: 177: 175: 171: 152: 143: 107:(1903–1972; 104: 103: 25: 18:Burmese name 511:1972 deaths 506:1903 births 255:Paw Oo Thet 214:Paw Oo Thet 206:Paw Oo Thet 77:Nationality 495:Categories 443:2010-11-14 414:2010-11-14 389:2010-11-14 288:2010-11-14 245:Saya Saung 159:Saya Saung 140:Early life 22:given name 433:Yadanaura 186:Rembrandt 134:Kin Maung 482:(1997). 239:See also 126:Mandalay 120:) was a 95:Movement 89:Painting 35:Ba Thet 16:In this 163:Ba Nyan 130:Myanmar 122:Burmese 109:Burmese 105:Ba Thet 80:Burmese 66: ( 26:Ba Thet 468:  329:  221:Lu Tin 204:) and 198:Win Pe 20:, the 261:Notes 466:ISBN 327:ISBN 180:and 113:ဘသက် 68:1973 64:1972 61:Died 50:1903 47:Born 39:ဘသက် 24:is 497:: 431:. 406:. 377:. 363:^ 341:^ 297:^ 276:. 128:, 111:: 474:. 446:. 417:. 392:. 335:. 291:. 70:)

Index

Burmese name
given name
British Burma
Painting
Burmese
[ba̰θɛʔ]
Burmese
Mandalay
Myanmar
Kin Maung
Maung Maung Gyi
Saya Saung
Ba Nyan
M.T. Hla (U Tun Hla)
Rembrandt
Win Pe
Win Pe Myint
Paw Oo Thet
Kin Maung (Bank)
Paw Oo Thet
Lu Tin
National Museum of Myanmar
Saya Saung
Kin Maung (Bank)
Paw Oo Thet
"Mandalay Zaycho"
the original


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