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peering inquisitively into the camera. Elizabeth is less impressed to be unceremoniously placed into an uncomfortable weighing scale, showing her displeasure by wriggling and grizzling. Finally
Elizabeth is dressed and bounced again by the nurse. She begins to cry, but is pacified when the nurse produces her breast and the child is able to feed from the nurse who has a 2 month old baby at home whom she breast feeds. This is the way that the nurse became attached to the baby Elizabeth. The nurse came back later to keep feeding Elizabeth.
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167:. The film features Hepworth's baby daughter Elizabeth being bathed and dressed by her nurse, and was categorised by Hepworth as a "Domestic Scene". In the film Hepworth combines a series of shots to produce a narrative depicting the bathing process from beginning to end. He would later acknowledge the influence of the pioneering work of the
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The nurse bounces baby
Elizabeth on her knee before placing her into her bath. The nurse sponges Elizabeth and drizzles water over her head and body, which Elizabeth evidently finds agreeable. She is then taken out of the bath, towel dried and powdered, again appearing to enjoy the procedure and
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observes: "Long after
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on this and other similar films he produced in the 1900s. The print of
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175:survives, and Patrick Russell of the
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16:1905 British film by Cecil Hepworth
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596:Films directed by Cecil Hepworth
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103:Hepworth Manufacturing Company
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183:has lost none of its charm."
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372:The Cloister and the Hearth
324:How It Feels to Be Run Over
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177:British Film Institute
420:Trelawny of the Wells
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436:The American Heiress
254:on BFI Films channel
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484:Helen of Four Gates
340:Alice in Wonderland
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565:Categories
428:The Cobweb
404:Molly Bawn
220:10 January
196:References
161:short film
136:3 minutes
187:Synopsis
159:British
92:Starring
50:May 2022
39:reliable
259:YouTube
141:Country
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