585:, heading the double bill on the Loew's circuit, is a thoroughly standard, pointless and even old-fashioned gangster picture, the kind that began going out along with the oldtime sedans. As a matter of fact, one of the few absorbing sights in this United Artists release, starring Mickey Rooney, is a continual procession of vintage jaloppys, chugging in and out of the proceedings ... The other distinction, also mild, is Sir Cedric Hardwicke's professional portrait of a seedy, lecherous and alcoholic physician who consorts with criminals."
1018:
991:
962:
946:
326:. His motive is to have Gillis kill a labor organizer, but Gillis refuses, preferring to work with Rocca's gang on robberies instead. He meets mob moll Sue Nelson and they start a relationship. He is relaxing, alone in his hotel room, when cops burst in, finding a gun Rocca has planted to frame Gillis for the labor leader's murder. Gillis vows revenge, escapes from the cops with Sue's help, then guns down Rocca and two henchmen. He adopts Sue's surname as an alias.
497:“Don Seigel’s films are consistent in that, from film to film, there exists a deeply felt pessimism related to the futility of many of the protagonist’s actions. These people are frequently seen at a dead end in their emotional or professional lives and see little hope for change or a meaningful future.” —Biographer Judith M. Kass in
29:
344:
The ruthless Baby Face goes on a shooting spree, even killing innocent motorists just to steal a car. He doesn't like playing second fiddle to
Dillinger, but after the arch-criminal is shot in Chicago, it becomes Baby Face's turn to be public enemy number one. He commits multiple murders, even
623:
Even if they so desired, these are incapable of altering their life styles, of modifying their aberrant personalities to conform to “normal” society. They end their lives as they perpetuated them…fixed in the outmoded violence of the
348:
Trapped by a roadblock, Baby Face flees on foot and is shot several times. Stumbling to a graveyard, he pleads with Sue at first, then taunts her, to put him out of his misery, and she does.
632:, and their counterparts in the cinema of the Thirties are the dinosaurs of the era. Their behavior will soon give way to more organized crime, mechanized and dispassionate.
1466:
1411:
1416:
1471:
1406:
1461:
1396:
1451:
1441:
506:
The
Production Code had recently repealed a ban on dramatising the lives of real criminals. Producer Al Zimbalist formed ZS Productions with
341:). Acquiring a nickname, "Baby Face Nelson", a grateful Gillis joins up with Dillinger and quickly becomes the FBI's second most wanted man.
1045:
1446:
1401:
918:
569:
Rooney says he was offered a million dollars to buy out his interest in the film but he refused, confident it would be a success.
996:
1391:
1163:
642:
275:
1456:
1436:
1431:
985:
603:
1347:
832:
1426:
1251:
1179:
1291:
1235:
597:
1299:
1107:
1038:
393:
1275:
595:
The film was a financial success and kicked off a series of movies where Rooney played a tough guy, including
1243:
1211:
1083:
1002:
389:
300:
115:
1355:
1283:
1139:
973:
879:
856:
815:
792:
769:
746:
723:
669:
1171:
449:
787:
Schallert, E. (Sep 19, 1955). "Spiegel's 'end as man' to star gazarra; jack palance subject named".
1386:
1363:
1259:
1115:
1031:
1421:
1323:
1155:
837:
764:
Schallert, E. (Jul 2, 1957). "Cornel wilde readies hungary saga; george sanders stars abroad".
718:
Schallert, E. (May 12, 1955). "'Run for sun' heralded for eva marie saint; tim McCoy pursued".
1195:
1067:
940:
914:
270:
64:
1091:
563:
555:
Filming started in
October 1955. Zimbalist did some second unit filming in Chicago himself.
515:
511:
416:
374:
362:
330:
288:
105:
1315:
1203:
1147:
1123:
1013:
990:
961:
578:
443:
425:
420:
312:
1017:
945:
1339:
629:
549:
507:
384:
345:
killing Doc in a fit of anger, and frightens Sue by placing a rifle sight on children.
334:
296:
180:
60:
1380:
1219:
1131:
1099:
978:
530:
519:
482:
410:
368:
358:
323:
284:
280:
156:
100:
95:
1331:
1227:
1075:
470:
464:
431:
329:
In a holdup at a pharmacy, Gillis is winged by a gunshot. He goes to Doc
Saunders (
82:
619:
within a historical and social context in which Seigel’s protagonists are doomed:
1007:
1307:
883:
860:
819:
796:
773:
750:
727:
673:
559:
545:
523:
455:
437:
1023:
1055:
628:: conduct that was to become as anachronistic as the cars they drove. Nelson,
541:
534:
476:
380:
338:
292:
266:
262:
110:
42:
967:
404:
398:
308:
304:
259:
125:
120:
28:
625:
957:
138:
951:
934:
322:
Chicago mob boss Rocca manages to get Lester Gillis sprung from jail in
1267:
664:
Hopper, H. (Feb 16, 1958). "Rooney, back on top again, has big plans".
741:
THOMAS M PRYOR (Jun 19, 1957). "MITCHUM TO MAKE THREE NEW FILMS".
273:—who also wrote the screenplay for Siegel's 1956 sci-fi thriller
1027:
851:
Scott, J. L. (Dec 12, 1957). "Rooney's killer in grim tale".
510:
to make a film based on the latter's unpublished novel about
333:), whose patients include America's most wanted criminal,
874:
Scott, J. L. (Feb 1, 1959). "Rooney to quit in 5 years".
913:(1975 ed.). New York: Tanvity Press. p. 207.
265:based on the real-life 1930s gangster, directed by
243:
235:
227:
219:
209:
186:
176:
162:
152:
144:
134:
88:
78:
70:
56:
48:
38:
21:
911:Don Seigel: The Hollywood Professionals, Volume 4
499:Don Seigel: The Hollywood Professionals, Volume 4
621:
495:
841:, December 12, 1957. Accessed: July 6, 2013.
1039:
8:
1046:
1032:
1024:
1016:
989:
960:
944:
27:
18:
1467:English-language biographical drama films
552:, but the studio refused to release him.
533:'s Fryman Enterprises to make the movie.
514:. He originally announced he was seeking
1412:Cultural depictions of Baby Face Nelson
659:
657:
653:
577:When the film was released film critic
1417:Cultural depictions of John Dillinger
7:
592:called it a "bitter bloody drama".
1472:English-language crime drama films
615:Biographer Judith M. Kass locates
14:
1407:American biographical drama films
810:"Shulman to do script on thug".
529:Eventually they partnered with
1462:American black-and-white films
1397:1950s biographical drama films
1164:Invasion of the Body Snatchers
643:List of American films of 1957
485:as Solly – Pool Hall Attendant
452:as Ann Saper – the Lady in Red
276:Invasion of the Body Snatchers
1:
1452:1950s English-language films
1442:Films directed by Don Siegel
986:AFI Catalog of Feature Films
558:Shulman was later hired by
540:Zimbalist wanted to borrow
440:as FBI Agent Charles Bonner
247:$ 1.25 million (US rentals)
195:December 11, 1957
1488:
1447:Films about John Dillinger
1402:American crime drama films
581:panned the film writing, "
446:as Mr. Hall – Bank Manager
33:Theater release lobby card
1292:Two Mules for Sister Sara
1062:
26:
1108:The Duel at Silver Creek
909:Kass, Judith M. (1975).
690:, January 8, 1958, p. 30
686:"Top Grosses of 1957",
461:Dan Terranova as Miller
74:story by Irving Shulman
16:1957 film by Don Siegel
1392:1957 crime drama films
1003:British Film Institute
699:Kass, 1975 pp. 124-127
634:
503:
1284:Death of a Gunfighter
1140:Riot in Cell Block 11
537:was hired to direct.
1457:1950s American films
1437:United Artists films
1432:Films set in Chicago
1348:Escape from Alcatraz
1172:Crime in the Streets
467:as Alex – Bank Guard
428:as FBI Agent Johnson
1260:Stranger on the Run
1116:No Time for Flowers
258:is a 1957 American
1324:The Black Windmill
1236:Hell Is for Heroes
1054:Films directed by
974:TCM Movie Database
838:The New York Times
562:to do a script on
479:as Postman Harkins
458:as Mac – Detective
171:Fryman Enterprises
1427:Films set in 1933
1374:
1373:
1156:The Blue and Gold
1068:Star in the Night
896:Kass, 1975 p. 126
876:Los Angeles Times
853:Los Angeles Times
812:Los Angeles Times
789:Los Angeles Times
766:Los Angeles Times
720:Los Angeles Times
708:Kass, 1975 p. 107
666:Los Angeles Times
590:Los Angeles Times
271:Daniel Mainwaring
251:
250:
65:Daniel Mainwaring
1479:
1212:Edge of Eternity
1188:Baby Face Nelson
1092:Night Unto Night
1048:
1041:
1034:
1025:
1020:
1009:Baby Face Nelson
998:Baby Face Nelson
993:
980:Baby Face Nelson
969:Baby Face Nelson
964:
953:Baby Face Nelson
948:
936:Baby Face Nelson
924:
897:
894:
888:
887:
871:
865:
864:
848:
842:
830:
824:
823:
814:. Jan 12, 1958.
807:
801:
800:
784:
778:
777:
761:
755:
754:
738:
732:
731:
715:
709:
706:
700:
697:
691:
684:
678:
677:
661:
617:Baby Face Nelson
604:The Big Operator
583:Baby Face Nelson
564:Pretty Boy Floyd
516:Montgomery Clift
512:Baby Face Nelson
417:Elisha Cook, Jr.
407:as Samuel Parker
375:Cedric Hardwicke
363:Baby Face Nelson
331:Cedric Hardwicke
289:Cedric Hardwicke
269:, co-written by
255:Baby Face Nelson
202:
200:
106:Cedric Hardwicke
31:
22:Baby Face Nelson
19:
1487:
1486:
1482:
1481:
1480:
1478:
1477:
1476:
1377:
1376:
1375:
1370:
1316:Charley Varrick
1204:The Gun Runners
1148:Private Hell 36
1124:Count the Hours
1058:
1052:
1014:Box Office Mojo
931:
921:
908:
905:
900:
895:
891:
873:
872:
868:
850:
849:
845:
835:, film review,
833:Crowther, Bosly
831:
827:
809:
808:
804:
786:
785:
781:
763:
762:
758:
740:
739:
735:
717:
716:
712:
707:
703:
698:
694:
685:
681:
663:
662:
655:
651:
639:
613:
579:Bosley Crowther
575:
504:
493:
488:
444:George E. Stone
426:Robert Osterloh
421:Homer Van Meter
377:as Doc Saunders
354:
320:
313:Elisha Cook Jr.
212:
205:
198:
196:
189:
172:
167:
165:
130:
63:
34:
17:
12:
11:
5:
1485:
1483:
1475:
1474:
1469:
1464:
1459:
1454:
1449:
1444:
1439:
1434:
1429:
1424:
1419:
1414:
1409:
1404:
1399:
1394:
1389:
1379:
1378:
1372:
1371:
1369:
1368:
1360:
1352:
1344:
1336:
1328:
1320:
1312:
1304:
1296:
1288:
1280:
1276:Coogan's Bluff
1272:
1264:
1256:
1252:The Hanged Man
1248:
1240:
1232:
1224:
1216:
1208:
1200:
1192:
1184:
1180:Spanish Affair
1176:
1168:
1160:
1152:
1144:
1136:
1128:
1120:
1112:
1104:
1096:
1088:
1080:
1072:
1063:
1060:
1059:
1053:
1051:
1050:
1043:
1036:
1028:
1022:
1021:
1005:
994:
988:
976:
965:
949:
930:
929:External links
927:
926:
925:
919:
904:
901:
899:
898:
889:
866:
843:
825:
802:
779:
756:
743:New York Times
733:
710:
701:
692:
679:
652:
650:
647:
646:
645:
638:
635:
612:
609:
574:
571:
550:John Dillinger
526:for the lead.
508:Irving Shulman
494:
492:
489:
487:
486:
480:
474:
468:
462:
459:
453:
447:
441:
435:
429:
423:
414:
408:
402:
401:as Fatso Nagel
396:
390:Anthony Caruso
387:
385:John Dillinger
378:
372:
366:
361:as Lester M. '
355:
353:
350:
337:(portrayed by
335:John Dillinger
319:
316:
301:Anthony Caruso
279:—and starring
249:
248:
245:
241:
240:
237:
233:
232:
229:
225:
224:
221:
217:
216:
213:
210:
207:
206:
204:
203:
192:
190:
187:
184:
183:
181:United Artists
178:
177:Distributed by
174:
173:
170:
168:
163:
160:
159:
154:
150:
149:
146:
142:
141:
136:
135:Cinematography
132:
131:
129:
128:
123:
118:
116:Anthony Caruso
113:
108:
103:
98:
92:
90:
86:
85:
80:
76:
75:
72:
68:
67:
61:Irving Shulman
58:
54:
53:
50:
46:
45:
40:
36:
35:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
1484:
1473:
1470:
1468:
1465:
1463:
1460:
1458:
1455:
1453:
1450:
1448:
1445:
1443:
1440:
1438:
1435:
1433:
1430:
1428:
1425:
1423:
1420:
1418:
1415:
1413:
1410:
1408:
1405:
1403:
1400:
1398:
1395:
1393:
1390:
1388:
1385:
1384:
1382:
1366:
1365:
1361:
1358:
1357:
1353:
1350:
1349:
1345:
1342:
1341:
1337:
1334:
1333:
1329:
1326:
1325:
1321:
1318:
1317:
1313:
1310:
1309:
1305:
1302:
1301:
1297:
1294:
1293:
1289:
1286:
1285:
1281:
1278:
1277:
1273:
1270:
1269:
1265:
1262:
1261:
1257:
1254:
1253:
1249:
1246:
1245:
1241:
1238:
1237:
1233:
1230:
1229:
1225:
1222:
1221:
1220:Hound-Dog Man
1217:
1214:
1213:
1209:
1206:
1205:
1201:
1198:
1197:
1193:
1190:
1189:
1185:
1182:
1181:
1177:
1174:
1173:
1169:
1166:
1165:
1161:
1158:
1157:
1153:
1150:
1149:
1145:
1142:
1141:
1137:
1134:
1133:
1132:China Venture
1129:
1126:
1125:
1121:
1118:
1117:
1113:
1110:
1109:
1105:
1102:
1101:
1100:The Big Steal
1097:
1094:
1093:
1089:
1086:
1085:
1081:
1078:
1077:
1073:
1070:
1069:
1065:
1064:
1061:
1057:
1049:
1044:
1042:
1037:
1035:
1030:
1029:
1026:
1019:
1015:
1011:
1010:
1006:
1004:
1000:
999:
995:
992:
987:
984:
982:
981:
977:
975:
971:
970:
966:
963:
959:
955:
954:
950:
947:
942:
938:
937:
933:
932:
928:
922:
920:0-498-01665-X
916:
912:
907:
906:
902:
893:
890:
885:
881:
877:
870:
867:
862:
858:
854:
847:
844:
840:
839:
834:
829:
826:
821:
817:
813:
806:
803:
798:
794:
790:
783:
780:
775:
771:
767:
760:
757:
752:
748:
744:
737:
734:
729:
725:
721:
714:
711:
705:
702:
696:
693:
689:
683:
680:
675:
671:
667:
660:
658:
654:
648:
644:
641:
640:
636:
633:
631:
627:
620:
618:
610:
608:
606:
605:
600:
599:
598:The Last Mile
593:
591:
586:
584:
580:
572:
570:
567:
565:
561:
556:
553:
551:
547:
543:
538:
536:
532:
531:Mickey Rooney
527:
525:
521:
520:Frank Sinatra
517:
513:
509:
502:
500:
490:
484:
483:Duke Mitchell
481:
478:
475:
473:as Pharmacist
472:
469:
466:
463:
460:
457:
454:
451:
448:
445:
442:
439:
436:
433:
430:
427:
424:
422:
418:
415:
412:
411:Ted de Corsia
409:
406:
403:
400:
397:
395:
394:John Hamilton
391:
388:
386:
382:
379:
376:
373:
371:as Sue Nelson
370:
369:Carolyn Jones
367:
364:
360:
359:Mickey Rooney
357:
356:
351:
349:
346:
342:
340:
336:
332:
327:
325:
317:
315:
314:
310:
306:
302:
298:
294:
290:
286:
285:Carolyn Jones
282:
281:Mickey Rooney
278:
277:
272:
268:
264:
261:
257:
256:
246:
242:
238:
234:
230:
226:
223:United States
222:
218:
214:
208:
194:
193:
191:
185:
182:
179:
175:
169:
161:
158:
157:Van Alexander
155:
151:
147:
143:
140:
137:
133:
127:
124:
122:
119:
117:
114:
112:
109:
107:
104:
102:
101:Carolyn Jones
99:
97:
96:Mickey Rooney
94:
93:
91:
87:
84:
81:
77:
73:
69:
66:
62:
59:
57:Screenplay by
55:
51:
47:
44:
41:
37:
30:
25:
20:
1362:
1354:
1346:
1338:
1332:The Shootist
1330:
1322:
1314:
1306:
1300:The Beguiled
1298:
1290:
1282:
1274:
1266:
1258:
1250:
1242:
1234:
1228:Flaming Star
1226:
1218:
1210:
1202:
1194:
1187:
1186:
1178:
1170:
1162:
1154:
1146:
1138:
1130:
1122:
1114:
1106:
1098:
1090:
1082:
1076:Hitler Lives
1074:
1066:
1008:
997:
979:
968:
952:
935:
910:
892:
875:
869:
852:
846:
836:
828:
811:
805:
788:
782:
765:
759:
742:
736:
719:
713:
704:
695:
687:
682:
665:
622:
616:
614:
602:
596:
594:
589:
587:
582:
576:
568:
557:
554:
539:
528:
505:
498:
496:
471:Harry Antrim
465:Murray Alper
432:Thayer David
347:
343:
328:
321:
274:
254:
253:
252:
211:Running time
188:Release date
83:Al Zimbalist
52:Robert Adler
1308:Dirty Harry
1244:The Killers
1084:The Verdict
560:Sam Katzman
546:Warner Bros
524:Tony Curtis
456:Emile Meyer
438:Dabbs Greer
434:as Connelly
148:Leon Barsha
79:Produced by
39:Directed by
1387:1957 films
1381:Categories
1196:The Lineup
1056:Don Siegel
542:Edd Byrnes
535:Don Siegel
491:Production
477:Tom Fadden
450:Lisa Davis
381:Leo Gordon
339:Leo Gordon
293:Leo Gordon
267:Don Siegel
263:crime film
244:Box office
215:85 minutes
199:1957-12-11
164:Production
111:Leo Gordon
49:Written by
43:Don Siegel
1422:Film noir
1356:Rough Cut
884:167391194
861:167157866
820:167180634
797:166846857
774:167078820
751:114202636
728:166759867
674:167224617
649:Footnotes
630:Dillinger
573:Reception
405:John Hoyt
399:Jack Elam
309:John Hoyt
305:Jack Elam
297:Dillinger
260:film noir
239:$ 250,000
145:Edited by
126:John Hoyt
121:Jack Elam
958:AllMovie
880:ProQuest
857:ProQuest
816:ProQuest
793:ProQuest
770:ProQuest
747:ProQuest
724:ProQuest
670:ProQuest
637:See also
548:to play
413:as Rocca
365:' Gillis
228:Language
153:Music by
139:Hal Mohr
89:Starring
71:Based on
1364:Jinxed!
1340:Telefon
1268:Madigan
1001:at the
983:at the
972:at the
903:Sources
688:Variety
501:(1975)
231:English
220:Country
197: (
166:company
1367:(1982)
1359:(1980)
1351:(1979)
1343:(1977)
1335:(1976)
1327:(1974)
1319:(1973)
1311:(1971)
1303:(1971)
1295:(1970)
1287:(1969)
1279:(1968)
1271:(1968)
1263:(1967)
1255:(1964)
1247:(1964)
1239:(1962)
1231:(1960)
1223:(1959)
1215:(1959)
1207:(1958)
1199:(1958)
1191:(1957)
1183:(1957)
1175:(1956)
1167:(1956)
1159:(1955)
1151:(1954)
1143:(1954)
1135:(1953)
1127:(1953)
1119:(1952)
1111:(1952)
1103:(1949)
1095:(1949)
1087:(1946)
1079:(1945)
1071:(1945)
943:
917:
882:
859:
818:
795:
772:
749:
726:
672:
626:1930's
324:Joliet
236:Budget
611:Theme
544:from
941:IMDb
915:ISBN
601:and
588:The
352:Cast
318:Plot
311:and
1012:at
956:at
939:at
522:or
419:as
392:as
383:as
295:as
1383::
878:.
855:.
791:.
768:.
745:.
722:.
668:.
656:^
607:.
566:.
518:,
307:,
303:,
299:,
291:,
287:,
283:,
1047:e
1040:t
1033:v
923:.
886:.
863:.
822:.
799:.
776:.
753:.
730:.
676:.
201:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
