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Experienced director
Bakhshi Galandarli refused from a detailed depiction of the historical environment, from lush scenery, bright costumes and colorful accessories. The play attracted attention with the simplicity of the director's handwriting and economy of visual aids. It convincingly showed the
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clash of two worldviews, two philosophical principles: optimism and asceticism, which is respectively symbolized by the images of the Mosque and
Kharabat. Jafar Jafarov. Азербайджанский театр / Red. A. Anastasiyeva. — История советского драматического театра: Наука, 1966. — Vol. 2. — p. 291.
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