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501:(best known by his literary pseudonym "Zokā'i"). The celebrated poet Adib Beyzai, one of the most profound poets of 20th-century Iran, is Bahram's paternal uncle. Bahram Beyzaie's paternal grandfather, Mirzā Mohammad-Rezā Ārāni ("Ebn Ruh"), and paternal great-grandfather, the Mulla Mohammad-Faqih Ārāni ("Ruh'ol-Amin"), were also notable poets.
610:. In 1969, he was invited to teach at the Theater Department of the College of Fine Arts at the University of Tehran. He chaired this department from 1972 to 1979. With his readership, many prominent authors and artists started teaching at the department and created the most fruitful period in the history of that department.
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poll of 150 Iranian critics and professionals. Still, even before the outset of his cinematic career in 1970, he was a leading playwright (as well as theatre historian), so much so that he is often considered the greatest playwright of the
Persian language, and holds a reputation as "The
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Contemporary
Persian and Classical Persian are the same language, but writers since 1900 are classified as contemporary. At one time, Persian was a common cultural language of much of the non-Arabic Islamic world. Today it is the official language of
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culture and literature. This, in turn, led him to study
Eastern theatre and traditional Iranian theatre and arts, which would help him formulate a new non-Western identity for Iranian theatre. He also became acquainted with Persian painting.
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and "crisis of identity," which is related to
Iranian cultural and mythical symbols and paradigms. He is considered Iran's most prominent screenwriter in terms of the dramatic integrity of his works, many of which have been made into films.
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Some people in our old and enduring culture assume iconic significance for reasons far beyond our crooked measures. Beizai is one of them. When the annals of our contemporary history are written, Beizai will have the same significance as
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Bahram Beizai started skipping school from around the age of 17 in order to go to movies which were becoming popular in Iran at a rapid pace. This only fed his hunger to learn more about cinema and the
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635:(Namayesh dar Iran), published in mid-1960s is still considered the most important text on the history of Iranian theater. Beyzaie is also the first scholar in Iran to publish books on
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His poetic vein is unmistakable. He writes as though he had a sad look in his eyes, a detached and philosophical understanding in his tone. A vague sense of destiny haunts his plays.
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high school as an adolescent, where he did not spend a good time getting along, skipped classes and went to the movies, and in his late teens composed his earliest dramatic pieces.
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Beyzaie has over 50 published plays, some of which are as follows. These works have occasionally appeared in French, English, German and other translations.
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and biographer father and a housewife mother. His father made a living through a legal occupation and could reasonably attend to his literary interests.
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The young Bahram did not seem very interested in his family legacy, poetry, which was pursued by his father, uncles and cousins. In high school, the
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Despite his belated start in cinema, Beyzai is often considered a pioneer of a generation of filmmakers whose works are sometimes described as the
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Critics have often praised Beyzai above all
Persian filmmakers as well as playwrights. He was voted the best Persian filmmaker in 2002, and his
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733:) which critics regard to this day as one of the most successful Iranian films ever made. The successful film addresses the late
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In 1968, Beyzai was one of the nine founders of the
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was voted the finest
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1471:. It is noteworthy that Adib Ali Beyzāie's son, Hossein Beyzāie, is also a poet; his literary pseudonym is
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has been performed in Iran, France, England, India and the USA, among other countries, and was made into a
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Iranian
Culture in Bahram Beyzaie's Cinema and Theatre: Paradigms of Being and Belonging (1959-1979)
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484:; born 26 December 1938) is an Iranian playwright, theatre director, screenwriter, film editor, and
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712:) followed by "Safar" in 1970. With these films, Beyzai is often considered to be a pioneer of the
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514:(1986) was voted "Best Iranian Film of all time" in November 1999 by a Persian movie magazine
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At the age of 21, he did substantial research on the traditional
Persian plays, particularly
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791:(The fifth season) in 1996, while he also made four of his finest films. He also edited
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787:) was adapted into a film in 1995 and another screenplay was adapted into a film named
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Yar-Shater, Ehsan (1984). "The Modern
Literary Idiom". In Ricks, Thomas M. (ed.).
1575:("Dar'ol-Fonoun dar hasrat-e eshq"), in Persian, Jadid Online, 22 September 2008,
928:, who had previously objected to Beyzai's style, praised him in a letter in 2017.
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1722:. London and New York: Bloomsbury Publishing (I.B. Tauris). ISBN 9780755648665.
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1648:"Memoirs of the Actor in a Supporting Role (2010 edition) | Open Library"
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A short talk with Bahram Bayzai, the celebrated director of film and theatre
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started a troupe whose name remained in use until the 2000s: Lisar troupe.
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He married the actress and make-up artist Mozhdeh Shamsai in 1992. After
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Bahram Bayzai's biography on Iran Chamber Society (www.iranchamber.com)
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For an illustrated report on Dar'ol-Fonoun see: Hamid-Reza Hosseini,
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Beyzai in his first wedding in the company of other artists, notably
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https://www.st-andrews.ac.uk/news/archive/2017/title,1283540,en.php
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black cassock with a yellow hood, having just received an honorary
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Iranian playwright, theatre director, screenwriter and film editor
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He is known as the most intellectual and conspicuous "author" in
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In 1969, he began his film career by directing the short film
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from the article and its talk page, especially if potentially
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Immediately after, in 1971, he made his first feature film
1782:, in Persian, Deutsche Welle, Wednesday 26 December 2007:
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Since then he has produced and directed 8 films including
1581:. The following is the photograph of what used to be the
1379:
List of awards and nominations received by Bahram Beyzai
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The prizes, awards and honors he has won are numerous.
1702:[The Shakespeare of Persia in the New World].
1578:. The pertinent photographs (15) can be viewed here:
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Bahram Baizai, Iranian Cinema, Feminism, Art Cinema
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1788:(Audio recording of interview — 4 min 9 sec)
1773:, in Persian, BBC Persian, Sunday 6 January 2008,
1728:Critical Perspectives on Modern Persian Literature
1136:, translation into English by Gisele Kapuscinski)
905:and theater. The main theme of his works is the
2112:Inscription of Xerxes the Great in Van Fortress
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773:In 1981, the revolutionary leaders started the
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1350:List of film director and actor collaborations
700:the 1970s and the outset of a cinematic career
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720:movement that was started in the late 1960s.
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8:
1771:Speaking with Bahram Bayzai; , Day Passes By
1681:Masters & Masterpieces of Iranian Cinema
1344:List of frequent Bahram Beyzai collaborators
1811:Senmar Sacrificing Session by Bahram Beyzai
666:Some of his plays, such as his masterpiece
526:Since 2010, Beyzai has lived and taught at
4290:Academic staff of the University of Tehran
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2117:Achaemenid inscription in the Kharg Island
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1730:. Three Continents Press. pp. 42–62.
1597:
837:He left Iran in 2010 at the invitation of
737:as its central character and protagonist.
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321:
212:Playwright, director, screenwriter, editor
169:
151:
69:about living persons that is unsourced or
4128:and one of the two official languages of
1945:Memoirs of the Actor in a Supporting Role
1264:(The One Thousand and First Night) (2003)
1219:Memoirs of the Actor in a Supporting Role
140:Learn how and when to remove this message
4225:Iranian expatriates in the United States
1105:
759:Shāyad Vaghti digar (Maybe Another Time)
490:("master") of Persian letters, arts and
4175:21st-century dramatists and playwrights
4170:20th-century dramatists and playwrights
1410:
1333:List of speeches given by Bahram Beyzai
1245:The Lady Aoi (Bahram Beyzai production)
828:In 2001, he made his best-selling film
819:. Soon however, he returned and staged
377:
351:
333:
4210:Iranian emigrants to the United States
1995:On the Situation of Theatre and Cinema
1523:
1400:2012 Farhang Foundation Heritage Award
1536:Abbas Milani's speech, Toronto, 2017.
692:have been translated into English by
7:
1444:in Persian is the literary word for
742:Qaribe va Meh (Stranger and the Fog)
1683:. Washington, DC: Mage Publishers.
1634:
817:International Parliament of Writers
481:
4190:Iranian dramatists and playwrights
1397:2014: Bita Prize for Persian Arts]
422:
25:
2152:Counsels of Adurbad-e Mahrspandan
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1365:in 1978, Beyzai and his crew in
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249:
36:
4270:Persian-language film directors
4230:20th-century Iranian historians
4091:Mohammad Ebrahim Bastani Parizi
3522:Mohammad Hanif (Iranian writer)
2009:A New Prologue to the Shahnameh
1805:Seljuk Station by Bahram Beyzai
1797:, Off Screen, 31 January 2003,
497:Beyzaie is the son of the poet
271:
245:
3162:Mahmoud Mosharraf Azad Tehrani
2172:Karnamak-i Artaxshir-i Papakan
1143:, translation into English by
1:
3270:Mohammad-Reza Shafiei Kadkani
2500:Abu'l Hasan Mihyar al-Daylami
1700:"شکسپیر ایران در بلاد امریکا"
1573:Dar'ol-Fonoun in want of Love
1418:بهرام بیضایی در سوگ مادر نشست
1162:, translation into French by
1159:Le Huitième voyage de Sindbad
1150:"Hashtomin Safar e Sandbad" (
4220:Iranian expatriate academics
3065:Mahmud Khan Malek al-Sho'ara
1921:The Eighth Voyage of Sindbad
1548:"Bahram Beyzaie - Biography"
1428:Two thousand verse lines by
47:biography of a living person
4285:Stanford University faculty
2963:Mohammad Qoli Salim Tehrani
1698:Hasani, Farzad (May 2018).
775:Iranian Cultural Revolution
74:must be removed immediately
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4185:Iranian children's writers
3049:Mirza Mohammad Taqi Sepehr
1988:A Study on Iranian Theatre
1886:Bashu, the Little Stranger
1507:), No. 74, November 1999,
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1234:Kārnāme-ye Bandār Bidakhsh
1124:Bahram Beyzai bibliography
1121:
1028:Bashu, the Little Stranger
940:
921:Bashu, the Little Stranger
757:(1986, released in 1989),
754:Bashu, the Little Stranger
632:A Study on Iranian Theatre
511:Bashu, the Little Stranger
4240:Iranian theatre directors
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3275:Mohammad-Hossein Shahriar
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2801:Emad al-Din Faqih Kermani
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2192:Shahrestanha-ye Eranshahr
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1248:(1997 and 1998) based on
1134:Evening in a Strange Land
1132:"Gorob dar Diari Garib" (
943:Bahram Beyzai filmography
937:Filmography (as director)
815:at the invitation of the
797:Borj-e Minu (Minoo Tower)
629:Beyzaie's groundbreaking
311:
302:Nayereh Movafegh (mother)
168:
161:
4295:Iranian scenic designers
4275:Persian-language writers
3690:Mirza Fatali Akhundzadeh
2723:Zartosht Bahram e Pazhdo
2546:Shahab al-Din Suhrawardi
2442:Fakhruddin As'ad Gurgani
2102:Old Persian inscriptions
1718:Talajooy, Saeed (2023).
1393:University of St Andrews
983:The Stranger and the Fog
602:Playwriting in the 1960s
162:
4040:Houshang Moradi Kermani
3644:Houshang Moradi Kermani
3639:Jaafar Modarres-Sadeghi
3624:Mohammad-Ali Jamalzadeh
3535:Zeyn al-Abedin Maraghei
3033:Zayn al-Abidin Shirvani
2999:Abbas Foroughi Bastami
1793:Najmeh Khalili Mahani,
1615:www.film-foundation.org
1272:Afra, or the Day Passes
1153:Sindbad's Eighth Voyage
1061:(1998 - short - a.k.a.
957:(1970 - short - a.k.a.
914:Reception and criticism
769:Filmmaking in the 1980s
4205:Iranian film producers
4195:Iranian film directors
4165:21st-century essayists
4160:20th-century essayists
3492:Ghassem Hashemi Nezhad
3041:Reza-Qoli Khan Hedayat
2654:Shams al-Din Qays Razi
2397:Khwaja Abdullah Ansari
1611:"World Cinema Project"
1448:. See Arash Fanā'iān,
1338:Frequent collaborators
1181:Heritage and The Feast
1119:
1095:When We are All Asleep
890:
870:
763:Mosaferan (Travellers)
655:
626:
570:
391:Awards and nominations
386:Frequent collaborators
364:List of plays directed
202:Imperial State of Iran
61:Please help by adding
4300:Shahnameh Researchers
4235:Iranian screenwriters
4180:Historians of theatre
4028:Children's literature
3885:Rasoul Mollagholipour
3775:Rakhshan Bani-E'temad
3718:Gholam-Hossein Sa'edi
3713:Alireza Koushk Jalali
3659:Gholam-Hossein Sa'edi
3545:Shahriyar Mandanipour
2777:Shah Ni'matullah Wali
2621:Kamal al-Din Esfahani
2462:Ayn-al-Quzat Hamadani
2233:Shikand-gumanig Vizar
2216:Anthology of Zadspram
1436:) in a book entitled
1359:During the making of
1327:Speeches and lectures
1320:Part one and Part two
1268:Afrā yā Ruz migozarad
1110:Beyzai, dressed in a
1109:
1063:Talking with the Wind
1043:Maybe Some Other Time
680:film of the same name
616:
564:
4200:Iranian film editors
3925:Sohrab Shahid-Saless
3790:Pouran Derakhshandeh
3770:Mohammad Reza Aslani
3708:Amir Reza Koohestani
3467:Ali Mohammad Afghani
3137:Mohammad Reza Aslani
2792:Fazlallah Astarabadi
2668:Afdal al-Din Kashani
2663:Nasīr al-Dīn al-Tūsī
2613:Fakhr al-Din al-Razi
2495:Afdal al-Din Kashani
2309:Abu Tahir Khosrovani
2097:Behistun Inscription
1262:Shab-e Hezār-o-yekom
1116:doctorate in letters
565:Beyzai attended the
248: 1965;
235:Monir-A'zam Raminfar
67:Contentious material
4265:Writers from Tehran
4245:Iranian translators
3850:Varuzh Karim-Masihi
3589:Abolhassan Etessami
3507:Mahmoud Dowlatabadi
3359:Abdul Ali Mustaghni
3344:Khalilullah Khalili
3284:Manouchehr Sheybani
3260:Tahereh Saffarzadeh
3167:Mohammad-Taqi Bahar
3124:Mehdi Akhavan-Sales
2756:Zu'l-Fiqar Shirvani
2601:Faramarz-e Khodadad
2187:Shabuhragan of Mani
1488:, 20 January 2008.
1468:, 20 January 2008.
1452:, 20 January 2008.
1139:"Chahar Sandoogh" (
1039:Shāyad Vaghti Digar
839:Stanford University
682:by Beyzai in 1981.
542:Beyzai was born in
528:Stanford University
4280:Postmodern writers
3994:Ebrahim Pourdavoud
3979:Ahmad Kamyabi Mask
3949:Najaf Daryabandari
3810:Behrouz Gharibpour
3654:Shahrnush Parsipur
3629:Aboutorab Khosravi
3531:Aboutorab Khosravi
3395:Gulrukhsor Safieva
3313:Edward Haghverdian
2967:Rasa Salim Tehrani
2686:Abu'l Majd Tabrizi
2673:Fakhr-al-Din Iraqi
2329:Abusaeid Abolkheir
2268:Muhammad ibn Wasif
2223:Zand-i Wahman yasn
2182:Dana-i Menog Khrat
2167:Book of Arda Viraf
2073:Persian literature
1809:Ebrahim Barzegar,
1803:Ebrahim Barzegar,
1670:Additional sources
1585:of Dar'ol-Fonoun:
1440:(The White Hand);
1308:Ardaviraf's Report
1164:Ahmad Kamyabi Mask
1145:M.R. Ghanoonparvar
1120:
1091:Vaqti Hame Khāb-im
1085:The Talking Carpet
627:
571:
499:Ne'matallah Beyzai
298:Ne'matallah Beyzai
4305:Poets from Tehran
4215:Iranian essayists
4137:
4136:
4113:
4112:
4109:
4108:
4060:Farhad Hasanzadeh
3999:Hamid Samandarian
3940:Amrollah Abjadian
3905:Fereydoun Rahnema
3870:Mohsen Makhmalbaf
3855:Samuel Khachikian
3840:Ebrahim Hatamikia
3751:Mohammad Yaghoubi
3747:Mirza Aqa Tabrizi
3614:Houshang Golshiri
3527:Houshang Golshiri
3487:Mahshid Amirshahi
3472:Ghazaleh Alizadeh
3455:
3454:
3390:Abolqasem Lahouti
3385:Iskandar Khatloni
3298:Fereydoon Moshiri
3245:Mohammad Mokhtari
3205:Forugh Farrokhzad
3157:Manouchehr Atashi
3080:
3079:
3076:
3075:
3069:
3061:
3053:
3045:
3037:
3029:
3021:
3002:
2991:
2954:
2950:Abdul-Qādir Bēdil
2943:
2930:
2922:
2893:
2889:Mohtasham Kashani
2885:
2861:
2853:
2845:
2741:Nozhat al-Majales
2737:
2695:
2682:
2678:Mahmud Shabistari
2645:Abu Tahir Tarsusi
2630:
2617:
2609:
2598:
2590:
2582:
2550:
2531:Suzani Samarqandi
2475:Abu-al-Faraj Runi
2466:
2438:
2430:
2426:Masud Sa'd Salman
2422:
2414:
2401:
2393:
2385:
2341:
2333:
2304:Abu Shakur Balkhi
2241:
2240:
2177:Cube of Zoroaster
2147:Ayadgar-i Zariran
2125:
2124:
2039:
2038:
1937:Death of Yazdgerd
1878:Death of Yazdgerd
1714:on 12 April 2020.
1690:978-0-934211-85-7
1373:Awards and honors
1290:A Play in Shadows
1286:Jana and Baladoor
1212:Death of Yazdgerd
1020:Death of Yazdgerd
793:Ebrahim Hatamikia
735:Parviz Fannizadeh
684:Death of Yazdgerd
675:Death of Yazdgerd
669:Death of Yazdgerd
619:Parviz Fannizadeh
463:
462:
320:
319:
217:Years active
150:
149:
142:
124:
50:needs additional
16:(Redirected from
4312:
4081:Aydin Aghdashloo
3910:Rasul Sadr Ameli
3900:Kambuzia Partovi
3860:Abbas Kiarostami
3845:Abdolreza Kahani
3825:Ebrahim Golestan
3805:Farrokh Ghaffari
3800:Bahman Farmanara
3733:Abbas Nalbandian
3609:Ebrahim Golestan
3576:Jalal Al-e-Ahmad
3512:Soudabeh Fazaeli
3410:Mirzo Tursunzoda
3405:Payrav Sulaymoni
3240:Shams Langeroodi
3196:Parviz Eslampour
3152:Aminollah Rezaei
3119:Ahmadreza Ahmadi
3110:
3097:
3086:
3067:
3059:
3051:
3043:
3035:
3027:
3019:
3000:
2989:
2958:Naw'i Khabushani
2952:
2941:
2928:
2920:
2891:
2883:
2859:
2851:
2843:
2787:Abu Ali Qalandar
2735:
2693:
2680:
2628:
2615:
2607:
2596:
2588:
2576:
2569:Najm al-Din Razi
2548:
2464:
2436:
2428:
2420:
2412:
2399:
2391:
2383:
2339:
2331:
2258:
2247:
2212:Dadestan-i Denig
2131:
2081:
2066:
2059:
2052:
2043:
2031:
2030:
1894:Killing Mad Dogs
1840:
1833:
1826:
1817:
1752:Official website
1741:
1715:
1710:. Archived from
1694:
1663:
1658:
1652:
1651:
1644:
1638:
1632:
1626:
1625:
1623:
1621:
1607:
1601:
1600:, p. 58-59.
1595:
1589:
1569:
1563:
1562:
1560:
1558:
1544:
1538:
1533:
1527:
1521:
1515:
1498:
1492:
1484:Arash Fanā'iān,
1482:
1476:
1464:Arash Fanā'iān,
1462:
1456:
1426:
1420:
1415:
1196:
1083:(2006 - short -
1081:Qāli-ye Sokhangū
1074:Killing Mad Dogs
1059:Goft-o-gū bā Bād
1035:- released 1989)
926:Ebrahim Golestan
897:
877:
867:
831:Killing Mad Dogs
749:(Ballad of Tara)
714:Iranian New Wave
662:
652:
641:theatre of China
637:theatre of Japan
506:Iranian New Wave
483:
455:
448:
441:
424:
372:List of speeches
322:
316:
275:
273:
253:
251:
247:
194:
191:26 December 1938
190:
188:
173:
152:
145:
138:
134:
131:
125:
123:
82:
63:reliable sources
40:
39:
32:
21:
4320:
4319:
4315:
4314:
4313:
4311:
4310:
4309:
4140:
4139:
4138:
4133:
4105:
4096:Ehsan Yarshater
4069:
4055:Poopak NikTalab
4023:
4014:Ahmad Tafazzoli
3929:
3920:Parviz Shahbazi
3875:Dariush Mehrjui
3835:Abolfazl Jalili
3755:
3673:
3634:Mostafa Mastoor
3599:Simin Daneshvar
3564:
3560:Iraj Pezeshkzad
3555:Mansour Koushan
3502:Simin Daneshvar
3451:
3435:
3419:
3363:
3317:
3301:
3292:She'r-e Nimaa'i
3255:Yadollah Royaee
3230:Siavash Kasraie
3210:Hossein Monzavi
3200:Parvin E'tesami
3187:Hushang Ebtehaj
3177:Simin Behbahani
3132:Qeysar Aminpour
3108:
3091:
3072:
3005:
2995:Neshat Esfahani
2970:
2926:Asir-e Esfahani
2901:
2869:
2804:
2760:
2713:Bahram-e-Pazhdo
2650:Awhadi Maraghai
2633:
2559:Falaki Shirvani
2536:Hassan Ghaznavi
2514:
2510:Mahsati Ganjavi
2470:Uthman Mukhtari
2364:
2272:
2252:
2237:
2228:Drakht-i Asurig
2138:
2121:
2088:
2075:
2070:
2040:
2035:
2021:
2002:The Fateful Day
1975:
1913:The Marionettes
1900:
1849:
1844:
1748:
1738:
1725:
1697:
1691:
1675:
1672:
1667:
1666:
1659:
1655:
1646:
1645:
1641:
1633:
1629:
1619:
1617:
1609:
1608:
1604:
1598:Yar-Shater 1984
1596:
1592:
1570:
1566:
1556:
1554:
1546:
1545:
1541:
1534:
1530:
1522:
1518:
1505:Donyaye Tassvir
1499:
1495:
1486:Gofteman-e Iran
1483:
1479:
1475:(Ray of Light).
1466:Gofteman-e Iran
1463:
1459:
1450:Gofteman-e Iran
1427:
1423:
1416:
1412:
1407:
1381:
1375:
1357:
1352:
1346:
1340:
1335:
1329:
1270:(2007 - a.k.a.
1236:(1997 and 1998)
1210:(1979 - a.k.a.
1207:Marg-e Yazdgerd
1198:(1969 - a.k.a.
1190:
1179:(1967 - a.k.a.
1177:Ziāfat va Mirās
1147:and John Green)
1126:
1104:
1071:(2001 - a.k.a.
1051:(1992 - a.k.a.
1041:(1988 - a.k.a.
1031:(1986 - a.k.a.
1017:(1982 - a.k.a.
1015:Marg-e Yazdgerd
1007:(1979 - a.k.a.
1004:Charike-ye Tārā
991:(1976 - a.k.a.
981:(1974 - a.k.a.
969:(1972 - a.k.a.
945:
939:
934:
916:
899:
892:
879:
875:Martin Scorsese
872:
859:
857:Cinematic style
805:
784:The Fateful Day
771:
747:Cherike-ye Tara
710:Uncle Moustache
702:
694:Manuchehr Anvar
664:
660:Ehsan Yarshater
657:
604:
599:
540:
492:Iranian studies
459:
430:
429:
428:
421:
399:
301:
278:
277:
274: 1992)
269:
265:
263:Mojdeh Shamsaie
255:
252: 1991)
243:
239:
236:
204:
195:
192:
186:
184:
176:
175:Beyzaie in 2002
164:
157:
146:
135:
129:
126:
89:"Bahram Beyzai"
83:
81:
60:
41:
37:
28:
23:
22:
15:
12:
11:
5:
4318:
4316:
4308:
4307:
4302:
4297:
4292:
4287:
4282:
4277:
4272:
4267:
4262:
4257:
4255:Male essayists
4252:
4247:
4242:
4237:
4232:
4227:
4222:
4217:
4212:
4207:
4202:
4197:
4192:
4187:
4182:
4177:
4172:
4167:
4162:
4157:
4152:
4142:
4141:
4135:
4134:
4118:
4115:
4114:
4111:
4110:
4107:
4106:
4104:
4103:
4098:
4093:
4088:
4083:
4077:
4075:
4071:
4070:
4068:
4067:
4065:Ramak NikTalab
4062:
4057:
4052:
4050:Hengameh Mofid
4047:
4045:Babak NikTalab
4042:
4037:
4035:Samad Behrangi
4031:
4029:
4025:
4024:
4022:
4021:
4016:
4011:
4006:
4001:
3996:
3991:
3986:
3981:
3976:
3974:Saleh Hosseini
3971:
3969:Ramak NikTalab
3966:
3964:Sadegh Hedayat
3961:
3956:
3954:Mohammad Ghazi
3951:
3946:
3944:Jaleh Amouzgar
3941:
3937:
3935:
3931:
3930:
3928:
3927:
3922:
3917:
3915:Mohammad Sadri
3912:
3907:
3902:
3897:
3892:
3887:
3882:
3880:Reza Mirkarimi
3877:
3872:
3867:
3862:
3857:
3852:
3847:
3842:
3837:
3832:
3827:
3822:
3817:
3815:Bahman Ghobadi
3812:
3807:
3802:
3797:
3795:Asghar Farhadi
3792:
3787:
3785:Hajir Darioush
3782:
3777:
3772:
3767:
3763:
3761:
3757:
3756:
3754:
3753:
3748:
3745:
3740:
3735:
3730:
3728:Hengameh Mofid
3725:
3720:
3715:
3710:
3705:
3700:
3695:
3694:Mohsen Yalfani
3692:
3687:
3681:
3679:
3675:
3674:
3672:
3671:
3666:
3664:Bahram Sadeghi
3661:
3656:
3651:
3646:
3641:
3636:
3631:
3626:
3621:
3619:Sadegh Hedayat
3616:
3611:
3606:
3604:Nader Ebrahimi
3601:
3596:
3591:
3586:
3581:
3578:
3572:
3570:
3566:
3565:
3563:
3562:
3557:
3552:
3547:
3542:
3537:
3532:
3529:
3524:
3519:
3514:
3509:
3504:
3499:
3494:
3489:
3484:
3482:Reza Amirkhani
3479:
3474:
3469:
3463:
3461:
3457:
3456:
3453:
3452:
3450:
3449:
3447:Muhammad Iqbal
3443:
3441:
3437:
3436:
3434:
3433:
3427:
3425:
3421:
3420:
3418:
3417:
3415:Satim Ulugzade
3412:
3407:
3402:
3397:
3392:
3387:
3382:
3377:
3375:Sadriddin Ayni
3371:
3369:
3365:
3364:
3362:
3361:
3356:
3354:Massoud Nawabi
3351:
3349:Youssof Kohzad
3346:
3341:
3336:
3334:Wasef Bakhtari
3331:
3325:
3323:
3319:
3318:
3316:
3315:
3309:
3307:
3303:
3302:
3300:
3295:
3285:
3282:
3277:
3272:
3267:
3265:Sohrab Sepehri
3262:
3257:
3252:
3250:Nosrat Rahmani
3247:
3242:
3237:
3232:
3227:
3222:
3217:
3212:
3207:
3202:
3197:
3194:
3189:
3184:
3179:
3174:
3169:
3164:
3159:
3154:
3149:
3147:Ahmad NikTalab
3144:
3139:
3134:
3129:
3128:Hormoz Alipour
3126:
3121:
3116:
3114:
3107:
3106:
3103:
3101:
3093:
3092:
3089:
3082:
3081:
3078:
3077:
3074:
3073:
3071:
3070:
3062:
3054:
3046:
3038:
3030:
3022:
3017:Yaghma Jandaqi
3013:
3011:
3007:
3006:
3004:
3003:
2997:
2992:
2984:
2982:Hatef Esfahani
2978:
2976:
2972:
2971:
2969:
2968:
2965:
2960:
2955:
2947:
2944:
2936:
2931:
2929:(c. 1620–1648)
2923:
2915:
2909:
2907:
2903:
2902:
2900:
2899:
2894:
2886:
2877:
2875:
2871:
2870:
2868:
2867:
2862:
2854:
2846:
2838:
2836:Kamal Khujandi
2833:
2828:
2823:
2818:
2812:
2810:
2806:
2805:
2803:
2802:
2799:
2794:
2789:
2784:
2779:
2774:
2768:
2766:
2762:
2761:
2759:
2758:
2753:
2748:
2746:Khwaju Kermani
2743:
2738:
2730:
2725:
2720:
2715:
2710:
2696:
2688:
2683:
2675:
2670:
2665:
2660:
2655:
2652:
2647:
2641:
2639:
2635:
2634:
2632:
2631:
2623:
2618:
2610:
2605:Nizami Ganjavi
2602:
2599:
2591:
2583:
2571:
2566:
2561:
2556:
2551:
2543:
2538:
2533:
2528:
2522:
2520:
2516:
2515:
2513:
2512:
2507:
2502:
2497:
2492:
2487:
2482:
2477:
2472:
2467:
2459:
2454:
2449:
2444:
2439:
2431:
2423:
2415:
2410:Qatran Tabrizi
2407:
2402:
2394:
2386:
2378:
2372:
2370:
2366:
2365:
2363:
2362:
2357:
2352:
2347:
2342:
2334:
2326:
2321:
2316:
2311:
2306:
2301:
2291:
2286:
2280:
2278:
2274:
2273:
2271:
2270:
2264:
2262:
2254:
2253:
2250:
2243:
2242:
2239:
2238:
2236:
2235:
2230:
2225:
2220:
2217:
2214:
2209:
2204:
2199:
2194:
2189:
2184:
2179:
2174:
2169:
2164:
2162:Book of Jamasp
2159:
2154:
2149:
2143:
2140:
2139:
2134:
2127:
2126:
2123:
2122:
2120:
2119:
2114:
2109:
2104:
2099:
2093:
2090:
2089:
2084:
2077:
2076:
2071:
2069:
2068:
2061:
2054:
2046:
2037:
2036:
2026:
2023:
2022:
2020:
2019:
2012:
2005:
1998:
1991:
1983:
1981:
1977:
1976:
1974:
1973:
1965:
1957:
1949:
1941:
1933:
1925:
1917:
1908:
1906:
1902:
1901:
1899:
1898:
1890:
1882:
1874:
1870:Ballad of Tara
1866:
1857:
1855:
1854:Films directed
1851:
1850:
1845:
1843:
1842:
1835:
1828:
1820:
1814:
1813:
1807:
1801:
1791:
1777:
1768:
1763:
1754:
1747:
1746:External links
1744:
1743:
1742:
1736:
1723:
1716:
1706:(in Persian).
1695:
1689:
1677:Dabashi, Hamid
1671:
1668:
1665:
1664:
1653:
1639:
1637:, p. 253.
1627:
1602:
1590:
1564:
1539:
1528:
1516:
1493:
1477:
1457:
1430:Zokā'i Beyzāie
1421:
1409:
1408:
1406:
1403:
1402:
1401:
1398:
1395:
1387:2017, D.Litt.
1377:Main article:
1374:
1371:
1362:Ballad of Tara
1356:
1353:
1342:Main article:
1339:
1336:
1331:Main article:
1328:
1325:
1324:
1323:
1311:
1305:
1302:A Play Reading
1293:
1283:
1275:
1265:
1259:
1237:
1231:
1223:
1215:
1203:
1200:The King Snake
1184:
1174:
1148:
1137:
1122:Main article:
1103:
1100:
1099:
1098:
1088:
1078:
1066:
1056:
1046:
1036:
1024:
1012:
1009:Ballad of Tara
1000:
986:
976:
962:
952:
951:(1969 - short)
941:Main article:
938:
935:
933:
930:
915:
912:
903:Iranian cinema
880:
860:
858:
855:
804:
801:
770:
767:
718:Persian cinema
701:
698:
645:
603:
600:
598:
595:
539:
536:
466:Bahrām Beyzāêi
461:
460:
458:
457:
450:
443:
435:
432:
431:
420:
419:
418:
417:
416:
408:
407:
406:
405:
396:
395:
394:
393:
388:
380:
379:
378:Related topics
375:
374:
356:
355:
353:Lists of works
349:
348:
347:
346:
338:
337:
331:
330:
318:
317:
309:
308:
304:
303:
295:
291:
290:
284:
280:
279:
267:
261:
260:
259:
258:
241:
237:
234:
233:
232:
231:
228:
226:
222:
221:
218:
214:
213:
210:
206:
205:
196:
182:
178:
177:
174:
166:
165:
159:
158:
155:
148:
147:
71:poorly sourced
44:
42:
35:
26:
24:
18:Bahram Beyzaei
14:
13:
10:
9:
6:
4:
3:
2:
4317:
4306:
4303:
4301:
4298:
4296:
4293:
4291:
4288:
4286:
4283:
4281:
4278:
4276:
4273:
4271:
4268:
4266:
4263:
4261:
4260:Mythographers
4258:
4256:
4253:
4251:
4250:Living people
4248:
4246:
4243:
4241:
4238:
4236:
4233:
4231:
4228:
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4150:Bahram Beyzai
4148:
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4131:
4127:
4123:
4116:
4102:
4101:Ahmad Kasravi
4099:
4097:
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4086:Ali Latifiyan
4084:
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4079:
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4017:
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4012:
4010:
4009:Jafar Shahidi
4007:
4005:
4004:Jalal Sattari
4002:
4000:
3997:
3995:
3992:
3990:
3989:Mohammad Moin
3987:
3985:
3984:Ahmad Shamlou
3982:
3980:
3977:
3975:
3972:
3970:
3967:
3965:
3962:
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3959:Lili Golestan
3957:
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3826:
3823:
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3820:Fereydun Gole
3818:
3816:
3813:
3811:
3808:
3806:
3803:
3801:
3798:
3796:
3793:
3791:
3788:
3786:
3783:
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3780:Bahram Beyzai
3778:
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3766:Saeed Aghighi
3765:
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3698:Bahram Beyzai
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3573:
3571:
3569:Short stories
3567:
3561:
3558:
3556:
3553:
3551:
3550:Abbas Maroufi
3548:
3546:
3543:
3541:
3540:Ahmad Mahmoud
3538:
3536:
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3530:
3528:
3525:
3523:
3520:
3518:
3517:Reza Ghassemi
3515:
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3508:
3505:
3503:
3500:
3498:
3497:Reza Baraheni
3495:
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3400:Loiq Sher-Ali
3398:
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3329:Nadia Anjuman
3327:
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3320:
3314:
3311:
3310:
3308:
3304:
3299:
3296:
3293:
3289:
3286:
3283:
3281:
3280:Ahmad Shamlou
3278:
3276:
3273:
3271:
3268:
3266:
3263:
3261:
3258:
3256:
3253:
3251:
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3241:
3238:
3236:
3233:
3231:
3228:
3226:
3223:
3221:
3218:
3216:
3215:Hushang Irani
3213:
3211:
3208:
3206:
3203:
3201:
3198:
3195:
3193:
3190:
3188:
3185:
3183:
3180:
3178:
3175:
3173:
3172:Reza Baraheni
3170:
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3160:
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3145:
3143:
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2966:
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2959:
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2940:
2937:
2935:
2934:Kalim Kashani
2932:
2927:
2924:
2919:
2916:
2914:
2911:
2910:
2908:
2904:
2898:
2897:'Orfi Shirazi
2895:
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2866:
2863:
2858:
2855:
2850:
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2837:
2834:
2832:
2829:
2827:
2824:
2822:
2821:Salman Savaji
2819:
2817:
2814:
2813:
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2807:
2800:
2798:
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2793:
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2770:
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2757:
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2751:Badr Shirvani
2749:
2747:
2744:
2742:
2739:
2734:
2733:Homam Tabrizi
2731:
2729:
2726:
2724:
2721:
2719:
2718:Pur-Baha Jami
2716:
2714:
2711:
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2697:
2692:
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2659:
2656:
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2651:
2648:
2646:
2643:
2642:
2640:
2636:
2627:
2626:Shams Tabrizi
2624:
2622:
2619:
2614:
2611:
2606:
2603:
2600:
2595:
2592:
2587:
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2570:
2567:
2565:
2562:
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2557:
2555:
2552:
2547:
2544:
2542:
2541:Faramarz Nama
2539:
2537:
2534:
2532:
2529:
2527:
2524:
2523:
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2517:
2511:
2508:
2506:
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2476:
2473:
2471:
2468:
2463:
2460:
2458:
2455:
2453:
2450:
2448:
2447:Ahmad Ghazali
2445:
2443:
2440:
2435:
2432:
2427:
2424:
2419:
2418:Nizam al-Mulk
2416:
2411:
2408:
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2398:
2395:
2390:
2387:
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2381:Nasir Khusraw
2379:
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2355:Kisai Marvazi
2353:
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2327:
2325:
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2314:Shahid Balkhi
2312:
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2202:Menog-i Khrad
2200:
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2190:
2188:
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2024:
2018:
2017:
2013:
2011:
2010:
2006:
2004:
2003:
1999:
1996:
1992:
1990:
1989:
1985:
1984:
1982:
1978:
1971:
1970:
1966:
1963:
1962:
1958:
1955:
1954:
1953:Kalat Claimed
1950:
1947:
1946:
1942:
1939:
1938:
1934:
1931:
1930:
1926:
1923:
1922:
1918:
1915:
1914:
1910:
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1905:Plays written
1903:
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1847:Bahram Beyzai
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1757:Bahram Beyzai
1755:
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1737:0-914478-95-8
1733:
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1501:Picture World
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1389:honoris causa
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1256:Yukio Mishima
1253:
1252:
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1238:
1235:
1232:
1229:
1228:
1227:Kalat Claimed
1224:
1221:
1220:
1216:
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1201:
1197:
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1189:
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1171:9782950480613
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1016:
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987:
984:
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979:Qaribé va Meh
977:
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936:
931:
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923:
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904:
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895:Hamid Dabashi
889:
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869:
866:
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840:
835:
833:
832:
826:
824:
823:
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814:
810:
802:
800:
798:
794:
790:
789:Fasl-e Panjom
786:
785:
780:
776:
768:
766:
764:
760:
756:
755:
750:
748:
743:
738:
736:
732:
731:
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721:
719:
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707:
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695:
691:
690:
689:Kalat Claimed
685:
681:
677:
676:
671:
670:
663:
661:
654:
651:
644:
642:
638:
634:
633:
624:
623:Parviz Sayyad
620:
615:
611:
609:
601:
596:
594:
591:
587:
583:
578:
576:
575:Dar'ol-Fonoun
568:
567:Dar'ol-Fonoun
563:
559:
557:
551:
549:
546:, to a poet,
545:
537:
535:
533:
532:United States
529:
524:
522:
517:
516:Picture World
513:
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479:
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451:
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427:
426:Bahram Beyzai
423:
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335:Bahram Beyzai
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286:3, including
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211:
209:Occupation(s)
207:
203:
199:
193:(age 85)
183:
179:
172:
167:
160:
156:Bahrām Beyzai
153:
144:
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133:
130:February 2021
122:
119:
115:
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94:
91: –
90:
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85:Find sources:
79:
75:
72:
68:
64:
58:
57:
53:
48:
43:
34:
33:
30:
19:
4019:Abbas Zaryab
3895:Jafar Panahi
3865:Majid Majidi
3779:
3703:Bahman Forsi
3697:
3669:Goli Taraqqi
3594:Javad Mojabi
3584:Sadeq Chubak
3580:Shamim Bahar
3477:Bozorg Alavi
3431:Asad Gulzoda
3288:Nima Yooshij
3225:Bijan Jalali
3142:Aref Qazvini
3090:Contemporary
3025:Mirza Ghalib
2987:Azar Bigdeli
2946:Saba Kashani
2939:Hazin Lāhiji
2918:Saib Tabrizi
2881:Vahshi Bafqi
2865:Baba Faghani
2841:Ahli Shirazi
2816:Ubayd Zakani
2691:Amir Khusrau
2681:(1288–1320s)
2658:Sultan Walad
2485:Banu Goshasp
2434:Omar Khayyam
2324:Rabia Balkhi
2207:Jamasp Namag
2016:The Lady Aoi
2014:
2007:
2000:
1986:
1967:
1959:
1951:
1943:
1935:
1927:
1919:
1911:
1892:
1884:
1876:
1868:
1860:
1846:
1794:
1779:
1770:
1727:
1719:
1712:the original
1703:
1680:
1656:
1642:
1630:
1618:. Retrieved
1614:
1605:
1593:
1583:amphitheatre
1572:
1567:
1555:. Retrieved
1551:
1542:
1531:
1519:
1504:
1500:
1496:
1485:
1480:
1472:
1465:
1460:
1449:
1445:
1441:
1437:
1429:
1424:
1413:
1388:
1382:
1367:Lisar Castle
1360:
1358:
1355:Lisar troupe
1319:
1313:
1307:
1301:
1295:
1289:
1285:
1277:
1271:
1267:
1261:
1251:The Lady Aoi
1249:
1243:
1239:
1233:
1225:
1217:
1211:
1205:
1199:
1186:
1180:
1176:
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882:
871:
862:
848:
842:
836:
829:
827:
822:The Lady Aoi
820:
808:
806:
803:1990–present
796:
788:
782:
779:Ruz-e Vaqe'e
778:
772:
762:
758:
752:
745:
741:
739:
729:
724:
722:
709:
705:
703:
687:
683:
673:
667:
665:
656:
647:
630:
628:
605:
579:
572:
552:
541:
525:
523:of Persia".
515:
509:
503:
496:
485:
482:بهرام بیضائی
473:
469:
468:(also spelt
465:
464:
403:Lisar troupe
368:Bibliography
334:
220:1962–present
163:بهرام بیضائی
136:
127:
117:
110:
103:
96:
84:
73:
56:verification
49:
29:
4155:1938 births
4130:Afghanistan
3934:Translators
3890:Amir Naderi
3760:Screenplays
3743:Pari Saberi
3723:Bijan Mofid
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1118:, June 2017
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