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Balzac in the Robe of a Dominican Monk

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This sculpture was a particular challenge to the artist due to his preference to portray his subjects in great detail, and the fact that Balzac was already dead. Rodin then started to research about the life and times of his subject, only to find, according to Kenneth Clark, that he had been a short,
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With this difficulty, Rodin aimed instead to represent Balzac's persona rather than his physical likeness. Instead of the agreed-upon eighteen months, Rodin spent seven years making different studies, both nude and non-nude, only to present his final plaster in 1898 at a
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It is considered by some later critics as one of the best sculptures made by the French artist. Rodin himself has been quoted about this piece, considering that "the fruit and summing-up of my entire life and the pivot of my personal aesthetic".
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106.4 cm Ă— 38.5 cm Ă— 50.8 cm (27 in Ă— 9.8 in Ă— 12.9 in)
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with great disapproval by the Societè. Disillusioned with this result, Rodin decided to install the plaster at his house in
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1891: The Société des Gens de Lettres commissions him to design a Monument to Honoré Balzac
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Unlike other studies and the final version of the monument,
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shows the author fully clothed with the traditional
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Index

Monument to Balzac

Auguste Rodin
Honoré de Balzac
Museo Soumaya
Mexico City
bronze
French
Auguste Rodin
Monument to Balzac
Honoré de Balzac
Society of Men of Letters of France
Salon
Champ de Mars
Meudon
boulevard Raspail
boulevard du Montparnasse
6th arrondissement

habit
Dominican order
List of sculptures by Auguste Rodin
"The great years of creation"


ISBN
978-968-7794-36-5
"Auguste Rodin. Monument to Balzac"
"Monument to Balzac"

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