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complexity and the notation but also the spread of secular music through the writings of Amerus. The
Bamberg Codex and its perception about the origin and provenance of the manuscript continues to be contested, with some pointing to more French motets than Latin motets in the codex, as proof that the codex belongs to French repertory.
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containing many secular songs in its collection as well, showing the extent of this phenomenon, not constraining it to just one musical school in the period. Different aspects of the manuscript such as the trimming and coloring of the pages, the format of the text, and the amount of wear and tear
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using rhythmic notation. The techniques used for most of the composition of the motets and songs included basic practices used in the era of medieval motets during the 13th century. This included the use of rhythmic modes and an early developed form of the staff. This provided a basis for exact
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The
Bamberg Codex is an important collection of thirteenth-century motets; it provides source material of significant historical and musicological significance. As such, it offers a compact and concise database for the music of the time. Not only does this show the advancement of music both in
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Most of these motets are three-voice motets, meaning they have three different voices in the written music. There are more than 100 of these motets contained in the codex. Forty-four of these have Latin texts, forty-seven have
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follow. A conductus is a type of sacred, but non-liturgical vocal composition for one or more voices. A hocket is a rhythmic linear technique that utilizes the differentiation of certain rhythmic and scale elements. In the
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Norwood, Patricia P. “Evidence
Concerning the Provenance of the Bamberg Codex.” The Journal of Musicology, vol. 8, no. 4, 1990, pp. 491–504. JSTOR, www.jstor.org/stable/763532.
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Anderson, Gordon A. ed. "Compositions of the
Bamberg manuscript : Bamberg, Staatsbibliothek, Lit. 115 (olim Ed. IV.6.)" Series: Corpus mensurabilis musicae, 75. :
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The
Bamberg Codex is bound in ivory pigskin with embroidered gold lettering. It is written on parchment and consists of eighty pages classified into ten groups and
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practice of a hocket, a single melody is usually shared between two voices so one voice sounds while the other rests and this act alternates between the voices.
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was becoming towards the end of the 13th century and also how music was becoming more accessible to the common folk, many of whom never learned to speak
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French. There is only one motet in the Codex with four voice parts, the rest have three parts. All of the motets in the Codex of
Bamberg are
257:, was intended to explain notation systems while also discussing polyphony. Amerus’ work is believed to be among the first treatises from
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points to the notion that the codex was compiled in a manner that allowed people to perform the songs without any prior rehearsal.
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texts. Macaronic texts are written in a hybrid between two languages, in this case Latin and the
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appear in pencil in the top right-hand corner of each page. The codex is mostly associated with
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533:"Sources, MS, V, 2: Early motet", in Grove Music Online (Accessed October 9, 2006),
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other than reciting it in church services. This is consistent with the
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Je ne chant pas / Talens m'est pris de chanter / Aptatur / Omnes (
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O Maria, Virgo davitica / O Maria, maris stella / Misit
Dominus
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After the main section of the previously mentioned motets, a
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and one anonymous, as well as two motets added later.
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Entre Adan et
Henequel / Chief bien seans /Aptatur (
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Mout me fu griès / In omni frate tuo / In seculum (
321:Ave, plena gracie / Salve, Virgo regia / Aptatur (
395:Chorus Innocencium / In Bethleem / In Bethleem (
337:Ave, in styrpe spinosa / Ave, gloriosa / Manere
247:, one by an anonymous writer, and the other by
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300:Ave, Virgo regia / Ave, plena gracie / Fiat (
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480:Ave, Virgo regia / Ave, gloriosa / Domino (
449:Quant flourist / Non orphanum / Et gaudebit
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371:Entre Copin / Je me cuidoie / Bele Ysabelot
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171:contains two theoretical treatises, one by
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528:The Notation of Polyphonic Music, 900-1600
466:me tu griès II / Robins m'aime / Portare (
388:Pouvre secours / Gaude chorus / Angelus (
66:Learn how and when to remove this message
437:Agmina milicie / Agmina milicie / Agmina
126:, which are three-voice pieces with two
29:This article includes a list of general
347:El mois de mai / De se debent / Kyrie (
266:along with a form of our modern staff.
487:Mors que stimulo / Mors morsu / Mors (
323:2 voices, recorder, fiddle, harp, lute
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202:notation, although it does include
473:Or voi je bien / Eximium / Virgo (
35:it lacks sufficient corresponding
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847:Medieval music manuscript sources
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108:and a large body of 13th-century
548:American Institute of Musicology
421:Miranda / Salve, mater / Kyrie (
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530:. Rev. 4th Ed. Cambridge, 1953.
154:is similar to that used in the
289:List of pieces from the Codex
243:. The codex also contains two
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620:British Library, Add MS 29987
416:2 voices, recorder, 2 fiddles
206:. This points to how popular
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459:In seculum d'Amiens longum (
397:2 voices, fiddle, percussion
330:recorder, horn, fiddle, harp
104:containing two treatises on
402:In seculum d'Amiens breve (
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404:recorder, 2 fiddles, lute
383:2 fiddles, dulcimer, harp
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309:2 fiddles, dulcimer, harp
140:. This is followed by a
813:Ars cantus mensurabilis
167:The second part of the
50:more precise citations.
475:2 voices, fiddle, harp
461:recorder, fiddle, harp
356:In seculum viellatoris
302:2 voices, fiddle, harp
118:The first part of the
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826:The Berkeley Treatise
820:De Mensurabili Musica
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510:Bamberg, Codex, 2003.
254:Practica artis musice
227:texts, and nine have
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190:Description/Contents
122:contains 100 double
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739:Robertsbridge Codex
718:Old Hall Manuscript
683:Laudario di Cortona
655:Florence Manuscript
430:recorder, 2 fiddles
428:In seculum longum (
781:Trinity Carol Roll
774:Squarcialupi Codex
540:2008-05-16 at the
307:In seculum breve (
146:and 7 settings of
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676:King's Manuscript
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251:. This treatise,
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359:(3 fiddles)
241:polytextual
48:introducing
524:Willi Apel
237:polyphonic
233:vernacular
200:Franconian
182:is likely
102:manuscript
31:references
272:conductus
245:treatises
229:macaronic
143:conductus
138:macaronic
113:polyphony
56:June 2012
841:Category
538:Archived
505:Citation
489:6 voices
482:3 voices
468:3 voices
454:4 voices
442:3 voices
423:7 voices
390:3 voices
376:3 voices
364:3 voices
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284:medieval
184:Parisian
725:Psalter
381:Virgo (
328:Neuma (
278:hockets
148:hockets
100:) is a
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805:Theory
605:Scores
550:, 1977
275:and 7
249:Amerus
225:French
204:motets
173:Amerus
150:. The
124:motets
110:French
33:, but
264:pitch
259:Italy
212:Latin
180:Codex
169:Codex
239:and
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