364:. Paul's previously long-lost brother Tony (Bob, with a bizarre Chinese accent) was in charge of the day-to-day running of the club, often expressing "serious reservations" about Paul's half-baked ideas. The club's compere was insane American Kinky John Fowler (Vic), whose "plucking peppercorns" routine was not one of Tony's favourites. After a disastrous "Erotic Night," and an even more calamitous "Talent Night" (which consisted of a man with a fox on his head and a man frightening ducks with a hydraulic machine), things took a turn for the better when
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406:, Kinky John introduced Jonsson to the stage of a Vegas-style night club. In his autobiography, Walliams describes how Kinky John's character began to develop in lulls in recording. "He would wander over to the rest of us and open with 'I’ve got a great deal. Three hundred coconuts are coming into town tonight. Are you in?’ What a joy to see the two funniest men in the world create something new, right in front of my eyes." After debuting as a main character in
291:", only to park their car between two immovable objects (trees, other parked cars, a petrol pump etc.), resulting in a protracted bout of "very frustrating" door-opening attempts, after which the duo would have to resort to other methods. Usually, at some point the car's boot or windscreen wipers would fly off and explode nearby. In these sketches, someone was always killed in a strange way, ejecting an egg from their mouths to
295:'s "There's Something Going On" before vanishing. The duo have explained that the eggs symbolise "their souls". This recurring joke even extended to the desk, where Vic accidentally shot himself with a gun, disappeared and left an egg behind, which Bob then greedily ate. Bob has described the Lunch-Hour Capers as "the most surreal thing we’ve ever done."
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There were also changes in their double-act dynamic. Vic's character was frequently unhinged and waved guns and large blunt objects around with relish, while Bob played a slightly baffled innocent most of the time. As usual, however, they tended to fall out easily, resulting in one of their trademark
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was very different in many ways. As with their previous sketch show, a song kicked off the proceedings, and once again the duo sat at their trademark desk. However, the desk was almost completely bare, (as opposed to their previous prop-covered ones), and had a transparent front through which the
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was quizzed on whether a human could leave fingerprints on a parsnip. One recurring question that was asked, often by Donald (Bob), was whether the guest, after work or at the end of the day, had, "A nice relaxing poo." At the end of every interview, the pair would abandon the celebrity onstage
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for one night only. At the end of the series, a jealous Kinky John got "shit-faced" and threatened everyone with a large gun. Luckily for Kinky John, Mandate may have hit the big time in the Vic and Bob universe, as Jeff
Randall (Bob) is seen singing their song "Touching Heaven" (performed in
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slapstick fights, which grew more absurd, violent and freeform as the series progressed. One memorable instance involved Vic's head becoming grotesquely disfigured after a spin in a tumble dryer. Bob then gleefully set about the hunchbacked, pathetic Vic with a baseball bat.
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was their "first real attempt at making something commercial". Vic and Bob have said they are very proud of the show, with Bob stating: "We have this hope that, if there's anyone left bothered about us in fifty years' time, will be the one they'll remember".
317:"like a pelican might eat it"). Their quest to find something "fun" to do was very childlike and knew no bounds, from going down the drains, to prising up cobblestones or rooting around in a skip. In most of the sketches, Derek asks Tom "Is it
360:." Paul Baron (Vic) was the dodgy proprietor who kept the premises' keys on impractically short "luxury chains" about his person. Vic and Bob have stated that despite visual similarities, Paul Baron was not modeled on famous nightclub owner
313:) were shown in these oddly touching sketches wandering around aimlessly at dawn, having been thrown out of their lodgings for generally unclear reasons involving Derek's behaviour (one example given being Derek's public attempt to eat an
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in supporting or cameo roles. It was a firm favourite with Vic and Bob's cult following, but confused and unsettled many new fans who had joined them after viewing their more accessible game show spoof,
325:. In the last episode of the series, the pair are seen holding hands as the credits roll, walking along a beach at sunset to Roxy Music's "Oh Yeah!". Mortimer has described the pair as "lovers".
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Detective Inspector John "Deacon" Fowler via an autobiography of his early life. He would return again as DI Fowler in the duo's 2004 sitcom
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day?" to which he responds negatively. Each of these segments opened with the "fun fun fun" refrain from the song "Five Get Over
Excited" by
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Once again, the Stotts returned, developing their celebrity interviews, which always started with "a little explosion" to "warm things up".
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Tom Fun and Derek later appeared together (officially describing themselves as "partners" for the first time) in sketches as part of 2009
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A recurring series of bizarre sketch scenarios, usually involving parodies of celebrities. They were always introduced by narrator
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was told that Davey's long pointy shoes were offered to him by the King of Spain in retribution for him "attacking his wife with a
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Vic has said he believes the club sketches to be the inspiration for other fly-on-the-wall style comedies that emerged after
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338:. Abandoning their Giros, they appear to have found work as disenchanted make-up artists. Derek also briefly appeared in
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by Vic and Bob in 1997. In the sketch, which also featured
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138:30 minutes
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531:11 August
471:," while
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171:1 January
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103:of series
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348:The Club
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127:Producer
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465:Caprice
289:Zabadak
183: (
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95:English
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874:Radio
594:: 21.
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