795:, with a different crew of accompanying musicians. The same month, drummer Levon Helm rejoined his former bandmates in Woodstock, after he received a phone call from Danko informing him that they were getting ready to record as a group. In his autobiography, Helm recalled how he listened to the recordings the Hawks had made with Dylan and remembered that he "could tell that hanging out with the boys had helped Bob to find a connection with things we were interested in: blues, rockabilly, R&B. They had rubbed off on him a little."
974:
of 'homemade' which meant a
Basement Tape to us." Robertson has suggested that the Basement Tapes are, for him, "a process, a homemade feel" and so could include recordings from a wide variety of sources. "The idea," he said, "was to record some demos for other people. They were never intended to be a record, never meant to be presented. It was somewhat annoying that the songs were bootlegged. The album was finally released in the spirit of 'well, if this is going to be documented, let's at least make it good quality.
2386:, in a New York studio in January 1968, they employed a recording technique similar to the one they had become familiar with during The Basement Tapes sessions. As Robertson described it, "We used the same kind of mike on everything. A bit of an anti-studio approach. And we realized what was comfortable to us was turning wherever we were into a studio. Like the Big Pink technique." That technique influenced groups including the Beatles, writes Griffin, who calls their Twickenham
2106:... And while a Dylan fan might understandably grumble that he wanted to hear another Bob song, a fan equally versed and interested more generally in late 20th-century American music would only smile and thank the Good Lord for the gift of this song." Of the Band's version of "Don't Ya Tell Henry", he writes, "True, the argument could be made that Robertson was way outside his brief in including this on the two-LP set, as this wasn't from Woodstock or '67, and has no Dylan on it.
807:
2208:
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714:
2011:". Heylin similarly argues that compiler Robbie Robertson did Dylan fans "a major disservice" by omitting those two songs as well as "I'm Not There" and "Sign On The Cross". He writes, "The album as released hardly gave a real idea of what they had been doing in Woodstock. Not even the two traditional songs pulled to the master reels—'Young But Daily Growin' and 'The Banks Of The Royal Canal'—made the final twenty-four cuts."
969:'s "Going Back to Memphis", did not end up being included. There is disagreement about the recording date of the other three songs: "Bessie Smith", "Ain't No More Cane" and "Don't Ya Tell Henry". While Fraboni has recalled that the Band taped them in 1975, the liner notes for the reissued versions of the Band's own albums state that these songs were recorded between 1967 and 1970. Ultimately, eight of the twenty-four songs on
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830:: "They weren't demos for myself, they were demos of the songs. I was being PUSHED again into coming up with some songs. You know how those things go." In October 1967, a fourteen-song demo tape was copyrighted and the compositions were registered with Dwarf Music, a publishing company jointly owned by Dylan and Grossman. Acetates and tapes of the songs then circulated among interested recording artists.
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2201:'Nothing' and 'nowhere' perplex and nag" in these songs, he writes. "The 'nothing' echoes the artist's dilemma: death versus life, vacuum versus harvest, isolation versus people, silence versus sound, the void versus the life-impulse." A second group, comprising "songs of joy, signaling some form of deliverance", includes most of the remaining songs in the collection.
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2341:' music—mostly facile paeans to universal love draped in interminable guitar solos." Patrick Humphries itemizes the ways in which Dylan's songs dissented from the dominant ethos of rock culture: "While the rock world vented its spleen on parents and leaders, Dylan was singing privately about parental fidelity. While
2257:, Greil Marcus wrote, "What was taking place as Dylan and the Band fiddled with the tunes, was less a style than a spirit—a spirit that had to do with a delight in friendship and invention." He compared the songs to fabled works of American music: "The Basement Tapes are a testing and a discovery of roots and memory
573:... He remembered too much, remembered too many songs too well. He'd come over to Big Pink, or wherever we were, and pull out some old song—and he'd prepped for this. He'd practiced this, and then come out here, to show us." Songs recorded at the early sessions included material written or made popular by
488:, Dylan said, "I had a dreadful motorcycle accident which put me away for a while, and I still didn't sense the importance of that accident till at least a year after that. I realized that it was a real accident. I mean I thought that I was just gonna get up and go back to doing what I was doing before
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When Albert
Grossman was shopping around for a recording contract for the Hawks in late 1967, the group instructed him to sign them under the name The Crackers—a derogatory term for poor white Southerners. The Band also mischievously dubbed themselves The Honkies. It was only when Helm joined them in
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double album, which critics praised for its improved sound quality. According to reviewer Scott Hreha, there was "something about the remastering that makes it feel more like an official album—the earlier CD version's weak fidelity unfairly emphasized the 'basement' nature of the recordings, where it
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holds a certain cultural weight which is timeless—and the best
Americana does that as well." The songs' influence has been detected by critics in many subsequent acts. Stuart Bailie wrote, "If rock'n'roll is the sound of a party in session, The Basement Tapes were the morning after: bleary, and a bit
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in the photograph. The identification of Young has been disputed by Bill
Scheele who has written that Young was not present. Bill Scheele and his brother John Scheele worked with the Band from 1969 until 1976 and were present in the cover photo. Some photos by John Scheele of the 1975 Hollywood YMCA
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In
January 1975, Dylan unexpectedly gave permission for the release of a selection of the basement recordings, perhaps because he and Grossman had resolved their legal dispute over the Dwarf Music copyrights on his songs. Clinton Heylin argues that Dylan was able to consent following the critical and
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did not feature Dylan, several of the studio outtakes postdating the sessions at Big Pink. In justifying their inclusion, Robertson explained that he, Hudson and Dylan did not have access to all the basement recordings: "We had access to some of the songs. Some of these things came under the heading
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story headlined "Dylan's
Basement Tape Should Be Released". Wenner listened to the fourteen-song demo and reported, "There is enough material—most all of it very good—to make an entirely new Bob Dylan album, a record with a distinct style of its own." He concluded, "Even though Dylan used one of the
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wrote in 1990 on the significance of the crash: "A quarter of a century on, Dylan's motorcycle accident is still viewed as the pivot of his career. As a sudden, abrupt moment when his wheel really did explode. The great irony is that 1967—the year after the accident—remains his most prolific year as
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was released, which includes the 1967 Woodstock Band recordings "Words and
Numbers", "You Don't Come Through", "Caledonia Mission", "Ferdinand the Imposter" and "Will the Circle Be Unbroken". In 1968, the Band re-recorded "This Wheel's on Fire", "Tears of Rage", "I Shall Be Released" and "Caledonia
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The songs on the demo were: "Million Dollar Bash", "Yea! Heavy and a Bottle of Bread", "Please Mrs. Henry", "Down in the Flood", "Lo and Behold", "Tiny
Montgomery", "This Wheel's on Fire", "You Ain't Goin' Nowhere", "I Shall Be Released", "Tears of Rage", "Too Much of Nothing", "The Mighty Quinn",
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For his detailed account of the
Manchester concert, C. P. Lee interviewed members of the audience about the reasons for their hostility. One explained, "It was as if everything we held dear had been betrayed. He showed us what to think, I know that's a stupid thing to say but there he was marching
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and Dylan fits in because he's this storyteller with an ancient heart. At the time everything he did was so scrutinized, yet somehow he liberated himself from all that and enjoyed making music again. You hear an unselfconscious quality on this record which you don't ever hear again." "He mocks his
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and reported that Dylan was not in the studio very often. The stereo recordings made by Hudson were remixed to mono, while
Robertson and other members of the Band overdubbed new keyboard, guitar, and drum parts onto some of the 1967 Woodstock recordings. According to Fraboni, four new songs by the
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ideas into popular culture: "At the very moment when avant-gardism was sweeping through new cultural corridors, Dylan decided to dismount. The dandified, aggressively modern surface was replaced by a self-consciously unassuming and traditional garb. The giddiness embodied, celebrated, dissected in
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which I didn't like at all. I thought that was a very indulgent album, though the songs on it were real good. I didn't think all that production was necessary." Of the sound and atmosphere of the basement recordings, Barney Hoskyns wrote that "Big Pink itself determined the nature of this homemade
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With Helm singing "with characteristic Southern brio", Hudson's honky-tonk piano and Robertson's lead guitar, this track reflects the distinctive sound that the Band developed. This is one of several Band-only songs on the album whose recording history is disputed: Bowman dates it to late 1967 or
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must have been intentionally muddied in the studio in 1975 so that they would fit better alongside the Dylan material recorded in the basement with a home reel-to-reel." Heylin also takes exception to Robertson's passing off the Band's songs as originating from the basement sessions. By including
637:, "Bob and Robbie, they would come by every day, five to seven days a week, for seven to eight months." Hudson added, "It amazed me, Bob's writing ability. How he would come in, sit down at the typewriter, and write a song. And what was amazing was that almost every one of those songs was funny."
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recalled, "Every artist in the world was in the studio trying to make the biggest-sounding record they possibly could. So what does do? He comes to Nashville and tells me he wants to record with a bass, drum and guitar." Dylan summed up the gap: "At that time psychedelic rock was overtaking the
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Greil Marcus calls the song a "half-written ditty about almost nothing but a country beat that swings and a drawl that would be at home anywhere in the South any time in the last couple of centuries." Comparing this second take of the song to the first, never officially released, he writes, "The
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For the first couple of months, they were merely "killing time", according to Robertson, with many early sessions devoted to covers. "With the covers Bob was educating us a little", recalls Robertson. "The whole folkie thing was still very questionable to us—it wasn't the train we came in
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album tracks—and it is unclear whether the drums overdubbed on "Too Much of Nothing" in 1975 were played by Helm. Griffin believes Helm drummed on eight unreleased recordings made by Dylan and the Band in the house on Wittenberg Road that Danko and Helm shared after vacating Big Pink
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reporter Michael Iachetta, "Songs are in my head like they always are. And they're not going to get written down until some things are evened up. Not until some people come forth and make up for some of the things that have happened." After discussing the crash with Dylan, biographer
914:: "Dylan is a heavy talent and he's got all those songs nobody's ever heard. We thought we'd take it upon ourselves to make this music available." The process of bootlegging Dylan's work would eventually see the illegal release of hundreds of live and studio recordings, and lead the
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eight Band recordings to Dylan's sixteen, he says, "Robertson sought to imply that the alliance between Dylan and the Band was far more equal than it was: 'Hey, we were writing all these songs, doing our own thing, oh and Bob would sometimes come around and we'd swap a few tunes.
2447:"sound like they were made in a cardboard box. I think was trying to write songs that sounded like he'd just found them under a stone. As if they sound like real folk songs—because if you go back into the folk tradition, you will find songs as dark and as deep as these."
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revolves around two sets of themes. One group of songs is "tinctured with the search for salvation": "I Shall Be Released" (on the demo, but not on the album), "Too Much of Nothing", "Nothing Was Delivered", "This Wheel's On Fire", "Tears of Rage" and "Goin' To Acapulco".
364:, toward songs that were more intimate and which drew on many styles of traditional American music. While some of the basement songs are humorous, others dwell on nothingness, betrayal and a quest for salvation. In general, they possess a rootsy quality anticipating the
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reached the public in an unorthodox manner, officially released eight years after the songs were recorded, critics have assigned them an important place in Dylan's development. Michael Gray writes, "The core Dylan songs from these sessions actually do form a clear link
1986:, the poll's creator and supervisor, said the recordings sounded richer and stranger in 1975 than when they were made and concluded, "We don't have to bow our heads in shame because this is the best album of 1975. It would have been the best album of 1967, too."
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in July 1966, four members of the Hawks came to Dylan's home in the Woodstock area to collaborate with him on music and film projects. While Dylan was out of the public's eye during an extended period of recovery in 1967, he and the members of the Hawks recorded
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While removed from the public's gaze, Dylan and the Band made music very different from the recordings of other major artists. Andy Gill writes, "Musically, the songs were completely at odds with what was going on in the rest of the pop world, which during the
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2290:). In it, he quotes Robertson's memory of the recording: " would pull these songs out of nowhere. We didn't know if he wrote them or if he remembered them. When he sang them, you couldn't tell." Marcus calls the songs "palavers with a community of ghosts.
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764:. Anna Dylan was born on July 11, 1967. Both Heylin and biographer Sid Griffin suggest that recording had to move from Dylan's home to Big Pink when it became clear that the sessions were getting in the way of family life. Domesticity was the context of
383:
prepared the album for official release in 1975, eight songs recorded solely by the Band—in various locations between 1967 and 1975—were added to 16 songs taped by Dylan and the Band in 1967. Overdubs were added in 1975 to songs from both categories.
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brew." "One of the things is that if you played loud in the basement, it was really annoying, because it was a cement-walled room", recalled Robertson. "So we played in a little huddle: if you couldn't hear the singing, you were playing too loud."
2176:: "It's the sound of Dylan letting his guard down. 'Clothes Line Saga' and all those ridiculous songs, he's obviously just making it all up, they were having such a great time. The sound of the Band is so antiquated like something out of the
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area of Woodstock. In June, the recording sessions moved to the basement of Big Pink. Hudson set up a recording unit, using two stereo mixers and a tape recorder borrowed from Grossman, as well as a set of microphones on loan from folk trio
660:". Two of these featured his lyrics set to music by members of the Band: Danko wrote the music of "This Wheel's on Fire"; Manuel, who composed "Tears of Rage", described how Dylan "came down to the basement with a piece of typewritten paper
544:, a rarely seen account of Dylan's 1966 world tour. At some point between March and June 1967, Dylan and the four Hawks began a series of informal recording sessions, initially at the so-called Red Room of Dylan's house, Hi Lo Ha, in the
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together, incorporating original compositions, contemporary covers, and traditional material. Dylan's new style of writing moved away from the urban sensibility and extended narratives that had characterized his most recent albums,
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writes of the album, "The interspersed tracks by the Band alone merely disrupt the unity of Dylan material, much more of which should have been included. Key songs missing here include 'I Shall Be Released' and 'The Mighty
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album chart. Subsequently, the format of the 1975 album has led critics to question the omission of some of Dylan's best-known 1967 compositions and the inclusion of material by the Band that was not recorded in Woodstock.
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633:... We'd play the melody, he'd sing a few words he'd written, and then make up some more, or else just mouth sounds or even syllables as he went along. It's a pretty good way to write songs." Danko told Dylan biographer
2021:, on the other hand, said of the 1975 release that, in comparison to the complete recordings released in 2011, "Robertson, with some exceptions, knew which the good songs were" and was right to clean up the recordings.
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514:. He had to find ways of working to his own advantage with the recording industry. He had to come to terms with his one-time friend, longtime manager, part-time neighbor, and sometime landlord, Albert Grossman."
2645:, an official 6-CD box set containing 139 tracks which comprises nearly all of Dylan's basement recordings, including 30 never-bootlegged tracks. A companion 2-CD set containing highlights from the recordings,
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was widely acclaimed. From September 1965 to May 1966, Dylan embarked on an extensive tour across the US, Australia and Europe backed by the Hawks, a band that had formerly worked with rock and roll musician
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album, here he works with his own band for the first time. Dylan brings that instinctual feel for rock and roll to his voice for the first time. If this were ever to be released it would be a classic."
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observed that both the seclusion of Woodstock and the discipline and sense of tradition in the Hawks' musicianship were just what Dylan needed after the "globe-trotting psychosis" of the 1965–66 tour.
2036:, but now "in stereo and with improved sound quality beyond what the remastering process alone would provide". Hopkins declared, "The cat's out of the bag: 'Katie' and the other Band-only tracks on
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2121:... making music and watching time go by. So, in the meantime, we made this record. Actually, it wasn't a record, it was just songs which we'd come to this basement and recorded. Out in the woods
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672:... so I just elaborated a bit, because I wasn't sure what the lyrics meant. I couldn't run upstairs and say, 'What's this mean, Bob: "Now the heart is filled with gold as if it was a purse"?
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Dylan began to write and record new material at the sessions. According to Hudson, "We were doing seven, eight, ten, sometimes fifteen songs a day. Some were old ballads and traditional songs
441:. Dylan's audiences reacted with hostility to the sound of their folk icon backed by a rock band. Dismayed by the negative reception, Helm quit the Hawks in November 1965 and drifted around
307:. Two-thirds of the album's 24 tracks feature Dylan on lead vocals backed by the Band, and were recorded in 1967, eight years before the album's release, in the lapse between the release of
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magazine awarded the record five stars, its highest rating, commenting that "Dylan's work is by turns haunting, hilarious and puzzling—and all of it taps into centuries of American song".
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904:. The double album consisted of seven songs from the Woodstock basement sessions, plus some early recordings Dylan had made in Minneapolis in December 1961 and one track recorded from
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the songs of the mid-sixties had left him exhausted. He sought safety in a retreat to the countryside that was also a retreat in time, or more precisely, a search for timelessness."
2189:. In place of that album's strangled urgency, Dylan adopts a laconic humor, a deadpan tone that speaks of resignation and self-preservation in the face of absurdity and betrayal."
1666:. It poses Dylan and the Band alongside characters suggested by the songs: a woman in a Mrs. Henry T-shirt, an Eskimo, a circus strongman and a dwarf who has been identified as
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in 2013. In the early 1970s, Dylan released new recordings of five compositions from The Basement Tape era: live performances of "Minstrel Boy" and "Quinn the Eskimo" from the
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era. In a 1978 interview, Dylan reflected on the period: "I didn't know how to record the way other people were recording, and I didn't want to. The Beatles had just released
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marked their first official release. The remaining eight songs, all previously unavailable, feature the Band without Dylan and were recorded between 1967 and 1975.
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in November 1965. By the time the basement sessions started in Big Pink around June 1967, he had two children: Maria (Sara's daughter from her first marriage) and
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Engineer Rob Fraboni was brought to Shangri-La to clean up the recordings still in the possession of Hudson, the original engineer. Fraboni had worked on Dylan's
862:, released in August. The Hawks, officially renamed the Band, recorded "This Wheel's on Fire", "I Shall Be Released" and "Tears of Rage" for their debut album,
538:"; Robertson lived nearby with his future wife, Dominique. Danko and Manuel had been invited to Woodstock to collaborate with Dylan on a film he was editing,
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Peter, Paul and Mary, managed by Grossman, had the first hit with a basement composition when their cover of "Too Much of Nothing" reached number 35 on the
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As tapes of Dylan's recordings circulated in the music industry, journalists became aware of their existence. In June 1968, Jann Wenner wrote a front-page
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553:. Dylan would later tell Jann Wenner, "That's really the way to do a recording—in a peaceful, relaxed setting—in somebody's basement. With the windows open
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Griffin writes that Helm's arrival in October meant that he did not play on most of the Dylan–Band 1967 Woodstock recordings, including the sixteen Dylan
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sessions in early 1969 an effort to record "in the honest, live, no frills, no overdubs, down home way that the Hawks/Band did for The Basement Tapes".
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still contained some of the greatest music either Dylan or the Band ever recorded." Sid Griffin similarly defends the inclusion of the Band's songs:
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Dylan was rethinking the direction of his life while recovering from a sense of having been exploited. Nine months after the crash, he told New York
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6025:
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2142:... two utterly different albums. They evince the same highly serious, precarious quest for a personal and universal salvation which marked out the
1998:
has centered on two issues: the recordings by the Band on their own, and the selection of the Dylan songs. In his book about the basement sessions,
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During his 1965–1966 world tour, Dylan was backed by the Hawks, a five-member rock group who would later become famous as the Band. After Dylan was
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In 1997, after listening to more than 100 basement recordings issued on various bootlegs, Marcus extended these insights into a book-length study,
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The intense collaboration between Dylan and the Hawks that produced the basement recordings came to an end in October 1967 when Dylan relocated to
732:
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2294:... These ghosts were not abstractions. As native sons and daughters they were a community. And they were once gathered in a single place: on the
1967:
declared, "He may perplex, irritate, and disappoint, but Dylan has to rank as the single greatest artist modern American pop music has produced."
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describes how the basement recordings represented a radical change of direction for Dylan, who turned his back on his reputation for importing
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in late 1967. The songs on that record, according to Howard Sounes, revealed the influence of Dylan's daily reading of both the Bible and the
2110:... But it is a song from The Basement Tapes era and it swings like a randy sailor on shore leave in a bisexual bar. So give Robbie a break."
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774:: "Chopping wood and hitting your thumb with a hammer, fixing the tape recorder or the screen door, wandering off into the woods with Hamlet
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In the early 1990s, a virtually complete collection of all of Dylan's 1967 recordings in Woodstock was released on a bootleg five-CD set,
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597:. Linking all the recordings, both new material and old, is the way in which Dylan re-engaged with traditional American music. Biographer
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reached number one on the UK singles chart with their recording of "The Mighty Quinn". In April, "This Wheel's on Fire", recorded by
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2045:" Heylin asserts that "though revealing in their own right, the Band tracks only pollute the official set and reduce its stature."
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that sets it apart from contemporaneous works is its simple, down-to-earth sound. The songs were recorded in mid-1967, during the "
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no longer had the status of a final reminder of Dylan's lost genius". In 1975, as well, the Band purchased Shangri-La ranch in
473:, suffering cracked vertebrae and a mild concussion. The concerts he was scheduled to perform had to be cancelled. Biographer
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2556:. Versions of other Band Basement Tape compositions, recorded in various locations between 1967 and possibly 1975, appear on
2464:, number 292 in a 2012 revised list, and number 335 in the magazine's 2020 list. In a special issue devoted to Dylan's work,
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2481:": "From basement tapes, beyond them dollars and cents / Changing of the guards spent, now where the hell the majors went?"
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2411:. "The thing about alt.country which makes it 'alt' is that it is not polished. It is not rehearsed or slick. Neither are
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Dylan recorded around thirty new compositions with the Hawks, including some of the most celebrated songs of his career: "
449:, England, in May 1966 when an audience member shouted "Judas!" at Dylan for allegedly betraying the cause of politically
40:
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is that Dylan found a way out of the anguish and verbal complexity that had characterized his mid-sixties albums such as
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844:, also managed by Grossman, recorded "Tears of Rage", "Quinn the Eskimo" and "This Wheel's on Fire". In January 1968,
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songs, such as "Clothes Line Saga" and "Apple Suckling Tree", celebrate the domestic aspects of the rural lifestyle.
2236:, apparently nicknamed Homer. In his vocal delivery, Dylan "sounds like someone exorcising a certain kind of ghost".
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By 1975, Dylan showed scant interest in the discographical minutiae of the recordings. Interviewed on the radio by
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Clinton Heylin suggests that in this song Dylan may have been invoking the memory of his recently deceased friend
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960:, both released in 1974. Fraboni has described Robertson as the dominant voice in selecting the final tracks for
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445:, at one point working on an oil rig in the Gulf of Mexico. The tour culminated in a famously raucous concert in
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Harris, John, ed. (October 2000). "Q Dylan: Maximum Bob! The Definitive Celebration of Rock's Ultimate Genius".
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Note: The cassette version includes LP sides 1 and 2 on side 1, and LP sides 4 and 3 (in that order) on side 2.
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2334:
956:
249:
218:
534:, a few miles from Woodstock, in February 1967. The three of them moved into a house on Stoll Road nicknamed "
1961:
called its contents "the hardest, toughest, sweetest, saddest, funniest, wisest songs I know". The review in
7906:
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2576:. Live versions by the Band of various Basement Tapes songs have also been issued: "I Shall Be Released" on
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Between 1985 and 2013, Columbia issued five additional 1967 recordings by Dylan from Big Pink: take 2 of "
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4249:"500 Greatest Albums of All Time Rolling Stone's definitive list of the 500 greatest albums of all time"
2478:
2024:
The authenticity of the 1975 album was questioned by a reviewer of the remastered version of the Band's
2003:
1683:
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778:... it was relaxed and low-key, which was something we hadn't enjoyed since we were children." Several
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2743:, pp. 201, 221, 236–241). Heylin has suggested that Helm might be the drummer on four tracks on
2600:
2177:
2028:, issued in 2000. Dave Hopkins noted that "Katie's Been Gone", which appears as a bonus track on the
1958:
1857:
906:
550:
453:. Returning exhausted from the hectic schedule of his world tour, Dylan discovered that his manager,
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was issued as a single. Along with "Nothing Was Delivered", it appeared on their country-rock album
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1963:
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Band were also recorded in preparation for the album's official release, one of which, a cover of
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This aspect of the basement recordings became obvious when Dylan chose to record his next album,
1946:
942:
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had reached number three on the US album chart in November 1965; the recently released double-LP
4617:
2707:, one of the basement recordings that was bootlegged but never officially released until 2014's
2690:, and suddenly he was singing this stuff about himself. We made him and he betrayed the cause" (
824:
Dylan referred to commercial pressures behind the basement recordings in a 1969 interview with
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5874:
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5405:
5367:
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5255:
5236:
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5076:
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2012:
2002:
describes the album's contents as "sixteen basement recordings plus eight Band demos". Critic
1918:
895:
852:, hit number five on the UK chart. That same month, a version of "You Ain't Goin' Nowhere" by
834:
566:
545:
365:
332:
127:
739:
group is looking for that beat, the second time through the tune they find it, they push it".
7876:
7667:
7465:
7219:
7171:
7080:
6766:
6717:
6229:
5888:
5846:
5734:
5512:
5271:"The Basement Tapes Reid Miles Bob Dylan Genuine Photo Outtake Photo Shoot by Jim Linderman"
5114:
4787:
4749:
4636:
2713:
2495:
2338:
2309:
1983:
1929:
1642:
1089:
594:
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540:
434:
412:
380:
360:
324:
309:
304:
163:
2094:
Barney Hoskyns describes "Heylin's objections the academic ones of a touchy Dylanologist:
1940:
Top LPs & Tape chart, and reached number eight in the UK. It was acclaimed by critics.
506:
concluded that he "was saying there must be another way of life for the pop star, in which
7826:
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7240:
7233:
7181:
5520:
5188:
2572:
2342:
1774:
1667:
1626:
582:
454:
170:
2125:..." Heylin has commented that Dylan seemed to "dismiss the work as unfinished therapy".
894:
Reporting such as this whetted the appetites of Dylan fans. In July 1969, the first rock
841:
578:
2536:
of "You Ain't Goin' Nowhere", "I Shall Be Released" and "Down in the Flood" appeared on
530:
Rick Danko recalled that he, Richard Manuel and Garth Hudson joined Robbie Robertson in
7821:
7653:
7633:
7458:
7166:
7031:
6998:
6934:
6710:
5965:
5483:
5421:
5134:"Bob Dylan: New Morning / The Basement Tapes / Before the Flood / Dylan & the Dead"
4845:
4833:
4663:
4659:
3972:
3834:
2747:: "Odds and Ends", "Clothes Line Saga", "Apple Suckling Tree" and "Goin' to Acapulco" (
2616:
2440:
2425:
2017:
1698:
1632:
1051:
874:
770:
684:
598:
474:
430:
418:
5503:
Spencer, Ruth Albert (March 21, 1985). "Conversations with The Band: Richard Manuel".
4640:
2077:
early 1968, while Griffin lists it among the songs Fraboni says were recorded in 1975.
918:
to describe Dylan as the most bootlegged artist in the history of the music industry.
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7816:
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7605:
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4997:
4952:
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4500:
4253:
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2452:
2433:
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2182:
2102:'Ain't No More Cane' may be included under false pretenses, but it is stirring stuff.
1979:
1941:
826:
699:
653:
634:
586:
480:
389:
372:, which circulated widely in unofficial form, mounted a major stylistic challenge to
5382:
1950:
hailed it as "one of the greatest albums in the history of American popular music."
7522:
7293:
7186:
7161:
6788:
The Other Side of the Mirror: Bob Dylan Live at the Newport Folk Festival 1963–1965
6780:
6278:
5832:
5783:
2474:
2466:
2375:
2270:
2114:
1999:
1614:
1610:
950:
845:
609:
522:
426:
158:
910:. One of those responsible for the bootleg, identified only as Patrick, talked to
2224:
2068:
1658:. The cover photograph for the 1975 album was taken by designer and photographer
730:
404:
By July 1966, Bob Dylan was at the peak of both creative and commercial success.
7626:
7612:
6993:
6946:
6940:
5762:
5204:
2718:
2533:
2421:
2408:
2350:
2300:". A collection of blues and country music recorded in the 1920s and 1930s, the
966:
761:
703:
688:
574:
485:
114:
7511:
7191:
7156:
7151:
6928:
4765:"500 Greatest Albums of All Time: #335 The Basement Tapes [2020 List]"
4742:"500 Greatest Albums of All Time: #291 The Basement Tapes [2003 List]"
4723:
2245:
2086:
1869:
1687:
1659:
1604:
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1198:
757:
748:
614:
446:
438:
422:
373:
122:
17:
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songbook. And its sound came as a shock to other rock musicians. As producer
7801:
7566:
6988:
6011:
5634:
4838:"Hail, Hail, Rock 'n' Roll: Getting back to rock's funky, essential essence"
2703:
Robertson is referring to "Banks of the Royal Canal (The Auld Triangle)" by
2367:
2337:
was celebrating the birth of the hippie movement with a gaudy explosion of '
2146:
collection—yet they are soaked in the same blocked confusion and turmoil as
1636:
1622:
1588:
986:
For a comprehensive list of the 1967 Basement Tapes session recordings, see
853:
786:
343:
296:
187:
71:
5556:
Wenner, Jann (June 22, 1968). "Dylan's Basement Tape Should Be Released".
7831:
7490:
7345:
The Night They Drove Old Dixie Down: The Best of the Band Live in Concert
7140:
6968:
5867:
5179:
2804:'The Basement Tapes', a classic double album of experimental roots rock."
2150:. 'Tears of Rage', for example, is an exact halfway house between, say, '
1737:
1671:
1655:
1618:
1598:
535:
328:
300:
236:
75:
5252:
Like The Night: Bob Dylan and the Road to the Manchester Free Trade Hall
4529:
4375:
3448:
3446:
5597:
5592:
2624:
now possesses a clarity that belies its humble and informal origins."
4341:
2324:
a sense of alchemy, "and in the alchemy is an undiscovered country".
1691:
photo shoot were included in the book accompanying the 2014 release
388:
was critically acclaimed upon release, reaching number seven on the
4860:"Bob Dylan's Complete, Legendary 'Basement Tapes' Will Be Released"
5058:
Revolution In The Air: The Songs of Bob Dylan, Volume One: 1957–73
2429:
1654:
The art director/design consultant credited on the 1975 album was
805:
608:
521:
292:
66:
820:—its release and popularity created demand for the official album
4926:
Million Dollar Bash: Bob Dylan, The Band, and The Basement Tapes
4522:
The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991
2506:
The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991
1663:
27:
This article is about the 1975 album. For the 2014 box set, see
7113:
6086:
Bob Dylan – The Rolling Thunder Revue: The 1975 Live Recordings
6051:
Live 1961–2000: Thirty-Nine Years of Great Concert Performances
5607:
1645: – electric guitar, acoustic guitar, drums, backing vocals
954:
album, with backing by the Band, and the live Dylan–Band album
41:
Eric Harris and Dylan Klebold § Journals and investigation
5300:
The Bootleg Series Vol. 10 – Another Self Portrait (1969–1971)
3670:
insert liner notes for "Million Dollar Bash" (Columbia, 1985).
2519:
The Bootleg Series Vol. 10 – Another Self Portrait (1969–1971)
1675:
457:, had arranged a further 63 concerts across the US that year.
5539:
The Complete Book of the British Charts: Singles & Albums
5603:
4275:
3920:
2775:
Woodstock that they settled on calling themselves the Band (
2206:
2050:
712:
7109:
4236:
7913:
This Wheel's on Fire: Levon Helm and the Story of the Band
6399:
Vol. 17: Fragments – Time Out of Mind Sessions (1996–1997)
4978:
This Wheel's on Fire: Levon Helm and the Story of The Band
2261:... they are no more likely to fade than Elvis Presley's '
1936:
on June 26, 1975. The album peaked at number seven on the
6322:
Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall
5020:
Bob Dylan: A Life In Stolen Moments: Day by Day 1941–1995
3368:, p. 228. Capitals as printed in original interview.
2635:, was later remastered and issued as the four-CD bootleg
2604:; and "Ain't No Cane on the Brazos" recorded live at the
2420:
rueful but dashed with emotional potency. Countless acts—
2349:, Dylan was taking his potatoes down to be mashed. While
2316:
of the 1950s and the 1960s. Marcus suggests that Dylan's
569:', and you'd say, 'This is so beautiful! The expression!'
31:. For a full list of 1967 Basement Tapes recordings, see
4502:
The Songs He Didn't Write: Bob Dylan Under The Influence
664:... and he just said, 'Have you got any music for this?'
7441:
The Bootleg Series Vol. 11: The Basement Tapes Complete
2709:
The Bootleg Series Vol. 11: The Basement Tapes Complete
2667:
The Bootleg Series Vol. 11: The Basement Tapes Complete
2642:
The Bootleg Series Vol. 11: The Basement Tapes Complete
2477:
referenced the album in their 2007 Dylan tribute song "
1694:
The Bootleg Series Vol. 11: The Basement Tapes Complete
998:
All tracks are written by Bob Dylan, except where noted
29:
The Bootleg Series Vol. 11: The Basement Tapes Complete
6336:
Vol. 8: Tell Tale Signs: Rare and Unreleased 1989–2006
6315:
Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue
4665:
Christgau's Record Guide: Rock Albums of the Seventies
2379:
universe and we were singing these homespun ballads."
945:, which they transformed into their recording studio.
2598:; "I Shall Be Released" and "Don't Ya Tell Henry" on
2357:, Dylan was strapping himself to a tree with roots."
2117:, he recalled, "We were all up there sorta drying out
7888:(1995, Bell, Ciarlante, Danko, Helm, Hudson, Weider)
4717:(CD booklet). Bob Dylan. New York: Columbia Records.
4524:(CD booklet). Bob Dylan. New York: Columbia Records.
2761:"Open the Door, Homer" and "Nothing Was Delivered" (
2582:; "Caledonia Mission" and "This Wheel's On Fire" on
2552:
Mission" in studios in New York and Los Angeles for
2399:
now, it seems to be the beginning of what is called
7789:
7597:
7482:
7450:
7383:
7314:
7285:
7200:
7053:
Gotta Serve Somebody: The Gospel Songs of Bob Dylan
6956:
6921:
6866:
6825:
6702:
6450:
6408:
6292:
6221:
6189:
6113:
6106:
6042:
5982:
5975:
5684:
1453:
1442:
1310:
1299:
1164:
1153:
1017:
1006:
235:
186:
169:
157:
141:
113:
97:
82:
65:
51:
5465:No Direction Home: The Life and Music of Bob Dylan
5420:
4996:
4809:(CD booklet). The Band. New York: Capitol Records.
4590:(CD booklet). The Band. New York: Capitol Records.
4581:(CD booklet). The Band. New York: Capitol Records.
4572:(CD booklet). The Band. New York: Capitol Records.
4563:(CD booklet). The Band. New York: Capitol Records.
3882:
2711:. The song first appeared in Brendan Behan's play
872:covered "Million Dollar Bash" on their 1969 album
629:... but others Bob would make up as he went along.
7473:Once Were Brothers: Robbie Robertson and the Band
6258:Bob Dylan: The Complete Album Collection Vol. One
4385:
4383:
3083:
3081:
2619:issued a remastered version of the original 1975
886:finest rock and roll bands ever assembled on the
319:, during sessions that began at Dylan's house in
6419:From Newport to the Ancient Empty Street in L.A.
5537:Warwick, Neil; Kutner, Jon; Brown, Tony (2004).
3193:
3191:
2032:reissue, is the same recording that appeared on
668:... I had a couple of musical movements that fit
3024:Wenner, Jann. "Interview with Jann S. Wenner,"
2932:Wenner, Jann. "Interview with Jann S. Wenner,"
2382:When the Band began work on their debut album,
46:1975 studio album by Bob Dylan and the Band
7880:(1976, Danko, Helm, Hudson, Manuel, Robertson)
7359:The Bootleg Series Vol. 4: Bob Dylan Live 1966
5309:Invisible Republic: Bob Dylan's Basement Tapes
4196:
4194:
3639:
3637:
3635:
2639:. On November 4, 2014, Columbia/Legacy issued
2566:, and as bonus tracks on the 2000 reissues of
2436:—have since tried to get back to that place."
421:. The Hawks comprised four Canadian musicians—
7125:
6301:Volumes 1–3 (Rare & Unreleased) 1961–1991
5619:
5349:(liner). The Band. New York: Capitol Records.
5096:Across The Great Divide: The Band and America
4352:
4158:
4156:
3893:
3891:
3817:
3678:
3676:
3611:
3609:
3607:
3605:
3592:
3590:
3577:
3575:
8:
7574:Most Likely You Go Your Way and I'll Go Mine
4999:Bob Dylan: The Recording Sessions, 1960–1994
4425:
3694:
3692:
3690:
3537:
3535:
3533:
3044:
3042:
3040:
3038:
2972:
2970:
2253:In his sleeve notes for the 1975 release of
1887:
1825:
1780:
1742:
1607: – drums, mandolin, bass guitar, vocals
313:and the subsequent recording and release of
4641:"The Basement Tapes: Bob Dylan Goes Public"
4595:Brackett, Nathan; Hoard, Christian (2004).
4095:
4093:
850:Julie Driscoll, Brian Auger and the Trinity
7204:
7132:
7118:
7110:
6350:Vol. 10: Another Self Portrait (1969–1971)
6110:
5979:
5626:
5612:
5604:
5467:(hardback ed.). New English Library.
5184:"Dylan Through The Years: Hits And Misses"
4545:"Bob Dylan's Greatest Hits Vol. II (1971)"
4479:
4477:
4469:
4447:
4414:
4399:
4397:
4389:
2181:own inertia and impotence", writes critic
1994:Criticism of the 1975 official release of
1712:
526:Big Pink, West Saugerties, New York (2006)
57:
48:
7075:Lost on the River: The New Basement Tapes
6392:Vol. 16: Springtime in New York 1980–1985
6329:Vol. 7: No Direction Home: The Soundtrack
5328:Wicked Messenger: Bob Dylan and the 1960s
5293:(CD booklet). New York: Columbia Records.
5174:(CD booklet). New York: Columbia Records.
5115:"Liner Notes for The Band 2000 Remasters"
4147:
3931:
3766:
3452:
3353:
2861:
2837:
2825:
2660:Lost on the River: The New Basement Tapes
2185:, "but with a much gentler touch than in
916:Recording Industry Association of America
101:June–September 1967 (Dylan and the Band)
6739:The 30th Anniversary Concert Celebration
6026:The 30th Anniversary Concert Celebration
5444:"The Bob Dylan Motorcycle-Crash Mystery"
5298:Marcus, Greil; Simmons, Michael (2013).
4696:Dylan on Dylan: The Essential Interviews
4660:"Bob Dylan/The Band: The Basement Tapes"
4376:Bob Dylan's Greatest Hits Vol. II (1971)
4301:Public Enemy – The Long and Whining Road
4084:
3954:
3952:
3802:
3800:
3798:
3790:
3558:. Hibbing, Minnesota: EDLIS Café Press.
3401:
3209:
2885:
2168:commented that the great achievement of
1436:
1293:
1147:
1046:Orange Juice Blues (Blues for Breakfast)
1000:
816:featured many of the songs recorded for
6898:Down the Highway: The Life of Bob Dylan
5485:Down the Highway: The Life of Bob Dylan
4330:
4212:
4200:
4186:
4111:
4099:
4060:
4048:
4036:
4024:
4001:
3897:
3870:
3709:
3655:
3626:
3596:
3581:
3524:
3476:
3464:
3437:
3425:
3413:
3389:
3365:
3341:
3317:
3305:
3293:
3182:
3159:
3147:
3111:
3099:
3000:
2961:
2908:
2896:
2873:
2813:
2790:
2776:
2762:
2740:
2678:
2509:in 1991, "I'm Not There (1956)" on the
1565:
1422:
1279:
1133:
303:. It was released on June 26, 1975, by
7901:Endless Highway: The Music of the Band
5666:Bob Dylan songs based on earlier tunes
5383:"The 1975 Pazz & Jop Critics Poll"
5039:Bob Dylan: Behind the Shades Revisited
4483:
4458:
4436:
4403:
4363:
4342:I'm Not There Original Soundtrack 2007
4286:
4224:
4174:
4162:
4135:
4123:
4072:
3971:Frere-Jones, Sasha (27 October 2014).
3943:
3909:
3858:
3778:
3682:
3643:
3615:
3541:
3512:
3500:
3488:
3377:
3329:
3281:
3221:
3170:
3135:
3123:
3087:
3072:
3060:
3048:
3012:
2988:
2976:
2949:
2920:
2849:
2797:
2748:
2722:
2243:
2084:
1703:Grammy Award for Best Historical Album
1591: – acoustic guitar, piano, vocals
1375:Crash on the Levee (Down in the Flood)
746:
565:... He'd come up with something like '
368:genre. For some critics, the songs on
331:. While most of these had appeared on
6308:Vol. 4: The Royal Albert Hall Concert
6072:In Concert – Brandeis University 1963
4319:
3835:"Rhapsody Streamnotes: June 21, 2014"
3806:
3698:
2717:, and Dylan probably learned it from
2312:in 1952—was a major influence on the
2152:One of Us Must Know (Sooner or Later)
1723:
1566:
1423:
1280:
1134:
268:Northern Lights – Southern Cross
7:
6984:Artists who have covered Dylan songs
6905:The Cambridge Companion to Bob Dylan
6693:Rough and Rowdy Ways World Wide Tour
6357:Vol. 11: The Basement Tapes Complete
6343:Vol. 9: The Witmark Demos: 1962–1964
6272:The 50th Anniversary Collection 1964
6265:The 50th Anniversary Collection 1963
5275:Essays On Bob Dylan By Jim Linderman
4976:Helm, Levon; Davis, Stephen (2000).
4943:Guttenberg, Steve (April 18, 2009).
4012:
3983:from the original on 24 October 2017
3958:
3744:
3721:
3269:
3257:
3245:
3233:
3197:
3029:
2937:
2499:in 1985, "I Shall Be Released" and "
465:On July 29, 1966, Dylan crashed his
7967:Albums produced by Robbie Robertson
7538:The Night They Drove Old Dixie Down
7068:The Lost Notebooks of Hank Williams
6364:Vol. 12: The Cutting Edge 1965–1966
5446:. American Heritage. Archived from
5075:Hopkins, Dave (September 5, 2000).
4851:University of North Texas Libraries
3755:
2691:
2532:, and October 1971 recordings with
2491:Quinn the Eskimo (The Mighty Quinn)
2462:the 500 greatest albums of all time
992:List of Basement Tapes songs (1975)
933:, released that same month: "After
650:Quinn the Eskimo (The Mighty Quinn)
593:, as well as traditional songs and
557:... and a dog lying on the floor."
492:... but I couldn't do it anymore."
6385:Vol. 15: Travelin' Thru, 1967–1969
6371:Vol. 13: Trouble No More 1979–1981
6143:Bob Dylan's Greatest Hits Volume 3
3733:
2633:over 100 songs and alternate takes
2594:and "This Wheel's On Fire" on the
2485:Other released Basement Tape songs
2286:(reissued in 2001 under the title
295:by the American singer-songwriter
25:
7957:Albums produced by Richard Manuel
7374:Live at the Academy of Music 1971
6912:Bob Dylan: Mixing Up the Medicine
6129:Bob Dylan's Greatest Hits Vol. II
5569:(8th ed.). Billboard Books.
5567:The Billboard Book of Top 40 Hits
5172:I'm Not There Original Soundtrack
5153:Oh No! Not Another Bob Dylan Book
4598:The New Rolling Stone Album Guide
2631:. The collection, which contains
2596:2002 box set release of the album
2539:Bob Dylan's Greatest Hits Vol. II
2345:was testifying that life went on
1889:
1827:
1782:
1744:
1662:in the basement of a Los Angeles
898:appeared in California, entitled
789:to record a formal studio album,
35:. For the videotapes made by the
7869:The Muddy Waters Woodstock Album
7812:Bob Dylan and the Band 1974 Tour
7248:Northern Lights – Southern Cross
7094:
7093:
6795:Trouble No More – A Musical Film
6378:Vol. 14: More Blood, More Tracks
5442:Scherman, Tony (July 29, 2006).
5113:Hoskyns, Barney (October 2000).
4945:"Newly remastered Bob Dylan CDs"
4858:Greene, Andy (August 26, 2014).
4816:Classic Bob Dylan: My Back Pages
4276:500 Greatest Albums of All Time
3921:1975 Pazz & Jop Critics Poll
3883:Warwick, Kutner & Brown 2004
2526:on August 31, 1969, appeared on
2297:Anthology of American Folk Music
2244:Problems playing this file? See
2222:
2085:Problems playing this file? See
2066:
1908:
1903:
1898:
1893:
1888:
1846:
1841:
1836:
1831:
1826:
1796:
1791:
1786:
1781:
1763:
1758:
1753:
1748:
1743:
1697:which was digitally mastered by
1339:Yea! Heavy and a Bottle of Bread
927:commercial success of his album
747:Problems playing this file? See
728:
344:injured in a motorcycle accident
327:, then moved to the basement of
7947:Albums produced by Garth Hudson
7864:(1965, Helm, Hudson, Robertson)
6251:The 50th Anniversary Collection
5770:Pat Garrett & Billy the Kid
4237:500 Greatest Albums of All Time
2516:in 2007, and "Minstrel Boy" on
2192:Robert Shelton has argued that
7696:The W.S. Walcott Medicine Show
7682:King Harvest (Has Surely Come)
5676:2016 Nobel Prize in Literature
5541:(3d ed.). Omnibus Press.
5517:The Essential Rock Discography
5132:Hreha, Scott (June 26, 2009).
3991:– via www.newyorker.com.
2545:In 2005, the Band compilation
1443:
1300:
1154:
1007:
1:
7962:Albums produced by Rick Danko
7952:Albums produced by Levon Helm
7420:The Best of the Band, Vol. II
7025:Pat Garrett and Billy the Kid
6857:The Philosophy of Modern Song
6431:List of Basement Tapes songs
6158:The Best of Bob Dylan, Vol. 2
5707:The Times They Are a-Changin'
5228:Encyclopedia of Popular Music
2156:I Dreamed I Saw St. Augustine
1882:The Rolling Stone Album Guide
1820:Encyclopedia of Popular Music
7977:Bob Dylan compilation albums
7942:Albums produced by Bob Dylan
6884:Bob Dylan, Performing Artist
6244:The Original Mono Recordings
5507:. Vol. 14, no. 12.
5423:Guinness British Hit Singles
4694:Cott, Jonathan, ed. (2006).
3554:Newman, Martin Alan (2021).
988:List of Basement Tapes songs
922:Columbia Records compilation
469:motorcycle near his home in
33:List of Basement Tapes songs
7717:When I Paint My Masterpiece
6514:Tour with the Grateful Dead
5151:Humphries, Patrick (1991).
4909:. Continuum International.
2721:, who recorded it in 1965 (
2355:2,000 light years from home
2308:and originally released by
1980:Pazz & Jop Critics Poll
1678:flight lieutenant uniform.
8003:
7703:Daniel and the Sacred Harp
7019:The Concert for Bangladesh
6979:Electric Dylan controversy
6877:The Bob Dylan Encyclopedia
6065:Live at Carnegie Hall 1963
5700:The Freewheelin' Bob Dylan
4906:The Bob Dylan Encyclopedia
4722:Erlewine, Stephen Thomas.
4698:. Hodder & Stoughton.
4658:Christgau, Robert (1981).
4622:Band Bites by Carol Caffin
4601:(4th ed.). Fireside.
2629:The Genuine Basement Tapes
2460:number 291 on its list of
26:
7937:1975 collaborative albums
7807:Bob Dylan World Tour 1966
7207:
7147:
7089:
6237:Bob Dylan: The Collection
6122:Bob Dylan's Greatest Hits
6093:The Complete Budokan 1978
6058:Live at The Gaslight 1962
5721:Bringing It All Back Home
5714:Another Side of Bob Dylan
5641:
4788:"Dylan Catalog Revisited"
4353:Marcus & Simmons 2013
3818:Brackett & Hoard 2004
1731:
1728:
1718:
1682:has identified musicians
1670:. Robertson wears a blue
1548:
1530:
1512:
1494:
1476:
1458:
1450:
1447:
1405:
1387:
1369:
1351:
1333:
1315:
1307:
1304:
1262:
1244:
1226:
1208:
1187:
1169:
1161:
1158:
1116:
1098:
1078:
1060:
1040:
1022:
1014:
1011:
868:, released in July 1968.
478:a songwriter." In a 1969
280:
243:
231:
194:
56:
6079:The 1966 Live Recordings
5463:Shelton, Robert (1986).
5400:Polizotti, Mark (2006).
5094:Hoskyns, Barney (1993).
5056:Heylin, Clinton (2009).
5037:Heylin, Clinton (2000).
5018:Heylin, Clinton (1996).
5003:. St. Martin's Griffin.
4995:Heylin, Clinton (1995).
4886:Song & Dance Man III
2936:, November 29, 1969, in
2335:long, hot summer of 1967
1808:Christgau's Record Guide
679:One of the qualities of
400:Background and recording
7982:Columbia Records albums
7907:The Complete Last Waltz
7647:Across the Great Divide
7413:Across the Great Divide
7339:(1978 soundtrack album)
6165:The Essential Bob Dylan
5565:Whitburn, Joel (2004).
5482:Sounes, Howard (2001).
5427:. Guinness Publishing.
5419:Roberts, David (1999).
5330:. Seven Stories Press.
5326:Marqusee, Mike (2005).
5302:(CD booklet). New York.
4807:Across the Great Divide
4713:Crowe, Cameron (1985).
4618:"John and Bill Scheele"
2610:Across the Great Divide
2559:Across the Great Divide
1990:Criticism of 1975 album
1701:for which he won the
1464:You Ain't Goin' Nowhere
859:Sweetheart of the Rodeo
658:You Ain't Goin' Nowhere
86:June 26, 1975
7759:It Makes No Difference
7527:The Unfaithful Servant
7039:Highway 61 Interactive
6850:Chronicles: Volume One
6520:Temples in Flames Tour
6472:Isle of Wight Festival
5924:Christmas in the Heart
5661:Songs written by Dylan
5513:Strong, Martin Charles
5387:Consumer Guide Reviews
5345:Morris, Chris (1994).
5307:Marcus, Greil (1997).
5289:Marcus, Greil (1975).
5041:. Perennial Currents.
4903:Gray, Michael (2006).
4884:Gray, Michael (2000).
4645:Consumer Guide Reviews
4520:Bauldie, John (1991).
4499:Barker, Derek (2008).
3028:November 29, 1969, in
2647:The Basement Tapes Raw
2524:Isle of Wight Festival
2347:within and without you
2288:The Old, Weird America
2218:"Open the Door, Homer"
2211:
2055:
1674:, and Manuel wears an
1635: – piano, drums,
1536:Long Distance Operator
821:
799:Dwarf Music demos and
717:
622:
527:
451:progressive folk music
7046:Theme Time Radio Hour
6843:Writings and Drawings
6802:Rolling Thunder Revue
6508:True Confessions Tour
6484:Rolling Thunder Revue
6172:The Best of Bob Dylan
6150:The Best of Bob Dylan
5917:Together Through Life
5882:Good as I Been to You
5671:Bob Dylan cover songs
5354:Nelson, Paul (1975).
5225:(2011). "Bob Dylan".
4924:Griffin, Sid (2007).
4805:Flippo, Chet (1994).
4415:Bowman & 2000 (2)
4390:Bowman & 2000 (1)
3354:Helm & Davis 2000
2862:Helm & Davis 2000
2649:, was also released.
2479:Long and Whining Road
2210:
2062:"Don't Ya Tell Henry"
2054:
1719:Retrospective reviews
1597: – bass guitar,
1500:Nothing Was Delivered
809:
724:"Apple Suckling Tree"
716:
612:
525:
376:in the late sixties.
7896:(2022, Helm, Weider)
7872:(1975, Helm, Hudson)
7780:What Am I Living For
7640:This Wheel's on Fire
7563:On a Night Like This
7392:The Best of the Band
7352:Live at Watkins Glen
6753:Masked and Anonymous
6019:Dylan & the Dead
6005:Bob Dylan at Budokan
5959:Rough and Rowdy Ways
5938:Shadows in the Night
5728:Highway 61 Revisited
5402:Highway 61 Revisited
5347:Live at Watkins Glen
5182:(October 25, 1992).
5155:. Square One Books.
5077:"The Band Remasters"
4792:Entertainment Weekly
4724:"The Basement Tapes"
4670:Ticknor & Fields
4586:Bowman, Rob (2005).
4577:Bowman, Rob (2001).
4568:Bowman, Rob (2000).
4559:Bowman, Rob (2000).
2899:, pp. 46, 52–53
2779:, pp. 143–144).
2765:, pp. 229–230).
2751:, pp. 376–381).
2725:, pp. 303–305).
2601:Live at Watkins Glen
2320:shared with Smith's
1858:Entertainment Weekly
1714:Professional ratings
1554:This Wheel's on Fire
1518:Open the Door, Homer
1084:Yazoo Street Scandal
907:The Johnny Cash Show
768:, as Hudson said in
646:This Wheel's on Fire
619:This Wheel's on Fire
551:Peter, Paul and Mary
407:Highway 61 Revisited
355:Highway 61 Revisited
349:more than 100 tracks
299:and his second with
104:1967–1968 (The Band)
7773:Blind Willie McTell
7534:Up on Cripple Creek
7516:I Shall Be Released
7213:Music from Big Pink
5791:Blood on the Tracks
5742:John Wesley Harding
5505:The Woodstock Times
5450:on November 6, 2006
4814:Gill, Andy (1998).
4771:. 22 September 2020
4570:Music From Big Pink
3455:, show 54, track 3.
2800:, p. 338: "...
2615:On March 31, 2009,
2608:in August 1969, on
2568:Music From Big Pink
2554:Music From Big Pink
2384:Music from Big Pink
2363:John Wesley Harding
2144:John Wesley Harding
2026:Music from Big Pink
1964:The Washington Post
1715:
1709:Reception and sales
1482:Don't Ya Tell Henry
1439:
1321:Too Much of Nothing
1296:
1232:Apple Suckling Tree
1150:
1066:Million Dollar Bash
1003:
935:Blood on the Tracks
930:Blood on the Tracks
870:Fairport Convention
865:Music from Big Pink
792:John Wesley Harding
687:", the peak of the
642:I Shall Be Released
510:is in control, not
471:Woodstock, New York
437:—and one American,
316:John Wesley Harding
201:Blood on the Tracks
133:alternative country
7766:Georgia on My Mind
7675:Look Out Cleveland
7576:" (with Bob Dylan)
7556:Life Is a Carnival
7498:The Stones I Throw
7301:The Basement Tapes
6974:Traveling Wilburys
6964:Recording Sessions
6891:Invisible Republic
6816:A Complete Unknown
6478:Tour with the Band
6426:Great White Wonder
6293:The Bootleg Series
6205:The Basement Tapes
5861:Down in the Groove
5854:Knocked Out Loaded
5798:The Basement Tapes
5600:(list of releases)
5593:The Basement Tapes
5358:The Basement Tapes
5291:The Basement Tapes
5254:. Helter Skelter.
5250:Lee, C.P. (1998).
5170:Bob Dylan (2007).
5022:. Schirmer Books.
4639:(August 4, 1975).
4530:"Before the Flood"
4027:, pp. 301–302
3900:, pp. 383–385
3658:, pp. 294–295
3629:, pp. 293–303
3599:, pp. 293–294
3556:Bob Dylan's Malibu
3392:, pp. 229–230
3380:, pp. 209–210
3173:, pp. 283–284
3138:, pp. 107–108
3090:, pp. 237–265
3003:, pp. 120–158
2911:, pp. 426–427
2864:, pp. 141–142
2840:, pp. 185–190
2745:The Basement Tapes
2688:Martin Luther King
2606:Woodstock Festival
2458:The Basement Tapes
2445:The Basement Tapes
2417:The Basement Tapes
2413:The Basement Tapes
2397:The Basement Tapes
2314:folk music revival
2283:Invisible Republic
2255:The Basement Tapes
2212:
2194:The Basement Tapes
2170:The Basement Tapes
2164:Singer-songwriter
2135:The Basement Tapes
2096:The Basement Tapes
2056:
2038:The Basement Tapes
2034:The Basement Tapes
1996:The Basement Tapes
1969:The Basement Tapes
1947:The New York Times
1934:The Basement Tapes
1713:
1705:in February 2016.
1437:
1357:Ain't No More Cane
1294:
1250:Please, Mrs. Henry
1148:
1001:
971:The Basement Tapes
962:The Basement Tapes
943:Malibu, California
939:The Basement Tapes
901:Great White Wonder
822:
818:The Basement Tapes
813:Great White Wonder
801:Great White Wonder
766:The Basement Tapes
756:Dylan had married
718:
681:The Basement Tapes
623:
528:
393:Top LPs & Tape
386:The Basement Tapes
370:The Basement Tapes
337:The Basement Tapes
288:The Basement Tapes
259:The Basement Tapes
210:The Basement Tapes
52:The Basement Tapes
37:Columbine shooters
7922:
7921:
7752:Acadian Driftwood
7434:A Musical History
7310:
7309:
7107:
7106:
7060:Chimes of Freedom
6868:Books about Dylan
6760:No Direction Home
6725:Renaldo and Clara
6526:Never Ending Tour
6288:
6287:
6102:
6101:
5875:Under the Red Sky
5819:Slow Train Coming
5749:Nashville Skyline
5242:978-0-85712-595-8
5067:978-1-84901-051-1
4935:978-1-906002-05-3
4637:Christgau, Robert
4588:A Musical History
4512:978-1-84240-424-9
4505:. Chrome Dreams.
3833:(June 21, 2014).
2852:, pp. 82–106
2637:A Tree With Roots
2564:A Musical History
2548:A Musical History
2227:
2071:
2013:Sasha Frere-Jones
1927:
1926:
1576:
1575:
1433:
1432:
1398:Manuel, Robertson
1290:
1289:
1214:Clothes Line Saga
1144:
1143:
1127:Manuel, Robertson
1122:Katie's Been Gone
1104:Goin' to Acapulco
733:
291:is the sixteenth
284:
283:
276:
275:
227:
226:
16:(Redirected from
7994:
7972:Bob Dylan albums
7877:No Reason to Cry
7668:Jemima Surrender
7661:Whispering Pines
7549:The Shape I'm In
7466:Festival Express
7330:Before the Flood
7205:
7172:Robbie Robertson
7134:
7127:
7120:
7111:
7097:
7096:
7081:Bob Dylan Center
6718:Eat the Document
6111:
5991:Before the Flood
5980:
5903:"Love and Theft"
5896:Time Out of Mind
5889:World Gone Wrong
5847:Empire Burlesque
5735:Blonde on Blonde
5628:
5621:
5614:
5605:
5580:
5561:
5552:
5533:
5508:
5499:
5478:
5459:
5457:
5455:
5438:
5426:
5415:
5396:
5394:
5393:
5378:
5376:
5375:
5366:. Archived from
5350:
5341:
5322:
5303:
5294:
5285:
5283:
5281:
5269:Linderman, Jim.
5265:
5246:
5231:(5th ed.).
5218:
5216:
5215:
5205:"The Last Waltz"
5200:
5198:
5196:
5175:
5166:
5147:
5145:
5144:
5128:
5126:
5125:
5109:
5090:
5088:
5087:
5071:
5052:
5033:
5014:
5002:
4991:
4972:
4963:
4961:
4960:
4951:. Archived from
4949:The Audiophiliac
4939:
4920:
4899:
4880:
4878:
4877:
4868:. Archived from
4854:
4842:
4829:
4810:
4801:
4799:
4798:
4786:(May 29, 1991).
4779:
4777:
4776:
4760:
4758:
4757:
4748:. Archived from
4737:
4735:
4734:
4718:
4709:
4690:
4688:
4686:
4654:
4652:
4651:
4632:
4630:
4628:
4612:
4591:
4582:
4573:
4564:
4555:
4553:
4552:
4540:
4538:
4537:
4525:
4516:
4486:
4481:
4472:
4467:
4461:
4456:
4450:
4445:
4439:
4434:
4428:
4426:Before the Flood
4423:
4417:
4412:
4406:
4401:
4392:
4387:
4378:
4373:
4367:
4361:
4355:
4350:
4344:
4339:
4333:
4328:
4322:
4317:
4311:
4310:
4309:
4308:
4296:
4290:
4284:
4278:
4273:
4267:
4266:
4264:
4262:
4245:
4239:
4234:
4228:
4222:
4216:
4210:
4204:
4198:
4189:
4184:
4178:
4172:
4166:
4160:
4151:
4150:, pp. 65–66
4145:
4139:
4138:, pp. 86–87
4133:
4127:
4121:
4115:
4109:
4103:
4097:
4088:
4082:
4076:
4070:
4064:
4058:
4052:
4046:
4040:
4034:
4028:
4022:
4016:
4010:
4004:
3999:
3993:
3992:
3990:
3988:
3973:"After the Fall"
3968:
3962:
3956:
3947:
3941:
3935:
3929:
3923:
3918:
3912:
3907:
3901:
3895:
3886:
3880:
3874:
3868:
3862:
3856:
3850:
3849:
3847:
3845:
3827:
3821:
3815:
3809:
3804:
3793:
3788:
3782:
3776:
3770:
3764:
3758:
3753:
3747:
3742:
3736:
3731:
3725:
3719:
3713:
3707:
3701:
3696:
3685:
3680:
3671:
3665:
3659:
3653:
3647:
3646:, pp. 67–68
3641:
3630:
3624:
3618:
3613:
3600:
3594:
3585:
3579:
3570:
3569:
3551:
3545:
3539:
3528:
3522:
3516:
3510:
3504:
3498:
3492:
3486:
3480:
3474:
3468:
3462:
3456:
3450:
3441:
3435:
3429:
3423:
3417:
3411:
3405:
3399:
3393:
3387:
3381:
3375:
3369:
3363:
3357:
3351:
3345:
3339:
3333:
3327:
3321:
3315:
3309:
3303:
3297:
3291:
3285:
3279:
3273:
3267:
3261:
3255:
3249:
3243:
3237:
3231:
3225:
3224:, pp. 84–85
3219:
3213:
3207:
3201:
3195:
3186:
3180:
3174:
3168:
3162:
3157:
3151:
3145:
3139:
3133:
3127:
3121:
3115:
3109:
3103:
3097:
3091:
3085:
3076:
3070:
3064:
3058:
3052:
3046:
3033:
3022:
3016:
3010:
3004:
2998:
2992:
2991:, pp. 55–56
2986:
2980:
2974:
2965:
2959:
2953:
2947:
2941:
2930:
2924:
2918:
2912:
2906:
2900:
2894:
2888:
2883:
2877:
2871:
2865:
2859:
2853:
2847:
2841:
2835:
2829:
2823:
2817:
2811:
2805:
2803:
2795:
2780:
2772:
2766:
2758:
2752:
2732:
2726:
2714:The Quare Fellow
2701:
2695:
2683:
2579:Before the Flood
2456:magazine ranked
2415:. Remember that
2310:Folkways Records
2293:
2276:
2260:
2229:
2228:
2209:
2200:
2187:Blonde on Blonde
2174:Blonde on Blonde
2160:
2148:Blonde on Blonde
2141:
2124:
2120:
2109:
2105:
2101:
2073:
2072:
2053:
2044:
2010:
1984:Robert Christgau
1977:
1956:
1930:Columbia Records
1913:
1912:
1911:
1907:
1906:
1902:
1901:
1897:
1896:
1892:
1891:
1851:
1850:
1849:
1845:
1844:
1840:
1839:
1835:
1834:
1830:
1829:
1801:
1800:
1799:
1795:
1794:
1790:
1789:
1785:
1784:
1768:
1767:
1766:
1762:
1761:
1757:
1756:
1752:
1751:
1747:
1746:
1716:
1643:Robbie Robertson
1601:, backing vocals
1569:
1445:
1440:
1426:
1302:
1297:
1283:
1156:
1151:
1137:
1090:Robbie Robertson
1009:
1004:
977:
957:Before the Flood
842:Ian & Sylvia
777:
735:
734:
715:
675:
671:
667:
663:
632:
628:
605:New compositions
591:Eric Von Schmidt
579:Ian & Sylvia
572:
564:
556:
541:Eat the Document
518:Early recordings
491:
461:Motorcycle crash
435:Robbie Robertson
413:Blonde on Blonde
381:Columbia Records
361:Blonde on Blonde
310:Blonde on Blonde
305:Columbia Records
250:Before the Flood
245:
244:
196:
195:
153:
152:
148:
93:
91:
61:
49:
21:
8002:
8001:
7997:
7996:
7995:
7993:
7992:
7991:
7987:The Band albums
7927:
7926:
7923:
7918:
7827:The Weight Band
7785:
7620:Long Black Veil
7593:
7505:Go Go Liza Jane
7478:
7446:
7406:To Kingdom Come
7379:
7306:
7281:
7269:High on the Hog
7241:Moondog Matinee
7196:
7182:Randy Ciarlante
7143:
7138:
7108:
7103:
7085:
6952:
6917:
6862:
6821:
6698:
6446:
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5488:. Grove Press.
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5189:Chicago Tribune
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4834:Gilliland, John
4832:
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4616:Caffin, Carol.
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4470:Guttenberg 2009
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2755:
2733:
2729:
2702:
2698:
2694:, p. 154).
2684:
2680:
2676:
2655:
2487:
2343:George Harrison
2330:
2291:
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2258:
2251:
2250:
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2240:
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2223:
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2083:
2081:
2080:
2079:
2078:
2074:
2067:
2064:
2057:
2051:
2042:
2008:
1992:
1975:
1954:
1909:
1904:
1899:
1894:
1847:
1842:
1837:
1832:
1797:
1792:
1787:
1775:Chicago Tribune
1764:
1759:
1754:
1749:
1711:
1668:Angelo Rossitto
1652:
1627:tenor saxophone
1585:
1577:
1567:
1434:
1424:
1411:Tiny Montgomery
1291:
1281:
1145:
1135:
984:
975:
924:
804:
775:
754:
753:
745:
743:
742:
741:
740:
736:
729:
726:
719:
713:
673:
669:
665:
661:
630:
626:
607:
583:John Lee Hooker
570:
562:
554:
532:West Saugerties
520:
489:
484:interview with
463:
455:Albert Grossman
402:
271:
262:
253:
222:
213:
204:
150:
146:
145:
137:
107:1975 (overdubs)
89:
87:
78:
47:
44:
23:
22:
15:
12:
11:
5:
8000:
7998:
7990:
7989:
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7919:
7917:
7916:
7909:
7904:
7897:
7889:
7881:
7873:
7865:
7857:
7853:Basement Tapes
7848:
7844:Basement Tapes
7839:
7834:
7829:
7824:
7822:Ronnie Hawkins
7819:
7814:
7809:
7804:
7799:
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7706:
7699:
7692:
7685:
7678:
7671:
7664:
7657:
7654:When You Awake
7650:
7643:
7636:
7634:Lonesome Suzie
7630:
7623:
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7609:
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7519:
7508:
7501:
7494:
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7469:
7462:
7459:The Last Waltz
7454:
7452:
7448:
7447:
7445:
7444:
7437:
7430:
7423:
7416:
7409:
7402:
7395:
7387:
7385:
7381:
7380:
7378:
7377:
7370:
7368:(2002 box set)
7366:The Last Waltz
7362:
7355:
7348:
7341:
7337:The Last Waltz
7333:
7326:
7318:
7316:
7312:
7311:
7308:
7307:
7305:
7304:
7297:
7289:
7287:
7286:with Bob Dylan
7283:
7282:
7280:
7279:
7272:
7265:
7258:
7251:
7244:
7237:
7230:
7223:
7216:
7208:
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7189:
7184:
7179:
7174:
7169:
7167:Richard Manuel
7164:
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7129:
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7114:
7105:
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7090:
7087:
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7064:
7056:
7049:
7042:
7035:
7032:Hearts of Fire
7028:
7021:
7016:
7009:
7001:
6999:Helena Springs
6996:
6991:
6986:
6981:
6976:
6971:
6966:
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6958:
6954:
6953:
6951:
6950:
6944:
6938:
6935:Carolyn Dennis
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6853:
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6812:
6809:Shadow Kingdom
6805:
6798:
6791:
6784:
6777:
6776:
6775:
6763:
6756:
6749:
6742:
6735:
6732:Hard to Handle
6728:
6721:
6714:
6711:Dont Look Back
6706:
6704:
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6699:
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6690:
6689:
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6029:
6022:
6015:
6008:
6001:
5994:
5986:
5984:
5977:
5973:
5972:
5970:
5969:
5966:Shadow Kingdom
5962:
5955:
5948:
5941:
5934:
5927:
5920:
5913:
5906:
5899:
5892:
5885:
5878:
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5857:
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5703:
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5653:
5648:
5642:
5639:
5638:
5633:
5631:
5630:
5623:
5616:
5608:
5602:
5601:
5587:
5586:External links
5584:
5582:
5581:
5575:
5562:
5560:. No. 12.
5553:
5547:
5534:
5528:
5521:Canongate U.S.
5509:
5500:
5494:
5479:
5473:
5460:
5439:
5433:
5416:
5410:
5397:
5379:
5351:
5342:
5336:
5323:
5317:
5304:
5295:
5286:
5266:
5260:
5247:
5241:
5219:
5209:TheBandhiof.no
5201:
5176:
5167:
5161:
5148:
5129:
5119:TheBandhiof.no
5110:
5104:
5091:
5081:TheBandhiof.no
5072:
5066:
5053:
5047:
5034:
5028:
5015:
5009:
4992:
4986:
4973:
4964:
4940:
4934:
4921:
4915:
4900:
4894:
4881:
4855:
4846:Pop Chronicles
4830:
4824:
4811:
4802:
4784:Flanagan, Bill
4780:
4761:
4738:
4719:
4710:
4704:
4691:
4678:
4655:
4633:
4613:
4607:
4592:
4583:
4574:
4565:
4556:
4547:. Bobdylan.com
4541:
4532:. Bobdylan.com
4526:
4517:
4511:
4495:
4493:
4490:
4488:
4487:
4473:
4462:
4451:
4448:The Last Waltz
4440:
4429:
4418:
4407:
4393:
4379:
4368:
4356:
4345:
4334:
4323:
4312:
4291:
4279:
4268:
4240:
4229:
4217:
4205:
4190:
4179:
4167:
4152:
4148:Humphries 1991
4140:
4128:
4116:
4104:
4089:
4077:
4065:
4053:
4041:
4029:
4017:
4005:
3994:
3977:The New Yorker
3963:
3948:
3936:
3932:Christgau 1975
3924:
3913:
3902:
3887:
3875:
3863:
3851:
3822:
3810:
3794:
3783:
3771:
3767:Christgau 1981
3759:
3748:
3737:
3726:
3714:
3702:
3686:
3672:
3660:
3648:
3631:
3619:
3601:
3586:
3571:
3564:
3546:
3529:
3517:
3505:
3493:
3481:
3469:
3457:
3453:Gilliland 1969
3442:
3430:
3418:
3406:
3394:
3382:
3370:
3358:
3346:
3334:
3322:
3310:
3298:
3286:
3274:
3262:
3250:
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3226:
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3202:
3187:
3175:
3163:
3152:
3140:
3128:
3116:
3104:
3092:
3077:
3065:
3053:
3034:
3026:Rolling Stone,
3017:
3005:
2993:
2981:
2966:
2954:
2942:
2925:
2913:
2901:
2889:
2878:
2866:
2854:
2842:
2838:Humphries 1991
2830:
2826:Polizotti 2006
2818:
2816:, p. 308.
2806:
2789:
2787:
2784:
2782:
2781:
2767:
2753:
2736:Basement Tapes
2727:
2696:
2677:
2675:
2672:
2671:
2670:
2663:
2654:
2651:
2621:Basement Tapes
2617:Legacy Records
2591:The Last Waltz
2486:
2483:
2473:Hip hop group
2441:Elvis Costello
2426:Cowboy Junkies
2395:"Listening to
2329:
2326:
2318:Basement Tapes
2267:Robert Johnson
2241:
2234:Richard Fariña
2231:
2221:
2216:
2215:
2214:
2205:
2204:
2203:
2130:
2127:
2082:
2075:
2065:
2060:
2059:
2058:
2049:
2048:
2047:
2018:The New Yorker
1991:
1988:
1925:
1924:
1921:
1915:
1914:
1885:
1877:
1876:
1873:
1865:
1864:
1861:
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1815:
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1811:
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1802:
1778:
1770:
1769:
1740:
1734:
1733:
1730:
1726:
1725:
1721:
1720:
1710:
1707:
1699:Peter J. Moore
1672:Mao-style suit
1651:
1648:
1647:
1646:
1640:
1633:Richard Manuel
1630:
1608:
1602:
1592:
1584:
1581:
1574:
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1175:Lo and Behold!
1171:
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1080:
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1052:Richard Manuel
1049:
1042:
1038:
1037:
1034:
1031:
1024:
1020:
1019:
1016:
1013:
1010:
996:
983:
980:
923:
920:
875:Unhalfbricking
840:in late 1967.
803:
797:
780:Basement Tapes
771:The Last Waltz
744:
737:
727:
722:
721:
720:
711:
710:
709:
685:Summer of Love
606:
603:
599:Barney Hoskyns
519:
516:
504:Robert Shelton
475:Clinton Heylin
462:
459:
431:Richard Manuel
419:Ronnie Hawkins
401:
398:
333:bootleg albums
282:
281:
278:
277:
274:
273:
264:
255:
241:
240:
233:
232:
229:
228:
225:
224:
215:
206:
192:
191:
184:
183:
182:
181:
178:
173:
167:
166:
161:
155:
154:
143:
139:
138:
136:
135:
130:
125:
119:
117:
111:
110:
109:
108:
105:
99:
95:
94:
84:
80:
79:
70:
63:
62:
54:
53:
45:
24:
18:Basement Tapes
14:
13:
10:
9:
6:
4:
3:
2:
7999:
7988:
7985:
7983:
7980:
7978:
7975:
7973:
7970:
7968:
7965:
7963:
7960:
7958:
7955:
7953:
7950:
7948:
7945:
7943:
7940:
7938:
7935:
7934:
7932:
7925:
7915:
7914:
7910:
7908:
7905:
7903:
7902:
7898:
7895:
7894:
7893:Carry Me Home
7890:
7887:
7886:
7882:
7879:
7878:
7874:
7871:
7870:
7866:
7863:
7862:
7861:So Many Roads
7858:
7856:
7854:
7849:
7847:
7845:
7840:
7838:
7835:
7833:
7830:
7828:
7825:
7823:
7820:
7818:
7817:Cate Brothers
7815:
7813:
7810:
7808:
7805:
7803:
7800:
7798:
7795:
7794:
7792:
7788:
7781:
7777:
7774:
7770:
7767:
7763:
7760:
7756:
7753:
7749:
7746:
7742:
7739:
7738:Mystery Train
7735:
7732:
7728:
7725:
7721:
7718:
7714:
7711:
7707:
7704:
7700:
7697:
7693:
7690:
7686:
7683:
7679:
7676:
7672:
7669:
7665:
7662:
7658:
7655:
7651:
7648:
7644:
7641:
7637:
7635:
7631:
7628:
7624:
7621:
7617:
7614:
7610:
7607:
7606:Tears of Rage
7603:
7602:
7600:
7596:
7589:
7588:Atlantic City
7585:
7582:
7578:
7575:
7571:
7568:
7564:
7560:
7557:
7553:
7550:
7546:
7542:
7539:
7535:
7531:
7528:
7524:
7520:
7517:
7513:
7509:
7506:
7502:
7499:
7495:
7492:
7488:
7487:
7485:
7481:
7475:
7474:
7470:
7468:
7467:
7463:
7461:
7460:
7456:
7455:
7453:
7449:
7443:
7442:
7438:
7436:
7435:
7431:
7429:
7428:
7427:Greatest Hits
7424:
7422:
7421:
7417:
7415:
7414:
7410:
7408:
7407:
7403:
7401:
7400:
7396:
7394:
7393:
7389:
7388:
7386:
7382:
7376:
7375:
7371:
7369:
7367:
7363:
7361:
7360:
7356:
7354:
7353:
7349:
7347:
7346:
7342:
7340:
7338:
7334:
7332:
7331:
7327:
7325:
7324:
7320:
7319:
7317:
7313:
7303:
7302:
7298:
7296:
7295:
7291:
7290:
7288:
7284:
7278:
7277:
7273:
7271:
7270:
7266:
7264:
7263:
7259:
7257:
7256:
7252:
7250:
7249:
7245:
7243:
7242:
7238:
7236:
7235:
7231:
7229:
7228:
7224:
7222:
7221:
7217:
7215:
7214:
7210:
7209:
7206:
7203:
7201:Studio albums
7199:
7193:
7190:
7188:
7185:
7183:
7180:
7178:
7175:
7173:
7170:
7168:
7165:
7163:
7160:
7158:
7155:
7153:
7150:
7149:
7146:
7142:
7135:
7130:
7128:
7123:
7121:
7116:
7115:
7112:
7100:
7092:
7091:
7088:
7082:
7079:
7077:
7076:
7072:
7070:
7069:
7065:
7063:
7061:
7057:
7055:
7054:
7050:
7048:
7047:
7043:
7041:
7040:
7036:
7034:
7033:
7029:
7027:
7026:
7022:
7020:
7017:
7015:
7014:
7010:
7008:
7006:
7005:The Telegraph
7002:
7000:
6997:
6995:
6992:
6990:
6987:
6985:
6982:
6980:
6977:
6975:
6972:
6970:
6967:
6965:
6962:
6961:
6959:
6955:
6948:
6945:
6942:
6939:
6937:(second wife)
6936:
6933:
6930:
6927:
6926:
6924:
6920:
6914:
6913:
6909:
6907:
6906:
6902:
6900:
6899:
6895:
6893:
6892:
6888:
6886:
6885:
6881:
6879:
6878:
6874:
6873:
6871:
6869:
6865:
6859:
6858:
6854:
6852:
6851:
6847:
6845:
6844:
6840:
6838:
6837:
6833:
6832:
6830:
6828:
6824:
6818:
6817:
6813:
6811:
6810:
6806:
6804:
6803:
6799:
6797:
6796:
6792:
6790:
6789:
6785:
6783:
6782:
6778:
6774:
6771:
6770:
6769:
6768:
6767:I'm Not There
6764:
6762:
6761:
6757:
6755:
6754:
6750:
6748:
6747:
6746:MTV Unplugged
6743:
6741:
6740:
6736:
6734:
6733:
6729:
6727:
6726:
6722:
6720:
6719:
6715:
6713:
6712:
6708:
6707:
6705:
6701:
6694:
6691:
6687:
6684:
6682:
6679:
6677:
6674:
6672:
6669:
6667:
6664:
6662:
6659:
6657:
6654:
6652:
6649:
6647:
6644:
6642:
6639:
6637:
6634:
6632:
6629:
6627:
6624:
6622:
6619:
6617:
6614:
6612:
6609:
6607:
6604:
6602:
6599:
6597:
6594:
6592:
6589:
6587:
6584:
6582:
6579:
6577:
6574:
6572:
6569:
6567:
6564:
6562:
6559:
6557:
6554:
6552:
6549:
6547:
6544:
6542:
6539:
6537:
6534:
6532:
6529:
6528:
6527:
6524:
6521:
6518:
6515:
6512:
6509:
6506:
6503:
6502:European Tour
6500:
6497:
6494:
6491:
6488:
6485:
6482:
6479:
6476:
6473:
6470:
6467:
6464:
6461:
6458:
6457:
6455:
6453:
6452:Concert tours
6449:
6441:
6438:
6436:
6433:
6432:
6430:
6428:
6427:
6423:
6421:
6420:
6416:
6415:
6413:
6411:
6407:
6401:
6400:
6396:
6394:
6393:
6389:
6387:
6386:
6382:
6380:
6379:
6375:
6373:
6372:
6368:
6366:
6365:
6361:
6359:
6358:
6354:
6352:
6351:
6347:
6345:
6344:
6340:
6338:
6337:
6333:
6331:
6330:
6326:
6324:
6323:
6319:
6317:
6316:
6312:
6310:
6309:
6305:
6303:
6302:
6298:
6297:
6295:
6291:
6281:
6280:
6276:
6274:
6273:
6269:
6267:
6266:
6262:
6260:
6259:
6255:
6253:
6252:
6248:
6246:
6245:
6241:
6239:
6238:
6234:
6232:
6231:
6227:
6226:
6224:
6220:
6214:
6213:
6209:
6207:
6206:
6202:
6200:
6199:
6195:
6194:
6192:
6188:
6182:
6181:
6177:
6175:
6173:
6169:
6167:
6166:
6162:
6160:
6159:
6155:
6153:
6151:
6147:
6145:
6144:
6140:
6138:
6137:
6133:
6131:
6130:
6126:
6124:
6123:
6119:
6118:
6116:
6112:
6109:
6105:
6095:
6094:
6090:
6088:
6087:
6083:
6081:
6080:
6076:
6074:
6073:
6069:
6067:
6066:
6062:
6060:
6059:
6055:
6053:
6052:
6048:
6047:
6045:
6041:
6035:
6034:
6033:MTV Unplugged
6030:
6028:
6027:
6023:
6021:
6020:
6016:
6014:
6013:
6009:
6007:
6006:
6002:
6000:
5999:
5995:
5993:
5992:
5988:
5987:
5985:
5981:
5978:
5974:
5968:
5967:
5963:
5961:
5960:
5956:
5954:
5953:
5949:
5947:
5946:
5945:Fallen Angels
5942:
5940:
5939:
5935:
5933:
5932:
5928:
5926:
5925:
5921:
5919:
5918:
5914:
5912:
5911:
5907:
5905:
5904:
5900:
5898:
5897:
5893:
5891:
5890:
5886:
5884:
5883:
5879:
5877:
5876:
5872:
5870:
5869:
5865:
5863:
5862:
5858:
5856:
5855:
5851:
5849:
5848:
5844:
5842:
5841:
5837:
5835:
5834:
5830:
5828:
5827:
5823:
5821:
5820:
5816:
5814:
5813:
5809:
5807:
5806:
5802:
5800:
5799:
5795:
5793:
5792:
5788:
5786:
5785:
5781:
5779:
5778:
5774:
5772:
5771:
5767:
5765:
5764:
5760:
5758:
5757:
5756:Self Portrait
5753:
5751:
5750:
5746:
5744:
5743:
5739:
5737:
5736:
5732:
5730:
5729:
5725:
5723:
5722:
5718:
5716:
5715:
5711:
5709:
5708:
5704:
5702:
5701:
5697:
5695:
5694:
5690:
5689:
5687:
5685:Studio albums
5683:
5677:
5674:
5672:
5669:
5667:
5664:
5662:
5659:
5657:
5654:
5652:
5649:
5647:
5644:
5643:
5640:
5636:
5629:
5624:
5622:
5617:
5615:
5610:
5609:
5606:
5599:
5595:
5594:
5590:
5589:
5585:
5578:
5576:0-8230-7499-4
5572:
5568:
5563:
5559:
5558:Rolling Stone
5554:
5550:
5548:1-84449-058-0
5544:
5540:
5535:
5531:
5529:1-84195-860-3
5525:
5522:
5518:
5514:
5510:
5506:
5501:
5497:
5495:0-8021-1686-8
5491:
5487:
5486:
5480:
5476:
5474:0-450-04843-8
5470:
5466:
5461:
5449:
5445:
5440:
5436:
5434:0-85112-092-X
5430:
5425:
5424:
5417:
5413:
5411:0-8264-1775-2
5407:
5404:. Continuum.
5403:
5398:
5388:
5384:
5380:
5370:on 2013-10-05
5369:
5365:
5364:Rolling Stone
5361:
5359:
5352:
5348:
5343:
5339:
5337:1-58322-686-9
5333:
5329:
5324:
5320:
5318:0-330-33624-X
5314:
5310:
5305:
5301:
5296:
5292:
5287:
5276:
5272:
5267:
5263:
5261:1-900924-07-2
5257:
5253:
5248:
5244:
5238:
5234:
5233:Omnibus Press
5230:
5229:
5224:
5223:Larkin, Colin
5220:
5210:
5206:
5202:
5191:
5190:
5185:
5181:
5177:
5173:
5168:
5164:
5162:1-872747-04-3
5158:
5154:
5149:
5139:
5135:
5130:
5120:
5116:
5111:
5107:
5105:0-670-84144-7
5101:
5097:
5092:
5082:
5078:
5073:
5069:
5063:
5060:. Constable.
5059:
5054:
5050:
5048:0-06-052569-X
5044:
5040:
5035:
5031:
5029:0-7119-5669-3
5025:
5021:
5016:
5012:
5010:0-312-15067-9
5006:
5001:
5000:
4993:
4989:
4987:1-55652-405-6
4983:
4980:. acappella.
4979:
4974:
4970:
4965:
4955:on 2010-01-01
4954:
4950:
4946:
4941:
4937:
4931:
4927:
4922:
4918:
4916:0-8264-6933-7
4912:
4908:
4907:
4901:
4897:
4895:0-8264-5150-0
4891:
4888:. Continuum.
4887:
4882:
4872:on 2017-10-13
4871:
4867:
4866:
4865:Rolling Stone
4861:
4856:
4852:
4848:
4847:
4839:
4835:
4831:
4827:
4825:1-85868-599-0
4821:
4817:
4812:
4808:
4803:
4793:
4789:
4785:
4781:
4770:
4769:Rolling Stone
4766:
4762:
4752:on 2010-06-12
4751:
4747:
4746:Rolling Stone
4743:
4739:
4729:
4725:
4720:
4716:
4711:
4707:
4705:0-340-92312-1
4701:
4697:
4692:
4681:
4679:0-89919-025-1
4675:
4671:
4667:
4666:
4661:
4656:
4646:
4642:
4638:
4634:
4623:
4619:
4614:
4610:
4608:0-7432-0169-8
4604:
4600:
4599:
4593:
4589:
4584:
4580:
4575:
4571:
4566:
4562:
4557:
4546:
4542:
4531:
4527:
4523:
4518:
4514:
4508:
4504:
4503:
4497:
4496:
4491:
4485:
4480:
4478:
4474:
4471:
4466:
4463:
4460:
4455:
4452:
4449:
4444:
4441:
4438:
4433:
4430:
4427:
4422:
4419:
4416:
4411:
4408:
4405:
4400:
4398:
4394:
4391:
4386:
4384:
4380:
4377:
4372:
4369:
4365:
4360:
4357:
4354:
4349:
4346:
4343:
4338:
4335:
4332:
4327:
4324:
4321:
4316:
4313:
4303:
4302:
4295:
4292:
4289:, p. 141
4288:
4283:
4280:
4277:
4272:
4269:
4261:September 10,
4256:
4255:
4254:Rolling Stone
4250:
4244:
4241:
4238:
4233:
4230:
4226:
4221:
4218:
4215:, p. 308
4214:
4209:
4206:
4203:, p. 154
4202:
4197:
4195:
4191:
4188:
4183:
4180:
4177:, p. 278
4176:
4171:
4168:
4165:, p. 226
4164:
4159:
4157:
4153:
4149:
4144:
4141:
4137:
4132:
4129:
4126:, p. 353
4125:
4120:
4117:
4114:, p. 385
4113:
4108:
4105:
4102:, p. 384
4101:
4096:
4094:
4090:
4087:, p. 231
4086:
4085:Marqusee 2005
4081:
4078:
4074:
4069:
4066:
4063:, p. 302
4062:
4057:
4054:
4051:, p. 300
4050:
4045:
4042:
4039:, p. 312
4038:
4033:
4030:
4026:
4021:
4018:
4015:, p. 121
4014:
4009:
4006:
4003:
3998:
3995:
3982:
3978:
3974:
3967:
3964:
3960:
3955:
3953:
3949:
3946:, p. xii
3945:
3940:
3937:
3933:
3928:
3925:
3922:
3917:
3914:
3911:
3906:
3903:
3899:
3894:
3892:
3888:
3885:, p. 358
3884:
3879:
3876:
3873:, p. 304
3872:
3867:
3864:
3860:
3855:
3852:
3840:
3836:
3832:
3826:
3823:
3820:, p. 262
3819:
3814:
3811:
3808:
3803:
3801:
3799:
3795:
3792:
3791:Flanagan 1991
3787:
3784:
3780:
3775:
3772:
3768:
3763:
3760:
3757:
3752:
3749:
3746:
3741:
3738:
3735:
3730:
3727:
3723:
3718:
3715:
3712:, p. 313
3711:
3706:
3703:
3700:
3695:
3693:
3691:
3687:
3684:
3679:
3677:
3673:
3669:
3664:
3661:
3657:
3652:
3649:
3645:
3640:
3638:
3636:
3632:
3628:
3623:
3620:
3617:
3612:
3610:
3608:
3606:
3602:
3598:
3593:
3591:
3587:
3584:, p. 293
3583:
3578:
3576:
3572:
3567:
3565:9781736972304
3561:
3557:
3550:
3547:
3544:, p. 390
3543:
3538:
3536:
3534:
3530:
3527:, p. 289
3526:
3521:
3518:
3515:, p. 478
3514:
3509:
3506:
3503:, p. 240
3502:
3497:
3494:
3490:
3485:
3482:
3479:, p. 280
3478:
3473:
3470:
3467:, p. 270
3466:
3461:
3458:
3454:
3449:
3447:
3443:
3440:, p. 176
3439:
3434:
3431:
3428:, p. 278
3427:
3422:
3419:
3416:, p. 230
3415:
3410:
3407:
3404:, p. 488
3403:
3402:Whitburn 2004
3398:
3395:
3391:
3386:
3383:
3379:
3374:
3371:
3367:
3362:
3359:
3356:, p. 156
3355:
3350:
3347:
3344:, p. 144
3343:
3338:
3335:
3332:, p. 110
3331:
3326:
3323:
3320:, p. 139
3319:
3314:
3311:
3308:, p. 138
3307:
3302:
3299:
3296:, p. 110
3295:
3290:
3287:
3283:
3278:
3275:
3272:, p. 194
3271:
3266:
3263:
3260:, p. 197
3259:
3254:
3251:
3248:, p. 321
3247:
3242:
3239:
3236:, p. 199
3235:
3230:
3227:
3223:
3218:
3215:
3212:, p. 225
3211:
3210:Marqusee 2005
3206:
3203:
3200:, p. 112
3199:
3194:
3192:
3188:
3185:, p. 137
3184:
3179:
3176:
3172:
3167:
3164:
3161:
3156:
3153:
3150:, p. 318
3149:
3144:
3141:
3137:
3132:
3129:
3126:, p. 222
3125:
3120:
3117:
3114:, p. 104
3113:
3108:
3105:
3102:, p. 136
3101:
3096:
3093:
3089:
3084:
3082:
3078:
3075:, p. 240
3074:
3069:
3066:
3062:
3057:
3054:
3051:, p. xvi
3050:
3045:
3043:
3041:
3039:
3035:
3032:, p. 151
3031:
3027:
3021:
3018:
3014:
3009:
3006:
3002:
2997:
2994:
2990:
2985:
2982:
2979:, p. 221
2978:
2973:
2971:
2967:
2964:, p. 376
2963:
2958:
2955:
2952:, p. 272
2951:
2946:
2943:
2940:, p. 143
2939:
2935:
2934:Rolling Stone
2929:
2926:
2923:, p. 268
2922:
2917:
2914:
2910:
2905:
2902:
2898:
2893:
2890:
2887:
2886:Scherman 2006
2882:
2879:
2875:
2870:
2867:
2863:
2858:
2855:
2851:
2846:
2843:
2839:
2834:
2831:
2827:
2822:
2819:
2815:
2810:
2807:
2799:
2794:
2791:
2785:
2778:
2771:
2768:
2764:
2757:
2754:
2750:
2746:
2742:
2737:
2731:
2728:
2724:
2720:
2716:
2715:
2710:
2706:
2705:Dominic Behan
2700:
2697:
2693:
2689:
2682:
2679:
2673:
2669:
2668:
2664:
2662:
2661:
2657:
2656:
2652:
2650:
2648:
2644:
2643:
2638:
2634:
2630:
2625:
2622:
2618:
2613:
2611:
2607:
2603:
2602:
2597:
2593:
2592:
2587:
2586:
2581:
2580:
2575:
2574:
2569:
2565:
2561:
2560:
2555:
2550:
2549:
2543:
2541:
2540:
2535:
2531:
2530:
2529:Self Portrait
2525:
2521:
2520:
2515:
2513:
2512:I'm Not There
2508:
2507:
2502:
2498:
2497:
2492:
2484:
2482:
2480:
2476:
2471:
2469:
2468:
2463:
2459:
2455:
2454:
2453:Rolling Stone
2448:
2446:
2442:
2437:
2435:
2434:the Waterboys
2431:
2427:
2423:
2418:
2414:
2410:
2406:
2402:
2398:
2393:
2391:
2390:
2385:
2380:
2377:
2373:
2372:Hank Williams
2369:
2365:
2364:
2358:
2356:
2352:
2348:
2344:
2340:
2336:
2327:
2325:
2323:
2319:
2315:
2311:
2307:
2304:—compiled by
2303:
2299:
2298:
2289:
2285:
2284:
2278:
2272:
2268:
2264:
2263:Mystery Train
2256:
2249:
2247:
2235:
2219:
2202:
2195:
2190:
2188:
2184:
2183:Mike Marqusee
2179:
2175:
2171:
2167:
2162:
2157:
2153:
2149:
2145:
2136:
2128:
2126:
2116:
2111:
2097:
2090:
2088:
2063:
2046:
2039:
2035:
2031:
2027:
2022:
2020:
2019:
2014:
2005:
2001:
1997:
1989:
1987:
1985:
1981:
1974:
1970:
1966:
1965:
1960:
1953:
1952:Rolling Stone
1949:
1948:
1943:
1942:John Rockwell
1939:
1935:
1931:
1922:
1920:
1917:
1916:
1886:
1884:
1883:
1879:
1878:
1874:
1872:
1871:
1867:
1866:
1862:
1860:
1859:
1855:
1854:
1824:
1822:
1821:
1817:
1816:
1812:
1810:
1809:
1805:
1804:
1779:
1777:
1776:
1772:
1771:
1741:
1739:
1736:
1735:
1727:
1724:Review scores
1722:
1717:
1708:
1706:
1704:
1700:
1696:
1695:
1689:
1685:
1681:
1677:
1673:
1669:
1665:
1661:
1657:
1649:
1644:
1641:
1638:
1634:
1631:
1628:
1624:
1620:
1616:
1612:
1609:
1606:
1603:
1600:
1596:
1593:
1590:
1587:
1586:
1582:
1580:
1571:
1568:Total length:
1561:
1558:
1555:
1551:
1547:
1543:
1540:
1537:
1533:
1529:
1525:
1522:
1519:
1515:
1511:
1507:
1504:
1501:
1497:
1493:
1489:
1486:
1483:
1479:
1475:
1471:
1468:
1465:
1461:
1457:
1441:
1428:
1425:Total length:
1418:
1415:
1412:
1408:
1404:
1400:
1397:
1394:
1390:
1386:
1382:
1379:
1376:
1372:
1368:
1364:
1361:
1358:
1354:
1350:
1346:
1343:
1340:
1336:
1332:
1328:
1325:
1322:
1318:
1314:
1298:
1285:
1282:Total length:
1275:
1273:Dylan, Manuel
1272:
1269:
1268:Tears of Rage
1265:
1261:
1257:
1254:
1251:
1247:
1243:
1239:
1236:
1233:
1229:
1225:
1221:
1218:
1215:
1211:
1207:
1203:
1200:
1197:
1194:
1190:
1186:
1182:
1179:
1176:
1172:
1168:
1152:
1139:
1136:Total length:
1129:
1126:
1123:
1119:
1115:
1111:
1108:
1105:
1101:
1097:
1093:
1091:
1088:
1085:
1081:
1077:
1073:
1070:
1067:
1063:
1059:
1055:
1053:
1050:
1047:
1043:
1039:
1035:
1032:
1029:
1028:Odds and Ends
1025:
1021:
1005:
999:
995:
993:
989:
982:Track listing
981:
979:
972:
968:
963:
959:
958:
953:
952:
946:
944:
940:
936:
932:
931:
921:
919:
917:
913:
912:Rolling Stone
909:
908:
903:
902:
897:
892:
889:
884:
883:Rolling Stone
879:
877:
876:
871:
867:
866:
861:
860:
855:
851:
847:
843:
839:
837:
831:
829:
828:
827:Rolling Stone
819:
815:
814:
808:
802:
798:
796:
794:
793:
788:
783:
781:
773:
772:
767:
763:
759:
752:
750:
725:
708:
705:
701:
700:Mike Marqusee
697:
694:
690:
686:
682:
677:
659:
655:
654:Tears of Rage
651:
647:
643:
638:
636:
635:Howard Sounes
621:" with Dylan.
620:
616:
611:
604:
602:
600:
596:
592:
588:
587:Hank Williams
584:
580:
576:
568:
558:
552:
547:
543:
542:
537:
533:
524:
517:
515:
513:
509:
505:
500:
499:
493:
487:
483:
482:
481:Rolling Stone
476:
472:
468:
460:
458:
456:
452:
448:
444:
440:
436:
432:
428:
424:
420:
415:
414:
409:
408:
399:
397:
394:
392:
387:
382:
377:
375:
371:
367:
363:
362:
357:
356:
350:
345:
340:
338:
334:
330:
326:
322:
318:
317:
312:
311:
306:
302:
298:
294:
290:
289:
279:
270:
269:
265:
261:
260:
256:
252:
251:
247:
246:
242:
238:
234:
230:
221:
220:
216:
212:
211:
207:
203:
202:
198:
197:
193:
189:
185:
179:
176:
175:
174:
172:
168:
165:
162:
160:
156:
144:
140:
134:
131:
129:
126:
124:
121:
120:
118:
116:
112:
106:
103:
102:
100:
96:
85:
81:
77:
73:
68:
64:
60:
55:
50:
42:
38:
34:
30:
19:
7924:
7911:
7899:
7891:
7883:
7875:
7867:
7859:
7855:songs (1975)
7852:
7843:
7724:4% Pantomime
7710:Stage Fright
7545:Time to Kill
7523:Rag Mama Rag
7471:
7464:
7457:
7439:
7432:
7425:
7418:
7411:
7404:
7397:
7390:
7384:Compilations
7372:
7365:
7357:
7350:
7343:
7336:
7328:
7323:Rock of Ages
7321:
7300:
7299:
7294:Planet Waves
7292:
7274:
7267:
7260:
7253:
7246:
7239:
7232:
7227:Stage Fright
7225:
7218:
7211:
7187:Stan Szelest
7177:Richard Bell
7162:Garth Hudson
7073:
7066:
7059:
7051:
7044:
7037:
7030:
7023:
7011:
7004:
6931:(first wife)
6910:
6903:
6896:
6889:
6882:
6875:
6855:
6848:
6841:
6834:
6814:
6807:
6800:
6793:
6786:
6781:65 Revisited
6779:
6765:
6758:
6751:
6744:
6737:
6730:
6723:
6716:
6709:
6460:England Tour
6424:
6417:
6397:
6390:
6383:
6376:
6369:
6362:
6355:
6348:
6341:
6334:
6327:
6320:
6313:
6306:
6299:
6277:
6270:
6263:
6256:
6249:
6242:
6235:
6228:
6210:
6204:
6203:
6196:
6178:
6171:
6163:
6156:
6149:
6141:
6136:Masterpieces
6134:
6127:
6120:
6107:Compilations
6091:
6084:
6077:
6070:
6063:
6056:
6049:
6031:
6024:
6017:
6010:
6003:
5996:
5989:
5983:Contemporary
5964:
5957:
5950:
5943:
5936:
5929:
5922:
5915:
5910:Modern Times
5908:
5901:
5894:
5887:
5880:
5873:
5866:
5859:
5852:
5845:
5838:
5833:Shot of Love
5831:
5824:
5817:
5812:Street-Legal
5810:
5803:
5797:
5796:
5789:
5784:Planet Waves
5782:
5775:
5768:
5761:
5754:
5747:
5740:
5733:
5726:
5719:
5712:
5705:
5698:
5691:
5656:Bibliography
5591:
5566:
5557:
5538:
5516:
5504:
5484:
5464:
5452:. Retrieved
5448:the original
5422:
5401:
5390:. Retrieved
5386:
5372:. Retrieved
5368:the original
5363:
5357:
5346:
5327:
5308:
5299:
5290:
5278:. Retrieved
5274:
5251:
5226:
5212:. Retrieved
5208:
5195:December 26,
5193:. Retrieved
5187:
5171:
5152:
5141:. Retrieved
5137:
5122:. Retrieved
5118:
5095:
5084:. Retrieved
5080:
5057:
5038:
5019:
4998:
4977:
4968:
4957:. Retrieved
4953:the original
4948:
4925:
4905:
4885:
4874:. Retrieved
4870:the original
4863:
4844:
4815:
4806:
4795:. Retrieved
4791:
4773:. Retrieved
4768:
4754:. Retrieved
4750:the original
4745:
4731:. Retrieved
4727:
4714:
4695:
4683:. Retrieved
4664:
4648:. Retrieved
4644:
4625:. Retrieved
4621:
4597:
4587:
4579:Rock of Ages
4578:
4569:
4560:
4549:. Retrieved
4534:. Retrieved
4521:
4501:
4465:
4454:
4443:
4432:
4421:
4410:
4371:
4366:, p. 77
4359:
4348:
4337:
4331:Bauldie 1991
4326:
4315:
4305:, retrieved
4300:
4294:
4282:
4271:
4259:. Retrieved
4252:
4243:
4232:
4227:, p. 80
4220:
4213:Griffin 2007
4208:
4201:Griffin 2007
4187:Hoskyns 2000
4182:
4170:
4143:
4131:
4119:
4112:Shelton 1986
4107:
4100:Shelton 1986
4080:
4075:, p. 96
4068:
4061:Griffin 2007
4056:
4049:Griffin 2007
4044:
4037:Hoskyns 1993
4032:
4025:Griffin 2007
4020:
4008:
4002:Hopkins 2000
3997:
3985:. Retrieved
3976:
3966:
3939:
3927:
3916:
3905:
3898:Shelton 1986
3878:
3871:Griffin 2007
3866:
3861:, p. 55
3854:
3842:. Retrieved
3838:
3825:
3813:
3786:
3774:
3762:
3751:
3740:
3729:
3724:, p. 38
3717:
3710:Hoskyns 1993
3705:
3667:
3663:
3656:Griffin 2007
3651:
3627:Griffin 2007
3622:
3597:Griffin 2007
3582:Griffin 2007
3555:
3549:
3525:Griffin 2007
3520:
3508:
3496:
3484:
3477:Griffin 2007
3472:
3465:Griffin 2007
3460:
3438:Roberts 1999
3433:
3426:Roberts 1999
3421:
3414:Griffin 2007
3409:
3397:
3390:Griffin 2007
3385:
3373:
3366:Griffin 2007
3361:
3349:
3342:Hoskyns 1993
3337:
3325:
3318:Hoskyns 1993
3313:
3306:Hoskyns 1993
3301:
3294:Griffin 2007
3289:
3284:, p. 61
3277:
3265:
3253:
3241:
3229:
3217:
3205:
3183:Hoskyns 1993
3178:
3166:
3160:Spencer 1985
3155:
3148:Shelton 1986
3143:
3131:
3119:
3112:Griffin 2007
3107:
3100:Hoskyns 1993
3095:
3068:
3063:, p. 58
3056:
3025:
3020:
3015:, p. 72
3008:
3001:Griffin 2007
2996:
2984:
2962:Shelton 1986
2957:
2945:
2933:
2928:
2916:
2909:Shelton 1986
2904:
2897:Griffin 2007
2892:
2881:
2876:, p. 40
2874:Griffin 2007
2869:
2857:
2845:
2833:
2821:
2814:Griffin 2007
2809:
2793:
2777:Hoskyns 1993
2770:
2763:Griffin 2007
2756:
2744:
2741:Griffin 2007
2735:
2730:
2712:
2699:
2681:
2665:
2658:
2646:
2640:
2636:
2628:
2626:
2620:
2614:
2609:
2599:
2589:
2585:Rock of Ages
2583:
2577:
2571:
2567:
2563:
2557:
2553:
2546:
2544:
2537:
2527:
2517:
2511:
2504:
2494:
2488:
2475:Public Enemy
2472:
2465:
2457:
2451:
2449:
2444:
2438:
2416:
2412:
2396:
2394:
2387:
2383:
2381:
2376:Bob Johnston
2361:
2359:
2331:
2321:
2317:
2301:
2295:
2287:
2281:
2279:
2271:Love In Vain
2254:
2252:
2193:
2191:
2186:
2173:
2169:
2163:
2147:
2143:
2134:
2132:
2115:Mary Travers
2112:
2095:
2093:
2037:
2033:
2029:
2025:
2023:
2016:
2004:Michael Gray
2000:Greil Marcus
1995:
1993:
1972:
1968:
1962:
1951:
1945:
1937:
1933:
1928:
1880:
1868:
1856:
1818:
1806:
1773:
1692:
1680:Michael Gray
1653:
1615:Lowrey organ
1611:Garth Hudson
1578:
1559:Danko, Dylan
1193:Bessie Smith
997:
985:
970:
961:
955:
951:Planet Waves
949:
947:
938:
934:
928:
925:
911:
905:
899:
893:
887:
882:
880:
873:
863:
857:
846:Manfred Mann
835:
832:
825:
823:
817:
811:
810:The bootleg
800:
790:
784:
779:
769:
765:
755:
698:
692:
680:
678:
639:
624:
559:
539:
529:
511:
507:
496:
494:
479:
464:
427:Garth Hudson
411:
405:
403:
390:
385:
378:
369:
359:
353:
341:
336:
314:
308:
287:
286:
285:
266:
258:
257:
248:
217:
209:
208:
199:
67:Studio album
7885:Let It Rock
7797:Discography
7731:Don't Do It
7627:Chest Fever
7613:We Can Talk
7598:Other songs
7315:Live albums
6994:Suze Rotolo
6947:Jakob Dylan
6941:Jesse Dylan
6695:(2021–2024)
6496:Gospel Tour
6486:(1975–1976)
5976:Live albums
5763:New Morning
5646:Discography
5311:. Picador.
4928:. Jawbone.
4818:. Carlton.
4685:January 10,
4484:Greene 2014
4459:Morris 1994
4437:Bowman 2001
4404:Flippo 1994
4364:Heylin 1995
4287:Harris 2000
4225:Harris 2000
4175:Heylin 2000
4163:Sounes 2001
4136:Marcus 1997
4124:Heylin 2009
4073:Harris 2000
3961:, p. 9
3944:Marcus 1997
3910:Nelson 1975
3859:Heylin 1995
3839:tomhull.com
3779:Larkin 2011
3683:Marcus 1975
3644:Heylin 1995
3616:Bowman 2005
3542:Heylin 2000
3513:Sounes 2001
3501:Sounes 2001
3491:, p. 1
3489:Wenner 1968
3378:Sounes 2001
3330:Heylin 1996
3282:Heylin 1995
3222:Marcus 1997
3171:Heylin 2000
3136:Heylin 1996
3124:Sounes 2001
3088:Marcus 1997
3073:Marcus 1997
3061:Heylin 1995
3049:Marcus 1997
3013:Marcus 1997
2989:Heylin 1995
2977:Sounes 2001
2950:Heylin 2000
2921:Heylin 2000
2850:Heylin 1996
2828:, p. 8
2798:Strong 2006
2749:Heylin 2009
2723:Barker 2008
2719:Liam Clancy
2534:Happy Traum
2422:Mercury Rev
2409:Billy Bragg
2405:alt.country
2351:Mick Jagger
2339:psychedelic
2306:Harry Smith
1971:topped the
1959:Paul Nelson
1393:Ruben Remus
1362:Traditional
1201:, Robertson
990:. See also
967:Chuck Berry
762:Jesse Dylan
758:Sara Lownds
704:avant-garde
693:Sgt. Pepper
689:Psychedelic
575:Johnny Cash
567:Royal Canal
486:Jann Wenner
7931:Categories
7837:Shangri-La
7512:The Weight
7276:Jubilation
7192:Jim Weider
7157:Levon Helm
7152:Rick Danko
6929:Sara Dylan
6773:Soundtrack
6490:World Tour
6466:World Tour
5952:Triplicate
5392:2010-05-22
5374:2010-07-27
5280:January 7,
5214:2010-06-10
5143:2010-06-01
5138:PopMatters
5124:2010-06-13
5098:. Viking.
5086:2010-06-06
4969:Q Magazine
4959:2010-06-01
4876:2015-04-04
4797:2011-09-10
4775:2020-11-15
4756:2010-06-20
4733:2010-05-29
4650:2010-05-29
4627:August 13,
4551:2010-06-04
4536:2010-06-10
4492:References
4320:Crowe 1985
4307:2021-04-11
3807:Hreha 2009
2514:soundtrack
2246:media help
2166:David Gray
2087:media help
1870:PopMatters
1688:Neil Young
1684:David Blue
1660:Reid Miles
1605:Levon Helm
1595:Rick Danko
1295:Side three
1199:Rick Danko
888:Highway 61
749:media help
617:co-wrote "
615:Rick Danko
546:Byrdcliffe
498:Daily News
447:Manchester
439:Levon Helm
423:Rick Danko
374:rock music
239:chronology
190:chronology
123:Roots rock
90:1975-06-26
7802:Bob Dylan
7567:Bob Dylan
7399:Anthology
6989:Joan Baez
6836:Tarantula
6498:(1979–80)
6012:Real Live
5998:Hard Rain
5693:Bob Dylan
5635:Bob Dylan
5180:Kot, Greg
4013:Gill 1998
3959:Gray 2000
3831:Hull, Tom
3722:Gray 2006
3699:Linderman
3270:Gray 2006
3258:Gray 2006
3246:Gray 2006
3234:Gray 2006
3198:Gill 1998
3030:Cott 2006
2938:Cott 2006
2786:Footnotes
2450:In 2003,
2407:," wrote
2401:Americana
2368:Nashville
2322:Anthology
2302:Anthology
2178:Gold Rush
2133:Although
1938:Billboard
1932:released
1650:Cover art
1637:harmonica
1623:accordion
1589:Bob Dylan
1583:Personnel
1451:Writer(s)
1438:Side four
1308:Writer(s)
1162:Writer(s)
1015:Writer(s)
854:The Byrds
836:Billboard
787:Nashville
595:standards
443:the South
391:Billboard
366:Americana
321:Woodstock
297:Bob Dylan
188:Bob Dylan
177:Bob Dylan
128:Americana
72:Bob Dylan
7851:List of
7842:List of
7832:Big Pink
7745:Holy Cow
7689:Sleeping
7565:" (with
7491:Uh-Uh-Uh
7220:The Band
7141:The Band
7099:Category
7013:Festival
7007:magazine
6969:The Band
6827:Writings
6410:Bootlegs
6230:Biograph
6222:Box sets
6043:Archival
5868:Oh Mercy
5840:Infidels
5515:(2006).
5454:June 18,
4836:(1969).
4728:AllMusic
4715:Biograph
3981:Archived
3844:March 1,
3756:Kot 1992
3745:Erlewine
3668:Biograph
2692:Lee 1998
2653:See also
2501:Santa-Fe
2496:Biograph
2389:Get Back
2030:Big Pink
1919:Tom Hull
1738:AllMusic
1656:Bob Cato
1639:, vocals
1619:clavinet
1613: –
1599:mandolin
1149:Side two
1002:Side one
613:Bassist
536:Big Pink
329:Big Pink
325:New York
301:the Band
237:The Band
180:The Band
171:Producer
164:Columbia
98:Recorded
83:Released
76:the Band
69: by
7790:Related
7581:Ophelia
7483:Singles
7262:Jericho
7255:Islands
7234:Cahoots
7062:(album)
6957:Related
5931:Tempest
5598:Discogs
4841:(audio)
4561:Cahoots
2573:Cahoots
2154:' and '
2138:between
1629:, piano
896:bootleg
656:" and "
467:Triumph
272:(1975)
263:(1975)
254:(1974)
223:(1976)
214:(1975)
205:(1975)
88: (
6922:Family
6522:(1987)
6516:(1987)
6510:(1986)
6504:(1984)
6492:(1978)
6480:(1974)
6474:(1969)
6468:(1966)
6462:(1965)
6190:Themed
6174:(2005)
6152:(1997)
5805:Desire
5651:Awards
5573:
5545:
5526:
5492:
5471:
5431:
5408:
5334:
5315:
5258:
5239:
5159:
5102:
5064:
5045:
5026:
5007:
4984:
4932:
4913:
4892:
4822:
4702:
4676:
4605:
4509:
4257:. 2012
3734:Caffin
3562:
2802:
2328:Legacy
2292:
2259:
2140:
2129:Themes
2123:
2119:
2108:
2104:
1732:Rating
1729:Source
1541:
1523:
1505:
1487:
1469:
1454:Length
1416:
1380:
1344:
1326:
1311:Length
1255:
1237:
1219:
1180:
1165:Length
1109:
1071:
1033:
1018:Length
776:
670:
666:
662:
631:
627:
571:
563:
555:
490:
219:Desire
142:Length
39:, see
7846:songs
7547:" / "
7536:" / "
7525:" / "
7514:" / "
7451:Films
6949:(son)
6943:(son)
6703:Films
6212:Blues
6198:Dylan
6180:Dylan
5826:Saved
5777:Dylan
3987:1 May
2686:with
2674:Notes
2503:" on
2493:" on
2430:Wilco
2366:, in
2275:'
2265:' or
2007:Quinn
1976:'
1973:Voice
1955:'
1572:20:38
1448:Title
1429:17:24
1305:Title
1286:19:38
1159:Title
1140:19:40
1012:Title
838:chart
379:When
293:album
159:Label
115:Genre
6686:2019
6681:2018
6676:2017
6671:2016
6666:2015
6661:2014
6656:2013
6651:2012
6646:2011
6641:2010
6636:2009
6631:2008
6626:2007
6621:2006
6616:2005
6611:2004
6606:2003
6601:2002
6596:2001
6591:2000
6586:1999
6581:1998
6576:1997
6571:1996
6566:1995
6561:1994
6556:1993
6551:1992
6546:1991
6541:1990
6536:1989
6531:1988
6440:1975
6435:1967
6279:1970
6114:Hits
5571:ISBN
5543:ISBN
5524:ISBN
5490:ISBN
5469:ISBN
5456:2014
5429:ISBN
5406:ISBN
5332:ISBN
5313:ISBN
5282:2013
5256:ISBN
5237:ISBN
5197:2013
5157:ISBN
5100:ISBN
5062:ISBN
5043:ISBN
5024:ISBN
5005:ISBN
4982:ISBN
4930:ISBN
4911:ISBN
4890:ISBN
4820:ISBN
4700:ISBN
4687:2017
4674:ISBN
4629:2015
4603:ISBN
4507:ISBN
4263:2019
3989:2018
3846:2020
3560:ISBN
2570:and
2562:and
2439:For
2353:was
2269:'s '
1875:9/10
1686:and
1664:YMCA
1562:3:52
1544:3:39
1526:2:49
1508:4:23
1490:3:13
1472:2:42
1419:2:47
1401:3:16
1383:2:04
1365:3:58
1347:2:15
1329:3:04
1276:4:15
1258:2:33
1240:2:48
1222:2:58
1204:4:18
1183:2:46
1130:2:46
1112:5:27
1094:3:29
1074:2:32
1056:3:39
1036:1:47
652:", "
648:", "
644:", "
589:and
512:they
433:and
358:and
74:and
5596:at
2403:or
2161:".
2015:of
1944:of
1676:RAF
1444:No.
1301:No.
1155:No.
1008:No.
561:on.
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4668:.
4662:.
4643:.
4620:.
4476:^
4396:^
4382:^
4251:.
4193:^
4155:^
4092:^
3979:.
3975:.
3951:^
3890:^
3837:.
3797:^
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3675:^
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3604:^
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3445:^
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1813:A+
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508:he
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