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His style is highly distinct from that of contemporary artist Diego Quispe Tito, because it is not based specifically on engravings imported from Europe but also paintings by
Spanish artists. This influence can be attributed to the artworks that the Bishop Mollinedo brought back from
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His work also still stands in
Convento de San Francisco del Cusco (Church and Convent of San Francisco, Cuzco) and includes "Series of the life of
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23:, by the workshop of Basilio de Santa Cruz Pumacallo, oil on canvas, 210 cm x 148 cm, ca. 1670â1680, in the Museo de San Francisco,
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Durham, North
Carolina: Duke University Press, 1999: 77-78. (retrieved through Google Books, 22 June 2009)
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The Virgin, Saints, and Angels: South
American Paintings 1600â1825 from the Thomas Collection
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and is characterized by its dynamic composition, lavish decoration, and large scale.
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Inka bodies and the body of Christ: Corpus
Christi in Colonial Cuzco, Peru.
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hang two more of Santa Cruz's large canvases, the "Chasuble
Imposition to
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América en el siglo XVIII/ Serie XI: Historia general de España y América
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tradition. He lived during the colonial era of the 17th century in the
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and so different from the angels imagined in Europe at the same time.
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Initially art historians believed
Basilio Santa Cruz to be a Spanish
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Charles II and the Queen of Spain
Adoring the Virgin of Almudena
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57:, a colonial movement of indigenous painters educated in the
191:. Basilio Santa Cruz de Pumacallao created iconographies of
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160:." A final piece of his work hangs in the Chapel of
417:17th-century indigenous painters of the Americas
21:A Franciscan Allegory of the Immaculate Virgin
140:are two enormous paintings by him, featuring
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402:Latin American artists of indigenous descent
174:Virgin of Bethlehem with Bishop Mollinedo
31:Basilio Pacheco de Santa Cruz Pumacallao
132:Santa Cruz's artwork can be seen at the
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61:religious painting tradition of Spain.
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254:. Vol. Los primeros Borbones.
72:is also known by his Quechua name,
397:Peruvian people of Quechua descent
203:Corpus Christi Procession in Cuzco
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233:Basilio Santa Cruz De Pumacallao.
35:Basilio de Santa Cruz Puma Callao
361:Stratton-Pruitt, Suzanne, ed.
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427:18th-century Peruvian artists
365:. Milan, Italy: Skira, 2006.
320:Qosqo, Inkas' Sacred Capital.
422:17th-century Peruvian people
248:Luis Navarro GarcĂa (1989).
407:Peruvian Mannerist painters
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238:. (retrieved 21 June 2009)
189:Bartolomé Esteban Murillo
164:. It is entitled, "Royal
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322:(retrieved 21 June 2009)
310:Cathedral of Cusco City.
166:Saint Mary of Almudena
156:" and "The Ecstasy of
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315:May 12, 2009, at the
53:. He was part of the
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90:Viceroyalty of Peru
349:Stratton-Pruitt 21
340:Stratton-Pruitt 91
331:Stratton-Pruitt 22
300:Stratton-Pruitt 89
223:Stratton-Pruit 138
144:'s Apotheosis and
134:Cathedral of Cusco
70:Basilio Santa Cruz
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432:Catholic painters
371:978-88-7624-613-5
289:978-0-8223-2367-9
158:Saint Philip Neri
154:Saint Ildephonsus
142:Saint Christopher
82:Diego Quispe Tito
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33:(1635â1710) or
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55:Cuzco School
49:origin from
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392:1710 deaths
387:1635 births
193:arcabuceros
128:Collections
122:St. Francis
80:, and with
51:Cusco, Peru
45:(Inca) and
41:painter of
381:Categories
356:References
65:Background
136:. In its
78:Pumacallo
74:Pumaqallo
313:Archived
150:transept
138:basilica
39:Peruvian
59:Baroque
43:Quechua
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236:Artnet
118:Madrid
47:Ladino
37:was a
209:Notes
111:Style
105:friar
98:Spain
367:ISBN
285:ISBN
256:ISBN
172:and
96:and
94:Peru
76:or
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270:^
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