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400:. Investigations made in 1864 have established the fact that the nave and the aisles of the existing basilica correspond with those of the primitive church; the atrium, however, which dates from the 9th century, and two smaller apses, flanking a new central apse of greater depth than the original, was erected. The altar occupies about the same place as in the time of St. Ambrose, and the columns of the
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276:), and Basilica Martyrum (which was later renamed in his honour). A fourth church, Basilica Salvatoris (later San Dionigi, razed in the 17th century), is attributed to him as well, but may not actually be from the 4th century. These churches were dedicated with anti-Arian language and as symbols of the wealth and power of the pro-Nicene faction in Milan.
650:, located under the high altar, was built in the 9th century to house the remains of three saints venerated here: Ambrose, Gervasus and Protasus. The remains of the saints were already in a crypt in the area, although their position has since been lost over the centuries. In the 9th century bishop, Angilbert found them and had them put in a single
486:("of the Monks"), is from the 9th century and has a severe appearance typical of defensive structures. The left and higher one dates from 1144, with the last two floors added in 1889. It was likely designed by the same architect of the Romanesque basilica since it contains the same decorative elements.
291:
developed in the church. In 789, a monastery was established within the basilica grounds. The canons, however, retained their own community and identity instead of fading away. Two separate, distinct religious communities shared the basilica. In the 11th century, the canons adopted a rule of life
536:. It has nine small columns with decorated capitals and friezes, featuring animal and human figures, as well as vegetable and fantastic motifs. The front of the ambon is decorated by two gilt copper reliefs, depicting the symbols of two evangelists, Saints Matthew (praying man) and John (eagle).
635:. Bishop Ambrose supposedly buried his brother, San Satiro, in the chapel. The mosaics on the walls and ceiling were created in the 5th century; these include one of the earliest portraits of St Ambrose. The gilded dome ceiling has a central portrait of the patron saint.
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start from the pillars' centres, reaching the upper frame. The capitals are decorated by animals (lions, wild boars), and human figures (mostly heads, but also angels and others), as well as by vegetable or fantastic motifs of pre-Romanesque origin.
307:. The monks supported themselves partly from the offerings given after mass. However, the canons did not have a bell tower and were not allowed to ring bells until they finished their own tower (on the north side) in the 12th century.
296:. There were now two separate monastic communities following different rules living in the basilica. The canons were in the northern building, the cloister of the canons, while the monks were in the two southern buildings.
431:
The apex of the façade has two orders of loggias: the lower register has three arches of the same span, which join the slightly higher portico ones. The upper loggia was used by the bishops to bless the citizens.
516:, each supported by its own semi-pillar or semi-column, which, in the lower section, become a single pillar. The aisles' spans measure exactly half of those in the nave and are supported by lesser pillars. The
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1451:
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partisans, and wanted northern Italy to remain allied to the papacy. He did this through both preaching and construction. He built three or four churches surrounding the city; Basilica
Apostolorum (now
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heavily damaged the basilica, in particular the apse and surrounding area. As a result of this a new building, painted in pink, was constructed to house the Abbot's offices and the museum.
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1972:
423:(this custom disappeared in the early 11th century); the portico, whose entrance has four blind arcades with an open one in the centre, was later used for civil and religious meetings.
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The church is mostly built in brickwork of different origins and colours, with parts of stone and white plastering. The current
Romanesque church was begun around 1080. The
318:. On 4 August 1528, an accord known as the "Peace of St. Ambrose" was signed here between the noble and popular factions of the city. In 1492 the Benedictines commissioned
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In the following centuries, the edifice underwent several restorations and partial reconstructions, assuming the current appearance in the 12th century. The original
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1952:
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The church building has undergone several restorations and partial reconstructions, assuming the current appearance in the 12th century, when it was rebuilt in the
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The original edifice, like the great churches of Rome of the same epoch, belonged to the basilica type; it consisted of a central nave lighted from the
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and to others from the following century, in which the bodies of the three saints were moved to a silver urn in a space under the ciborium.
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hitting the column with his horns because he could not seduce St. Ambrose into temptation. Thus, this column is called the Devil's Column.
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When St
Ambrose arrived in Milan to assume the bishopric, churches in the region were in conflict with each other over the dispute between
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or pulpit, built on a pre-existing 9th century one; which utilizes as a base a 4th-century Roman sarcophagus, traditionally known as the
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was originally a free-standing chapel, putatively begun in the 4th century, and thus pre-dating the church, commissioned by bishop
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in 379–386, in an area where numerous martyrs of the Roman persecutions had been buried. The first name of the church was in fact
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Immediately beside the church, there is a white marble column with two holes. According to tradition, these were made by the
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preceding the entrance. The latter was used to house the catechumens who attended part of the Mass prior to receiving
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sarcophagus. The current appearance of the crypt dates from the 18th-century restoration commissioned by cardinal
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471:. The central portal is flanked by two multi-column pillars, and has an archivolt with decorative elements of
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with, in its center, the high altar. This was realized in 824–859 by
Volvinius. It features a golden
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over the altar appear never to have been disturbed; they still rest on the original pavement.
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The monastery and church became a large landholder in northern Italy and into what is now the
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St. Ambrose
Receives the Homage from Two Monks, at the Presence of Sts Gervasius and Protasus
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The portico's arcade is supported by pillars flanked by semi-columns. They have double
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windows. The third central span, on the left, houses the 12th-century
Romanesque
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303:("Tower of the Monks") was used by the monks to call the faithful to the monks'
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with precious stones on both sides. The altar is surmounted by a contemporary
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Basilica romana minore collegiata abbaziale prepositurale di Sant'Ambrogio
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plan was maintained, with an apse and two aisles, all with apses, and a
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The two towers symbolize the division in the basilica. The 9th-century
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De la Croix, Horst; Tansey, Richard G.; Kirkpatrick, Diane (1991).
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One of the most ancient churches in Milan, it was commissioned by
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There is also an octagonal tower over the east end of the nave.
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as well as numerous local issues. Ambrose firmly sided with the
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Under the dome cladding, in the last span of the nave, is the
522:(galleries) over the aisles support the vaults but preclude
616:. The apse mosaic was heavily restored after damage during
1452:
Museo della
Scienza e della Tecnologia "Leonardo da Vinci"
505:. The interior has the same size as the external portico.
597:
Ceiling of the
Oratory of San Vittore in Ciel d'Oro
1933:
11th-century Roman
Catholic church buildings in Italy
954:
705:
History of medieval Arabic and
Western European domes
447:, while the portico's upper frame is decorated with
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from the 4th to 8th century (with later restoration)
349:
Plan of the basilica, showing the arcades and church
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3D pictures and panoramas of the Basilica and altar
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884:. London: Laurence King Publishing. p. 202.
567:, whence its common name. It has four columns in
283:. Initially, the basilica was outside the Roman
1973:Ruins of churches destroyed during World War II
1368:Antique Furniture & Wooden Sculpture Museum
581:St Benedict Receives the Homage from Two monks
451:, which are repeated also on the façade. Thin
1004:
571:and has, on each side, bar-reliefs depicting
8:
819:(9th ed.). Thomson/Wadsworth. p.
749:. New York: Routledge. pp. 1196–1199.
638:The church also houses the tomb of Emperor
1078:
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415:with arches supported by semi-columns and
54:
37:
1437:Museo Civico di Storia Naturale di Milano
806:
804:
802:
357:The apex façade with the entrance portico
1540:Palazzo della Banca Commerciale Italiana
1036:History of architecture and art in Milan
768:
766:
601:The apse displays an early 13th-century
592:
434:
360:
352:
961:
721:
96:Ecclesiastical or organizational status
1963:Palaeo-Christian architecture in Italy
1953:Burial sites of the Herbertien dynasty
563:, commissioned by archbishop of Milan
692:University of California, Los Angeles
7:
1948:11th-century establishments in Italy
1420:Art collection of Fondazione Cariplo
856:. New York: Robert Appleton Company.
694:), are modelled after Sant'Ambrogio.
781:. New York: HiddenSpring. pp.
614:Scenes from the Life of St. Ambrose
1757:Giardini Pubblici Indro Montanelli
1425:Palazzo Anguissola Antona Traversi
25:
1275:S. Maurizio al Monastero Maggiore
844:Herbermann, Charles, ed. (1913).
710:Early Christian churches in Milan
588:Receives the Homage from Two Nuns
497:The basilica has a semi-circular
381:of the nave are from about 1140.
1968:Romanesque architecture in Milan
1065:
976:
964:
573:Christ with Sts Peter and Paulus
881:A World History of Architecture
69:
815:Gardner's Art Through the Ages
610:with Sts Gervasus and Protasus
60:Exterior view of the basilica.
1:
1943:1099 establishments in Europe
1772:Orto Botanico di Cascina Rosa
1673:Galleria Vittorio Emanuele II
1580:Palazzo delle Scuole Palatine
1388:Museum of Musical Instruments
377:dates to about 1128, and the
1978:Tourist attractions in Milan
1510:Casa di Riposo per Musicisti
773:Brooke, Christopher (2003).
730:Guida alla Diocesi di Milano
1958:Coronation church buildings
18:Basilica Sant'Ambrogio
1994:
1938:Churches completed in 1099
1923:Basilica churches in Milan
1874:Milan International (1906)
1600:Villa Belgiojoso Bonaparte
1270:S. Maria presso San Satiro
1225:S. Cristoforo sul Naviglio
1063:
847:"Ambrosian Basilica"
543:The church after the 1943
322:, structural architect of
272:), Basilica Virginum (now
29:
27:Romanesque church in Milan
1892:
1828:Stadio del Ghiaccio Agorà
1666:Squares and public spaces
1565:Palazzo dei Giureconsulti
1472:Contemporary Art Pavilion
1467:Museo Teatrale alla Scala
1265:S. Maria presso San Celso
1026:
746:The Early Christian World
656:Benedetto Erba Odescalchi
625:San Vittore in Ciel d'Oro
214:Basilica of Sant'Ambrogio
53:
46:Basilica di Sant'Ambrogio
41:Basilica of Sant'Ambrogio
1415:Gallerie di Piazza Scala
1358:Bagatti Valsecchi Museum
950:(in Italian and English)
878:Moffett, Marian (2003).
482:. The right one, called
469:Pietro Candido Decembrio
228:church in the center of
162:45.4624250°N 9.1758056°E
1928:Church frescos in Italy
1724:Quadrilatero della moda
1647:Teatro degli Arcimboldi
1589:State Archives of Milan
1410:Galleria d'Arte Moderna
1373:Applied Arts Collection
1295:Oratorio di San Protaso
1220:S. Bernardino alle Ossa
1164:S. Maria della Passione
1094:Basilica di Santa Tecla
777:The Age of the Cloister
533:Sarcophagus of Stilicho
32:Sant'Ambrogio, Florence
1808:Hippodrome of San Siro
1767:Orto Botanico di Brera
1535:Palazzo dell'Arengario
1447:Museo del Risorgimento
1321:Garegnano Charterhouse
1052:Colonne di San Lorenzo
743:Esler, Philip (2000).
631:to hold the relics of
598:
548:
440:
439:The Canons' bell tower
370:
358:
350:
326:, to renovate the new
232:, region of Lombardy,
140:Geographic coordinates
1842:Events and traditions
1782:Villa Litta Modignani
1616:Biblioteca Ambrosiana
1595:Royal Palace of Milan
1575:Palazzo della Ragione
1378:Archaeological Museum
1340:Museums and galleries
1235:S. Giorgio al Palazzo
1149:S. Maria delle Grazie
853:Catholic Encyclopedia
596:
542:
508:The ceiling features
478:The basilica has two
438:
364:
356:
348:
167:45.4624250; 9.1758056
1869:Milan Furniture Fair
1300:Rotonda della Besana
1280:S. Pietro in Gessate
1250:S. Maria del Carmine
1240:S. Giovanni in Conca
1184:S. Vincenzo in Prato
1154:Leonardo da Vinci's
1045:Archaeological sites
906:"The Devil's Column"
867:Page at Medioevo.org
612:, and at the sides,
473:Sassanid inspiration
333:In August 1943, the
324:St. Peter's Basilica
1833:Velodromo Vigorelli
1798:Allianz Cloud Arena
1734:Via Monte Napoleone
1621:Biblioteca di Brera
1560:Palazzo Castiglioni
1482:Triennale di Milano
1477:Pinacoteca di Brera
1462:Museo Poldi Pezzoli
1442:Museo del Novecento
1393:Museo d'Arte Antica
1255:S. Maria della Pace
1189:S. Vittore al Corpo
1179:S. Stefano Maggiore
285:city walls of Milan
270:San Nazaro in Brolo
158: /
1864:Milan Fashion Week
1791:Sporting sceneries
1714:Corso Buenos Aires
1707:Streets and canals
1698:Piazza Gae Aulenti
1688:Piazza della Scala
1585:Palazzo del Senato
1570:Palazzo Mezzanotte
1545:Palazzo Belgioioso
1505:Casa degli Omenoni
1492:Villas and palaces
1363:Castello Sforzesco
1260:S Maria Incoronata
1169:S. Nazaro in Brolo
1057:Milan amphitheatre
608:Christ Pantokrator
599:
549:
441:
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367:Christ Pantocrator
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1745:Gardens and parks
1555:Palazzo Carminati
1530:Palazzina Appiani
1348:Alfa Romeo Museum
1334:
1333:
1316:Chiaravalle Abbey
1122:S. Carlo al Corso
583:(left side), and
250:Basilica Martyrum
210:
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49:
16:(Redirected from
1985:
1902:Outline of Milan
1897:Tourism in Italy
1818:Mediolanum Forum
1683:Piazza del Duomo
1652:Teatro Dal Verme
1550:Palazzo Borromeo
1430:Palazzo Brentani
1210:S. Antonio Abate
1132:Portinari Chapel
1079:
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1031:History of Milan
1020:Tourism in Milan
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1678:Piazza Cordusio
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1457:Museo Diocesano
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545:Anglo-American
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150:45°27′44.73″N
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1859:Fiera Milano
1803:Arena Civica
1762:Monte Stella
1515:Casa Manzoni
1353:Armani/Silos
1155:
1127:S. Eustorgio
1111:
937:(in Italian)
913:. Retrieved
909:
900:
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851:
839:
814:
776:
745:
738:
729:
724:
665:
646:in 875. The
637:
632:
624:
622:
613:
606:
605:, depicting
600:
584:
580:
576:
572:
569:red porphyry
565:Angilbert II
550:
531:
517:
510:groin vaults
507:
496:
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383:
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261:Nicene Creed
254:
249:
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217:
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178:Architecture
153:9°10′32.90″E
45:
35:
1290:S. Sepolcro
1245:S. Gottardo
1205:Sant'Angelo
1156:Last Supper
1117:S. Calimero
1112:S. Ambrogio
971:Catholicism
633:San Vittore
557:antependium
480:bell towers
465:sarcophagus
388:, two side
341:Description
292:and became
246:St. Ambrose
165: /
72:Affiliation
1917:Categories
1398:Pinacoteca
1215:S. Barnaba
1139:S. Lorenzo
915:10 October
716:References
680:Royce Hall
553:presbytery
524:clerestory
484:dei Monaci
459:Under the
445:archivolts
386:clerestory
379:rib vaults
365:Mosaic of
314:Canton of
222:Romanesque
197:Romanesque
30:See also:
1854:Expo 2015
1813:Idroscalo
1609:Libraries
1230:S. Fedele
1105:Basilicas
1082:Cathedral
417:pilasters
396:, and an
203:Completed
1823:San Siro
1637:La Scala
1630:Theatres
1198:Churches
1144:S. Marco
699:See also
652:porphyry
644:Lombardy
640:Louis II
629:Maternus
561:ciborium
547:bombings
519:matronei
503:transept
493:Interior
427:Exterior
409:basilica
402:ciborium
259:and the
257:Arianism
224:-style,
128:Location
123:Location
84:Province
77:Catholic
66:Religion
1719:Navigli
957:Portals
732:. 2012.
461:narthex
453:lesenes
421:baptism
413:portico
328:rectory
240:History
134:, Italy
888:
827:
789:
753:
674:Others
603:mosaic
514:ogives
398:atrium
390:aisles
316:Ticino
289:canons
265:Nicene
186:Church
118:Active
115:Status
1849:EICMA
1309:Other
983:Italy
686:, at
668:Devil
648:crypt
528:ambon
512:with
392:, an
312:Swiss
234:Italy
230:Milan
192:Style
132:Milan
89:Milan
917:2019
886:ISBN
825:ISBN
787:ISBN
751:ISBN
688:UCLA
682:and
662:Myth
620:.
499:apse
394:apse
375:nave
305:mass
212:The
206:1099
183:Type
821:355
783:255
467:of
110:379
1919::
908:.
850:.
823:.
801:^
785:.
765:^
475:.
330:.
252:.
236:.
1591:)
1587:(
1012:e
1005:t
998:v
959::
919:.
894:.
833:.
795:.
759:.
690:(
48:)
44:(
20:)
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