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539:, and it is notated an octave higher than it sounds, when cellos and basses play the same bassline, the line is performed in octaves, with the basses an octave below the cellos. By the end of the Classical period, with Beethoven's symphonies, cellos and double basses were often given separate parts. In general, the more complex passages and rapid note sequences are given to the cellos, while the basses play a simpler bassline. The
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188:", which are usually simple, appealing musical motifs or phrases that are repeated, with variation, throughout the song. "The bass differs from other voices because of the particular role it plays in supporting and defining harmonic motion. It does so at levels ranging from immediate, chord-by-chord events to the larger harmonic organization of a [
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of a song or tune, often with a melodic shape that alternately rises and falls in pitch over several bars. To add variety to a walking bassline, bassists periodically interpolate various fills, such as playing scale or arpeggio fragments in swung eighth notes, plucking muted percussive grace notes
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In this example, the last two quarter notes of the second measure, D and E, "walk" up from the first quarter note in that measure, C, to the first note of the third measure, F (C and F are the roots of the chords in the first through second and third through fourth measures, respectively).
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tune in which the bassline consists of low-pitched quarter notes played on the double bass in a scalar walking bass style, a bass run may consist of a bar of swung eighth notes played using a percussive slap bass style, in which the right hand strikes the strings against the fingerboard.
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began to replace the double bass in most types of popular music, such as rock and roll, blues, and folk. The bass guitar was easier to transport and, given that it uses magnetic pickups, easier to amplify to loud stage volumes without the risk of
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In both cases, "walking" refers both to the steady duple rhythm (one step after the other) and to the strong directional motion created; in the examples above, from C to F and back in the second, and from root to seventh and back in the first.
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song in which the bassline already consists of percussive slapping and popping, a bass run may consist of a virtuosic display of rapid slapping and popping techniques combined with techniques such as glissando, note-bending, and harmonics.
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is provided in the middle or upper register. In solo music for piano and pipe organ, these instruments have an excellent lower register that can be used to play a deep bassline. On organs, the bass line is typically played using the
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554:, the bassline is played by the cello in string quartets and the bassoon in wind chamber music. In some larger chamber music works, both a cello and a double bass are used to play the bassline. In a Baroque era (
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543:(or kettledrums) also play a role in orchestral basslines, albeit confined in 17th and early 18th century works to a few notes, often the tonic and the dominant below it. In a small number of symphonies, the
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tune in which the bassline consists of low-pitched quarter notes played on the double bass in a scalar walking bass style, a bass run may consist of a descending chromatic scale played in a higher register.
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use the zhōng ruǎn (中阮) and dà ruǎn (大阮) for creating basslines. Other, less common bass instruments are the lā ruǎn (拉阮), dī yīn gé hú (低音革胡), and da dī hú (大低胡) developed during the 1930s. Russian
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played in a higher register. In some cases, the bassist will select a "brighter"-sounding pickup or increase the treble response of the instrument for a bass run, so that it will be easier to hear.
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or bass breaks, which are short solo sections. Rhythmic variations by the bass, such as the introduction of a syncopated figure can dramatically change the feel of a song, even for a simple groove.
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Bassline riffs usually (but not always) emphasize the chord tones of each chord (usually the root note, the third note, or the fifth note), which helps to define a song's key. Basslines align or
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song in which the bassline consists of low-pitched quarter notes played on the electric bass, a bass run may consist of a rapid sequence of sixteenth notes in a higher register, or of a melodic
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with the drums. Other rhythm instruments join in to create a more interesting rhythmic variations. The type of rhythmic pulse used in basslines varies widely in different types of music. In
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or other instruments. They can also be sung, as is done by some a capella vocal groups. While walking bass lines are most commonly associated with jazz and blues, they are also used in
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and a variety of other low brass instruments. In symphonies from the
Classical period, a single bassline was often written for the cellos and basses; however, since the bass is a
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such as string quartets and symphonies, basslines play the same harmonic and rhythmic role; however, they are usually referred to as the "bass voice" or the "bass part".
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jazz, the walking bass has a stabilising effect, offsetting and providing a foil to the complexity of the improvised melodic lines, for example in
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band, a bass solo will often consist of a virtuosic display of triple and quadruple slaps, creating a percussive, drum solo-like sound.
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song in which the bassline consists of notes plucked on the electric bass, a bass run may consist of several bars of percussive
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is the same: to keep time and to outline the tonality. When developing bass lines, these two things should always be your goal"
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groups. The double bass was still used in some types of popular music that recreated styles from the 1940s and 1950s such as
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tune in which the bassline consists of low-pitched quarter notes played on the double bass on the root and fifth of each
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song where the bassist was ordinarily playing low notes without overdrive to accompany, for a solo, they may turn on a
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to blues) and popular music (ranging from rock and pop to reggae to funk), the bassline is generally played by an
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player. The bassline uses low notes that provide a rhythm while simultaneously setting out the foundation of the
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and/or keyboard player. In most traditional and popular music styles, the bass player is expected to be able to
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on beats one and three (of a 4/4 tune), a bass run may consist of a walking bass line played for several bars.
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The opening of
Beethoven's Symphony No. 5, third movement is often used as an orchestral excerpt during bass
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popularized the technique of creating basslines by lengthening the bass drum decay of the
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techniques such as rapid passages or high notes. During a bass run, the main vocal or
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In some popular music bands, keyboard instruments are used to play the bass line. In
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A German double bass section in 1952. The player to the left is using a German bow.
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the groundwork or foundation upon which all musical composition is to be erected.
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was often used. From the 1920s to the 1940s, most popular music groups used the
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Origins of the
Popular Style: The Antecedents of Twentieth-Century Popular Music
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playing in a music studio is expected to be able to read a bassline written in
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In unaccompanied solo performance, basslines may simply be played in the lower
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An audio/video example of a walking bass line played on electric bass guitar
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the base and foundation of the other parts, since one builds them upon it.
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in between the phrases of the vocal melody, and they may also perform
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Unplayed
Melodies: Javanese Gamelan and the Genesis of Music Theory
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Walking bass often moves in stepwise (scalar) motion to successive
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Other walking bass lines can be heard in the opening movements of
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onstage by the performer using scales, arpeggios, and standard
62:"Bass line" redirects here. For the marching band section, see
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may view in it all the other parts in their original essence.
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or line played (in jazz and some forms of popular music) by a
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Though basslines may be played by many different types of
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orchestra use bass balalaika and contrabass balalaika.
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to create a more pronounced tone (an approach used by
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A bass run may be composed by the performer or by an
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is a style of bass accompaniment or line, common in
37:"Bass part" redirects here. For the vocal part, see
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300:as the bass instrument. Starting in the 1950s, the
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439:drum machine and tuning it to different pitches.
241:, basslines may be very rhythmically complex and
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348:player performs the basslines using the organ's
1607:Analysis of Tonal Music: A Schenkerian Approach
1418:"8 ways the 808 drum machine changed pop music"
1396:Analysis of Tonal Music: A Schenkerian Approach
799:Walking basslines are usually performed on the
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981:Walking bass often alternates quarter notes:
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503:repertoire, the basslines are played by the
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375:Basslines are important in many forms of
1679:Walking Bass Lines and Comping on Guitar
1548:, Indiana University Press, p. 40,
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688:of a song. When a bassist is playing a
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712:"In any style, the bass's role in the
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268:and in the range roughly at least an
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676:and the chordal parts played by the
168:and massive 16' and 32' bass pipes.
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58:soloing on the electric bass guitar
1235:-style bassists may do two-handed
684:a bassline which they base in the
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1416:Leight, Elias (6 December 2016).
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957:Bruckner Symphony No. 5, opening
949:Bruckner Symphony No. 5, opening
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902:(nicknamed "The Philosopher"),
867:Great Eighteen Chorale Preludes
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1:
1670:- 244 million bass lines in F
1465:. "fondamento dell'harmonica"
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1117:(or "bass break") is a short
748:(1600–1750) and 20th century
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27:Low-pitched instrumental part
862:Nun komm, der Heiden Heiland
700:. Bass players also perform
561:–1750) piece accompanied by
1605:Cadwallader, Allen (1998),
1591:, Oxford University Press,
1564:Building Walking Bass Lines
1394:Cadwallader, Allen (1998).
977:Elgar Symphony No 1 opening
969:Elgar Symphony No 1 opening
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1546:A history of baroque music
1544:Buelow, George J. (2004),
1239:during a bass solo (e.g.,
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622:the foundation of harmony.
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1002:giving rise to the term.
937:Haydn Symphony 22 opening
929:Haydn Symphony 22 opening
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640:In many genres of modern
32:Bassline (disambiguation)
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527:in the woodwinds and by
155:of any instrument while
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1007:boogie-woogie basslines
260:and in a broad musical
120:instrument such as the
44:For the EDM style, see
1623:Santerre, Joe (2001),
1562:Friedland, Ed (1995),
1453:Perlman, Marc (2004).
1377:Bassline (music genre)
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1961:Low-frequency effects
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1729:Acoustic bass guitar
1581:van der Merwe, Peter
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865:, BWV 659, from the
855:Walking bass in the
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64:Bass line (drumline)
30:For other uses, see
2012:Musical composition
1784:Contrabass trombone
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603:Christopher Simpson
1529:van der Merwe 1989
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350:pedal keyboard
307:audio feedback
289:
286:
173:
170:
166:pedal keyboard
118:rhythm section
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
2024:
2013:
2010:
2008:
2007:Accompaniment
2005:
2003:
2000:
1998:
1995:
1994:
1992:
1977:
1974:
1972:
1969:
1967:
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1840:
1835:
1825:
1822:
1820:
1817:
1815:
1812:
1810:
1807:
1805:
1804:Keyboard bass
1802:
1800:
1797:
1795:
1792:
1790:
1787:
1785:
1782:
1780:
1779:Contrabassoon
1777:
1775:
1772:
1770:
1769:Bass trombone
1767:
1765:
1762:
1760:
1757:
1755:
1752:
1750:
1747:
1745:
1742:
1740:
1739:Bass clarinet
1737:
1735:
1732:
1730:
1727:
1726:
1724:
1720:
1716:
1709:
1704:
1702:
1697:
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1686:
1680:
1677:
1675:
1672:
1660:
1653:
1649:
1648:
1644:
1642:
1636:
1634:0-634-02144-3
1630:
1626:
1621:
1618:
1616:0-19-510232-0
1612:
1608:
1603:
1600:
1598:0-19-316121-4
1594:
1589:
1588:
1582:
1578:
1575:
1573:0-7935-4204-9
1569:
1565:
1560:
1557:
1555:0-253-34365-8
1551:
1547:
1542:
1541:
1537:
1531:, p. 283
1530:
1525:
1523:
1519:
1515:
1510:
1508:
1504:
1500:
1495:
1492:
1488:
1483:
1480:
1476:
1475:Santerre 2001
1471:
1468:
1464:
1463:9780520239562
1460:
1456:
1450:
1448:
1446:
1444:
1440:
1427:
1423:
1422:Rolling Stone
1419:
1412:
1409:
1405:
1401:
1397:
1391:
1388:
1382:
1378:
1375:
1373:
1372:Drum and bass
1370:
1368:
1365:
1363:
1360:
1359:
1355:
1353:
1351:
1350:marching band
1343:
1341:
1339:
1334:
1332:
1328:
1323:
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1315:
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1304:
1302:
1299:
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1272:
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1263:
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1257:
1253:
1249:
1244:
1242:
1241:Billy Sheehan
1238:
1234:
1230:
1226:
1222:
1218:
1213:
1211:
1207:
1200:Electric bass
1199:
1197:
1195:
1191:
1187:
1183:
1179:
1175:
1171:
1167:
1163:
1159:
1155:
1151:
1146:
1144:
1140:
1139:accompaniment
1136:
1132:
1131:electric bass
1128:
1125:in which the
1124:
1120:
1116:
1110:
1102:
1100:
1098:
1094:
1093:Sonny Rollins
1090:
1085:
1081:
1072:
1064:
1063:
1062:
1060:
1055:
1053:
1052:country music
1049:
1039:
1027:
1019:
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1015:
1010:
1008:
1003:
995:
987:
986:
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864:
863:
858:
850:
848:
846:
842:
838:
834:
830:
826:
822:
818:
814:
813:Hammond organ
810:
806:
805:electric bass
802:
797:
795:
790:
786:
785:passing tones
782:
778:
774:
773:quarter notes
770:
767:
763:
759:
755:
751:
747:
746:Baroque music
743:
737:
736:Blues shuffle
729:
726:
724:
717:
715:
709:
707:
703:
699:
695:
691:
687:
683:
679:
675:
671:
667:
663:
659:
655:
651:
650:electric bass
647:
643:
636:Popular music
635:
629:
623:
612:
604:
598:
594:
592:
588:
584:
580:
576:
572:
568:
564:
553:
552:chamber music
548:
546:
542:
538:
534:
530:
526:
522:
518:
514:
510:
506:
505:double basses
502:
498:
494:
484:
475:
470:
463:
461:
459:
455:
450:
448:
444:
440:
438:
434:
430:
426:
422:
418:
414:
413:Roland TB-303
410:
406:
402:
398:
394:
390:
389:drum and bass
386:
382:
378:
369:
365:
363:
359:
355:
351:
347:
346:Hammond organ
343:
338:
336:
332:
328:
324:
320:
316:
312:
308:
303:
299:
295:
287:
285:
283:
279:
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267:
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250:
246:
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236:
232:
228:
224:
220:
216:
212:
208:
204:
200:
195:
193:
192:
187:
183:
179:
178:popular music
176:Basslines in
171:
169:
167:
162:
161:accompaniment
158:
154:
149:
147:
143:
142:Hammond organ
139:
136:or keyboard (
135:
131:
127:
123:
122:electric bass
119:
115:
111:
107:
103:
99:
95:
91:
87:
83:
79:
75:
71:
65:
57:
56:Victor Wooten
53:
47:
40:
33:
19:
1997:Bass (sound)
1949:reproduction
1938:Walking bass
1898:Figured bass
1882:
1861:Bass effects
1842:Performance/
1824:Washtub bass
1715:Bass (sound)
1659:the original
1652:"Bass Lines"
1640:
1624:
1606:
1586:
1563:
1545:
1501:, p. 44
1494:
1489:, p. 40
1482:
1477:, p. iv
1470:
1454:
1430:. Retrieved
1421:
1411:
1395:
1390:
1347:
1335:
1324:
1316:
1308:
1295:
1264:
1245:
1233:shred guitar
1229:Cliff Burton
1214:
1203:
1147:
1129:(such as an
1114:
1112:
1109:Fill (music)
1097:“Blue Seven”
1086:
1082:
1078:
1056:
1045:
1011:
1004:
1001:
980:
912:Edward Elgar
896:Joseph Haydn
893:
871:
860:
854:
798:
766:unsyncopated
742:walking bass
741:
739:
730:Walking bass
720:
711:
639:
621:
610:
596:
549:
490:
451:
441:
405:synthesizers
374:
339:
291:
255:
211:walking bass
196:
189:
175:
150:
77:
73:
69:
68:
1918:Lament bass
1866:Bass chorus
1789:Double bass
1754:Bass pedals
1749:Bass guitar
1722:Instruments
1516:, p. 4
1487:Buelow 2004
1367:Lament bass
1362:Ground bass
1338:psychobilly
1305:Double bass
1256:synthesizer
1217:heavy metal
1135:double bass
1048:chord roots
801:double bass
794:pedal point
666:double bass
658:psychobilly
652:player. In
567:harpsichord
559: 1600
454:World music
431:, producer
425:ZynAddSubFX
358:house music
342:organ trios
311:jazz fusion
302:bass guitar
298:double bass
288:Instruments
258:instruments
231:electronica
223:jazz fusion
219:salsa music
146:synthesizer
126:double bass
106:traditional
1991:Categories
1908:Partimento
1538:References
1457:, p. 188.
1432:16 January
1404:0195102320
1311:jump blues
1174:percussion
1154:improvised
825:rockabilly
758:rockabilly
734:See also:
690:cover song
654:rockabilly
571:pipe organ
545:pipe organ
501:orchestral
458:didjeridus
433:Rick Rubin
419:, such as
383:, such as
335:rockabilly
327:jump blues
243:syncopated
213:line". In
207:jump blues
180:often use
102:electronic
84:, such as
1971:Subwoofer
1928:Slap bass
1913:Jazz bass
1878:Bass note
1871:Fuzz bass
1856:Bass clef
1799:Guitarrón
1794:Euphonium
1744:Bass drum
1398:, p. 45.
1344:Wind bass
1327:bluegrass
1291:kickdrums
1260:saxophone
1225:wah pedal
1221:fuzz bass
1025:Play in G
781:arpeggios
706:bass runs
682:improvise
646:folk rock
474:auditions
447:balalaika
278:bass clef
205:jazz and
199:syncopate
78:bass part
74:bass line
18:Bass-line
1966:Sub-bass
1933:Walkdown
1923:Ostinato
1883:Bassline
1844:notation
1809:Octobass
1583:(1989),
1426:Archived
1356:See also
1184:of the "
1166:virtuoso
1150:arranger
1115:bass run
1103:Bass run
851:Examples
725:1967:327
625:—
614:—
600:—
517:bassoons
411:and the
409:Minimoog
274:middle C
153:register
70:Bassline
1774:Bassoon
1275:dubstep
1237:tapping
1182:marches
845:country
833:R&B
803:or the
779:tones,
762:walking
605:1667:19
587:serpent
583:theorbo
541:timpani
511:in the
429:hip-hop
417:virtual
393:dubstep
385:electro
354:hip-hop
331:country
186:grooves
182:"riffs"
1976:Woofer
1893:Burden
1666:
1631:
1613:
1595:
1570:
1552:
1461:
1402:
1281:, and
1170:melody
1143:timbre
837:gospel
714:groove
523:, and
509:cellos
437:TR-808
421:Sytrus
401:trance
333:, and
280:). In
270:octave
227:reggae
157:melody
108:, and
1947:Sound
1662:(PDF)
1655:(PDF)
1383:Notes
1348:In a
1336:In a
1331:chord
1325:In a
1319:swing
1317:In a
1309:In a
1296:In a
1279:grime
1271:house
1265:In a
1246:In a
1215:In a
1204:In a
1186:Sousa
1178:drums
1162:riffs
1158:licks
1133:or a
1089:bebop
1005:Many
841:Latin
809:piano
777:scale
769:notes
754:blues
702:fills
533:tubas
515:, by
499:. In
427:. In
415:, or
397:house
377:dance
323:blues
319:bebop
262:range
239:metal
215:Latin
203:swing
138:piano
130:cello
86:blues
82:music
1819:Tuba
1629:ISBN
1611:ISBN
1593:ISBN
1568:ISBN
1550:ISBN
1459:ISBN
1434:2016
1400:ISBN
1298:funk
1210:riff
1206:rock
1160:and
1123:fill
1070:Play
1037:in C
993:play
910:and
885:play
821:rock
817:tuba
756:and
750:jazz
579:viol
575:lute
507:and
482:Play
423:and
399:and
379:and
315:jazz
294:tuba
237:and
235:rock
184:or "
134:tuba
100:and
94:funk
90:jazz
39:SATB
1293:).
1267:EDM
1248:pop
1243:).
1176:or
1121:or
1087:In
1031:or
914:'s
906:'s
898:'s
869:):
829:ska
573:or
550:In
491:In
356:or
191:sic
148:).
98:dub
76:or
1993::
1627:,
1566:,
1521:^
1506:^
1442:^
1424:.
1420:.
1285:,
1277:,
1273:,
1269:,
1262:.
1113:A
1099:.
1095:’
1054::
843:,
839:,
835:,
831:,
827:,
823:,
815:,
811:,
752:,
740:A
656:,
585:,
569:,
556:c.
531:,
519:,
476:.
391:,
387:,
337:.
329:,
325:,
229:,
225:,
221:,
217:,
140:,
132:,
128:,
124:,
104:,
96:,
92:,
88:,
1707:e
1700:t
1693:v
1436:.
1406:.
918:.
66:.
48:.
41:.
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
