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formed a close friendship with
Bastien-Lepage. Artistically, she took her cue from the French painter's admiration for nature: "I say nothing of the fields because Bastien-Lepage reigns over them as a sovereign; but the streets, however, have not still had their... Bastien." Her best-known work in
384:, Bastien-Lepage was recognized in France as the leader of the emerging Naturalist school. By 1883, a critic could proclaim that "The whole world paints so much today like M. Bastien-Lepage that M. Bastien-Lepage seems to paint like the whole world." This fame brought him prominent commissions.
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Monet is an artist whose chief claim to recognition lies in the fact of his astonishing power of faithfully reproducing certain aspects of nature, but his really naive innocence and sincerity was taken by the public to be the most audacious humbug, and it required the teaching of men like
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Bastien-Lepage, who cleverly compromised between the truth and an accepted convention of what things looked like, to bring the world gradually around to admitting truths which a single walk in the country with purely unbiassed vision would have established beyond doubt.
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in 1870, Bastien fought and was wounded. After the war, he returned home to paint the villagers and recover from his wound. In 1873 he painted his grandfather in the garden, a work that would bring the artist his first success at the
851:(1890), his friend, Prince Bojidar Karageorgevitch, wrote that it was never his intention to go to Rome, where the classical training held no interest for him, but winning the prize was a great honor which he had hoped would be his.
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fruit trees of apple, pear, and peach up against the high walls. Bastien took an early liking to drawing, and his parents fostered his creativity by buying prints of paintings for him to copy.
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At last he was unable to work anymore; and he died on the 10th of
December, 1884, breathing his last in my arms. At his grave's head his mother and brother planted an apple-tree.
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412:. In 1879 he was commissioned to do a portrait of the Prince of Wales. In 1880 he exhibited a small portrait of M. Andrieux and an historical painting of
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In March and April 1885, more than 200 of his pictures were exhibited at the Ecole des Beaux-Arts. In 1889 some of his best-known work was shown at the
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Homage website to Marie
Bashkirtseff, a fellow invalid painter inspired by acquaintanceship with her contemporary Bastien-Lepagen
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Between 1880 and 1883 he traveled in Italy. The artist, long ailing, had tried in vain to re-establish his health in
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Ann and Gordon Getty’s
Collection of 1,500 Items Achieved $ 150 Million Across 10 Auctions, Penta, 26 October 2022
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depictions of peasant life in the countryside were highly influential on many international artists, including
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described
Bastien-Lepage's work as "impressionism corrected, sweetened and adapted to the taste of the crowd."
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of 1884. By a curious coincidence she succumbed to chronic illness the same year as her colleague and friend.
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gallery), and the painter determined to return to country life. To the Salon of 1877 he sent a full-length
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Jules
Bastien-Lepage's first teacher was his father, himself an artist. His first formal training was at
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After exhibiting works in the Salons of 1870 and 1872, which attracted no attention, in 1874 his
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Among his more important works, may also be mentioned the portrait of Mme J. Drouet (1883);
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was erected in
Damvillers. An obituary by Prince Bojidar Karageorgevitch, appeared in the
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in
Australia. He also won renown for his history paintings, among the most famous being
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The highest price reached by one of his paintings in the art market was when his
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garnered critical acclaim and received a third-class medal. He also showed
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1098:. Vol. 3 (11th ed.). Cambridge University Press. p. 502.
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Fry, Roger. 1920. "Vision and Design". London: Chatto & Windus.
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http://www.bashkirtseff.com.ar/marie_bashkirtseff_1_english_int.htm
916:, The Magazine of Art, Vol. 13, p. 83 (1890) Cassell & Company.
558:(now in the Musée d'Orsay), which was shown to wide acclaim at the
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This article incorporates text from a publication now in the
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in 1878. His next attempt to win the Prix de Rome in 1876 with
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Serge
Lemoine, Dominique Lobstein, Marie Lecasseur, et al.,
319:. In 1875, he took second place in the competition for the
1125:"The Motionless Look of a Painting: Jules-Bastien Lepage,
408:(1879), painted in a light key, won him the cross of the
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by Xavier
Galmiche, Université Paris Sorbonne et CIRCE
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499:was never finished. A museum is devoted to him at
246:Iris & B. Gerald Cantor Center for Visual Arts
154:(1 November 1848 – 10 December 1884) was a French
307:His initial success was confirmed in 1875 by the
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456:Self-portrait drawn a few days before his death
1109:(1885; English edition, 1892); L de Fourcaud,
913:Personal reminiscences of Jules Bastien-Lepage
523:credited the wider public's acceptance of the
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885:"Joan of Arc (1879) by Jules Bastien-Lepage"
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213:Bastien-Lepage was born in the village of
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166:and paved the way for the development of
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158:closely associated with the beginning of
1135:, vol. 37, no. 1 (February 2014): 38–67.
515:Impact on the reception of Impressionism
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263:. Prompted by a love of art, he went to
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487:on his death-bed, and some landscapes;
267:in 1867, where he was admitted to the
874:, artuk.org. Retrieved 15 March 2024.
468:, was with him at the end and wrote:
440:'s influence. His last dated work is
337:was again unsuccessful (it is in the
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1005:Journal of a Young Artist, 1860-1884
910:The Prince Bojidar Karageorgevitch,
545:Relationship with Marie Bashkirtseff
1234:Le Père Jacques (The Wood Gatherer)
750:Marie Samary of the Odéon Theater,
25:
631:The Annunciation to the Shepherds
531:, to Bastien-Lepage. In his 1920
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503:. A statue of Bastien-Lepage by
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519:The influential English critic
357:. The last picture, now in the
1302:People from Meuse (department)
1118:Jules Bastien-Lepage 1848–1884
574:(1879) sold by $ 2,280,000 at
466:Prince Bojidar Karageorgevitch
1:
1120:(Paris: Musée d'Orsay, 2007).
1058:Handelsblad (Het) 21-01-1883.
335:Priam at the Feet of Achilles
1307:19th-century French painters
1003:Baskhirtseff, Marie (1890).
772:Museum of Fine Arts of Nancy
691:National Gallery of Victoria
635:National Gallery of Victoria
478:Paris Exposition Universelle
572:Portrait of Sarah Bernhardt
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926:Portrait of my Grandfather
616:Metropolitan Museum of Art
418:Metropolitan Museum of Art
298:Portrait of my Grandfather
244:, 1887, on display at the
199:Metropolitan Museum of Art
27:French painter (1848–1884)
1317:Prix de Rome for painting
1129:, and the End of Realism"
790:Scottish National Gallery
786:Pas Mèche (Nothing Doing)
329:, exhibited again at the
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1156:6 September 2015 at the
989:14 November 2013 at the
554:this naturalist vein is
497:The Little Chimney-Sweep
1146:Analysis of Joan of Arc
1095:Encyclopædia Britannica
1023:22 October 2021 at the
984:"An Essay in Æsthetics"
754:Cleveland Museum of Art
549:Ukrainian-born painter
426:Portrait of Albert Wolf
351:Portrait of M. Theuriet
1160:at MuseumSyndicate.com
953:William et les garçons
578:, on 20 October 2022.
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666:Haymaking (Les Foins)
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380:After the success of
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317:Portrait of M. Hayern
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1312:French male painters
1270:Émile Bastien-Lepage
1195:Jules Bastien-Lepage
1007:. New York: Cassell.
961:William and the Boys
872:Jules Bastien-Lepage
828:Aberdeen Art Gallery
587:1883: Knight in the
493:The Thames at London
269:École des Beaux-arts
254:Stanford, California
242:Jules Bastien-Lepage
152:Jules Bastien-Lepage
102:École des beaux-arts
36:Jules Bastien-Lepage
849:The Magazine of Art
650:Achilles and Priam,
511:(Cassell) in 1890.
343:Portrait of Lady L.
281:Franco-Prussian war
250:Stanford University
847:In an obituary in
805:L'Amour au Village
551:Marie Bashkirtseff
533:Essay in Æsthetics
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1226:Joan of Arc
1151:Art Gallery
1133:Art History
971:(in French)
611:Joan of Arc
560:Paris Salon
489:The Vintage
414:Joan of Arc
286:Paris Salon
194:Joan of Arc
189:Tom Roberts
1286:Categories
1048:Christie's
889:MET Museum
859:References
720:Young Girl
576:Christie's
566:Art market
432:; in 1885
428:; in 1882
422:The Beggar
347:My Parents
292:Early work
252:campus in
223:espaliered
215:Damvillers
172:Émile Zola
160:naturalism
122:naturalism
70:Damvillers
62:1848-11-01
1272:(brother)
1210:Haymaking
1202:Paintings
1127:Les Foins
752:c. 1881,
596:Paintings
556:A Meeting
521:Roger Fry
442:The Forge
382:Haymaking
371:, c. 1882
325:with his
229:Education
132:Signature
98:Education
1154:Archived
1021:Archived
993:. 11–24.
987:Archived
808:, 1882,
788:, 1882,
770:, 1881,
689:, 1878,
669:, 1877,
501:Montmédy
495:(1882).
485:Gambetta
444:(1884).
424:and the
315:, and a
203:New York
118:Movement
112:Painting
76:, France
1260:Realism
1253:Related
1218:October
1113:(1885).
1083::
1066:Sources
768:Ophelia
686:October
633:(1875;
614:(1879;
582:Honours
462:Algiers
273:Cabanel
248:on the
156:painter
1245:(1882)
1237:(1881)
1229:(1879)
1221:(1878)
1213:(1877)
1077:
826:1882,
737:, 1881
722:, 1881
707:, 1880
397:, 1879
261:Verdun
835:Notes
505:Rodin
339:Lille
277:Ă©cole
265:Paris
219:Meuse
74:Meuse
652:1876
401:His
353:and
345:and
177:His
82:Died
56:Born
1092:".
959:) (
1288::
1131:,
1105:,
967:))
897:^
887:.
480:.
288:.
240:,
217:,
205:.
170:.
72:,
1187:e
1180:t
1173:v
973:.
963:(
955:(
891:.
618:)
591:.
64:)
60:(
20:)
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