Heroes and Villains - Knowledge (XXG)

1392:, "all those who heard the original" believed that the released version was missing crucial sequences that Wilson originally intended for the song. Jardine expressed dissatisfaction with the mix, describing it as "a pale facsimile" of Wilson's original vision, and suggested that Wilson deliberately sabotaged the song at the last minute. He blamed the record's lack of "sonic energy" on the limited recording equipment and felt that the mastering was probably engineered improperly, commenting, "I could hear the difference. I could hear the edge was gone." Parks was not involved with the making of the final edit and later said that he was "astonished" by its structure and production quality when he heard it on the radio. 1373: 1166:, traveled by limo to personally deliver a vinyl cut of the record to KHJ Radio. According to Melcher, as Wilson excitedly offered the record for radio play, the DJ refused, citing program directing protocols. Melcher recalled: "Brian almost fainted! It was all over. He'd been holding onto the record had astrologers figuring out the correct moment. It really killed him. Finally they played it, but only after a few calls to the program director or someone, who screamed, 'Put it on, you idiot!' But the damage to Brian had already been done." 1148: 573:—he wanted all that stuff. So he immediately got Van Dyke over and they did a chart for 'You were my sunshine'". Although Vosse admitted that his memory may be wrong, since Wilson "changed things so much", he recalled that the arrangement then "developed into an instrumental thing with barnyard sounds—people sawing—he had people in the studio sawing on wood—and Van Dyke being a duck—and it was marvelous." Asked about Wilson's rendition of "You Are My Sunshine" in 2004, Parks could not remember having been involved with it. 1538: 921: 780: 478: 678:. Holmes recalled of the illustration, "the poultry in the right corner is saying, 'Dude'll do,' a reference to a line in the original lyrics: 'She was unafraid of what a dude’ll do in a town full of heroes and villains.' Van Dyke tells me that Brian saw that image and actually got the other Beach Boys to change their singing to ‘Dude’ll do’, based on this. So there's a case of the drawing definitely influencing the work." 894:

and swining... It was like being trapped in an insane asylum. I was emotionally depressed by a lot of that stuff ..." On January 3, a module of "Heroes and Villains" called "Do a Lot" was recorded. A surviving tape of this session includes a remark from Wilson saying, "If there's not anymore cooperation of this, I'm splitting, I mean it. We better get back into the groove, you know?" "Do a Lot" was later reconfigured as "

7565: 1351:, who managed the band in the early 1970s, stated that the failure of the single "shook to the foundations of his being and self-respect. this is when he started disappearing into his bedroom for a long time. This is when he ate himself into a state where he became horrendously fat." Marilyn said that Brian did not perform the song for anybody in the years following its release. In the 1998 documentary 1218: 837:. A session for "I'm in Great Shape" followed on October 27. On the recording, Wilson experimented with a tape delay effect that looped the audio signal back into itself cumulatively at a high gain level to create an "explosion" of sound. On November 4, Wilson recorded a piano demonstration of "Heroes and Villains" that included "I'm in Great Shape" and "Barnyard" as sections of the song. Parks and 1074: 1555:

this change, Sahanaja responded: "the tape session research shows that was definitely part of the 'Heroes and Villains' variations, and so the decision was to keep it within that context." The box set edition was packaged with two 7-inch vinyl records, one of which was a two-part edit of "Heroes and Villains" stretched across both sides. The edit was created by compilers

852:" and "You Are My Sunshine". The renditions are relatively short. In 2005, Wilson wrote that the rendition of "The Old Master Painter" was brief because he could not remember the full song. During the recording, Wilson remarked that the session players should play as though they're far away, as the lyric suggests. Reflective of the spiritual themes recurring throughout the 1412:, Starr concluded that "the source of biggest disappointment for listeners, however, may well have been the overall quality of the sound." Stebbins said that while the arrangement was "generously filled with fantastic Beach Boys vocal harmonies and genius musical twists and turns", the record's "disturbingly muddy sound quality undoubtedly hurt its commercial appeal." 720:

denied that he had ever planned to issue the song in this form. In 2006, Carlin reported that a rumored 11-minute edit had yet to be found. In 2013, an acetate containing an early mix of the song was discovered. It indicated that Wilson had experimented with incorporating recorded sections of "I'm in Great Shape" into the projected "Heroes and Villains" single.

1337:"Heroes and Villains" came to be cited as a factor in Wilson's professional and psychological decline. Badman stated that the dismal reception was the direct cause of Wilson's withdrawal from the public eye, while Howard offered that the pressure to follow up "Good Vibrations" with "an equally ingenious hit" likely contributed to the collapse of the 639:, and its very question of belief is what was plaguing Brian at that time. What should we keep from the structure that we had, the hard-wiring that we had with religion?" Historian Keith Badman speculated that the "you're under arrest" line from an earlier version of the song may have been inspired by Wilson witnessing an attempted burglary of his 1357:, Love referred to "Heroes and Villains" as the last dynamic moment in Wilson's music. Journalist David Bennun concurred, "In a way, Love is right. Brian Wilson would never again generate something as thrilling as Heroes And Villains, or any of the other, numerous, breathtaking tracks he had constructed for the band in their so far brief career." 2482:

According to Slowinski, an earlier vocal session for "I'm in Great Shape" with all six Beach Boys was logged on October 17, "but no tape bearing that description has turned up in a search of Capitol and BRI vaults... although there's a chance the VEGETABLES 'Corncuopia' demo MAY have been recorded at

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Other missing tape reels date from tracking sessions held on December 19, 1966, January 20, and March 2, 1967 ("Part II Insert"), as well as vocal sessions held on December 13, December 22 ("insert overdub"), December 27–28, 1966 (Brian-only overdubs), and January 20, January 31, February 3, February

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An instrumental arrangement of "Cantina", written by Sahanaja, was added as an introduction to "I'm in Great Shape", the song which begins the album's third movement. This time, the "explosion" tape delay effect was created with a digital plug-in. According to Sahanaja, the placement of "I'm in Great

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on September 11, a session which included a runthrough of "Heroes and Villains". A surviving audio tape of this performance features an overdubbed spoken-word monologue, given by Mike Love, in which he ridicules the song. Carlin writes that the track was likely not intended for release as Love's rant

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Some commentators blame the shifts in contemporary pop culture for the record's failure. Starr disputed the suggestion; instead, the song's "relatively limited appeal may be ascribed to two factors that remained problematic, or sometimes even disappointing, in the Beach Boys’ output for the remaining

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said that while "Heroes and Villains" was more adventurous than "Good Vibrations", listeners could not relate to the song's lyrics, which obscured the single's legacy. Academic Larry Starr explained that the Wild West-themed subject matter "lacked any context whatsoever in the cultural environment of

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songs, "The Old Master Painter" is a song that evokes God in its lyrics. "You Are My Sunshine" ends with a string section descending to a low discordance where Brian used the adjectives "snappy" and "draggy" to instruct session players. The master take for "You Are My Sunshine" was spliced out of the

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sessions, with the total production costs estimated at around $ 40,000 (equivalent to $ 370,000 in 2023), a sum that was possibly three to four times greater than that for "Good Vibrations". Wilson also worked on and revised "Heroes and Villains" more than any other track for the LP. He experimented

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Wilson held onto the final mix of the song for about a month. On the evening of July 11, 1967, he was told by his astrologer (a woman named Genevelyn) that the time was right for the record to be heard by the public. Without informing Capitol, Wilson called his bandmates and, accompanied by producer

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sessions, recalled: "We had the complete song, but they just wanted to use part of it. Brian wanted to change what had been done on the rest of it. I think he wanted instrumentally and vocally to make it more complex. I think he wanted to finish the song, it was a challenge to him." Like many of the

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On March 2, 1967, after a session for "Heroes and Villains", Wilson and Parks ran into disagreements, possibly over lyrics, and temporarily dissolved their partnership. On March 18, KMEM in San Bernardino conducted a radio survey that reported that Wilson was busy preparing "Heroes and Villains" and

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s Ed Howard writes, "'Heroes & Villains' told a story, though the actual narrative changed depending on what sections were being added or discarded at any given time." In reference to "I'm in Great Shape", Parks commented: "it's interesting how there was, all of a sudden, this turning to eggs

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included new rerecordings of "Gee", "Heroes and Villains", "Barnyard", "The Old Master Painter", and "I'm in Great Shape". In this version, the discarded "Cantina" section was restored in "Heroes and Villains". Sahanaja recalled that the group had "already been performing a version of the song that

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that the album and its lead single "Heroes and Villains" would probably be delivered "some time prior to January 15". He attempted to ease Capitol's concerns over the album's delay by delivering a handwritten note that contained an unordered, preliminary track listing. "I'm in Great Shape" and "The

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Vosse recalled that "there must have been a dozen versions. The best version I heard, which was never completed, but at least I could see the form of it, was an A side B side version lasting about six minutes. It was a beautifully structured work; and Van Dyke was still very involved." Wilson later

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Brian Wilson – vocals, upright piano ("Do a Lot" and "Bag of Tricks"), tack piano, overdubbed handclaps ("Part 1 Tag"), overdubbed grand piano ("Do a Lot"), overdubbed whistling ("Do a Lot", uncertain credit), overdubbed guiro, "choo-choo train" recorder, steam engine percussion, duck quack, noise

1385:" in 1976. Jardine told an interviewer that Parks felt his contributions destroyed the band's commercial momentum: "Y’know, he actually apologized to me - for 'ruining my career.' I said, 'Van Dyke, not only did you not ruin it but you enhanced it! You enhanced our knowledge just by being there." 1138:

The chorus featured a theme that was cannibalized from "Do You Like Worms?". According to Jardine, the "most important part of the song" was the change from E minor to A major, "The choruses repeat and you’d hear the theme repeated and repeated in the song. That’s very similar with what classical

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recording sessions were marked by tension, a contrast from the joyous atmosphere that began the project. In one section of "Heroes and Villains", Wilson instructed his bandmates to crawl on the floor of the studio and make pig-like snorting sounds. Jardine remembered, "You hear a bunch of snorting

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and recorded an instrumental take of "Heroes and Villains" with a 2:45 runtime. According to Badman, the session was conducted as an experiment and was not a full-fledged recording. It is one of the many recordings of the songs that have since been presumed missing or lost. According to journalist

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In Carlin's interpretation, the song describes "a lawless boomtown somewhere out on the fringes of the Old West" as told from the perspective of a narrator who "speaks as a man who has become a part of the scene, but not of it, exactly, because he's still so thrilled and terrified by everything he

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compilation included a hypothetical version of the original album that was based on Wilson's 2004 version, albeit with a few changes in the sequencing. Among these revisions was the placement of "I'm in Great Shape", which became sandwiched between "Do You Like Worms?" and "Barnyard". Asked about

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recordings that made it into the final edit was portions of the backing track that had been recorded in October 1966. The final edit featured a complex vocal arrangement, unusual formal juxtapositions, tempo changes, and other novel elements. It starts at a fast tempo, alternates between a slower

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that there was intended to be a piece called the "Barnyard Suite", which would have been "four songs in four short pieces, combined together, but we never finished that one. We got into something else." The only consistent element among the many versions of "Heroes and Villains" was that the song

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Wilson's bandmates and associates later voiced dissatisfaction with the released version, believing that the mix was vastly inferior to his earlier, lengthier edits. Commentators blame the record's failure on the esoteric lyrics, the "muddy" sound quality, and the late timing of the release. It

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sessions as Wilson experimented with at least a dozen versions of the track, some of which ranged in length from six to eight minutes. Wilson discarded almost everything that was recorded, with expenses totaling around $ 40,000 (equivalent to $ 370,000 in 2023). Most of the final composite was

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Dennis Wilson – vocals, overdubbed thump percussion ("Do a Lot", uncertain credit), bass drum and jug with mallet ("Bag of Tricks"), overdubbed handclaps ("Part 1 Tag"), overdubbed guiro, "choo-choo train" recorder, steam engine percussion, duck quack, noise maker, whistles, bells ("Bag of

731:. Kent wrote that, during a session, Wilson attempted to recreate a "ghoulish" voice in his head by "taking a tape of some acappella Beach Boys vocal horse-play and slowing it down until it was just this vast swamp-like groan of terror. It was the scariest sound of anything he created for 587:

out of the Southwest. That's what it was intended to be—as good as any of those—and, really, to be a ballad. This Spanish and Indian fascination is a big chapter in Californian history, and that's what it's supposed to be—historically reflective, to reflect this place. I think it did it.

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Work on the song continued throughout February and March. At the end of February, the band launched a lawsuit against Capitol that sought neglected royalty payments and a dissolution of their contract with the label. Following this, Wilson announced that the album's lead single would be

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On February 10, Wilson completed a mix of "Heroes and Villains", later known as the "Cantina" version, that ended with a coda extracted from "My Only Sunshine". Wilson soon discarded this version and the master tape was later lost, leaving just a safety copy of the mix. On February 16,

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told Preiss that "Heroes and Villains" was "as big if not bigger than 'Good Vibrations' in its original form. I thought it was a fantastic song, a great, rich full sound. We had our basic unit-an organ, drums, basses, and guitars. Mostly everything we did had the same amount of basic

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In Parks' recollection, all but one section of "Heroes and Villains" was written entirely "in one sitting". The success of the pair's collaboration led to them writing more songs with an Old West theme, including "Barnyard" and "I'm in Great Shape". It became an integral track for the

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popular music in 1967, an environment immersed in the emerging counterculture and one that tended to prize lyrics with marked personal or social 'relevance.'" Doggett felt that while the song was "beautiful and intriguing", it was "nowhere near as commercial as 'Good Vibrations'."

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and "Heroes and Villains" to March 1967. Possibly due to their insistence on a ready single, Wilson returned to work on "Heroes and Villains" on December 19, 1966 after which he halted work on most of the album's other tracks until April 1967. According to former band associate

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that while it seemed like "the Beatles had outdistanced the Beach Boys" during the previous summer, "some people think is better than anything the Beatles ever wrote." At the end of the year, French radio listeners selected "Heroes and Villains" as the "Record of the Year".

1020:, "Only a scoundrel would dispute the claim that 'Heroes and Villains' is the most famous single not yet recorded. it is a fact that the single, at the time of writing, is not completed and many people here are troubled. But Brian Wilson is not one of them." 1450:

In every recording group's career comes that moment when you realize you have a nuclear bomb on your hands. Right now, Brian Wilson, leader of the Beach Boys, is about to unleash his nuclear power and sing for you the song that went all the way to forty!

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In April, Wilson paused work on "Heroes and Villains" to focus on "Vega-Tables" for two weeks. Parks' last recorded appearance on the album's sessions was for a "Vega-Tables" date on April 14, after which Wilson took a four-week break from the studio.

635:. Parks said the lyrics were actually centered around an American Indian "thing" in which he and Wilson "were trying to exculpate our guilt, to atone for what we had done to the aborigines of our own place. There's a lot of things about belief in 568:

wrote that, during one night at Wilson's home, Wilson played a past-tense variation on "You Are My Sunshine" on piano that deviated into "this weird little riff". Vosse said, "And it hit him, man, right then that he wanted a barn yard—he wanted

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includes this version of "Heroes and Villains", albeit with Love's monologue omitted. The band's concerts in Hawaii marked the last time Wilson sang "Heroes and Villains" before a public audience until 2001, when he performed the song at a

691:"Heroes and Villains" had the most complex making of any song in the band's history, with dozens of sections and themes recorded for the track. Approximately 30 session dates were devoted to the song. Recording spanned virtually the entire 665:

cover artwork, created an illustration that was inspired by the song's lyrics: "The rain of bullets that eventually brought her down". Along with several other drawings, it was planned to be included within a booklet packaged with the

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lamented that while she appreciated certain aspects of the song on repeated listens, "the record as a whole is disappointing. one has, perhaps, just come to expect too much from the Beach Boys. And this isn't it!" In his review for

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During a 1973 interview, he performed the beginning of "Heroes and Villains" on piano and shifted to an "unfamiliar lyric and tune", explained by Wilson to be the song's full original version. Marilyn was astonished when told of the

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Brian Wilson – lead and backing vocals, thigh slap, overdubbed tack piano ("Children Were Raised"), tack piano ("Part 2"), vocals ("Bag of Tricks"), whistling ("Whistling Bridge", uncertain credit), piano with strings taped ("All

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There are conflicting reports regarding who came up with the title. Wilson credited Parks with naming the song, but Parks denied this, saying that he wrote the lyrics around the title that Wilson had suggested. Wilson's then-wife

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shifts from "mock-serious to bitterly sarcastic" and "becomes even more barbed as he goes on". He surmised that another laughing voice in the audio belonged to Wilson, and that Wilson may have coordinated the recording himself.

1526:' and 'Workshop” was the disoriented, reality defying portion of the performance. Shaking things up and slightly derailing before getting back on track–as if a metaphor for life. It seemed to fit for those reasons." 420:

remains one of the lesser-known hit songs in the Beach Boys' catalog. For Wilson, the single's failure came to serve as a pivotal point in his psychological decline, and he adopted the song title as a term for his

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with myriad versions of the song, some of which ranged in length from six to eight minutes. Numerous rough mixes were completed, including at least four substantially different versions. It is the only track on

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and grits. It's because it had something to do with the thought of a barnyard, and that related to that place we were trying to come up with in 'Heroes And Villains'. All those lyrics were visual efforts."

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album, Parks wrote the words while Wilson composed the music. When presented the descending melody at the initial writing session, occurring a few days after their first meeting, Parks was reminded of the

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Despite its relatively high chart placement, "Heroes and Villains" remains one of the lesser-known songs in the Beach Boys' catalog. It was one of the last Beach Boys singles to break the US top 20 until

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s Keith Altham, who reported, "His particular tape ran for about six minutes. The harmonies and melodies are as intricate as one would expect. The number sounds like a combination of 'Good Vibrations',

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that "All the 12 songs for the new Beach Boys album are completed and there are plans to release the album on a rush-schedule any moment." That same day, a Taylor-penned press release, published in

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Brian Wilson – backing and harmony vocals ("Chorus Vocals"), lead and backing vocals, electric harpsichord, overdubbed baldwin organ ("Children Were Raised Remake"), lead vocals ("Barbershop")

541:, Wilson responded: "A little bit, not much. It influenced 'Heroes & Villains' and a couple of others." He credited Parks with some of the music and arrangement on "Heroes and Villains". 1415:

Despite some commentators criticisms of the song, "Heroes and Villains" has ranked highly in lists of the Beach Boys' greatest songs, and in some rankings of the greatest songs of all time.

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called it a "creatively delivered conglomeration of sounds that run the gamut from amusement park hooplah to barbershop harmony" and said that the lyrics "pose some interesting questions."

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exercises from early in the band's existence. In a 2000 interview, he stated, "We all became instruments for Brian's barbershop concept. He said, 'Let's all do this, let's sing this idea.'

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Carl Wilson – vocals, overdubbed handclaps ("Part 1 Tag"), overdubbed guiro, "choo-choo train" recorder, steam engine percussion, duck quack, noise maker, whistles, bells ("Bag of Tricks")

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at number 81 on August 6, peaked at number 12 around September 4, and dropped off the charts one week later. In Britain, the single was issued on August 18 and reached number 8 on the

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project and, later, was often called the album's "centerpiece". Wilson envisioned "Heroes and Villains" as a three-minute musical comedy that would surpass his achievements with "

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commented, "The shifts of melody and tempo are so dramatic that virtually anything could have been considered part of that song; in Brian Wilson's mind, virtually anything was."

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sees." At the song's conclusion, the protagonist "has aged and seen his children grow to adulthood" without knowing if his experiences have turned him into a hero or a villain.

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on August 31. On September 2, the BBC hired a film crew to shoot an official music video of the song that featured the group at Brian's home. The film was scheduled to air on

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in which Wilson recorded vocals before the different sections of the song was assembled. Wilson said it was also the only song he ever produced in which the bass drum was the

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commented: "There are so many screwed-up people in the music industry. The good guys and the bad guys That's one thing Brian had in mind when they did 'Heroes and Villains.

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The song was Wilson and Parks' first collaboration. Parks characterized the song as "historically reflective" and a "visual effort" that was meant to match the ballads of

504:" and immediately conceived the opening line: "I've been in this town so long that back in the city I've been taken for lost and gone and unknown for a long, long time." 377:' first release. While it failed to meet critical and commercial expectations, it was nevertheless a hit record, peaking at number 12 in the U.S. and number 8 in the UK. 7630: 977:

that "Heroes and Villains" would be released once Wilson decides on the contents of the single's B-side. She quoted Wilson as saying that he wanted to "keep as much of

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would be another instrument. With none of us really being players, we would just scat in the car going to a show or something or going to school, anywhere." Musician

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After a brief period spent re-mixing and editing the song, the record was completed with a runtime of three minutes and 36 seconds. The only remnant of the earlier

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interpreted the song as Wilson projecting "all of the feelings sensed inside of himself into vibrantly colored, abstract glimpses into another parallel world."

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Howard opined that the song was "more fractured" and "arguably more inspired" than "Good Vibrations", likening it to a "pocket opera" (a reference to the term "

1169:"Heroes and Villains" was among the most highly publicized singles in the history of rock music. Issued on July 24, it was the first release on the Beach Boys' 7170: 1062:

was now off-limits and that he wanted to rerecord "Heroes and Villains" from scratch. Vocal and instrumental tracking on the song lasted from June 12 to 14 at

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Some sections that were recorded for "Heroes and Villains" were, at one point, slated to be dedicated songs of their own. In the 1970s, Wilson told biographer

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According to Steve Desper, "I spoke to Hendrix about how he liked the Beach Boys. He said he wasn't into surf music, but thought Brian was a musical genius."

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was released with "Heroes and Villains" as the opening track. It was one of the album's two elaborately-produced tracks (the other being "Good Vibrations").

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Dennis Wilson – backing vocals, "brillo pad" percussion ("Children Were Raised") vocals ("Bag of Tricks"), whistling ("Whistling Bridge", uncertain credit)

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Bruce Johnston – vocals, overdubbed guiro, "choo-choo train" recorder, steam engine percussion, duck quack, noise maker, whistles, bells ("Bag of Tricks")

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An excerpt of a demo, recorded on November 4, 1966, in which Wilson demonstrates "I'm in Great Shape" and "Barnyard" as sections of "Heroes and Villains".

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that the forthcoming single had "five movements, each with a distinct melodic and rhythm line." On February 18, journalist Tracy Thomas reported in the

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could add a lead vocal. In 1968, a mono mixdown of the tape was created, but as of 2004, the original master had gone missing from the band's archives.

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in London. He recalled, "Everyone really got up to dance. But when the tempo changed, I knew we'd blown it with that record." Among British reviewers,

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a surprise as possible. I may end up just recording me and a piano. I tried it last night in the studio. It would be an interesting contrast, anyway."

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Al Jardine – vocals, overdubbed guiro, "choo-choo train" recorder, steam engine percussion, duck quack, noise maker, whistles, bells ("Bag of Tricks")

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Mike Love – vocals, overdubbed guiro, "choo-choo train" recorder, steam engine percussion, duck quack, noise maker, whistles, bells ("Bag of Tricks")

7665: 7625: 7615: 7610: 6852: 6424: 747: 1104:, Wilson used his recently acquired Baldwin theatre organ on the track. On some parts of the recording, the band used Wilson's swimming pool as an 307: 1522:

Shape" in the running order "was probably a performance decision. I always felt that this song building into a feedback frenzy and breaking into '

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Gene Estes – temple blocks ("Verse Remake", rehearsals only) overdubbed recorder, whistle, slide whistle, buzzer, noise maker ("Organ Waltz")

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Van Dyke Parks – tack piano ("Verse Remake") hammond organ, overdubbed recorder, whistle, slide whistle, buzzer, noise maker ("Organ Waltz")

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The final overdubs were recorded around late June or early July. On July 22, Mike Love played a version of "Heroes and Villains" for

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Mike Love – backing and harmony vocals ("Chorus Vocals"), backing vocals ("Children Were Raised Remake"), lead vocals ("Barbershop")

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stated at a press conference in Holland that "Vega-Tables" would probably be released as a single instead of "Heroes and Villains".

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sessionographer Craig Slowinski, "It is possible the missing 1967 dates represent additional work on previously existing masters."

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When the Beach Boys performed "Heroes and Villains" in the 1970s, they added the "Bicycle Rider" lyrics from "Do You Like Worms?".

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Carl Wilson – backing vocals ("Children Were Raised"), vocals ("Bag of Tricks"), whistling ("Whistling Bridge", uncertain credit)

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Brian Wilson – organ bass pedals, grand piano, overdubbed recorder, whistle, slide whistle, buzzer, noise maker ("Organ Waltz")

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Bill Pitman – Danelectro bass ("Verse Remake") overdubbed recorder, whistle, slide whistle, buzzer, noise maker ("Organ Waltz")

1294:, Nick Jones praised the song as "another masterpiece of production from Wilson and another move in his flowery progression." 1010:, "and he's informed the Capitol bosses that he doesn't intend to 'hold back' on these projects." On March 21, band publicist 7660: 5659: 5191: 5058: 4913: 4508: 2950: 396:". Early versions included sections with lyrics about farm animals ("Barnyard") and physical health ("I'm in Great Shape"). 7080: 6049: 1043:

had been "scrapped" by Wilson. On May 11, Wilson returned to work on "Heroes and Villains" for a single session. On May 14,

399:"Heroes and Villains" had the most complex making of any song in the band's history. Recording spanned virtually the entire 444:

Wilson had been working on "Heroes and Villains" for some time before he asked Parks to be his lyricist in mid-July 1966.

7600: 7515: 6874: 6735: 4281: 704:. "Great boom boom. People across the street were saying, 'Hey—whatever you're doing sounds great!' Thank you very much!" 489:"Heroes and Villains" was the first song that Wilson and Parks wrote together. As with the others that they wrote for the 5498: 1491: 877:

Old Master Painter" were both listed as a separate track from "Heroes and Villains". Capitol delayed the release date of

6523: 6233: 5809: 5666: 5536: 4126: 3454: 3277: 2093:(series of unused early modules recorded, "Do a Lot" eventually became a module of "Vega-Tables" and later "Mama Says") 712:

began with the "I've been in this town ..." verse. From there, the rest of the track was constantly revised. Journalist

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instrumentation. I think there was a harpsichord in the back of the room and a harp played by Mike’s sister, Maureen."

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Critical reaction to the single was mixed. David Anderle later said that whatever new fans the group had brought with

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Wilson's bandmates did not feel that his final edit was as good as his earlier versions, and according to biographer

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composers used to do, and that’s what I liked. I really enjoyed the recurring themes with different arrangements."

1039:, revealed that "Heroes and Villains" was delayed due to "technical difficulties". On May 6, Taylor announced that 742: 520: 290: 4171: 1147: 1135:

chorus, and at the end, shifts to an out-of-tempo a capella section that leads abruptly into the chorus fade-out.

7445: 6545: 6461: 6216: 5575: 1801: 995:"Heroes and Villains" sent me on a whole trip. I couldn't do it. I went on a two-month bummer over that record. 1862:

liner notes, which includes a sessionography compiled by band archivist Craig Slowinski. and from Keith Badman.

945:

An excerpt of various outtakes used for an alternate edit of "Heroes and Villains" created on February 10, 1967.

6319: 5949: 5757: 1927: 1706: 872:

was first projected for a December 1966 release date. On December 15, Wilson informed Capitol A&R director

822: 570: 128: 7380: 6692: 6413: 6084: 3364: 2225:

Gene Estes - temple blocks ("Prelude to Fade", played bicycle horn, bicycle bells, and siren on earlier takes)

92: 4552: 4347: 7568: 7268: 6761: 6637: 6279: 5708: 5603: 2341:

Dennis Wilson – backing and harmony vocals ("Chorus Vocals"), backing vocals ("Children Were Raised Remake")

1625: 1173:

and failed to match the commercial success of "Good Vibrations" by a considerable degree. It debuted on the

821:"Barnyard" and the backing track verses of "Heroes and Villains" were both recorded on October 20, 1966 at 7511: 7467: 7308: 6881: 6644: 6468: 6123: 5913: 5736: 5522: 2833:"Our Exagmination Round His Factification For Incamination of Work in Progress: Michael Vosse Talks About 2344:

Carl Wilson – backing and harmony vocals ("Chorus Vocals"), backing vocals ("Children Were Raised Remake")

1250:

reviewed it as "clever off-beat rock material with an arrangement that encompasses barbershop harmony and

849: 728: 477: 421: 6116: 6056: 5384: 7645: 7595: 7228: 7015: 6549: 6538: 6527: 5617: 5316: 1940:(this session produced the master take of the verse instrumental, and the discarded "Barnyard" section) 1821: 1673: 1542: 1067: 385: 6615: 5631: 1537: 1518:

incorporated the 'Cantina' section, and so Brian wanted to go with that structure for the recording."

7416: 6848: 6571: 6567: 6294: 5874: 5680: 4179: 3494: 1766: 1482: 1429:

founder Paul Williams listed it as one of the 100 greatest rock singles of all time in his 1993 book

1246: 1016: 1949:

Carol Kaye – acoustic rhythm guitar ("Verse", uncertain), lead guitar ("Barnyard", uncertain credit)

1408:

years of the 1960s: the lyrics, and the production values." Considering the rich orchestrations of

1372: 55: 7590: 7362: 7106: 6931: 6516: 5963: 5917: 5888: 4557: 4041: 911: 842: 471: 413: 393: 31: 6906: 6895: 6703: 6457: 6063: 6013: 6006: 5848: 5836: 5750: 5722: 5652: 5596: 5589: 5543: 5423: 4809: 4688: 4328: 3446: 2469: 1550: 1324: 1273: 1225: 1153: 432: 5529: 5073: 4872: 4665: 1477: 1462: 1314:

referred to the song as "pointless" and a weak follow-up to "Good Vibrations". Music journalist

1244:: "Don’t particularly like the Beach Boys. Makes me think of a psychedelic barbershop quartet!" 392:. Some accounts suggest that the song developed partly from a Wilson reworking of the standard " 2325:

Diane Rovell - overdubbed recorder, whistle, slide whistle, buzzer, noise maker ("Organ Waltz")

1191:

compiled a music video of "Heroes and Villains" set to footage of surfers riding waves for the

886:, in December 1966, Wilson was unable to decide if "Heroes and Villains" should be the single. 7128: 7011: 6677: 6479: 6446: 6287: 6186: 5992: 5981: 5743: 5568: 5430: 5370: 5211: 5205: 5187: 5165: 5133: 5111: 5086: 5054: 5030: 5006: 4982: 4961: 4935: 4909: 4885: 4853: 4830: 4771: 4750: 4717: 4504: 4297: 3558: 3486: 2694: 2492:

He returned to this effect on another section of "Heroes and Villains" recorded in early 1967.

2412: 1523: 1174: 1063: 899: 760: 608: 405: 132: 85: 4976: 4927: 4260: 2688: 7340: 7084: 7026: 6870: 6841: 6823: 6779: 6681: 6593: 6589: 6144: 6020: 5466: 4801: 4353: 3088: 2444:, Wilson plays a piano version of "Rhapsody in Blue" that segues into "Heroes and Villains". 1661: 1236:

were "immediately lost with the release of 'Heroes of Villains.'" In reference to the song,

1181: 1070:

that weekend because of commitments to deliver the "Heroes and Villains" single to Capitol.

907: 903: 533: 123: 4745:

The Beach Boys: The Definitive Diary of America's Greatest Band, on Stage and in the Studio

7500: 7301: 7239: 7073: 7044: 6982: 6964: 6837: 6655: 6578: 6325: 6176: 6091: 6027: 5694: 5416: 5409: 4698: 4167: 3568: 3442: 3269: 2400: 2350:

Al Jardine – lead vocals ("Chorus Vocals"), backing vocals ("Children Were Raised Remake")

1668: 1649: 1613: 1417: 1396: 1361: 1284: 1197: 1170: 768:, this early take may have included a section that quoted "You Are My Sunshine". Engineer 658: 650: 620: 557:

that he was going "'to make a record that's better than 'Good Vibrations', something that

550: 528: 374: 370: 243: 219: 186: 182: 151: 4787:"My Regeneration: "Heroes and Villains" and the Salvation of Brian Wilson Presents Smile" 723:

One of Wilson's "Heroes and Villains" recording experiments was, according to journalist

5079: 4878: 4846: 4293: 2207:

Van Dyke Parks - piano with strings taped ("Prelude to Fade") tack piano ("Piano Theme")

1421:

magazine named the song the 7th greatest by the Beach Boys, while the French edition of

7335: 7232: 6899: 6750: 6648: 6367: 6191: 6166: 5504: 5155: 5105: 5044: 5020: 4823: 4743: 4694: 4380: 3564: 3438: 3265: 2080: 1962: 1906: 1790: 1738: 1269: 1120: 834: 765: 745:

wrote that the song "originally had a chorus of dogs barking, cropped when Brian heard

671: 600: 512: 501: 470:. Kooper remembered that the song had "evolved, I believe, from a Wilson revamping of ' 362: 342: 230: 208: 67: 63: 2832: 1341:

project. Doggett called the "saga" of the song's recording a "microcosm of the entire

369:-themed musical comedy that would surpass the recording and artistic achievements of " 7584: 7420: 7387: 7358: 6913: 6830: 6582: 6501: 6206: 6161: 5516: 5151: 4954: 4899: 4867: 4813: 3591: 2828: 2353: 2172: 1809: 1777: 1762: 1630: 1600: 1306: 1188: 1163: 1086: 969: 902:". Similarly, on January 27, a section called "All Day" was recorded. Also known as " 883: 873: 858: 713: 565: 497: 482: 381: 1870:(this session was taped over, and no copy of the recording from this date survives) 1058:

By June, Brian had declared to his bandmates that most of the material recorded for

436:

was released with an entire disc devoted to the song's original recording sessions.

6993: 6633: 6512: 6301: 6201: 6196: 6181: 5999: 5924: 5822: 5715: 5645: 5552: 5340: 5125: 5068: 4996: 4323: 4036: 1996: 1976: 1958: 1943:

Gene Estes – slide whistle ("Verse", timpani on earlier takes), shaker ("Barnyard")

1921: 1847: 1750: 1701: 1656: 1618: 1315: 1290: 1262: 1237: 1221: 1217: 1105: 1091: 1011: 830: 708: 554: 516: 449: 358: 347: 203: 177: 76: 4805: 2958: 553:". In a 1977 radio interview, he offered an anecdote in which he told his father, 5159: 5048: 5024: 5000: 4903: 4765: 1360:

Wilson would sometimes refer to the voices in his head as "heroes and villains".

1089:

wrote that "Heroes and Villains" was the only track prepared for the forthcoming

937: 796: 305: 7261: 7203: 6611: 6171: 5701: 5582: 4342: 4286: 3187:"Beach Boys – 8 Original "Smile" Acetates from the collection of Van Dyke Parks" 2013: 1953: 1833: 1816: 1771: 1758: 1556: 1348: 1311: 1044: 769: 653:' illustration for the song: "The rain of bullets eventually brought her down". 640: 632: 453: 143: 1578:. Many unreleased sections of the song were also compiled for the 1993 box set 848:

On November 14, Wilson recorded "My Only Sunshine", a medley of the standards "

17: 7315: 7163: 6472: 6417: 6392: 6273: 5867: 5638: 5444: 5391: 5297: 5282: 5267: 5256: 5245: 5236: 5232: 5201: 4949: 3554: 3432: 3369: 2759: 1900: 1879: 1873: 1837: 1827: 1754: 1732: 1688: 1637: 1389: 1078: 1073: 954: 813: 737: 527:" – particularly the former's bass line. Asked in 2004 about the influence of 466: 445: 322: 284: 194: 3490: 2142:

Mike Love – backing vocals ("Children Were Raised"), vocals ("Bag of Tricks")

37:

This article is about the 1967 single by the Beach Boys. For other uses, see

7124: 6957: 6130: 4923: 4767:

Catch a Wave: The Rise, Fall, and Redemption of the Beach Boys' Brian Wilson

2684: 2623: 1843: 1744: 1560: 1457: 895: 724: 646: 461: 457: 2483:

that session (the master # assigned to that session's product was #56728)."

1095:

album that Wilson "really cared about". Jim Lockhert, the engineer for the

910:". At some point, Wilson began considering "Bicycle Rider", a module from " 845:

are also featured on this recording – the former providing animal sounds.

7174: 6336: 2176: 2129:("All Day" evolves into "Love to Say Dada" and later "Cool, Cool Water") 1912: 1256: 838: 701: 508: 366: 5107:

Good Vibrations: Brian Wilson and the Beach Boys in Critical Perspective

3857:"Al Jardine of the Beach Boys: Everything You Ever Wanted To Know About 631:

Contrary to a popular rumor, the song was not written about the nascent

2565: 2003: 5074:"The Religious Conversion of Brian Wilson: Goodbye Surfing, Hello God" 4825:

Long Promised Road: Carl Wilson, Soul of the Beach Boys: The Biography

4608:"The AD Interview :: Darian Sahanaja (Behind The Smile Sessions)" 2453:

A track called "The Barnyard Suite" was mentioned in an article about

1541:

The Beach Boys performing "Heroes and Villains" in 2012, during their

303: 6077: 2501:

Older published materials mistakenly refer to the coda as "Barnyard".

1481:. Due to technical difficulties, they decided to record the album at 584: 1570:, in 1990, the "Cantina" mix was included on a "two-fer" reissue of 751:, and was in many ways - the bicycle rider - a far different song." 2181:

Brian Wilson – lead vocals, laughter and backing vocals, tack piano

931:"Cantina"–"Children Were Raised"–alternate verse–"Whistling Bridge" 481:"Heroes and Villains" was partly inspired by the ballads of singer 448:

surmised that the song derived in part from the group's improvised

2666: 1680: 1642:

Add Some Music to Your Day: 1970 Symphonic Tribute to Brian Wilson

1536: 1460:'s mock-introduction of "Heroes and Villains", from an unreleased 1371: 1216: 1146: 1072: 645: 476: 408:. The chorus featured a theme that was cannibalized from another 5130:

The Beach Boys FAQ: All That's Left to Know About America's Band

1989:(this session produced the instrumental recording later used on 1251: 6340: 5781: 5312: 5308: 2307:

Carol Kaye – acoustic rhythm guitar ("Verse Remake", uncertain)

4848:

Fifty Sides of the Beach Boys: The Songs That Tell Their Story

1400: 1192: 618:

Alternate versions of the song tell a different narrative, as

3310: 3308: 1967:

Van Dyke Parks – tack piano, animal sounds (uncertain credit)

1205:

around September 21 but was later scrapped. On September 18,

424:. In 2004, Wilson remade the song and its related pieces for 388:, including references to the involvement of the Spanish and 2310:

Ronald Benson – baritone ukulele with stick ("Verse Remake")

919: 914:", for inclusion in the structure of "Heroes and Villains". 778: 5081:

Back to the Beach: A Brian Wilson and the Beach Boys Reader

4880:

Back to the Beach: A Brian Wilson and the Beach Boys Reader

1946:

Jim Gordon – drums ("Verse"), conga with stick ("Barnyard")

561:

could never do. I don't know why in the hell I said that."

4928:"The Last Beach Movie Revisited: The Life of Brian Wilson" 4716:(in Finnish) (1st ed.). Helsinki: Tammi. p. 96. 2231:

George Hyde - french horn with flutter ("Prelude to Fade")

985:"Vega-Tables", a song that he had yet to start recording. 4582: 4580: 4522: 4520: 4231: 4229: 4204: 4202: 1475:, the Beach Boys attempted to make a live album known as 865:

Delays and further recording (December 1966 – March 1967)

5777: 5184:

Brian Wilson & The Beach Boys How Deep Is The Ocean?

4632: 4630: 4628: 3983: 3981: 3979: 3977: 3952: 3950: 3948: 3923: 3921: 3919: 3917: 3915: 3890: 3888: 3886: 3792: 3790: 3748: 3746: 3744: 3742: 3740: 3691: 3689: 3604: 3602: 3532: 3530: 3528: 3526: 3524: 3169: 3167: 3154: 3152: 3139: 3137: 2999: 2997: 2984: 2982: 2980: 2295:(discarded remake of the verse backing track and intro) 2148:

Bruce Johnston – backing vocals ("Children Were Raised")

6110:

Fall Breaks and Back to Winter (W. Woodpecker Symphony)

5378:

Fall Breaks and Back to Winter (W. Woodpecker Symphony)

3821: 3819: 3817: 3765: 3763: 3761: 2873: 2871: 2869: 2856: 2854: 2852: 2850: 2726: 2724: 2722: 2210:

Carol Kaye – acoustic rhythm guitar ("Prelude to Fade")

1812:, shaker (uncertain credit), "clank" (uncertain credit) 1498:

Radio City Music Hall tribute concert held in his honor

825:. "Barnyard" featured animal noises roared by Wilson's 6246:

Beautiful Dreamer: Brian Wilson and the Story of Smile

2641: 2639: 2637: 2635: 2633: 2441:

Beautiful Dreamer: Brian Wilson and the Story of Smile

1301:

s critic described the song as "weirdly fascinating".

4905:

Heroes and Villains: The True Story of The Beach Boys

2304:

Carl Wilson – electric rhythm guitar ("Verse Remake")

1151:

Advertisement for "Heroes and Villains", featured in

670:

LP. Holmes shared a summary of his design choices in

564:

In a self-penned 1969 article, former band associate

30:"My Only Sunshine" redirects here. For the song, see 2319:

Chuck Berghofer – arco upright bass ("Verse Remake")

2169:

Mike Love – lead vocals, laughter and backing vocals

2145:

Al Jardine – backing vocals ("Children Were Raised")

2119:

unknown - french horn (early takes of Bag of Tricks)

2116:

unknown - french horn (early takes of Bag of Tricks)

988: 515:

speculated that Wilson may have based the verses on

7525: 7492: 7485: 7455: 7437: 7408: 7401: 7372: 7350: 7325: 7289: 7253: 7220: 7195: 7188: 7138: 7116: 7094: 7054: 7036: 7003: 6974: 6945: 6862: 6811: 6804: 6771: 6727: 6669: 6625: 6559: 6493: 6438: 6405: 6384: 6377: 6311: 6225: 6154: 6101: 6041: 5973: 5934: 5859: 5846: 5490: 5458: 5401: 5355: 5348: 5050:

Smile: The Story of Brian Wilson's Lost Masterpiece

3549: 3547: 3545: 3434:

The Smile Sessions: "Heroes And Villains: Do A Lot"

2025:(this session produced the recording later used on 1266:called it "a strange, appealing, harmonious song." 727:, directly inspired by his emerging struggles with 676:

Smile: The Story of Brian Wilson's Lost Masterpiece

296: 278: 229: 217: 192: 176: 160: 142: 122: 114: 99: 83: 73: 62: 48: 5078: 5072: 4953: 4877: 4871: 4845: 4822: 4742: 4346: 4285: 2667:"Alan Jardine: A Beach Boy Still Riding The Waves" 2246:John (Vidor) Vidusich - violin ("Prelude to Fade") 2044:Jim Gordon – drums, sticks (shaker on early takes) 6240:The Beach Boys' unreleased and bootleg recordings 2944: 2942: 2519:It later appeared in Clifton's 1969 film collage 2216:Bill Pitman - danelectro bass ("Prelude to Fade") 4829:(1st ed.). London, England: Jawbone Press. 2940: 2938: 2936: 2934: 2932: 2930: 2928: 2926: 2924: 2922: 1970:Bill Pitman – Danelectro bass (uncertain credit) 1894:Bill Pitman – Danelectro bass (uncertain credit) 6260:Good Vibrations: Thirty Years of the Beach Boys 4932:The Dark Stuff: Selected Writings on Rock Music 4284:(1974). "Brian Wilson". In Coleman, Ray (ed.). 3459:: CS1 maint: others in cite AV media (notes) ( 3407: 3282:: CS1 maint: others in cite AV media (notes) ( 3256: 2510:Other sources give July 31 as the release date. 1581:Good Vibrations: Thirty Years of the Beach Boys 1448: 993: 581: 118:October 20, 1966 – June 14, 1967 4662:"Fantastic Mr. Fox Soundtrack Listing | /Film" 4601: 4599: 4597: 4595: 3254: 3252: 3250: 3248: 3246: 3244: 3242: 3240: 3238: 3236: 2356:– backing and harmony vocals ("Chorus Vocals") 6352: 5793: 5324: 3808: 2213:Ray Pohlman - fender bass ("Prelude to Fade") 1858:The details in this section are adapted from 507:Wilson told Parks that he had thought of the 384:. He said the lyrics were based on the early 8: 3850: 3848: 3846: 2823: 2821: 2690:Backstage Passes & Backstabbing Bastards 2255:Alexander Nieman - viola ("Prelude to Fade") 2249:Walter Wiemeyer - violin ("Prelude to Fade") 2243:Ralph Schaeffer - violin ("Prelude to Fade") 2237:William Kurasch - violin ("Prelude to Fade") 2228:Tommy Morgan - harmonica ("Prelude to Fade") 2219:Lyle Ritz - upright bass ("Prelude to Fade") 2166:Bruce Johnston – laughter and backing vocals 989:Parks' departure and hiatus (March–May 1967) 735:..." In the September/October 1967 issue of 3483:The Journal on the Art of Record Production 2261:Joseph DiTullio - cello ("Prelude to Fade") 2240:Jerome Reisler - violin ("Prelude to Fade") 2187:Dennis Wilson – laughter and backing vocals 2068:Diane Rovell – additional vocals (part two) 2002:Van Dyke Parks – piano with taped strings ( 1891:Carol Kaye – Fender bass (uncertain credit) 1830:– acoustic rhythm guitar (uncertain credit) 1761:, sandpaper percussion (uncertain credit), 1710:and also appeared on the soundtrack album. 1700:In 2009, "Heroes and Villains" was used in 583:To me, "Heroes And Villains" sounds like a 7636:Song recordings produced by the Beach Boys 7489: 7405: 7192: 6808: 6381: 6359: 6345: 6337: 5856: 5800: 5786: 5778: 5352: 5331: 5317: 5309: 5154:(1995). "A Celebration of Wild Honey". In 4276: 4274: 2620:"The Beach Boys: Deconstructing A Classic" 2370: 2252:Norman Botnick - viola ("Prelude to Fade") 1973:Lyle Ritz – upright bass (arco in "Verse") 1594:List of cover versions of Beach Boys songs 54: 45: 4908:(1st ed.). New York: Da Capo Press. 4714:Suomi soi 4: Suuri suomalainen listakirja 2660: 2658: 2656: 2654: 2613: 2611: 2609: 2258:Jesse Ehrlich - cello ("Prelude to Fade") 2204:Brian Wilson - tack piano ("Piano Theme") 2184:Carl Wilson – laughter and backing vocals 2160:Gene Gaddy – "You're under arrest!" voice 456:would be one instrument, I'd be another. 7631:Song recordings produced by Brian Wilson 4461: 3587:"Los Angeles: The Vanishing Underground" 3215: 3082: 3080: 3078: 3076: 3074: 3072: 2559: 2557: 2467:24, and February 26, 1967. According to 2163:Al Jardine – laughter and backing vocals 2097:maker, whistles, bells ("Bag of Tricks") 537:on the recurring melodies and themes on 6014:The Elements: Fire (Mrs. O'Leary's Cow) 5299:Heroes and Villains (1972 live version) 4413: 4055: 3449:from the original on December 12, 2021. 3143: 2553: 2431: 1304:In an editorial published in December, 1224:dismissed the single as a "psychedelic 511:when conceiving the melody. Journalist 72: 61: 6954:You Need a Mess of Help to Stand Alone 5889:Do You Like Worms (Roll Plymouth Rock) 4956:The Beach Boys and the California Myth 4586: 4571: 4538: 4526: 4437: 4247: 4235: 4220: 4208: 4193: 4154: 4023: 3999: 3987: 3968: 3956: 3927: 3906: 3894: 3837: 3796: 3781: 3752: 3731: 3719: 3707: 3695: 3680: 3668: 3656: 3644: 3632: 3620: 3608: 3536: 3515: 3479:"SMiLE: Brian Wilson's Musical Mosaic" 3472: 3470: 3452: 3419: 3395: 3383: 3350: 3338: 3326: 3314: 3299: 3275: 3227: 3173: 3158: 3128: 3063: 3051: 3039: 3027: 3015: 3003: 2988: 2971: 2913: 2901: 2889: 2877: 2860: 2812: 2800: 2788: 2742: 2730: 2713: 2645: 2234:Sid Sharp - violin ("Prelude to Fade") 2222:Hal Blaine - drums ("Prelude to Fade") 1918:Bill Green – clarinet, tenor saxophone 1747:– co-lead, backing, and harmony vocals 952: 811: 341:" is a song by the American rock band 4648: 4636: 4449: 4385:"Brian Wilson Remembers How To Smile" 3825: 3769: 3116: 2776: 2753: 2751: 2438:In a scene from the 2004 documentary 2077:Dennis Wilson – lead vocal (part one) 1753:– lead, backing, and harmony vocals, 7: 4764:Carlin, Peter Ames (July 25, 2006). 4664:. September 16, 2012. Archived from 4425: 4367: 4011: 3939: 3365:"The Beach Boys: The SMiLE Sessions" 3203: 3089:"The Resurrection of Brian Wilson's 2074:Brian Wilson – lead vocal (part two) 1718:Per band archivist Craig Slowinski. 1431:Rock and Roll: The 100 Best Singles. 39:Heroes and Villains (disambiguation) 5100:Starr, Larry (2016). "A Listener's 4978:The Words and Music of Brian Wilson 4501:Rock and Roll: The 100 Best Singles 4475:"The Beach Boys' 50 Greatest Songs" 3363:Britt, Thomas (December 15, 2011). 2618:Luecking, Eric (January 12, 2012). 2592:"The Essential Beach Boys Playlist" 2521:Popcorn: An Audio-Visual Rock Thing 2301:Hal Blaine – drums ("Verse Remake") 2047:Carol Kaye – acoustic rhythm guitar 365:, Wilson envisioned the song as an 7464:I Just Wasn't Made for These Times 7430:" / "Problem Child (Instrumental)" 5688:Carl and the Passions – "So Tough" 5247:Heroes and Villains (instrumental) 5085:. Helter Skelter. pp. 51–63. 4288:Today's Sound: A Melody Maker Book 3477:Heiser, Marshall (November 2012). 2951:"Smile: The Definitive Lost Album" 2590:Torner, Ailliam (March 19, 2015). 2062:Jay Migliori – saxophone, clarinet 1609:(as part of "Swastikas on Parade") 1195:. The clip aired on the network's 1125:I Just Wasn't Made for These Times 1014:reported in his weekly column for 755:Early sessions (May–November 1966) 741:, journalist and magazine founder 25: 5625:Summer Days (And Summer Nights!!) 4975:Matijas-Mecca, Christian (2017). 4800:(3). Aarhus University: 171–188. 4039:(September 9, 1967). "Hit Talk". 1924:– tenor saxophone, bass saxophone 1318:, who was present throughout the 1027:On April 29, Taylor announced in 300: 7564: 7563: 7282:" / "It's Just a Matter of Time" 7023:Child of Winter (Christmas Song) 6253:George Fell into His French Horn 5110:. University of Michigan Press. 4172:"Was 'VILLAINS' Worth the Wait?" 1979:– wordless vocals, animal sounds 1272:witnessed the record's debut at 953:Problems playing this file? See 935: 812:Problems playing this file? See 794: 790:"Heroes and Villains" piano demo 7666:Songs based on American history 7626:Songs written by Van Dyke Parks 7616:American psychedelic rock songs 7611:American progressive rock songs 6833:" / "The Nearest Faraway Place" 6605:There's No Other (Like My Baby) 6267:Inside Pop: The Rock Revolution 5611:The Beach Boys' Christmas Album 5207:More Songwriters on Songwriting 5164:. Last Gasp. pp. 220–241. 4606:Roedel, J. (October 12, 2011). 898:" and briefly as a section of " 5258:Heroes and Villains (sections) 4551:Jarnow, Jesse (July 1, 2017). 4348:"Brain Wilson: Endless Bummer" 2083:– additional vocals (part two) 2023:November 14, 1966 – Gold Star 1646:Fall Breaks and Back to Winter 1213:Contemporary critical response 1064:Wilson's makeshift home studio 404:produced in three days at his 1: 7621:Songs written by Brian Wilson 7538:That's Why God Made the Radio 7534:That's Why God Made the Radio 6886:The Times They Are a-Changin' 5765:That's Why God Made the Radio 5161:Look, Listen, Vibrate, Smile! 5104:". In Lambert, Philip (ed.). 5077:. In Abbott, Kingsley (ed.). 5026:Look, Listen, Vibrate, Smile! 4876:. In Abbott, Kingsley (ed.). 4873:"Smile: The Great Lost Album" 4806:10.1080/19401159.2017.1336377 2760:"Interview with Brian Wilson" 2269:February 20, 1967 - Columbia 2065:Bill Pitman – Danelectro bass 27:1967 single by the Beach Boys 7656:Songs about Native Americans 6524:When I Grow Up (To Be a Man) 3855:Sharp, Ken (April 2, 2013). 2949:Howard, Ed (July 28, 2003). 2665:Sharp, Ken (July 28, 2000). 2195:February 15, 1967 - Western 2156:February 7, 1967 - Columbia 2127:January 27, 1967 - Columbia 1888:Jerry Cole – electric guitar 1780:– backing and harmony vocals 1774:– backing and harmony vocals 1741:– backing and harmony vocals 1735:– backing and harmony vocals 759:On May 11, Wilson went into 7298:Rock 'n' Roll to the Rescue 7081:Everyone's in Love with You 6758:Bluebirds over the Mountain 6601:The Little Girl I Once Knew 5830:Brian Wilson Presents Smile 5286:Brian Wilson Presents Smile 4107:. July 29, 1967. p. 20 4078:. July 29, 1967. p. 18 3408:Williams & Anderle 1995 3087:Bell, Matt (October 2004). 2758:Ronnie (October 16, 2004). 2693:. Hal Leonard. p. 95. 2333:June 12-14, 1967 - Bel Air 2091:January 3, 1967 - Columbia 1987:October 27, 1966 - Western 1938:October 20, 1966 - Western 1514:Brian Wilson Presents Smile 1506:Brian Wilson Presents Smile 427:Brian Wilson Presents Smile 7682: 7280:She Believes in Love Again 6990:California Saga/California 6967:" / "Hold On Dear Brother" 6921:Student Demonstration Time 6820:Add Some Music to Your Day 5957:Child Is Father of the Man 5284:Heroes and Villains (2004 5269:Heroes and Villains (2011 4553:"1967 – Sunshine Tomorrow" 4136:. July 29, 1967. p. 1 4127:"Single Picks of the Week" 3264:(deluxe box set booklet). 2373: 2012:Brian Wilson – overdubbed 1885:Al Casey – electric guitar 1591: 1333:Impact on Wilson's decline 906:", it later evolved into " 889:By the start of 1967, the 829:coterie, including singer 521:River Deep - Mountain High 36: 29: 7558: 7446:Hot Fun in the Summertime 6546:The Man with All the Toys 6506:Why Do Fools Fall in Love 5817: 5562: 4687:Slowinski, Craig (2011). 4503:. USA: Entwhistle Books. 3623:, pp. 170, 178, 243. 3422:, pp. 163, 173, 180. 2815:, pp. 132, 148, 153. 2410: 2397: 2383: 2053:Leonard Malarsky – violin 1511:Wilson's 2004 solo album 1440: 1368:Retrospective assessments 331: 301: 283: 274: 237: 53: 7103:Honkin' Down the Highway 6793:" / "Celebrate the News" 6660:Let's Go Away for Awhile 6320:Brian Wilson is a genius 5950:Look (Song for Children) 5758:Stars and Stripes Vol. 1 5730:Keepin' the Summer Alive 5499:1967 – Sunshine Tomorrow 4960:. Grosset & Dunlap. 4098:"CashBox Record Reviews" 3734:, pp. 187–188, 197. 3193:. recordmecca.com. 2013. 2716:, pp. 131–132, 153. 2293:March 1, 1967 - Western 2059:Alexander Nelman – viola 2056:Tommy Morgan – harmonica 1915:– flute, tenor saxophone 1897:Lyle Ritz – upright bass 1868:May 11, 1966 – Gold Star 1566:Prior to the release of 1492:1967 – Sunshine Tomorrow 7641:Capitol Records singles 7244:Don't Go Near the Water 7211:Livin' with a Heartache 6936:Don't Go Near the Water 6925:Don't Go Near the Water 6762:Never Learn Not to Love 5709:The Beach Boys Love You 4499:Williams, Paul (1993). 3560:Smiley Smile/Wild Honey 2038:Joseph DiTullio – cello 2032:Arnold Belnick – violin 1691:~ Heroes And Villains") 1652:/ Heroes and Villains") 1606:The Third Reich 'n Roll 1483:Wally Heider's Studio 3 1332: 1054:remake (June–July 1967) 729:auditory hallucinations 525:The Bells of St. Mary's 422:auditory hallucinations 233: singles chronology 103:July 24, 1967 6469:Be True to Your School 6092:You're with Me Tonight 5914:The Old Master Painter 4821:Crowley, Kent (2015). 4741:Badman, Keith (2004). 4317:Bennun, David (1998). 2285:Dennis Wilson – vocals 2050:Raymond Kelley – cello 2035:Norman Botnick – viola 1882:– percussion and bells 1854:Partial sessionography 1545: 1471:Before the release of 1453: 1399:"). Eric Luecking of 1377: 1322:sessions, reported in 1229: 1158: 1082: 997: 924: 857:original reel so that 850:The Old Master Painter 783: 654: 590: 486: 345:from their 1967 album 311: 7661:Progressive pop songs 7229:The Beach Boys Medley 7213:" / "Santa Ana Winds" 7206:" / "Endless Harmony" 7159:/ "Love Surrounds Me" 7016:The Warmth of the Sun 6539:The Warmth of the Sun 6528:She Knows Me Too Well 5618:The Beach Boys Today! 5053:. London: Sanctuary. 4844:Dillon, Mark (2012). 4785:Carter, Dale (2017). 4668:on September 16, 2012 4180:Disc & Music Echo 3585:(February 16, 1967). 2279:Brian Wilson – vocals 2041:Jesse Ehrlich – cello 2009:Dorothy Victor – harp 1757:(chorus), overdubbed 1540: 1489:The 2017 compilation 1375: 1278:Disc & Music Echo 1242:Disc & Music Echo 1220: 1157:magazine in July 1967 1150: 1076: 1068:Monterey Pop Festival 1029:Disc & Music Echo 1017:Disc & Music Echo 923: 782: 649: 593:—Van Dyke Parks, 2004 480: 406:makeshift home studio 386:history of California 351:and their unfinished 310: 286:"Heroes and Villains" 49:"Heroes and Villains" 7601:The Beach Boys songs 7448:" / "Summer of Love" 7417:Somewhere Near Japan 7171:It's a Beautiful Day 7147:Here Comes the Night 6849:Tears in the Morning 6638:You're So Good to Me 6572:Please Let Me Wonder 5005:. Ballantine Books. 4712:Nyman, Jake (2005). 4267:. September 6, 2013. 4265:Record Collector Mag 4261:"The Life of RIELEY" 3971:, pp. 195, 197. 3865:Rock Cellar Magazine 3683:, pp. 181, 183. 3635:, pp. 173, 178. 3398:, pp. 167, 180. 3317:, pp. 156, 167. 2282:Carl Wilson – vocals 1793:– tack piano (verse) 1767:electric harpsichord 1081:in Malibu, July 1967 571:Old MacDonald's farm 357:project. Written by 7547:" / Live in Chicago 7512:Don't Fight the Sea 7505:Heroes and Villains 7468:Wouldn't It Be Nice 7309:California Dreamin' 7063:Rock and Roll Music 7047:" / "Only with You" 6985:" / "Only with You" 6882:Wouldn't It Be Nice 6689:Heroes and Villains 6645:Wouldn't It Be Nice 6568:Do You Wanna Dance? 6535:Dance, Dance, Dance 6124:Can't Wait Too Long 5918:You Are My Sunshine 5882:Heroes and Villains 5523:Can't Wait Too Long 5364:Heroes and Villains 4383:(October 1, 2004). 4196:, pp. 197–198. 4069:"Spotlight Singles" 4042:Disc and Music Echo 3909:, pp. 193–194. 3671:, pp. 180–181. 3455:cite AV media notes 3278:cite AV media notes 3230:, pp. 131–132. 2273:Al Jardine – vocals 1383:Rock and Roll Music 1000:—Brian Wilson, 1995 843:Humble Harve Miller 833:and his girlfriend 661:, who designed the 519:'s productions of " 472:You Are My Sunshine 394:You Are My Sunshine 339:Heroes and Villains 253:Heroes and Villains 32:You Are My Sunshine 7606:Brian Wilson songs 7365:" (Little Richard) 6907:Long Promised Road 6896:Long Promised Road 6891:(by Merry Clayton) 6616:Girl Don't Tell Me 6462:Little Deuce Coupe 6425:Ten Little Indians 6064:Teeter Totter Love 5896:I'm in Great Shape 5849:The Smile Sessions 5837:The Smile Sessions 5751:Summer in Paradise 5723:L.A. (Light Album) 5632:Beach Boys' Party! 5597:Shut Down Volume 2 5590:Little Deuce Coupe 5271:The Smile Sessions 5210:. Hachette Books. 4884:. Helter Skelter. 4794:Rock Music Studies 4749:. Backbeat Books. 4690:The Smile Sessions 4416:, pp. 67, 70. 4395:on January 8, 2009 4292:. Hamlyn. p. 3809:Matijas-Mecca 2017 3583:Goldstein, Richard 3262:The Smile Sessions 3018:, pp. 182–83. 2831:(April 14, 1969). 2791:, pp. 65, 68. 2470:The Smile Sessions 2276:Mike Love – vocals 2199:The Smile Sessions 2027:The Smile Sessions 1991:The Smile Sessions 1860:The Smile Sessions 1696:In popular culture 1674:Dial W for Watkins 1568:The Smile Sessions 1551:The Smile Sessions 1548:Released in 2011, 1546: 1532:The Smile Sessions 1378: 1274:The Speakeasy Club 1230: 1226:barbershop quartet 1159: 1083: 925: 912:Do You Like Worms? 784: 655: 487: 433:The Smile Sessions 414:Do You Like Worms? 373:". The single was 312: 7651:Songs about crime 7578: 7577: 7554: 7553: 7481: 7480: 7397: 7396: 7332:"Happy Endings" ( 7269:It's Gettin' Late 7184: 7183: 7129:Hey Little Tomboy 6800: 6799: 6678:Then I Kissed Her 6484:The Lord's Prayer 6480:Little Saint Nick 6334: 6333: 6217:The Wrecking Crew 6155:Associated people 6057:He Gives Speeches 6037: 6036: 5982:I Wanna Be Around 5775: 5774: 5454: 5453: 5217:978-0-306-81799-1 5186:. Omnibus Press. 5117:978-0-472-11995-0 5092:978-1-90092-402-3 5012:978-0-345-27398-7 4988:978-1-4408-3899-6 4967:978-0-448-14626-3 4934:. Da Capo Press. 4891:978-1-90092-402-3 4859:978-1-77090-198-8 4777:978-1-59486-320-2 4756:978-0-87930-818-6 4612:Aquarium Drunkard 4331:on July 18, 2013. 4282:Williams, Richard 4223:, pp. 60–61. 4170:(July 29, 1967). 3497:on April 15, 2015 3218:, pp. 17–23. 3206:, pp. 39–40. 3054:, pp. 2, 25. 2904:, pp. 93–94. 2700:978-1-61774-536-2 2424: 2423: 2387:Soumen Virallinen 2071:Joe Saxon – cello 2006:on earlier takes) 1999:– tenor saxophone 1930:– tenor saxophone 1802:the Wrecking Crew 1800:(later known as " 1798:Session musicians 1707:Fantastic Mr. Fox 1704:'s animated film 1524:I Wanna Be Around 965:Richard Goldstein 940: 799: 761:Gold Star Studios 609:Peter Ames Carlin 335: 334: 308: 270: 269: 16:(Redirected from 7673: 7567: 7566: 7540:" (instrumental) 7490: 7406: 7385: 7341:California Girls 7313: 7193: 7158: 7085:Susie Cincinnati 7027:Susie Cincinnati 6912: 6890: 6871:Cool, Cool Water 6842:This Whole World 6824:Susie Cincinnati 6809: 6784:All I Want to Do 6780:I Can Hear Music 6715: 6682:Mountain of Love 6594:Let Him Run Wild 6590:California Girls 6517:Don't Worry Baby 6397: 6382: 6361: 6354: 6347: 6338: 6145:Cool, Cool Water 6117:She's Goin' Bald 6102:Derivative songs 6071:Three Blind Mice 6021:Love to Say Dada 5910:My Only Sunshine 5857: 5802: 5795: 5788: 5779: 5491:Related articles 5467:Cool, Cool Water 5385:She's Goin' Bald 5353: 5333: 5326: 5319: 5310: 5300: 5289: 5274: 5259: 5248: 5221: 5197: 5175: 5143: 5121: 5096: 5084: 5076: 5064: 5040: 5016: 4992: 4971: 4959: 4945: 4919: 4895: 4883: 4875: 4863: 4851: 4840: 4828: 4817: 4791: 4781: 4760: 4748: 4728: 4727: 4709: 4703: 4702: 4684: 4678: 4677: 4675: 4673: 4658: 4652: 4646: 4640: 4634: 4623: 4622: 4620: 4618: 4603: 4590: 4584: 4575: 4569: 4563: 4562: 4548: 4542: 4536: 4530: 4524: 4515: 4514: 4496: 4490: 4489: 4487: 4485: 4471: 4465: 4459: 4453: 4447: 4441: 4435: 4429: 4423: 4417: 4411: 4405: 4404: 4402: 4400: 4391:. Archived from 4377: 4371: 4365: 4359: 4358: 4350: 4339: 4333: 4332: 4327:. Archived from 4319:"The Beach Boys" 4314: 4308: 4307: 4291: 4278: 4269: 4268: 4257: 4251: 4245: 4239: 4233: 4224: 4218: 4212: 4206: 4197: 4191: 4185: 4184: 4176: 4168:Valentine, Penny 4164: 4158: 4152: 4146: 4145: 4143: 4141: 4131: 4123: 4117: 4116: 4114: 4112: 4102: 4094: 4088: 4087: 4085: 4083: 4073: 4065: 4059: 4053: 4047: 4046: 4033: 4027: 4021: 4015: 4009: 4003: 3997: 3991: 3985: 3972: 3966: 3960: 3954: 3943: 3937: 3931: 3925: 3910: 3904: 3898: 3892: 3881: 3880: 3878: 3876: 3871:on July 14, 2014 3867:. Archived from 3852: 3841: 3835: 3829: 3823: 3812: 3806: 3800: 3794: 3785: 3779: 3773: 3767: 3756: 3750: 3735: 3729: 3723: 3717: 3711: 3705: 3699: 3693: 3684: 3678: 3672: 3666: 3660: 3654: 3648: 3642: 3636: 3630: 3624: 3618: 3612: 3606: 3597: 3596: 3579: 3573: 3572: 3551: 3540: 3534: 3519: 3513: 3507: 3506: 3504: 3502: 3493:. Archived from 3474: 3465: 3464: 3458: 3450: 3429: 3423: 3417: 3411: 3405: 3399: 3393: 3387: 3381: 3375: 3374: 3360: 3354: 3348: 3342: 3336: 3330: 3324: 3318: 3312: 3303: 3297: 3288: 3287: 3281: 3273: 3258: 3231: 3225: 3219: 3213: 3207: 3201: 3195: 3194: 3183: 3177: 3171: 3162: 3156: 3147: 3141: 3132: 3126: 3120: 3114: 3108: 3107: 3105: 3103: 3084: 3067: 3061: 3055: 3049: 3043: 3037: 3031: 3025: 3019: 3013: 3007: 3001: 2992: 2986: 2975: 2969: 2963: 2962: 2961:on May 10, 2012. 2957:. Archived from 2946: 2917: 2911: 2905: 2899: 2893: 2887: 2881: 2875: 2864: 2858: 2845: 2844: 2825: 2816: 2810: 2804: 2798: 2792: 2786: 2780: 2774: 2768: 2767: 2755: 2746: 2740: 2734: 2728: 2717: 2711: 2705: 2704: 2681: 2675: 2674: 2662: 2649: 2643: 2628: 2627: 2615: 2604: 2603: 2602:on July 1, 2016. 2598:. Archived from 2587: 2581: 2580: 2578: 2576: 2561: 2543: 2539: 2533: 2530: 2524: 2517: 2511: 2508: 2502: 2499: 2493: 2490: 2484: 2480: 2474: 2464: 2458: 2451: 2445: 2436: 2371: 1662:Making God Smile 1467: 1310:founding editor 1300: 1296:New Music Review 1282: 1182:UK Singles Chart 1117: 1100:other tracks on 1001: 967:reported in the 942: 941: 922: 908:Cool, Cool Water 904:Love to Say Dada 801: 800: 781: 626: 606: 594: 534:Rhapsody in Blue 390:American Indians 309: 287: 239: 238: 222: 197: 172: 171: 167: 138: 110: 108: 88: 58: 46: 21: 7681: 7680: 7676: 7675: 7674: 7672: 7671: 7670: 7581: 7580: 7579: 7574: 7550: 7521: 7501:Good Vibrations 7477: 7451: 7433: 7393: 7383: 7368: 7346: 7321: 7311: 7302:Good Vibrations 7285: 7249: 7240:Come Go with Me 7216: 7180: 7166:" / "Full Sail" 7156: 7149:" / "Baby Blue" 7134: 7112: 7090: 7074:Had to Phone Ya 7050: 7045:Sail On, Sailor 7032: 6999: 6983:Sail On, Sailor 6970: 6941: 6910: 6888: 6858: 6853:It's About Time 6838:Slip On Through 6796: 6767: 6723: 6713: 6665: 6656:Good Vibrations 6621: 6579:Help Me, Rhonda 6555: 6489: 6434: 6401: 6395: 6373: 6365: 6335: 6330: 6326:Brother Records 6307: 6221: 6177:Frank J. Holmes 6150: 6097: 6033: 6028:Good Vibrations 5969: 5930: 5852: 5842: 5813: 5806: 5776: 5771: 5770: 5604:All Summer Long 5558: 5530:Lei'd in Hawaii 5486: 5450: 5417:With Me Tonight 5410:Good Vibrations 5397: 5344: 5337: 5298: 5283: 5268: 5257: 5246: 5229: 5224: 5218: 5200: 5194: 5178: 5172: 5156:Priore, Domenic 5146: 5140: 5124: 5118: 5099: 5093: 5067: 5061: 5045:Priore, Domenic 5043: 5037: 5021:Priore, Domenic 5019: 5013: 4995: 4989: 4974: 4968: 4948: 4942: 4922: 4916: 4898: 4892: 4866: 4860: 4843: 4837: 4820: 4789: 4784: 4778: 4763: 4757: 4740: 4736: 4731: 4724: 4711: 4710: 4706: 4699:Capitol Records 4686: 4685: 4681: 4671: 4669: 4660: 4659: 4655: 4647: 4643: 4635: 4626: 4616: 4614: 4605: 4604: 4593: 4585: 4578: 4570: 4566: 4550: 4549: 4545: 4537: 4533: 4525: 4518: 4511: 4498: 4497: 4493: 4483: 4481: 4473: 4472: 4468: 4460: 4456: 4448: 4444: 4436: 4432: 4424: 4420: 4412: 4408: 4398: 4396: 4381:Himes, Geoffrey 4379: 4378: 4374: 4366: 4362: 4341: 4340: 4336: 4316: 4315: 4311: 4304: 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3185: 3184: 3180: 3172: 3165: 3157: 3150: 3142: 3135: 3127: 3123: 3115: 3111: 3101: 3099: 3086: 3085: 3070: 3062: 3058: 3050: 3046: 3038: 3034: 3026: 3022: 3014: 3010: 3002: 2995: 2987: 2978: 2970: 2966: 2948: 2947: 2920: 2912: 2908: 2900: 2896: 2888: 2884: 2876: 2867: 2859: 2848: 2827: 2826: 2819: 2811: 2807: 2799: 2795: 2787: 2783: 2775: 2771: 2757: 2756: 2749: 2741: 2737: 2729: 2720: 2712: 2708: 2701: 2683: 2682: 2678: 2664: 2663: 2652: 2644: 2631: 2617: 2616: 2607: 2589: 2588: 2584: 2574: 2572: 2564:Doe, Andrew G. 2563: 2562: 2555: 2551: 2546: 2540: 2536: 2531: 2527: 2518: 2514: 2509: 2505: 2500: 2496: 2491: 2487: 2481: 2477: 2465: 2461: 2452: 2448: 2437: 2433: 2429: 2401:Record Retailer 2378: 2369: 2363: 2361: 1856: 1724: 1716: 1698: 1685:s(o)un(d)beams+ 1669:Geraint Watkins 1650:Good Vibrations 1596: 1590: 1535: 1509: 1478:Lei'd in Hawaii 1469: 1463:Lei'd in Hawaii 1455: 1446: 1443:Lei'd in Hawaii 1438: 1425:ranked it 8th. 1397:pocket symphony 1370: 1362:Darian Sahanaja 1354:Endless Harmony 1345:tragi-comedy". 1335: 1298: 1285:Penny Valentine 1280: 1215: 1203:Top of the Pops 1198:Top of the Pops 1171:Brother Records 1145: 1115: 1056: 1003: 999: 991: 960: 959: 951: 949: 948: 947: 946: 943: 936: 933: 926: 920: 867: 819: 818: 810: 808: 807: 806: 805: 802: 795: 792: 785: 779: 757: 748:Sergeant Pepper 689: 684: 624: 621:Stylus Magazine 604: 596: 592: 579: 551:Good Vibrations 529:George Gershwin 485:(pictured 1957) 442: 375:Brother Records 371:Good Vibrations 327: 313: 304: 285: 265: 256: 247: 244:Good Vibrations 218: 213: 193: 169: 165: 164: 156: 152:Progressive pop 136: 106: 104: 84: 74:from the album 42: 35: 28: 23: 22: 18:Barnyard (song) 15: 12: 11: 5: 7679: 7677: 7669: 7668: 7663: 7658: 7653: 7648: 7643: 7638: 7633: 7628: 7623: 7618: 7613: 7608: 7603: 7598: 7593: 7583: 7582: 7576: 7575: 7573: 7572: 7559: 7556: 7555: 7552: 7551: 7549: 7548: 7541: 7529: 7527: 7523: 7522: 7520: 7519: 7508: 7496: 7494: 7487: 7483: 7482: 7479: 7478: 7476: 7475: 7459: 7457: 7453: 7452: 7450: 7449: 7441: 7439: 7435: 7434: 7432: 7431: 7424: 7412: 7410: 7403: 7399: 7398: 7395: 7394: 7392: 7391: 7381:Still Cruisin' 7376: 7374: 7370: 7369: 7367: 7366: 7354: 7352: 7348: 7347: 7345: 7344: 7336:Little Richard 7329: 7327: 7323: 7322: 7320: 7319: 7305: 7293: 7291: 7287: 7286: 7284: 7283: 7276: 7265: 7264:" / "Male Ego" 7257: 7255: 7251: 7250: 7248: 7247: 7236: 7233:God Only Knows 7224: 7222: 7218: 7217: 7215: 7214: 7207: 7199: 7197: 7190: 7186: 7185: 7182: 7181: 7179: 7178: 7167: 7160: 7150: 7142: 7140: 7136: 7135: 7133: 7132: 7120: 7118: 7114: 7113: 7111: 7110: 7098: 7096: 7092: 7091: 7089: 7088: 7077: 7066: 7065:" / "T M Song" 7058: 7056: 7052: 7051: 7049: 7048: 7040: 7038: 7034: 7033: 7031: 7030: 7019: 7012:Surfin' U.S.A. 7007: 7005: 7001: 7000: 6998: 6997: 6986: 6978: 6976: 6972: 6971: 6969: 6968: 6961: 6949: 6947: 6943: 6942: 6940: 6939: 6928: 6917: 6903: 6892: 6878: 6866: 6864: 6860: 6859: 6857: 6856: 6845: 6834: 6827: 6815: 6813: 6806: 6802: 6801: 6798: 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6088: 6085:You're Welcome 6081: 6074: 6067: 6060: 6053: 6045: 6043: 6039: 6038: 6035: 6034: 6032: 6031: 6024: 6017: 6010: 6003: 5996: 5989: 5977: 5975: 5974:Movement three 5971: 5970: 5968: 5967: 5960: 5953: 5946: 5938: 5936: 5932: 5931: 5929: 5928: 5921: 5906: 5899: 5892: 5885: 5878: 5871: 5863: 5861: 5854: 5844: 5843: 5841: 5840: 5833: 5826: 5818: 5815: 5814: 5807: 5805: 5804: 5797: 5790: 5782: 5773: 5772: 5769: 5768: 5761: 5754: 5747: 5744:Still Cruisin' 5740: 5737:The Beach Boys 5733: 5726: 5719: 5712: 5705: 5698: 5691: 5684: 5677: 5670: 5663: 5656: 5649: 5642: 5635: 5628: 5621: 5614: 5607: 5600: 5593: 5586: 5579: 5576:Surfin' U.S.A. 5572: 5569:Surfin' Safari 5564: 5563: 5560: 5559: 5557: 5556: 5549: 5548: 5547: 5533: 5526: 5519: 5514: 5513: 5512: 5505:The Beach Boys 5502: 5494: 5492: 5488: 5487: 5485: 5484: 5481:Good Time Mama 5477: 5470: 5462: 5460: 5456: 5455: 5452: 5451: 5449: 5448: 5441: 5434: 5431:Gettin' Hungry 5427: 5420: 5413: 5405: 5403: 5399: 5398: 5396: 5395: 5388: 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(1997). 5180:Williams, Paul 5176: 5170: 5152:Anderle, David 5148:Williams, Paul 5144: 5138: 5122: 5116: 5097: 5091: 5065: 5059: 5041: 5035: 5023:, ed. (1995). 5017: 5011: 5002:The Beach Boys 4993: 4987: 4972: 4966: 4946: 4940: 4920: 4914: 4900:Gaines, Steven 4896: 4890: 4868:Doggett, Peter 4864: 4858: 4841: 4835: 4818: 4782: 4776: 4761: 4755: 4737: 4735: 4732: 4730: 4729: 4722: 4704: 4695:The Beach Boys 4679: 4653: 4651:, p. 258. 4641: 4639:, p. 260. 4624: 4591: 4589:, p. 318. 4576: 4574:, p. 125. 4564: 4543: 4541:, p. 124. 4531: 4529:, p. 125. 4516: 4509: 4491: 4466: 4454: 4452:, p. 245. 4442: 4440:, p. 148. 4430: 4428:, p. 114. 4418: 4406: 4389:Paste Magazine 4372: 4360: 4334: 4309: 4302: 4270: 4252: 4240: 4238:, p. 291. 4225: 4213: 4211:, p. 207. 4198: 4186: 4159: 4157:, p. 197. 4147: 4118: 4089: 4060: 4058:, p. 170. 4048: 4028: 4026:, p. 235. 4016: 4014:, p. 125. 4004: 4002:, p. 200. 3992: 3990:, p. 199. 3973: 3961: 3959:, p. 183. 3944: 3942:, p. 115. 3932: 3930:, p. 195. 3911: 3899: 3897:, p. 122. 3882: 3842: 3840:, p. 135. 3830: 3828:, p. 247. 3813: 3801: 3799:, p. 193. 3786: 3784:, p. 182. 3774: 3772:, p. 246. 3757: 3755:, p. 189. 3736: 3724: 3722:, p. 187. 3712: 3710:, p. 185. 3700: 3698:, p. 182. 3685: 3673: 3661: 3659:, p. 179. 3649: 3647:, p. 106. 3637: 3625: 3613: 3611:, p. 178. 3598: 3574: 3565:The Beach Boys 3541: 3539:, p. 176. 3520: 3518:, p. 166. 3508: 3466: 3439:The Beach Boys 3424: 3412: 3400: 3388: 3386:, p. 165. 3376: 3355: 3353:, p. 161. 3343: 3331: 3329:, p. 160. 3319: 3304: 3289: 3266:The Beach Boys 3232: 3220: 3208: 3196: 3178: 3176:, p. 121. 3163: 3161:, p. 132. 3148: 3133: 3131:, p. 195. 3121: 3119:, p. 275. 3109: 3097:Sound on Sound 3068: 3066:, p. 120. 3056: 3044: 3032: 3030:, p. 385. 3020: 3008: 3006:, p. 173. 2993: 2991:, p. 167. 2976: 2964: 2918: 2906: 2894: 2882: 2865: 2846: 2843:. Vol. 8. 2829:Vosse, Michael 2817: 2805: 2803:, p. 2–3. 2793: 2781: 2779:, p. 276. 2769: 2747: 2735: 2733:, p. 153. 2718: 2706: 2699: 2676: 2650: 2629: 2605: 2582: 2570:Bellagio 10452 2552: 2550: 2547: 2545: 2544: 2534: 2525: 2512: 2503: 2494: 2485: 2475: 2459: 2446: 2430: 2428: 2425: 2422: 2421: 2418: 2408: 2407: 2404: 2395: 2394: 2391: 2381: 2380: 2375: 2374:Charts (1967) 2368: 2365: 2360: 2359: 2358: 2357: 2351: 2348: 2345: 2342: 2339: 2329: 2328: 2327: 2326: 2323: 2320: 2317: 2314: 2311: 2308: 2305: 2302: 2299: 2289: 2288: 2287: 2286: 2283: 2280: 2277: 2274: 2265: 2264: 2263: 2262: 2259: 2256: 2253: 2250: 2247: 2244: 2241: 2238: 2235: 2232: 2229: 2226: 2223: 2220: 2217: 2214: 2211: 2208: 2205: 2191: 2190: 2189: 2188: 2185: 2182: 2179: 2170: 2167: 2164: 2161: 2152: 2151: 2150: 2149: 2146: 2143: 2140: 2137: 2134: 2123: 2122: 2121: 2120: 2117: 2114: 2111: 2108: 2105: 2102: 2098: 2087: 2086: 2085: 2084: 2081:Marilyn Wilson 2078: 2075: 2072: 2069: 2066: 2063: 2060: 2057: 2054: 2051: 2048: 2045: 2042: 2039: 2036: 2033: 2019: 2018: 2017: 2016: 2010: 2007: 2000: 1983: 1982: 1981: 1980: 1974: 1971: 1968: 1965: 1963:bass harmonica 1956: 1952:George Hyde – 1950: 1947: 1944: 1934: 1933: 1932: 1931: 1925: 1919: 1916: 1910: 1907:Larry Knechtel 1904: 1898: 1895: 1892: 1889: 1886: 1883: 1877: 1864: 1855: 1852: 1851: 1850: 1841: 1831: 1825: 1819: 1815:George Hyde – 1813: 1795: 1794: 1791:Van Dyke Parks 1782: 1781: 1775: 1769: 1748: 1742: 1739:Bruce Johnston 1736: 1727:The Beach Boys 1723: 1720: 1715: 1712: 1697: 1694: 1693: 1692: 1677: 1665: 1653: 1634: 1622: 1610: 1589: 1588:Cover versions 1586: 1534: 1528: 1508: 1502: 1447: 1445: 1439: 1437: 1436:Other versions 1434: 1369: 1366: 1334: 1331: 1270:Bruce Johnston 1214: 1211: 1144: 1141: 1121:God Only Knows 1055: 1049: 992: 990: 987: 950: 944: 934: 929: 928: 927: 918: 917: 916: 866: 863: 835:June Fairchild 823:Western Studio 809: 803: 793: 788: 787: 786: 777: 776: 775: 766:Domenic Priore 756: 753: 688: 685: 683: 680: 672:Domenic Priore 633:war in Vietnam 580: 578: 575: 513:Domenic Priore 441: 438: 363:Van Dyke Parks 343:the Beach Boys 333: 332: 329: 328: 326: 325: 320: 314: 302: 299: 298: 294: 293: 281: 280: 279:Licensed audio 276: 275: 272: 271: 268: 267: 258: 249: 235: 234: 231:The Beach Boys 227: 226: 225:The Beach Boys 223: 215: 214: 212: 211: 209:Van Dyke Parks 206: 200: 198: 190: 189: 180: 174: 173: 162: 158: 157: 155: 154: 148: 146: 140: 139: 126: 120: 119: 116: 112: 111: 101: 97: 96: 93:You're Welcome 89: 81: 80: 71: 70: 68:the Beach Boys 60: 59: 51: 50: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 7678: 7667: 7664: 7662: 7659: 7657: 7654: 7652: 7649: 7647: 7644: 7642: 7639: 7637: 7634: 7632: 7629: 7627: 7624: 7622: 7619: 7617: 7614: 7612: 7609: 7607: 7604: 7602: 7599: 7597: 7594: 7592: 7589: 7588: 7586: 7571: 7570: 7561: 7560: 7557: 7546: 7545:Isn't It Time 7542: 7539: 7535: 7531: 7530: 7528: 7524: 7517: 7513: 7509: 7506: 7502: 7498: 7497: 7495: 7491: 7488: 7484: 7473: 7469: 7465: 7461: 7460: 7458: 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6257: 6254: 6250: 6248: 6247: 6243: 6241: 6238: 6236: 6235: 6231: 6230: 6228: 6226:Related media 6224: 6218: 6215: 6213: 6212:Paul Williams 6210: 6208: 6207:Michael Vosse 6205: 6203: 6200: 6198: 6195: 6193: 6190: 6188: 6185: 6183: 6180: 6178: 6175: 6173: 6170: 6168: 6165: 6163: 6162:David Anderle 6160: 6159: 6157: 6153: 6146: 6142: 6139: 6135: 6132: 6128: 6125: 6121: 6118: 6114: 6111: 6107: 6106: 6104: 6100: 6093: 6089: 6086: 6082: 6079: 6075: 6072: 6068: 6065: 6061: 6058: 6054: 6051: 6047: 6046: 6044: 6040: 6029: 6025: 6022: 6018: 6015: 6011: 6008: 6004: 6001: 5997: 5994: 5990: 5987: 5983: 5979: 5978: 5976: 5972: 5965: 5961: 5958: 5954: 5951: 5947: 5944: 5940: 5939: 5937: 5933: 5926: 5922: 5919: 5915: 5911: 5907: 5904: 5900: 5897: 5893: 5890: 5886: 5883: 5879: 5876: 5872: 5869: 5865: 5864: 5862: 5858: 5855: 5853:track listing 5851: 5850: 5845: 5839: 5838: 5834: 5832: 5831: 5827: 5825: 5824: 5820: 5819: 5816: 5812: 5811: 5803: 5798: 5796: 5791: 5789: 5784: 5783: 5780: 5767: 5766: 5762: 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5305: 5301: 5296: 5294: 5290: 5287: 5281: 5279: 5275: 5272: 5266: 5264: 5260: 5255: 5253: 5249: 5244: 5241: 5238: 5234: 5231: 5230: 5226: 5219: 5213: 5209: 5208: 5203: 5199: 5195: 5189: 5185: 5181: 5177: 5173: 5171:0-86719-417-0 5167: 5163: 5162: 5157: 5153: 5149: 5145: 5141: 5139:9781458429148 5135: 5131: 5127: 5126:Stebbins, Jon 5123: 5119: 5113: 5109: 5108: 5103: 5098: 5094: 5088: 5083: 5082: 5075: 5070: 5069:Siegel, Jules 5066: 5062: 5056: 5052: 5051: 5046: 5042: 5038: 5036:0-86719-417-0 5032: 5029:. Last Gasp. 5028: 5027: 5022: 5018: 5014: 5008: 5004: 5003: 4998: 4997:Preiss, Byron 4994: 4990: 4984: 4980: 4979: 4973: 4969: 4963: 4958: 4957: 4951: 4947: 4943: 4941:9780786730742 4937: 4933: 4929: 4925: 4921: 4917: 4911: 4907: 4906: 4901: 4897: 4893: 4887: 4882: 4881: 4874: 4869: 4865: 4861: 4855: 4852:. ECW Press. 4850: 4849: 4842: 4838: 4836:9781908279842 4832: 4827: 4826: 4819: 4815: 4811: 4807: 4803: 4799: 4795: 4788: 4783: 4779: 4773: 4769: 4768: 4762: 4758: 4752: 4747: 4746: 4739: 4738: 4733: 4725: 4723:951-31-2503-3 4719: 4715: 4708: 4705: 4700: 4696: 4692: 4691: 4683: 4680: 4667: 4663: 4657: 4654: 4650: 4645: 4642: 4638: 4633: 4631: 4629: 4625: 4613: 4609: 4602: 4600: 4598: 4596: 4592: 4588: 4583: 4581: 4577: 4573: 4568: 4565: 4560: 4559: 4554: 4547: 4544: 4540: 4535: 4532: 4528: 4523: 4521: 4517: 4512: 4506: 4502: 4495: 4492: 4480: 4476: 4470: 4467: 4463: 4462:Stebbins 2011 4458: 4455: 4451: 4446: 4443: 4439: 4434: 4431: 4427: 4422: 4419: 4415: 4410: 4407: 4394: 4390: 4386: 4382: 4376: 4373: 4370:, p. 71. 4369: 4364: 4361: 4356: 4355: 4349: 4345:(June 1998). 4344: 4338: 4335: 4330: 4326: 4325: 4320: 4313: 4310: 4305: 4303:9780600361428 4299: 4295: 4290: 4289: 4283: 4277: 4275: 4271: 4266: 4262: 4256: 4253: 4249: 4244: 4241: 4237: 4232: 4230: 4226: 4222: 4217: 4214: 4210: 4205: 4203: 4199: 4195: 4190: 4187: 4182: 4181: 4173: 4169: 4163: 4160: 4156: 4151: 4148: 4135: 4128: 4122: 4119: 4106: 4099: 4093: 4090: 4077: 4070: 4064: 4061: 4057: 4052: 4049: 4044: 4043: 4038: 4037:Hendrix, Jimi 4032: 4029: 4025: 4020: 4017: 4013: 4008: 4005: 4001: 3996: 3993: 3989: 3984: 3982: 3980: 3978: 3974: 3970: 3965: 3962: 3958: 3953: 3951: 3949: 3945: 3941: 3936: 3933: 3929: 3924: 3922: 3920: 3918: 3916: 3912: 3908: 3903: 3900: 3896: 3891: 3889: 3887: 3883: 3870: 3866: 3862: 3860: 3851: 3849: 3847: 3843: 3839: 3834: 3831: 3827: 3822: 3820: 3818: 3814: 3811:, p. 81. 3810: 3805: 3802: 3798: 3793: 3791: 3787: 3783: 3778: 3775: 3771: 3766: 3764: 3762: 3758: 3754: 3749: 3747: 3745: 3743: 3741: 3737: 3733: 3728: 3725: 3721: 3716: 3713: 3709: 3704: 3701: 3697: 3692: 3690: 3686: 3682: 3677: 3674: 3670: 3665: 3662: 3658: 3653: 3650: 3646: 3641: 3638: 3634: 3629: 3626: 3622: 3617: 3614: 3610: 3605: 3603: 3599: 3594: 3593: 3592:Village Voice 3588: 3584: 3578: 3575: 3570: 3566: 3562: 3561: 3556: 3550: 3548: 3546: 3542: 3538: 3533: 3531: 3529: 3527: 3525: 3521: 3517: 3512: 3509: 3496: 3492: 3488: 3484: 3480: 3473: 3471: 3467: 3462: 3456: 3448: 3444: 3440: 3436: 3435: 3428: 3425: 3421: 3416: 3413: 3409: 3404: 3401: 3397: 3392: 3389: 3385: 3380: 3377: 3372: 3371: 3366: 3359: 3356: 3352: 3347: 3344: 3341:, p. 10. 3340: 3335: 3332: 3328: 3323: 3320: 3316: 3311: 3309: 3305: 3301: 3296: 3294: 3290: 3285: 3279: 3271: 3267: 3263: 3257: 3255: 3253: 3251: 3249: 3247: 3245: 3243: 3241: 3239: 3237: 3233: 3229: 3224: 3221: 3217: 3216:Williams 1997 3212: 3209: 3205: 3200: 3197: 3192: 3188: 3182: 3179: 3175: 3170: 3168: 3164: 3160: 3155: 3153: 3149: 3146:, p. 67. 3145: 3140: 3138: 3134: 3130: 3125: 3122: 3118: 3113: 3110: 3098: 3094: 3092: 3083: 3081: 3079: 3077: 3075: 3073: 3069: 3065: 3060: 3057: 3053: 3048: 3045: 3042:, p. 25. 3041: 3036: 3033: 3029: 3024: 3021: 3017: 3012: 3009: 3005: 3000: 2998: 2994: 2990: 2985: 2983: 2981: 2977: 2974:, p. 71. 2973: 2968: 2965: 2960: 2956: 2952: 2945: 2943: 2941: 2939: 2937: 2935: 2933: 2931: 2929: 2927: 2925: 2923: 2919: 2916:, p. 94. 2915: 2910: 2907: 2903: 2898: 2895: 2891: 2886: 2883: 2880:, p. 66. 2879: 2874: 2872: 2870: 2866: 2863:, p. 68. 2862: 2857: 2855: 2853: 2851: 2847: 2842: 2838: 2836: 2830: 2824: 2822: 2818: 2814: 2809: 2806: 2802: 2797: 2794: 2790: 2785: 2782: 2778: 2773: 2770: 2765: 2764:Ear Candy Mag 2761: 2754: 2752: 2748: 2745:, p. 45. 2744: 2739: 2736: 2732: 2727: 2725: 2723: 2719: 2715: 2710: 2707: 2702: 2696: 2692: 2691: 2686: 2680: 2677: 2672: 2668: 2661: 2659: 2657: 2655: 2651: 2648:, p. 93. 2647: 2642: 2640: 2638: 2636: 2634: 2630: 2625: 2621: 2614: 2612: 2610: 2606: 2601: 2597: 2593: 2586: 2583: 2571: 2567: 2560: 2558: 2554: 2548: 2538: 2535: 2529: 2526: 2522: 2516: 2513: 2507: 2504: 2498: 2495: 2489: 2486: 2479: 2476: 2472: 2471: 2463: 2460: 2456: 2450: 2447: 2443: 2442: 2435: 2432: 2426: 2419: 2417: 2415: 2409: 2405: 2403: 2402: 2396: 2392: 2389: 2388: 2382: 2376: 2372: 2366: 2364: 2355: 2354:Billy Hinsche 2352: 2349: 2346: 2343: 2340: 2337: 2336: 2334: 2331: 2330: 2324: 2321: 2318: 2315: 2312: 2309: 2306: 2303: 2300: 2297: 2296: 2294: 2291: 2290: 2284: 2281: 2278: 2275: 2272: 2271: 2270: 2267: 2266: 2260: 2257: 2254: 2251: 2248: 2245: 2242: 2239: 2236: 2233: 2230: 2227: 2224: 2221: 2218: 2215: 2212: 2209: 2206: 2203: 2202: 2200: 2196: 2193: 2192: 2186: 2183: 2180: 2178: 2175:– overdubbed 2174: 2173:Tommy Tedesco 2171: 2168: 2165: 2162: 2159: 2158: 2157: 2154: 2153: 2147: 2144: 2141: 2138: 2135: 2131: 2130: 2128: 2125: 2124: 2118: 2115: 2112: 2109: 2106: 2103: 2099: 2095: 2094: 2092: 2089: 2088: 2082: 2079: 2076: 2073: 2070: 2067: 2064: 2061: 2058: 2055: 2052: 2049: 2046: 2043: 2040: 2037: 2034: 2031: 2030: 2028: 2024: 2021: 2020: 2015: 2011: 2008: 2005: 2001: 1998: 1995: 1994: 1992: 1988: 1985: 1984: 1978: 1975: 1972: 1969: 1966: 1964: 1960: 1957: 1955: 1951: 1948: 1945: 1942: 1941: 1939: 1936: 1935: 1929: 1928:Steve Douglas 1926: 1923: 1920: 1917: 1914: 1911: 1908: 1905: 1902: 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815: 791: 774: 771: 767: 762: 754: 752: 750: 749: 744: 743:Paul Williams 740: 739: 734: 730: 726: 721: 717: 715: 714:Peter Doggett 710: 705: 703: 699: 694: 686: 681: 679: 677: 674:'s 2005 book 673: 669: 664: 660: 652: 648: 644: 642: 638: 634: 629: 623: 622: 616: 612: 610: 607:" Biographer 602: 595: 589: 586: 576: 574: 572: 567: 566:Michael Vosse 562: 560: 556: 552: 548: 542: 540: 536: 535: 530: 526: 522: 518: 514: 510: 505: 503: 500:' 1959 song " 499: 498:Marty Robbins 494: 493: 484: 483:Marty Robbins 479: 475: 473: 469: 468: 463: 459: 455: 451: 447: 439: 437: 435: 434: 429: 428: 423: 417: 415: 411: 407: 402: 397: 395: 391: 387: 383: 382:Marty Robbins 378: 376: 372: 368: 364: 360: 356: 355: 350: 349: 344: 340: 330: 324: 321: 319: 316: 315: 295: 292: 288: 282: 277: 273: 263: 259: 254: 250: 245: 241: 240: 236: 232: 228: 224: 221: 216: 210: 207: 205: 202: 201: 199: 196: 195:Songwriter(s) 191: 188: 184: 181: 179: 175: 163: 159: 153: 150: 149: 147: 145: 141: 134: 130: 127: 125: 121: 117: 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Album 5714: 5707: 5700: 5693: 5686: 5679: 5672: 5665: 5658: 5651: 5646:Smiley Smile 5644: 5637: 5630: 5623: 5616: 5609: 5602: 5595: 5588: 5581: 5574: 5567: 5553:Smiling Pets 5551: 5542: 5535: 5528: 5497: 5363: 5341:Smiley Smile 5339: 5285: 5270: 5239: 5206: 5183: 5160: 5129: 5106: 5101: 5080: 5049: 5025: 5001: 4981:. ABC-CLIO. 4977: 4955: 4931: 4904: 4879: 4847: 4824: 4797: 4793: 4766: 4744: 4734:Bibliography 4713: 4707: 4689: 4682: 4670:. Retrieved 4666:the original 4656: 4644: 4615:. Retrieved 4611: 4567: 4556: 4546: 4534: 4500: 4494: 4484:November 21, 4482:. Retrieved 4478: 4469: 4457: 4445: 4433: 4421: 4414:Doggett 1997 4409: 4397:. Retrieved 4393:the original 4388: 4375: 4363: 4352: 4343:Lester, Paul 4337: 4329:the original 4324:The Guardian 4322: 4312: 4287: 4264: 4255: 4250:, p. 5. 4243: 4216: 4189: 4183:. p. 5. 4178: 4162: 4150: 4138:. Retrieved 4134:Record World 4133: 4121: 4109:. Retrieved 4104: 4092: 4082:February 25, 4080:. Retrieved 4075: 4063: 4056:Crowley 2015 4051: 4045:. p. 3. 4040: 4031: 4019: 4007: 3995: 3964: 3935: 3902: 3873:. Retrieved 3869:the original 3864: 3861:(Interview)" 3858: 3833: 3804: 3777: 3727: 3715: 3703: 3676: 3664: 3652: 3640: 3628: 3616: 3590: 3577: 3563:(CD Liner). 3559: 3511: 3499:. Retrieved 3495:the original 3482: 3433: 3427: 3415: 3403: 3391: 3379: 3368: 3358: 3346: 3334: 3322: 3261: 3223: 3211: 3199: 3191:Record Mecca 3190: 3181: 3144:Doggett 1997 3124: 3112: 3100:. Retrieved 3096: 3090: 3059: 3047: 3035: 3023: 3011: 2967: 2959:the original 2954: 2909: 2897: 2885: 2840: 2834: 2808: 2796: 2784: 2772: 2763: 2738: 2709: 2689: 2679: 2670: 2600:the original 2595: 2585: 2573:. 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3437:(Audio). 3204:Kent 2009 2624:NPR Music 2575:March 26, 2414:Billboard 2384:Finland ( 2379:position 2177:mandolins 1844:Lyle Ritz 1745:Mike Love 1714:Personnel 1561:Alan Boyd 1458:Mike Love 1247:Billboard 1176:Billboard 896:Mama Says 725:Nick Kent 462:Al Kooper 7569:Category 7343:" (live) 7304:" (live) 7204:Goin' On 7175:Sumahama 6965:Marcella 6398:/ "Luau" 6280:Sessions 6000:Holidays 5986:Workshop 5903:Barnyard 5544:Sessions 5459:Outtakes 5402:Side two 5356:Side one 5288:version) 5273:version) 5204:(2016). 5128:(2011). 5047:(2005). 4999:(1979). 4952:(1978). 4926:(2009). 4902:(1986). 4870:(1997). 4617:July 24, 4140:June 24, 4105:Cash Box 3557:(1990). 3501:July 24, 3447:Archived 3445:. 2011. 3102:July 16, 2687:(2008). 2671:Goldmine 2566:"GIGS67" 2101:Tricks") 1913:Jim Horn 1257:Cash Box 702:backbeat 687:Overview 509:Old West 412:track, " 367:Old West 115:Recorded 100:Released 7516:Friends 6900:Deirdre 6875:Forever 6736:Friends 6711:Darlin' 6393:Surfin' 6371:singles 5695:Holland 5660:Friends 5304:YouTube 5293:YouTube 5278:YouTube 5263:YouTube 5252:YouTube 5158:(ed.). 4399:May 28, 3875:July 2, 3272:. 2011. 2596:The 405 2416:Hot 100 2004:celeste 1876:– drums 1824:– drums 1679:2011 – 1667:2004 – 1655:2002 – 1636:2000 – 1624:2000 – 1612:1997 – 1599:1976 – 1530:2011 – 1504:2004 – 1441:1967 – 1325:Cheetah 1178:Hot 100 1154:Cashbox 1143:Release 1123:' and ' 657:Artist 601:Marilyn 523:" and " 502:El Paso 291:YouTube 266:(1967) 257:(1967) 248:(1966) 187:Capitol 183:Brother 129:Western 105: ( 7421:Kokomo 7388:Kokomo 7359:Kokomo 6078:Tune X 5214: 5190: 5168: 5136: 5114: 5089: 5057: 5033: 5009: 4985: 4964: 4938: 4912: 4888: 4856: 4833: 4812: 4774: 4753: 4720: 4507: 4300: 3489: 2955:Stylus 2841:Fusion 2697: 2542:event. 2367:Charts 585:ballad 577:Lyrics 161:Length 124:Studio 86:B-side 64:Single 7536:" / " 7514:" / " 7503:" / " 7486:2010s 7470:" / " 7466:" / " 7419:" / " 7402:1990s 7361:" / " 7339:) / " 7334:with 7300:" / " 7271:" / " 7242:" / " 7231:" / " 7189:1980s 7173:" 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