109:
20:
252:
124:
Barnaba was a prolific artist who left about 50 works. He was successful in Genoa thanks to his adherence to the older style of
Byzantine painting that was still very popular in the city. This explains his compositional schemes and the use of gold highlights and golden backgrounds, which are
132:
An eclectic artist who did not follow the new trends that had developed in the 14th century, Barnaba was able to achieve a debt of feeling in his early works through his refined technique. Barnaba dominated painting in later 14th-century Genoa and possibly even in Pisa. His follower
64:(Emilia). The first records regarding Barnaba date to 1361 and 1362 when he had already become a Genoese citizen and was hiring Tuscan assistants. His earliest dated paintings relate to his activities in Genoa. He produced paintings for the
81:
108:
276:
19:
286:
281:
173:
256:
87:
221:
John
Richards, "Barnaba da Modena." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 17 March 2016
271:
291:
65:
236:
Masterpieces of
Western Art: A History of Art in 900 Individual Studies from the Gothic to the Present Day
191:
80:, Genoa), which combines the Gothic style of Tuscan polyptychs with Emilian design. Another work, a
169:
134:
201:
101:. A painting (1377) by Barnaba was documented by Tiraboschi in the church of San Francesco in
195:
231:
102:
91:
77:
265:
126:
69:
27:
251:
45:
41:
94:
in the rounded faces and the gold-striated highlights on Mary's mantle.
200:. Woodfall & Kinder, Angel Court, Skinner Street, London. pp.
40:
who painted in the style of
Byzantine art. He is considered the first
61:
178:
A New
History of Painting in Italy: From the II to the XVI Century
98:
37:
18:
49:
137:
continued in his imagery and style in
Liguria until c. 1420.
160:, Springer Science & Business Media, 2012, p. 382-383
197:
Biographical catalogue of the principal
Italian painters
68:in Genoa in 1364. His earliest known painting is a
158:The Development of the Italian Schools of Painting
60:As his name indicates, the artist was a native of
116:Barnaba likely spent time in Pisa around 1380.
8:
44:painter of note and was active in Lombardy,
107:
36:(c. 1328-c.1386) was a mid-14th-century
152:
150:
146:
217:
215:
213:
211:
7:
14:
250:
112:Christ with Apostles and Saints
174:Giovanni Battista Cavalcaselle
1:
277:14th-century Italian painters
74:Virgin and Child with Saints
88:Museum of Fine Arts, Boston
308:
90:), shows the influence of
180:, Volume 2, page 164-167.
97:He was active in 1370 in
190:Farquhar, Maria (1855).
287:Painters from Lombardy
238:, Taschen, 2002, p. 47
192:Ralph Nicholson Wornum
113:
30:
282:Italian male painters
259:at Wikimedia Commons
111:
22:
170:Joseph Archer Crowe
156:Raimond Van Marle,
127:Byzantine painting
114:
31:
272:Trecento painters
257:Barnaba da Modena
255:Media related to
230:Ingo F. Walther,
34:Barnaba da Modena
24:Madonna and Child
299:
254:
239:
228:
222:
219:
206:
205:
187:
181:
167:
161:
154:
135:Nicolò da Voltri
92:Sienese painting
83:Virgin and Child
307:
306:
302:
301:
300:
298:
297:
296:
292:Gothic painters
262:
261:
248:
243:
242:
229:
225:
220:
209:
189:
188:
184:
168:
164:
155:
148:
143:
122:
58:
38:Italian painter
17:
16:Italian painter
12:
11:
5:
305:
303:
295:
294:
289:
284:
279:
274:
264:
263:
247:
246:External links
244:
241:
240:
232:Robert Suckale
223:
207:
182:
162:
145:
144:
142:
139:
121:
118:
78:Palazzo Bianco
66:Palazzo Ducale
57:
54:
15:
13:
10:
9:
6:
4:
3:
2:
304:
293:
290:
288:
285:
283:
280:
278:
275:
273:
270:
269:
267:
260:
258:
253:
245:
237:
233:
227:
224:
218:
216:
214:
212:
208:
203:
199:
198:
193:
186:
183:
179:
175:
171:
166:
163:
159:
153:
151:
147:
140:
138:
136:
130:
128:
119:
117:
110:
106:
104:
100:
95:
93:
89:
85:
84:
79:
75:
71:
67:
63:
55:
53:
51:
47:
43:
39:
35:
29:
25:
21:
249:
235:
226:
196:
185:
177:
165:
157:
131:
123:
115:
96:
82:
73:
59:
52:in Tuscany.
33:
32:
23:
125:typical of
266:Categories
141:References
70:polyptych
46:Piedmont
194:(ed.).
72:of the
42:Lombard
62:Modena
48:, and
28:Städel
99:Turin
172:and
120:Work
103:Alba
56:Life
50:Pisa
204:–7.
202:106
268::
234:,
210:^
176:.
149:^
129:.
105:.
26:,
86:(
76:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
