208:
interview to have a homosexual relationship with a politician, who is a candidate in an oncoming election. The smearing campaign has been hatched by political rivals involved with gang members. Samson is hesitant, but Laure pushes him to take the offer. The money would allow them to have a better future somewhere else. Members of the campaign of the politician in question, informed of the impending interview and outrageous revelations, contact Samson and Laure and made them changed their minds, offering them an equal amount of money if they just leave for a trip abroad.
228:
she would accept him only at the condition that he looks like the boxer he killed. Eventually the killer accepts Laure's need to "reinvent" him as her dead boyfriend - literally transforming his identity. Laure remodels him in Samson's image and they decide to take the money and escape the city together. The day of the elections, while the results are given, in the midst of celebrations the couple manage to escape on a liner evading the gangsters, when these by mistake, shot Walt, instead of Samson's killer.
220:
scandalous revelations about the politician, gets involved in Samson's murder investigation. He is helped by
Antoinette, his assistant, a newspaper reporter who is secretly in love with him. Walt goes as far as to contact both Gauthier, the leader of the gang that ordered Samson's assassination and members of the campaign of the politician object of the smear campaign.
195:. Identity, redemption and resurrection are the themes of the film. The plot follows a young woman who convinces her boxer boyfriend to accept a bribe to tell a lie that discredits a local politician. When the boyfriend is murdered, she is racked with guilt until she meets the killer and plans to remake him into the image of her slain lover. The film won three
215:
At the station, Samson has been followed by two hired assassins. Laure buys the train tickets and hides the money at the station's lockers, but prevented by Samson they go separate ways. She waits for him at a local diner, but ends ups falling sleep and spending the night there. The next morning she
219:
After the assassination, Samson's killer, a brunette dead ringer for the murdered man, looks for Laure and the money. Returning from helping the police with the murder investigation, Laure bravely confronts the killer who is smitten by her. Walt, the editor of the newspaper that was going to run the
223:
The murderer is now in hiding from his former employees and the police. The gang members have already killed the other man who followed Samson. Looking for Laure and a place to hide, Samson's killer (his name is never given) holes up with Nelly who taking him for a client, offers him her specialty:
211:
Laure goes to her house located in the city's red light district. Her roommate, Nelly, a goodhearted prostitute, advertises her trade from a show window. She has a baby daughter and is looking for a name for her newborn. Nelly tries to persuade her friend from leaving and an argument starts between
227:
Atoinette and Walt invite Laure for dinner and they watch a show of a torch singer. Deeply moved by the song Laure heads home, but the killer is still there waiting for her. The next morning, Nelly has left to Samson's wake and Laure confronts the killer once again. He wants to be love by her, but
207:
In a French speaking port in
Northern Europe, Laure, an aimless young woman, goes to see her boyfriend, Samson, a washed up boxer. While posing for photographs, that are going to illustrate an interview for a newspaper, Samson is offered to take a huge amount of money if he lies, confessing in the
1003:
216:
is awaken not by Samson but by one of the killers for hire, who demands the money. While she tries to run, Samson shows up on the snowy street and he is immediately shot by the assassin. Samson falls dead while a train approaches the station.
1008:
430:(1958) is the most clear referent, in a neat gender reversal, for Laure's transformation of Samson's killer. The curl in the hair of Antoinette (Hélène Surgère) recalls that of Madeleine/ Carlotta (
494:
973:
224:
la radical, that includes a dance and song number, but he is more interested in having something to eat. Watching the news, Nelly realizes that he is Samson's killer.
212:
them. Jules, Nelly's husband, intervenes and Nelly, discovering the money hidden in Laure's bag, lets her leave but insist that Jules escort her to the train station.
718:
552:
993:
988:
504:
338:
The film is rooted in the world of cinema rather than the real. Hence contains references to a number of films. The terrorized city recalls
780:
978:
711:
446:
in the US in 2003. The film is in French with
English subtitles. The special features includes a commentary by film critics Andy Klein (
884:
673:
36:
532:
318:'s films of the period, and Sara Films. The screenplay was written by Téchiné with Marilyn Goldin, they had collaborated also in
539:
199:: Best Actress in a Supporting Role, Best Cinematography and Best Music. The film had a total of 678,734 admissions in France.
704:
983:
796:
525:
932:
559:
518:
968:
546:
998:
414:(1964). Samson 's death a gunshot puncturing his eye and witnessed through the window of a train, recalls a scene in
900:
368:
378:
916:
892:
17:
470:
leading with nine nominations. However, the film lost in the major categories (Best film and director) won by
788:
728:
180:
49:
940:
924:
868:
764:
408:
scores for
Hitchcock. The working class street scape and a hair dyeing sequence are similar to some in
804:
963:
860:
836:
363:
359:
249:
243:
192:
188:
85:
820:
740:
454:
255:
748:
691:
669:
290:, a Cuban poet and cultural theorist exiled in Paris. The director was also inspired by the
844:
416:
405:
397:
176:
448:
354:
270:
237:
184:
81:
812:
483:
467:
349:
196:
475:
426:
401:
315:
261:
113:
957:
876:
772:
410:
388:
344:
287:
95:
582:
471:
421:
383:
696:
852:
458:). It is the earliest of Téchiné's films available on DVD in the United States.
373:
311:
71:
828:
339:
431:
327:
35:
1004:
Films featuring a Best
Supporting Actress CĂ©sar Award-winning performance
908:
685:
291:
295:
382:(1938). A dialogue between Laure and Samson's killer is lifted from
1009:
700:
443:
314:
with finance from Les Films de la Boetie, which made many of
298:, in which one figure is becoming the copy of the other.
372:(1966). A railway carriage scene recalls the murder in
420:(1963). Laure's failing arms echoing the gestures of
294:
painting, the
Exchange of Princesses (1621–1625) by
160:
152:
142:
119:
109:
101:
91:
77:
65:
55:
45:
28:
306:Téchiné's third feature had a bigger budget than
282:Téchiné took the title of his film from the work
630:
628:
396:, above all, makes references to the films of
712:
626:
624:
622:
620:
618:
616:
614:
612:
610:
608:
594:
592:
358:(1938). The northern city and the casting of
8:
310:, his previous film, and it was produced by
348:(1931). The murk, fog and dreams of escape
719:
705:
697:
34:
25:
466:Barocco was great favorite, at the 1977
574:
668:, Manchester University Press, 2007,
7:
495:Best Actress – Supporting Role
14:
526:Best Actress – Leading Role
974:Films directed by André Téchiné
781:La matiouette ou l'arrière-pays
583:"Barocco (1976) - JPBox-Office"
994:Films scored by Philippe Sarde
1:
989:Films produced by Alain Sarde
246:as Samson and Samson's Killer
267:Hélène Surgère as Antoinette
979:1970s French-language films
1025:
901:In the Name of My Daughter
509:Meilleure façon de marcher
507:(Bruno Nuytten; tied with
400:. The relentless score by
175:is a 1976 French romantic
15:
735:
442:The film was released on
128:8 December 1976
40:Theatrical release poster
33:
18:Barocco (disambiguation)
555:(Ferdinando Scarfiotti)
434:) in Hitchcock's film.
553:Best Production Design
462:Awards and nominations
424:when she is attacked.
984:French thriller films
925:Farewell to the Night
885:The Girl on the Train
497:(Marie-France Pisier)
369:Trans- Europe Express
320:Souvenirs d'en France
308:Souvenirs the France
16:For other uses, see
969:1976 thriller films
505:Best Cinematography
364:Alain Robbe-Grillet
360:Marie-France Pisier
250:Marie-France Pisier
193:Marie-France Pisier
999:1970s French films
821:My Favorite Season
797:Scene of the Crime
765:The Brontë Sisters
741:Paulina Is Leaving
727:Films directed by
455:Boxoffice Magazine
452:) and Wade Major (
404:is reminiscent of
355:Le Quai des brumes
286:(1974) written by
256:Jean-Claude Brialy
179:film, directed by
951:
950:
749:French Provincial
542:(Claudine Merlin)
528:(Isabelle Adjani)
183:. The film stars
168:
167:
1016:
845:Alice and Martin
721:
714:
707:
698:
664:Marshall, Bill,
652:
645:
639:
632:
603:
596:
587:
586:
579:
521:(Philippe Sarde)
406:Bernard Herrmann
398:Alfred Hitchcock
244:GĂ©rard Depardieu
189:GĂ©rard Depardieu
135:
133:
86:GĂ©rard Depardieu
38:
26:
23:1976 French film
1024:
1023:
1019:
1018:
1017:
1015:
1014:
1013:
954:
953:
952:
947:
731:
725:
682:
661:
656:
655:
646:
642:
633:
606:
597:
590:
581:
580:
576:
571:
535:(André Téchiné)
464:
440:
379:La BĂŞte Humaine
336:
304:
280:
271:Claude Brasseur
238:Isabelle Adjani
234:
205:
185:Isabelle Adjani
145:
138:
131:
129:
122:
105:Claudine Merlin
84:
82:Isabelle Adjani
70:
60:
41:
24:
21:
12:
11:
5:
1022:
1020:
1012:
1011:
1006:
1001:
996:
991:
986:
981:
976:
971:
966:
956:
955:
949:
948:
946:
945:
941:My New Friends
937:
929:
921:
913:
905:
897:
889:
881:
873:
869:Changing Times
865:
857:
849:
841:
833:
825:
817:
809:
801:
793:
785:
777:
769:
761:
753:
745:
736:
733:
732:
726:
724:
723:
716:
709:
701:
695:
694:
681:
680:External links
678:
677:
676:
660:
657:
654:
653:
640:
604:
588:
573:
572:
570:
567:
566:
565:
564:
563:
556:
549:
543:
536:
529:
522:
512:
498:
476:Monsieur Klein
463:
460:
439:
436:
402:Philippe Sarde
335:
332:
316:Claude Chabrol
303:
300:
279:
276:
275:
274:
268:
265:
262:Julien Guiomar
259:
253:
247:
241:
233:
230:
204:
201:
166:
165:
162:
158:
157:
154:
150:
149:
146:
143:
140:
139:
137:
136:
125:
123:
120:
117:
116:
114:Philippe Sarde
111:
107:
106:
103:
99:
98:
93:
92:Cinematography
89:
88:
79:
75:
74:
67:
63:
62:
59:Marilyn Goldin
57:
53:
52:
47:
43:
42:
39:
31:
30:
22:
13:
10:
9:
6:
4:
3:
2:
1021:
1010:
1007:
1005:
1002:
1000:
997:
995:
992:
990:
987:
985:
982:
980:
977:
975:
972:
970:
967:
965:
962:
961:
959:
943:
942:
938:
935:
934:
930:
927:
926:
922:
919:
918:
914:
911:
910:
906:
903:
902:
898:
895:
894:
890:
887:
886:
882:
879:
878:
877:The Witnesses
874:
871:
870:
866:
863:
862:
858:
855:
854:
850:
847:
846:
842:
839:
838:
834:
831:
830:
826:
823:
822:
818:
815:
814:
810:
807:
806:
805:The Innocents
802:
799:
798:
794:
791:
790:
786:
783:
782:
778:
775:
774:
773:Hotel America
770:
767:
766:
762:
759:
758:
754:
751:
750:
746:
743:
742:
738:
737:
734:
730:
729:André Téchiné
722:
717:
715:
710:
708:
703:
702:
699:
693:
689:
688:
684:
683:
679:
675:
674:0-7190-5831-7
671:
667:
666:André Téchiné
663:
662:
658:
650:
649:André Téchiné
644:
641:
637:
636:André Téchiné
631:
629:
627:
625:
623:
621:
619:
617:
615:
613:
611:
609:
605:
601:
600:André Téchiné
595:
593:
589:
584:
578:
575:
568:
561:
557:
554:
550:
548:
544:
541:
537:
534:
533:Best Director
530:
527:
523:
520:
516:
513:
510:
506:
502:
499:
496:
492:
489:
488:
486:
485:
481:
480:
479:
477:
473:
469:
461:
459:
457:
456:
451:
450:
449:The New Times
445:
437:
435:
433:
429:
428:
423:
419:
418:
413:
412:
407:
403:
399:
395:
391:
390:
389:Johnny Guitar
385:
381:
380:
375:
371:
370:
365:
361:
357:
356:
351:
347:
346:
341:
333:
331:
329:
325:
321:
317:
313:
309:
301:
299:
297:
293:
289:
288:Severo Sarduy
285:
277:
272:
269:
266:
263:
260:
257:
254:
251:
248:
245:
242:
239:
236:
235:
231:
229:
225:
221:
217:
213:
209:
202:
200:
198:
194:
190:
186:
182:
181:André Téchiné
178:
174:
173:
163:
159:
155:
151:
147:
141:
127:
126:
124:
118:
115:
112:
108:
104:
100:
97:
96:Bruno Nuytten
94:
90:
87:
83:
80:
76:
73:
69:André Génovès
68:
64:
61:André Téchiné
58:
54:
51:
50:André Téchiné
48:
44:
37:
32:
27:
19:
939:
931:
923:
917:Golden Years
915:
907:
899:
893:Unforgivable
891:
883:
875:
867:
859:
851:
843:
835:
827:
819:
813:I Don't Kiss
811:
803:
795:
787:
779:
771:
763:
756:
755:
747:
739:
686:
665:
648:
643:
635:
599:
577:
562:(Paul Lainé)
540:Best Editing
514:
508:
500:
490:
484:CĂ©sar Awards
482:
472:Joseph Losey
468:CĂ©sar Awards
465:
453:
447:
441:
425:
422:Tippi Hedren
415:
409:
393:
387:
384:Nicholas Ray
377:
367:
353:
350:Marcel Carné
343:
337:
326:was shot in
323:
319:
307:
305:
283:
281:
226:
222:
218:
214:
210:
206:
197:CĂ©sar Awards
171:
170:
169:
144:Running time
121:Release date
789:Rendez-vous
558:Nominated:
551:Nominated:
545:Nominated:
538:Nominated:
531:Nominated:
524:Nominated:
438:DVD release
374:Jean Renoir
312:Alain Sarde
264:as Gauthier
148:105 minutes
72:Alain Sarde
66:Produced by
46:Directed by
964:1976 films
958:Categories
933:Soul Mates
829:Wild Reeds
659:References
647:Marshall,
634:Marshall,
598:Marshall,
560:Best Sound
519:Best Music
340:Fritz Lang
302:Production
132:1976-12-08
56:Written by
547:Best Film
487:(France)
474:'s drama
432:Kim Novak
417:The Birds
328:Amsterdam
102:Edited by
909:Being 17
392:(1953).
334:Analysis
273:as Jules
252:as Nelly
240:as Laure
177:thriller
161:Language
110:Music by
78:Starring
861:Strayed
837:Thieves
757:Barocco
687:Barocco
651:, p. 22
638:, p. 18
602:, p. 21
427:Vertigo
394:Barocco
362:recall
324:Barocco
292:Baroque
284:Barroco
258:as Walt
172:Barocco
153:Country
130: (
29:Barocco
944:(2024)
936:(2023)
928:(2019)
920:(2017)
912:(2016)
904:(2014)
896:(2011)
888:(2009)
880:(2007)
872:(2004)
864:(2003)
856:(2001)
848:(1998)
840:(1996)
832:(1994)
824:(1993)
816:(1991)
808:(1987)
800:(1986)
792:(1985)
784:(1983)
776:(1981)
768:(1979)
760:(1976)
752:(1975)
744:(1969)
672:
411:Marnie
296:Rubens
164:French
156:France
569:Notes
278:Title
692:IMDb
670:ISBN
232:Cast
203:Plot
191:and
853:Far
690:at
515:Won
501:Won
491:Won
478:.
444:DVD
386:'s
376:'s
366:'s
352:'s
342:'s
960::
607:^
591:^
517::
503::
493::
330:.
322:.
187:,
720:e
713:t
706:v
585:.
511:)
345:M
134:)
20:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
