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Baroque pop

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455: 265: 808: 4900: 3693: 3201: 590: 4910: 3703: 3213: 3683: 3713: 42: 586:". The popularity of harpsichords in pop, rock and soul arrangements at this time reflected a desire for unusual sounds and, in the case of many American producers, a sought-for association with the retrospective focus that informed London's fashion scene and the psychedelic music scene there. 616:, "the sobriquet may have been ham-fisted, but certainly there were many Baroque elements in the Left Banke's pop—the stately arrangements, the brilliant use of keyboards and harpsichords, the soaring violins, and the beautiful group harmonies." The band's follow-up single, " 384:
in the foreground of their arrangements. Harpsichords were widely available in recording studios, and had been used in popular music since as early as the 1940s, but the instrument did not gain prominence until the 1960s. One of the first
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uses the term "English baroque" to describe a subset that existed between 1968 and 1973, after the genre's more widespread presence in rock and pop. "Baroque rock" may be invoked as a synonym of "baroque pop" or as its own distinct term.
541:), it is likely that the band did not instigate the link between their music and its classical components, but were in fact responding to classical and baroque readings of their work. These readings also included the 1965 album 479:, Spector melded pop music with classical elements before they were combined with rock. Music historian Andrew Grant Jackson states that "the era of baroque pop", in which "rock melded with classical elements", began with 333:
Baroque pop, stylistically, fuses elements of rock with classical music, often incorporating layered harmonies, strings, and horns to achieve a majestic, orchestral sound. Its prominent characteristics are the use of
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vocal harmonies. English baroque survived into the early 1970s, as record labels sought to capitalize on the singer-songwriter phenomenon by offering lavish string arrangements to unknowns. Among these artists were
1134: 633:(1966) has been advanced in later years as baroque pop, or even the first example of the genre, no contemporary press material referred to the album as "baroque", and instead commentators focused on the album's " 209:
Although harpsichords had been deployed for a number of pop hits since the 1940s, some record producers in the 1960s increasingly placed the instrument in the foreground of their arrangements. Inspired partly by
620:", continued their absorption in the genre. Guitarist Rick Brand later described their lyrics as "rather self-consciously beautiful musical whimsy, as you find in the latter 18th-century Romantic music, pre- 3556: 919:
Stanley believes that this "lost corner of pop history" prevailed while the "predominant trend was to get hairier, heavier, more long-winded". He describes Honeybus as "the quintessential English baroque
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that combines rock music with particular elements of classical music. It emerged in the mid-1960s as artists pursued a majestic, orchestral sound and is identifiable for its appropriation of
1451: 1072: 752:" reached #2 in the UK. At this time, the development in musical arrangements presented by baroque pop was challenged by the breakthrough of psychedelic rock bands from the 612:" (1966) to be the first recognizable baroque pop single. "Baroque rock" was the label devised by the Left Banke's publicists and the music press. According to music critic 1364: 1124: 1321: 720:
According to Stanley, the period of sustained commercial success for pop and rock recordings with harpsichords and string quartets climaxed with the Beatles' 1967 album
560:. Author Joe Harrington comments that due to the Beatles' influence in all areas of pop music's development, "In My Life" led to the arrival of "baroque-rock". Producer 432:
marked a starting point for baroque pop, according to Stanley. He writes that the song "didn't feature any oboes but stuck out rather dramatically in 1964, the year of '
582:, various groups began using baroque and classical instrumentation, described as a "baroque rock" movement by Gendron. Among these recordings was the Rolling Stones' " 827:
derived from the spirit of baroque pop, characterized by an infusion of orchestral arrangements or classical style composition. It originated as a response to the
218:" (1965), various groups were incorporating baroque and classical instrumentation by early 1966. The term "baroque rock" was coined in promotional material for 756:. In a climate equally informed by political radicalism in 1968, Stanley writes, "English baroque" continued as a combined simulacrum of the Zombies' album 3358: 600:
The Zombies' "She's Not There", together with a predilection for all things British through the Beatles' international success, inspired New York musician
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The quaintness of baroque pop and the use of violins and classical guitar became the target of parody at the end of the
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s Jim Beckerman deemed "baroque rock" in the same "retro instrumentation and elegant harmonies" vein as the Beatles' "
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recalled that "Once the Beatles featured that harpsichord sound on 'In My Life,' pop producers began working it in."
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production that dominated in the 1990s. Between the 1990s and 2010s, baroque pop enjoyed a revival with bands like
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of Europe approximately between the years 1600 and 1750, with some of its most prominent composers including
4954: 4949: 4315: 3799: 3472: 3462: 2996: 2966: 2771: 2721: 2671: 1413: 1307: 856: 690: 681:" (1967) – all of which used harpsichord and strings – and the Rolling Stones' "Lady Jane" (harpsichord and 550:
A classically trained musician, Martin played what sounded like a baroque harpsichord solo on the Beatles' "
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s Matthew Guerrieri credits the origins of baroque pop to American pop musicians and record producers like
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in the 1990s both reflected the spirit of baroque pop, while the latter incorporated much of the period's
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Urban Spacemen & Wayfaring Strangers: Overlooked Innovators & Eccentric Visionaries of '60s Rock
777: 489: 319: 3839: 868: 702: 417:" (1966). Guerrieri speculates that the harpsichord may have been desirable for its buzzing, stinging 4934: 4852: 4232: 4132: 4089: 4059: 4054: 4039: 3814: 3599: 2940: 2909: 2706: 2701: 2686: 2681: 2666: 2641: 2631: 2461: 2449: 2424: 2233: 682: 326:. Much of the instrumentation of baroque pop is akin to that of the late Baroque period or the early 4774: 4410: 4365: 4355: 4345: 4202: 4157: 4009: 3999: 3949: 3829: 3205: 3136: 3098: 3093: 3001: 2716: 2661: 2429: 1911: 1864: 764: 753: 714: 666: 4909: 3702: 3212: 4350: 4272: 4237: 4187: 4167: 4117: 3879: 3869: 3604: 2565: 1906: 1799: 1784:(in Slovak). Univerzita Konštantína Filozofa v Nitre, Filozofická fakulta, Katedra kulturológie. 1077: 758: 613: 533:". He also writes that since this phenomenon preceded the release of Beatles recordings such as " 480: 437: 393:' "Summertime, Summertime" (1958). Later examples cited by Guerrieri range from the Beach Boys' " 339: 187: 4335: 3899: 609: 425: 290: 223: 961: 4867: 4811: 4602: 4551: 4152: 4004: 3984: 3964: 3959: 3819: 3619: 3589: 3390: 3309: 3217: 3151: 2804: 2417: 2092: 2067: 1964: 1842: 1836: 1809: 1803: 1785: 1752: 1719: 1713: 1698: 1677: 1654: 1633: 798: 634: 573: 522: 433: 342:
patterns. It was intended to be a more serious and mature outgrowth of rock music. Journalist
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The genre originated in the United Kingdom and the United States. By early 1966, further to
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The instrument used was actually a piano recorded on tape at half speed and then sped up.
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Music Counterculture at the Break of 1960s and 1970s in the Culturological Perspective
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Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music
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and Wilson, as some of the men "most responsible" for the move into baroque pop.
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took over; nonetheless, music was still produced within the genre's tradition.
222:, who used harpsichords and violins in their arrangements and whose 1966 song " 4721: 4629: 4597: 4495: 4460: 4435: 3629: 3624: 3563: 3382: 3176: 3131: 2885: 2868: 2819: 2492: 2434: 2324: 2314: 2309: 2263: 2258: 2248: 2188: 2178: 2162: 2157: 2142: 2137: 2112: 2032: 2027: 1996: 1991: 1969: 1887: 1555:"'Walk Away Renee' collaborator Michael Brown of Englewood Cliffs, dies at 65" 786: 739: 727: 698: 629: 551: 390: 302: 215: 79: 902:
Guerriri says that, in Britain, the song "bridged the passage from rock into
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Author Bernard Gendron says that, further to American composer and conductor
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Electric Shock: From the Gramophone to the iPhone – 125 Years of Pop Music
547:, where their songs were reimagined in a tongue-in-cheek Baroque setting. 229:
Baroque pop's mainstream popularity faded by the 1970s, partially because
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and Procol Harum as "major practitioners" of baroque pop. He recognizes "
637:" traits. The album's baroque-pop aesthetics were limited to one track, " 386: 4847: 4654: 4624: 4592: 4582: 4535: 4510: 4505: 4440: 4420: 3551: 3141: 2950: 2824: 2575: 2355: 1650:
Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde
1442:"George Martin, the Beatles Producer and "Fifth Beatle," Is Dead at 90" 748:, but the project as a whole remained unfinished. However, the single " 706: 147: 4806: 4664: 2304: 418: 906:
for numerous groups: the Beatles, the Rolling Stones, the Zombies,
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Queerness in Pop Music: Aesthetics, Gender Norms, and Temporality
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Gendron's "baroque rock" examples include "Walk Away Renée" with
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contributed to a baroque pop revival beginning in the 1990s.
263: 1125:"Via Spector and serendipity, the harpsichord invaded pop" 1066: 1064: 1062: 1060: 717:" as further examples of the Rolling Stones' baroque pop. 1536: 1534: 1312:"Tea & Symphony: The English Baroque Sound 1967–1974" 998: 996: 994: 992: 990: 988: 986: 984: 982: 962:"Chamber Pop Music Guide: 7 Notable Chamber Pop Artists" 529:'Beatles à la Baroque' or more generically 'baroque rock 943: 941: 939: 937: 853:
Tea & Symphony: The English Baroque Sound 1967–1974
1409:"Bach & Roll: How the Unsexy Harpsichord Got Hip" 1162:, p. 191, baroque rock inspired by "In My Life". 742:
attempted to create a baroque pop concept album with
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In Jackson's view, baroque pop and 1838:Popkiss: The Life and Afterlife of Sarah Records 1240: 1238: 190:patterns) and dramatic or melancholic gestures. 1402: 1400: 1398: 1396: 1394: 1118: 1116: 1114: 1112: 1110: 1108: 1106: 1104: 1102: 1100: 1027: 1025: 1023: 1021: 1019: 1017: 1015: 1013: 1011: 3743: 3245: 1872: 1201: 1199: 1197: 1195: 1193: 1191: 1189: 1187: 1185: 1183: 884:was the dominant form of musical consumption. 487:" (February 1965) and Brian Wilson's work on 8: 1174: 3750: 3736: 3728: 3292: 3252: 3238: 3230: 2402: 1954: 1879: 1865: 1857: 1748:1965: The Most Revolutionary Year in Music 1513: 1357:"The Baroque Rock Of The Spring Standards" 1159: 461:working in the studio with their producer 40: 31: 554:", released on their December 1965 album 275:The Left Banke – "Walk Away Renée" (1966) 1595: 1583: 1540: 1525: 1496: 1484: 1472: 1385: 1223:from the original on September 21, 2013 1155: 1123:Guerrieri, Matthew (January 22, 2016). 1002: 947: 933: 844: 793:Dissipation and revival (1970s–present) 111:1960s, United Kingdom and United States 1324:from the original on February 27, 2017 1277:Essentials of music: Baroque composers 300: 1607: 1367:from the original on October 26, 2017 1342: 855:(2007), features music that reviewer 762:(1968), McCartney's contributions to 723:Sgt. Pepper's Lonely Hearts Club Band 447:having an enunciation that was "pure 7: 3104:Rock music and the fall of communism 1765:from the original on August 15, 2021 1454:from the original on August 13, 2022 789:and individual members of Honeybus. 726:, "which mixed everyday lyrics with 3712: 1822:from the original on April 13, 2017 1565:from the original on August 9, 2016 1421:from the original on April 25, 2016 1137:from the original on August 7, 2017 1045:from the original on August 9, 2015 1732:from the original on June 28, 2021 1440:Wickman, Forrest (March 9, 2016). 1258:from the original on June 27, 2015 25: 4790:historically informed performance 1553:Beckerman, Jim (March 21, 2015). 1071:Smith, Steve (29 November 2012). 4908: 4899: 4898: 3711: 3701: 3692: 3691: 3681: 3211: 3200: 3199: 1407:Myers, Marc (October 30, 2013). 734:to create lysergically enhanced 608:. Stanley considers the band's " 301:Problems playing this file? See 279: 3682: 3022:Progressive rock (radio format) 1653:. University of Chicago Press. 407:You've Lost That Lovin' Feelin' 1745:Jackson, Andrew Grant (2015). 389:hits to use a harpsichord was 310:In classical music, the term " 1: 4291: 4093: 3915: 3780: 671:Sunday Will Never Be the Same 568:Emergence (mid to late 1960s) 466: 1718:. Univ of California Press. 750:Excerpt from A Teenage Opera 399:When I Grow Up (To Be a Man) 3052:List of years in rock music 1676:. Hal Leonard Corporation. 1668:Harrington, Joe S. (2002). 1632:. London: The Bodley Head. 859:says is mostly inspired by 143:List of baroque pop artists 4981: 3157:Rock and Roll Hall of Fame 1355:Saas, Don (May 14, 2015). 1211:"Baroque and a soft place" 796: 738:". Also in 1967, producer 571: 537:" (which used a classical 506:s Forrest Wickman credits 314:" is used to describe the 194:figure prominently, while 4940:20th-century music genres 4878: 3768:List of Baroque composers 3765: 3655: 3195: 3079:Electronics in rock music 2745:Hard rock and heavy metal 2239:Pub rock (United Kingdom) 1841:. Bloomsbury Publishing. 1647:Gendron, Bernard (2002). 782:Crosby, Stills & Nash 627:Although the Beach Boys' 411:the Mamas & the Papas 226:" exemplified the style. 139: 39: 4965:American styles of music 3557:Unruly audience response 3057:Origins of rock and roll 1308:Erlewine, Stephen Thomas 544:The Baroque Beatles Book 356:Precursors (early 1960s) 4960:British styles of music 3261:Western classical music 2997:Adult album alternative 1835:White, Michael (2015). 1414:The Wall Street Journal 857:Stephen Thomas Erlewine 497:were one and the same. 4843:Common practice period 3359:Transition to Romantic 3289:Major periods and eras 3089:Rock Against Communism 2488:Brazilian thrash metal 1751:. Thomas Dunne Books. 1712:Howland, John (2021). 1691:Hawkins, Stan (2015). 1209:(September 21, 2007). 816: 660:A Whiter Shade of Pale 597: 472: 428:" by the English band 403:the Righteous Brothers 268: 182:compositional styles ( 4765:British Baroque music 3315:Transition to Baroque 3111:Rockism and poptimism 2571:British rock and roll 1778:Perný, Lukáš (2014). 1296:Oxford Music Online 2 810: 774:I Can't Let Maggie Go 592: 490:The Beach Boys Today! 457: 267: 4183:Jacquet de La Guerre 4113:Bodin de Boismortier 3647:Worldwide traditions 3600:Classical music blog 2946:Sahara desert region 2234:Pub rock (Australia) 1528:, pp. 174, 343. 780:'s chamber pop, and 48:electric harpsichord 4775:early music revival 4346:Frederick the Great 3499:Students by teacher 3137:List of rock genres 3099:Rock Against Sexism 3094:Rock Against Racism 3002:Album-oriented rock 1800:Unterberger, Richie 1388:, pp. 214–215. 754:San Francisco scene 687:the Lovin' Spoonful 667:Spanky and Our Gang 253:musical aesthetic. 4075:Torrejón y Velasco 1282:2008-12-19 at the 1085:on 3 December 2012 1078:Pasadena Star-News 869:Gilbert O'Sullivan 817: 759:Odessey and Oracle 703:She's Leaving Home 614:Richie Unterberger 598: 481:the Rolling Stones 473: 438:Little Red Rooster 340:functional harmony 269: 188:functional harmony 170:(sometimes called 4945:Rock music genres 4922: 4921: 4884:Renaissance music 4552:Baroque orchestra 3725: 3724: 3620:Progressive music 3414: 3413: 3227: 3226: 3152:Progressive music 2980: 2979: 2418:Palm Desert Scene 2394: 2393: 2068:Experimental rock 1965:Instrumental rock 1848:978-1-62892-220-2 1815:978-0-9915892-4-1 1791:978-80-558-0677-8 1758:978-1-250-05962-8 1725:978-0-520-30010-1 1704:978-1-317-58972-3 1683:978-0-634-02861-8 1660:978-0-226-28737-9 1639:978-1-84792-218-2 833:the Divine Comedy 813:the Divine Comedy 799:Philadelphia soul 574:Psychedelic music 523:Leonard Bernstein 449:St Albans grammar 434:You Really Got Me 424:The 1964 single " 284: 245:in the 1970s and 243:Philadelphia soul 206:are also common. 165: 164: 122:Philadelphia soul 74:Stylistic origins 16:(Redirected from 4972: 4912: 4902: 4901: 4817:polychoral style 4732:sonata da chiesa 4293: 4095: 3917: 3782: 3752: 3745: 3738: 3729: 3715: 3714: 3705: 3695: 3694: 3685: 3684: 3670:Composers by era 3635:Video game music 3569:Musical ensemble 3371:Post-romanticism 3293: 3254: 3247: 3240: 3231: 3215: 3203: 3202: 3072:Rhythm and blues 3047:British Invasion 2403: 2280:Alternative rock 2219:Post-progressive 2128:Psychedelic rock 2123:Progressive rock 1955: 1951: 1945:decade of origin 1881: 1874: 1867: 1858: 1852: 1831: 1829: 1827: 1795: 1774: 1772: 1770: 1741: 1739: 1737: 1708: 1687: 1675: 1664: 1643: 1611: 1605: 1599: 1593: 1587: 1581: 1575: 1574: 1572: 1570: 1550: 1544: 1538: 1529: 1523: 1517: 1511: 1500: 1494: 1488: 1482: 1476: 1470: 1464: 1463: 1461: 1459: 1437: 1431: 1430: 1428: 1426: 1404: 1389: 1383: 1377: 1376: 1374: 1372: 1352: 1346: 1340: 1334: 1333: 1331: 1329: 1304: 1298: 1293: 1287: 1274: 1268: 1267: 1265: 1263: 1242: 1233: 1232: 1230: 1228: 1203: 1178: 1175:Unterberger 2014 1172: 1163: 1153: 1147: 1146: 1144: 1142: 1130:The Boston Globe 1120: 1095: 1094: 1092: 1090: 1081:. Archived from 1068: 1055: 1054: 1052: 1050: 1029: 1006: 1000: 977: 976: 974: 972: 957: 951: 945: 921: 917: 911: 900: 894: 891: 885: 878: 872: 849: 823:. In the 1990s, 691:Rain on the Roof 675:the Stone Poneys 649: 618:Pretty Ballerina 532: 528: 505: 471: 468: 442: 367: 362:The Boston Globe 328:Classical period 286: 285: 266: 158:progressive rock 116:Derivative forms 108:Cultural origins 44: 32: 21: 4980: 4979: 4975: 4974: 4973: 4971: 4970: 4969: 4925: 4924: 4923: 4918: 4895: 4891:Classical music 4887: 4874: 4831: 4827:Galant Schemata 4741: 4640:concerto grosso 4561: 4540: 4412: 4405: 4282: 4118:G. B. Bononcini 4084: 3909: 3778: 3770: 3761: 3756: 3726: 3721: 3651: 3578: 3540: 3494: 3410: 3377: 3327:Common practice 3321: 3284: 3263: 3258: 3228: 3223: 3191: 3120: 3040: 3026: 3012:Mainstream rock 2976: 2955: 2929: 2778: 2534: 2466: 2399:Regional scenes 2390: 2344: 2268: 2209:Industrial rock 2167: 2063:Electronic rock 2001: 1949: 1948:(sub-subgenres 1947: 1946: 1944: 1938: 1917:Electric guitar 1890: 1885: 1855: 1849: 1834: 1825: 1823: 1816: 1798: 1792: 1777: 1768: 1766: 1759: 1744: 1735: 1733: 1726: 1711: 1705: 1690: 1684: 1667: 1661: 1646: 1640: 1624: 1620: 1615: 1614: 1606: 1602: 1594: 1590: 1582: 1578: 1568: 1566: 1552: 1551: 1547: 1539: 1532: 1524: 1520: 1514:Harrington 2002 1512: 1503: 1495: 1491: 1483: 1479: 1471: 1467: 1457: 1455: 1439: 1438: 1434: 1424: 1422: 1406: 1405: 1392: 1384: 1380: 1370: 1368: 1354: 1353: 1349: 1341: 1337: 1327: 1325: 1306: 1305: 1301: 1294: 1290: 1284:Wayback Machine 1275: 1271: 1261: 1259: 1244: 1243: 1236: 1226: 1224: 1205: 1204: 1181: 1173: 1166: 1160:Harrington 2002 1154: 1150: 1140: 1138: 1122: 1121: 1098: 1088: 1086: 1070: 1069: 1058: 1048: 1046: 1031: 1030: 1009: 1001: 980: 970: 968: 959: 958: 954: 946: 935: 930: 925: 924: 918: 914: 901: 897: 892: 888: 879: 875: 851:A compilation, 850: 846: 841: 821:psychedelic era 811:The Irish band 805: 795: 745:A Teenage Opera 695:the Moody Blues 647: 641:", a song that 610:Walk Away Renée 576: 570: 530: 526: 503: 469: 445:Colin Blunstone 440: 426:She's Not There 365: 358: 353: 324:Antonio Vivaldi 308: 307: 299: 297: 296: 295: 294: 291:Walk Away Renée 287: 280: 277: 270: 264: 259: 257:Characteristics 224:Walk Away Renée 204:string quartets 69: 50: 28: 23: 22: 15: 12: 11: 5: 4978: 4976: 4968: 4967: 4962: 4957: 4955:1970s in music 4952: 4950:1960s in music 4947: 4942: 4937: 4927: 4926: 4920: 4919: 4917: 4916: 4906: 4888: 4880: 4879: 4876: 4875: 4873: 4872: 4871: 4870: 4865: 4860: 4855: 4845: 4839: 4837: 4833: 4832: 4830: 4829: 4824: 4819: 4814: 4812:notes inégales 4809: 4804: 4799: 4794: 4793: 4792: 4787: 4782: 4772: 4767: 4762: 4761: 4760: 4749: 4747: 4743: 4742: 4740: 4739: 4734: 4729: 4724: 4719: 4714: 4709: 4704: 4699: 4694: 4689: 4684: 4679: 4678: 4677: 4672: 4667: 4662: 4657: 4652: 4642: 4637: 4632: 4627: 4622: 4621: 4620: 4615: 4605: 4600: 4595: 4590: 4585: 4580: 4575: 4569: 4567: 4563: 4562: 4560: 4559: 4557:Basso continuo 4554: 4548: 4546: 4542: 4541: 4539: 4538: 4533: 4528: 4523: 4518: 4513: 4508: 4503: 4498: 4493: 4488: 4483: 4478: 4473: 4468: 4463: 4458: 4453: 4448: 4443: 4438: 4433: 4428: 4423: 4417: 4415: 4407: 4406: 4404: 4403: 4398: 4393: 4388: 4383: 4378: 4373: 4368: 4363: 4358: 4353: 4348: 4343: 4338: 4333: 4328: 4323: 4318: 4313: 4308: 4303: 4297: 4295: 4284: 4283: 4281: 4280: 4275: 4270: 4265: 4260: 4255: 4250: 4245: 4240: 4235: 4230: 4225: 4220: 4215: 4210: 4205: 4200: 4195: 4190: 4188:Leclair l'aîné 4185: 4180: 4175: 4170: 4165: 4160: 4155: 4150: 4145: 4140: 4135: 4130: 4125: 4120: 4115: 4110: 4105: 4099: 4097: 4086: 4085: 4083: 4082: 4077: 4072: 4067: 4062: 4057: 4052: 4047: 4042: 4037: 4032: 4027: 4022: 4017: 4012: 4007: 4002: 3997: 3992: 3987: 3982: 3977: 3972: 3967: 3962: 3957: 3952: 3947: 3942: 3940:H. I. F. Biber 3937: 3932: 3927: 3921: 3919: 3911: 3910: 3908: 3907: 3902: 3897: 3892: 3887: 3882: 3877: 3872: 3867: 3862: 3857: 3852: 3847: 3842: 3837: 3832: 3827: 3822: 3817: 3812: 3807: 3802: 3797: 3792: 3786: 3784: 3772: 3771: 3766: 3763: 3762: 3757: 3755: 3754: 3747: 3740: 3732: 3723: 3722: 3720: 3719: 3709: 3699: 3689: 3678: 3677: 3672: 3667: 3662: 3656: 3653: 3652: 3650: 3649: 3644: 3639: 3638: 3637: 3632: 3622: 3617: 3612: 3607: 3602: 3597: 3592: 3586: 3584: 3580: 3579: 3577: 3576: 3571: 3566: 3561: 3560: 3559: 3548: 3546: 3542: 3541: 3539: 3538: 3533: 3528: 3523: 3518: 3513: 3508: 3502: 3500: 3496: 3495: 3493: 3492: 3487: 3486: 3485: 3478:United Kingdom 3475: 3470: 3465: 3460: 3455: 3450: 3445: 3440: 3439: 3438: 3428: 3422: 3420: 3416: 3415: 3412: 3411: 3409: 3408: 3403: 3398: 3393: 3387: 3385: 3379: 3378: 3376: 3375: 3374: 3373: 3363: 3362: 3361: 3351: 3350: 3349: 3346:Empfindsamkeit 3342: 3331: 3329: 3323: 3322: 3320: 3319: 3318: 3317: 3307: 3301: 3299: 3290: 3286: 3285: 3283: 3282: 3277: 3271: 3269: 3265: 3264: 3259: 3257: 3256: 3249: 3242: 3234: 3225: 3224: 3222: 3221: 3209: 3196: 3193: 3192: 3190: 3189: 3184: 3182:Wagnerian rock 3179: 3174: 3169: 3164: 3159: 3154: 3149: 3147:Outlaw country 3144: 3139: 3134: 3128: 3126: 3122: 3121: 3119: 3118: 3113: 3108: 3107: 3106: 3101: 3096: 3091: 3084:Social effects 3081: 3076: 3075: 3074: 3069: 3064: 3054: 3049: 3043: 3041: 3039: 3038: 3035: 3031: 3028: 3027: 3025: 3024: 3019: 3014: 3009: 3004: 2999: 2994: 2988: 2986: 2982: 2981: 2978: 2977: 2975: 2974: 2969: 2963: 2961: 2957: 2956: 2954: 2953: 2948: 2943: 2937: 2935: 2931: 2930: 2928: 2927: 2922: 2917: 2912: 2907: 2906: 2905: 2895: 2890: 2889: 2888: 2878: 2873: 2872: 2871: 2861: 2856: 2851: 2846: 2845: 2844: 2839: 2829: 2828: 2827: 2817: 2812: 2802: 2797: 2792: 2786: 2784: 2780: 2779: 2777: 2776: 2775: 2774: 2769: 2764: 2759: 2757:Neo-rockabilly 2754: 2753: 2752: 2742: 2734: 2729: 2724: 2719: 2714: 2709: 2704: 2699: 2694: 2689: 2684: 2679: 2674: 2669: 2664: 2659: 2654: 2649: 2644: 2639: 2634: 2629: 2624: 2619: 2618: 2617: 2612: 2607: 2597: 2592: 2587: 2586: 2585: 2584: 2583: 2573: 2563: 2558: 2553: 2548: 2542: 2540: 2536: 2535: 2533: 2532: 2527: 2522: 2517: 2512: 2507: 2502: 2501: 2500: 2495: 2490: 2480: 2474: 2472: 2468: 2467: 2465: 2464: 2459: 2458: 2457: 2447: 2442: 2437: 2432: 2427: 2422: 2421: 2420: 2409: 2407: 2400: 2396: 2395: 2392: 2391: 2389: 2388: 2383: 2378: 2373: 2368: 2363: 2358: 2352: 2350: 2346: 2345: 2343: 2342: 2337: 2332: 2327: 2322: 2317: 2312: 2307: 2302: 2297: 2292: 2287: 2282: 2276: 2274: 2270: 2269: 2267: 2266: 2261: 2256: 2251: 2246: 2241: 2236: 2231: 2226: 2221: 2216: 2211: 2206: 2204:Heartland rock 2201: 2196: 2191: 2186: 2181: 2175: 2173: 2169: 2168: 2166: 2165: 2160: 2155: 2150: 2145: 2140: 2135: 2130: 2125: 2120: 2115: 2110: 2105: 2100: 2095: 2090: 2085: 2080: 2075: 2070: 2065: 2060: 2055: 2050: 2048:Christian rock 2045: 2040: 2035: 2030: 2025: 2020: 2015: 2013:Anatolian rock 2009: 2007: 2003: 2002: 2000: 1999: 1994: 1989: 1988: 1987: 1977: 1972: 1967: 1961: 1959: 1952: 1940: 1939: 1937: 1936: 1935: 1934: 1929: 1927:Rhythm section 1924: 1919: 1909: 1904: 1898: 1896: 1892: 1891: 1886: 1884: 1883: 1876: 1869: 1861: 1854: 1853: 1847: 1832: 1814: 1796: 1790: 1775: 1757: 1742: 1724: 1709: 1703: 1688: 1682: 1665: 1659: 1644: 1638: 1626:Doggett, Peter 1621: 1619: 1616: 1613: 1612: 1610:, p. 190. 1600: 1598:, p. 375. 1588: 1586:, p. 343. 1576: 1545: 1543:, p. 217. 1530: 1518: 1516:, p. 191. 1501: 1499:, p. 173. 1489: 1487:, p. xix. 1477: 1475:, p. 172. 1465: 1432: 1390: 1378: 1347: 1335: 1299: 1288: 1269: 1234: 1179: 1177:, p. 416. 1164: 1148: 1096: 1056: 1007: 1005:, p. 193. 978: 952: 932: 931: 929: 926: 923: 922: 912: 895: 886: 873: 861:Paul McCartney 843: 842: 840: 837: 794: 791: 679:Different Drum 673:" (1967), and 639:God Only Knows 606:the Left Banke 594:The Left Banke 569: 566: 539:string quartet 516:Paul McCartney 485:Play with Fire 477:Burt Bacharach 415:Monday, Monday 397:" (1964) and " 374:the Beach Boys 357: 354: 352: 349: 298: 288: 278: 273: 272: 271: 262: 261: 260: 258: 255: 220:the Left Banke 163: 162: 161: 160: 155: 150: 145: 137: 136: 132: 131: 130: 129: 124: 117: 113: 112: 109: 105: 104: 103: 102: 97: 95:orchestral pop 92: 87: 82: 75: 71: 70: 68: 67: 62: 58: 56: 52: 51: 45: 37: 36: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 4977: 4966: 4963: 4961: 4958: 4956: 4953: 4951: 4948: 4946: 4943: 4941: 4938: 4936: 4933: 4932: 4930: 4915: 4911: 4907: 4905: 4897: 4896: 4893: 4892: 4886: 4885: 4877: 4869: 4866: 4864: 4861: 4859: 4856: 4854: 4851: 4850: 4849: 4846: 4844: 4841: 4840: 4838: 4834: 4828: 4825: 4823: 4820: 4818: 4815: 4813: 4810: 4808: 4805: 4803: 4800: 4798: 4795: 4791: 4788: 4786: 4783: 4781: 4778: 4777: 4776: 4773: 4771: 4768: 4766: 4763: 4759: 4756: 4755: 4754: 4751: 4750: 4748: 4744: 4738: 4735: 4733: 4730: 4728: 4725: 4723: 4720: 4718: 4715: 4713: 4710: 4708: 4705: 4703: 4700: 4698: 4695: 4693: 4690: 4688: 4685: 4683: 4680: 4676: 4673: 4671: 4668: 4666: 4663: 4661: 4658: 4656: 4653: 4651: 4648: 4647: 4646: 4643: 4641: 4638: 4636: 4633: 4631: 4628: 4626: 4623: 4619: 4616: 4614: 4611: 4610: 4609: 4606: 4604: 4601: 4599: 4596: 4594: 4591: 4589: 4586: 4584: 4581: 4579: 4576: 4574: 4571: 4570: 4568: 4566:Musical forms 4564: 4558: 4555: 4553: 4550: 4549: 4547: 4543: 4537: 4534: 4532: 4529: 4527: 4524: 4522: 4519: 4517: 4514: 4512: 4509: 4507: 4504: 4502: 4499: 4497: 4494: 4492: 4489: 4487: 4484: 4482: 4479: 4477: 4474: 4472: 4469: 4467: 4464: 4462: 4459: 4457: 4454: 4452: 4449: 4447: 4444: 4442: 4439: 4437: 4434: 4432: 4429: 4427: 4424: 4422: 4419: 4418: 4416: 4414: 4408: 4402: 4399: 4397: 4394: 4392: 4389: 4387: 4384: 4382: 4379: 4377: 4374: 4372: 4369: 4367: 4364: 4362: 4361:Padre Martini 4359: 4357: 4354: 4352: 4349: 4347: 4344: 4342: 4339: 4337: 4334: 4332: 4329: 4327: 4324: 4322: 4319: 4317: 4314: 4312: 4309: 4307: 4306:C. P. E. Bach 4304: 4302: 4299: 4298: 4296: 4289: 4285: 4279: 4276: 4274: 4271: 4269: 4266: 4264: 4261: 4259: 4256: 4254: 4251: 4249: 4246: 4244: 4241: 4239: 4236: 4234: 4231: 4229: 4226: 4224: 4221: 4219: 4216: 4214: 4211: 4209: 4206: 4204: 4201: 4199: 4196: 4194: 4191: 4189: 4186: 4184: 4181: 4179: 4176: 4174: 4171: 4169: 4166: 4164: 4161: 4159: 4156: 4154: 4151: 4149: 4146: 4144: 4141: 4139: 4136: 4134: 4131: 4129: 4126: 4124: 4121: 4119: 4116: 4114: 4111: 4109: 4106: 4104: 4101: 4100: 4098: 4091: 4087: 4081: 4078: 4076: 4073: 4071: 4068: 4066: 4063: 4061: 4058: 4056: 4053: 4051: 4048: 4046: 4043: 4041: 4038: 4036: 4033: 4031: 4028: 4026: 4023: 4021: 4018: 4016: 4013: 4011: 4008: 4006: 4003: 4001: 3998: 3996: 3993: 3991: 3988: 3986: 3983: 3981: 3978: 3976: 3973: 3971: 3968: 3966: 3963: 3961: 3958: 3956: 3953: 3951: 3948: 3946: 3943: 3941: 3938: 3936: 3933: 3931: 3928: 3926: 3923: 3922: 3920: 3912: 3906: 3903: 3901: 3898: 3896: 3893: 3891: 3888: 3886: 3883: 3881: 3880:M. Praetorius 3878: 3876: 3873: 3871: 3868: 3866: 3863: 3861: 3858: 3856: 3853: 3851: 3848: 3846: 3843: 3841: 3838: 3836: 3833: 3831: 3828: 3826: 3823: 3821: 3818: 3816: 3813: 3811: 3808: 3806: 3803: 3801: 3798: 3796: 3793: 3791: 3788: 3787: 3785: 3777: 3773: 3769: 3764: 3760: 3759:Baroque music 3753: 3748: 3746: 3741: 3739: 3734: 3733: 3730: 3718: 3710: 3708: 3704: 3700: 3698: 3690: 3688: 3680: 3679: 3676: 3673: 3671: 3668: 3666: 3663: 3661: 3658: 3657: 3654: 3648: 3645: 3643: 3640: 3636: 3633: 3631: 3628: 3627: 3626: 3623: 3621: 3618: 3616: 3615:New-age music 3613: 3611: 3608: 3606: 3603: 3601: 3598: 3596: 3593: 3591: 3588: 3587: 3585: 3581: 3575: 3572: 3570: 3567: 3565: 3562: 3558: 3555: 3554: 3553: 3550: 3549: 3547: 3543: 3537: 3534: 3532: 3529: 3527: 3524: 3522: 3519: 3517: 3514: 3512: 3509: 3507: 3504: 3503: 3501: 3497: 3491: 3490:United States 3488: 3484: 3481: 3480: 3479: 3476: 3474: 3471: 3469: 3466: 3464: 3461: 3459: 3456: 3454: 3451: 3449: 3446: 3444: 3441: 3437: 3434: 3433: 3432: 3429: 3427: 3424: 3423: 3421: 3417: 3407: 3404: 3402: 3399: 3397: 3394: 3392: 3389: 3388: 3386: 3384: 3380: 3372: 3369: 3368: 3367: 3364: 3360: 3357: 3356: 3355: 3352: 3348: 3347: 3343: 3341: 3338: 3337: 3336: 3333: 3332: 3330: 3328: 3324: 3316: 3313: 3312: 3311: 3308: 3306: 3303: 3302: 3300: 3298: 3294: 3291: 3287: 3281: 3280:Dates of eras 3278: 3276: 3273: 3272: 3270: 3266: 3262: 3255: 3250: 3248: 3243: 3241: 3236: 3235: 3232: 3220: 3219: 3214: 3210: 3208: 3207: 3198: 3197: 3194: 3188: 3187:Wall of Sound 3185: 3183: 3180: 3178: 3175: 3173: 3170: 3168: 3167:Rock festival 3165: 3163: 3160: 3158: 3155: 3153: 3150: 3148: 3145: 3143: 3140: 3138: 3135: 3133: 3130: 3129: 3127: 3123: 3117: 3116:Women in rock 3114: 3112: 3109: 3105: 3102: 3100: 3097: 3095: 3092: 3090: 3087: 3086: 3085: 3082: 3080: 3077: 3073: 3070: 3068: 3065: 3063: 3062:Country music 3060: 3059: 3058: 3055: 3053: 3050: 3048: 3045: 3044: 3042: 3036: 3033: 3032: 3029: 3023: 3020: 3018: 3015: 3013: 3010: 3008: 3005: 3003: 3000: 2998: 2995: 2993: 2990: 2989: 2987: 2985:Radio formats 2983: 2973: 2970: 2968: 2965: 2964: 2962: 2958: 2952: 2949: 2947: 2944: 2942: 2939: 2938: 2936: 2932: 2926: 2923: 2921: 2918: 2916: 2913: 2911: 2908: 2904: 2901: 2900: 2899: 2896: 2894: 2891: 2887: 2884: 2883: 2882: 2879: 2877: 2874: 2870: 2867: 2866: 2865: 2862: 2860: 2857: 2855: 2852: 2850: 2847: 2843: 2840: 2838: 2835: 2834: 2833: 2830: 2826: 2823: 2822: 2821: 2818: 2816: 2813: 2810: 2806: 2803: 2801: 2798: 2796: 2793: 2791: 2788: 2787: 2785: 2781: 2773: 2770: 2768: 2765: 2763: 2760: 2758: 2755: 2751: 2750:Extreme metal 2748: 2747: 2746: 2743: 2741: 2738: 2737: 2735: 2733: 2730: 2728: 2725: 2723: 2720: 2718: 2715: 2713: 2710: 2708: 2705: 2703: 2700: 2698: 2695: 2693: 2690: 2688: 2685: 2683: 2680: 2678: 2675: 2673: 2670: 2668: 2665: 2663: 2660: 2658: 2655: 2653: 2650: 2648: 2645: 2643: 2640: 2638: 2635: 2633: 2630: 2628: 2625: 2623: 2620: 2616: 2613: 2611: 2608: 2606: 2603: 2602: 2601: 2598: 2596: 2593: 2591: 2588: 2582: 2579: 2578: 2577: 2574: 2572: 2569: 2568: 2567: 2564: 2562: 2559: 2557: 2554: 2552: 2549: 2547: 2544: 2543: 2541: 2537: 2531: 2528: 2526: 2523: 2521: 2518: 2516: 2513: 2511: 2508: 2506: 2503: 2499: 2496: 2494: 2491: 2489: 2486: 2485: 2484: 2481: 2479: 2476: 2475: 2473: 2471:South America 2469: 2463: 2460: 2456: 2453: 2452: 2451: 2448: 2446: 2443: 2441: 2438: 2436: 2433: 2431: 2428: 2426: 2423: 2419: 2416: 2415: 2414: 2411: 2410: 2408: 2406:North America 2404: 2401: 2397: 2387: 2384: 2382: 2379: 2377: 2374: 2372: 2369: 2367: 2364: 2362: 2359: 2357: 2354: 2353: 2351: 2347: 2341: 2338: 2336: 2333: 2331: 2328: 2326: 2323: 2321: 2318: 2316: 2313: 2311: 2308: 2306: 2303: 2301: 2298: 2296: 2293: 2291: 2288: 2286: 2283: 2281: 2278: 2277: 2275: 2271: 2265: 2262: 2260: 2257: 2255: 2252: 2250: 2247: 2245: 2242: 2240: 2237: 2235: 2232: 2230: 2227: 2225: 2222: 2220: 2217: 2215: 2212: 2210: 2207: 2205: 2202: 2200: 2197: 2195: 2192: 2190: 2187: 2185: 2182: 2180: 2177: 2176: 2174: 2170: 2164: 2161: 2159: 2156: 2154: 2153:Southern rock 2151: 2149: 2146: 2144: 2141: 2139: 2136: 2134: 2131: 2129: 2126: 2124: 2121: 2119: 2116: 2114: 2111: 2109: 2106: 2104: 2101: 2099: 2096: 2094: 2091: 2089: 2086: 2084: 2081: 2079: 2076: 2074: 2073:Flamenco rock 2071: 2069: 2066: 2064: 2061: 2059: 2056: 2054: 2051: 2049: 2046: 2044: 2041: 2039: 2036: 2034: 2031: 2029: 2026: 2024: 2021: 2019: 2016: 2014: 2011: 2010: 2008: 2004: 1998: 1995: 1993: 1990: 1986: 1983: 1982: 1981: 1980:Rock and roll 1978: 1976: 1973: 1971: 1968: 1966: 1963: 1962: 1960: 1956: 1953: 1950:not included) 1941: 1933: 1930: 1928: 1925: 1923: 1922:Electric bass 1920: 1918: 1915: 1914: 1913: 1910: 1908: 1905: 1903: 1900: 1899: 1897: 1893: 1889: 1882: 1877: 1875: 1870: 1868: 1863: 1862: 1859: 1850: 1844: 1840: 1839: 1833: 1821: 1817: 1811: 1807: 1806: 1801: 1797: 1793: 1787: 1783: 1782: 1776: 1764: 1760: 1754: 1750: 1749: 1743: 1731: 1727: 1721: 1717: 1716: 1710: 1706: 1700: 1697:. Routledge. 1696: 1695: 1689: 1685: 1679: 1674: 1673: 1666: 1662: 1656: 1652: 1651: 1645: 1641: 1635: 1631: 1627: 1623: 1622: 1617: 1609: 1604: 1601: 1597: 1592: 1589: 1585: 1580: 1577: 1564: 1560: 1556: 1549: 1546: 1542: 1537: 1535: 1531: 1527: 1522: 1519: 1515: 1510: 1508: 1506: 1502: 1498: 1493: 1490: 1486: 1481: 1478: 1474: 1469: 1466: 1453: 1449: 1448: 1443: 1436: 1433: 1420: 1416: 1415: 1410: 1403: 1401: 1399: 1397: 1395: 1391: 1387: 1382: 1379: 1366: 1362: 1358: 1351: 1348: 1345:, p. 37. 1344: 1339: 1336: 1323: 1319: 1318: 1313: 1309: 1303: 1300: 1297: 1292: 1289: 1285: 1281: 1278: 1273: 1270: 1257: 1253: 1252: 1247: 1246:"Chamber pop" 1241: 1239: 1235: 1222: 1218: 1217: 1212: 1208: 1202: 1200: 1198: 1196: 1194: 1192: 1190: 1188: 1186: 1184: 1180: 1176: 1171: 1169: 1165: 1161: 1157: 1152: 1149: 1136: 1132: 1131: 1126: 1119: 1117: 1115: 1113: 1111: 1109: 1107: 1105: 1103: 1101: 1097: 1084: 1080: 1079: 1074: 1067: 1065: 1063: 1061: 1057: 1044: 1040: 1039: 1034: 1033:"Baroque pop" 1028: 1026: 1024: 1022: 1020: 1018: 1016: 1014: 1012: 1008: 1004: 999: 997: 995: 993: 991: 989: 987: 985: 983: 979: 967: 963: 956: 953: 950:, p. 22. 949: 944: 942: 940: 938: 934: 927: 916: 913: 909: 905: 899: 896: 890: 887: 883: 877: 874: 870: 866: 862: 858: 854: 848: 845: 838: 836: 834: 830: 826: 822: 814: 809: 804: 800: 792: 790: 788: 783: 779: 775: 771: 767: 766: 761: 760: 755: 751: 747: 746: 741: 737: 736:parlour music 733: 729: 725: 724: 718: 716: 712: 711:Ride On, Baby 708: 704: 700: 696: 692: 688: 684: 680: 676: 672: 668: 663: 661: 657: 654:" (1966) and 653: 652:Eleanor Rigby 646: 645: 640: 636: 632: 631: 625: 623: 619: 615: 611: 607: 603: 602:Michael Brown 595: 591: 587: 585: 581: 575: 567: 565: 563: 559: 558: 553: 548: 546: 545: 540: 536: 524: 519: 517: 514:, along with 513: 512:George Martin 509: 502: 501: 496: 492: 491: 486: 482: 478: 464: 463:George Martin 460: 456: 452: 450: 446: 439: 435: 431: 427: 422: 420: 416: 412: 409:" (1964) and 408: 404: 400: 396: 392: 388: 383: 379: 375: 371: 364: 363: 355: 350: 348: 345: 341: 338:melodies and 337: 331: 329: 325: 321: 317: 313: 306: 304: 292: 276: 256: 254: 252: 248: 244: 240: 236: 232: 227: 225: 221: 217: 213: 207: 205: 201: 197: 193: 189: 186:melodies and 185: 181: 177: 173: 169: 159: 156: 154: 151: 149: 146: 144: 141: 140: 138: 133: 128: 125: 123: 120: 119: 118: 114: 110: 106: 101: 98: 96: 93: 91: 88: 86: 83: 81: 78: 77: 76: 72: 66: 63: 60: 59: 57: 53: 49: 43: 38: 33: 30: 19: 4889: 4882: 4853:Architecture 4802:Folk baroque 4797:Figured bass 4770:counterpoint 4752: 4746:Other topics 4618:18th-century 4613:17th-century 4238:D. Scarlatti 4055:A. Scarlatti 4025:J. Pachelbel 3776:Transitional 3642:Third stream 3605:Experimental 3594: 3436:Porto Alegre 3406:21st-century 3401:20th-century 3396:Contemporary 3344: 3216: 3204: 3172:Rock musical 3162:Rock concert 3007:Classic rock 2736:Yugoslavian 2581:Post-Britpop 2462:Puerto Rican 2455:Chicano rock 2335:Slacker rock 2058:Country rock 2023:Baroque rock 2022: 1837: 1824:. Retrieved 1808:. BookBaby. 1804: 1780: 1767:. Retrieved 1747: 1734:. Retrieved 1714: 1693: 1671: 1649: 1629: 1618:Bibliography 1603: 1596:Doggett 2015 1591: 1584:Gendron 2002 1579: 1567:. Retrieved 1558: 1548: 1541:Howland 2021 1526:Gendron 2002 1521: 1497:Gendron 2002 1492: 1485:Jackson 2015 1480: 1473:Gendron 2002 1468: 1456:. Retrieved 1445: 1435: 1423:. Retrieved 1412: 1386:Howland 2021 1381: 1369:. Retrieved 1361:Baeble Music 1360: 1350: 1338: 1326:. Retrieved 1315: 1302: 1291: 1272: 1262:November 17, 1260:. Retrieved 1249: 1227:December 14, 1225:. Retrieved 1216:The Guardian 1214: 1207:Stanley, Bob 1156:Gendron 2002 1151: 1139:. Retrieved 1128: 1087:. Retrieved 1083:the original 1076: 1047:. Retrieved 1036: 1003:Hawkins 2015 969:. Retrieved 965: 955: 948:Jackson 2015 915: 904:psychedelica 898: 889: 876: 852: 847: 818: 778:Scott Walker 763: 757: 743: 721: 719: 715:Ruby Tuesday 664: 656:Procol Harum 642: 628: 626: 599: 579: 577: 562:Tommy LiPuma 555: 549: 542: 520: 510:' producer, 498: 488: 474: 423: 401:" (1965) to 395:I Get Around 380:placing the 378:Brian Wilson 370:Phil Spector 360: 359: 336:contrapuntal 332: 309: 289:Excerpt of " 251:low fidelity 228: 208: 200:French horns 192:Harpsichords 184:contrapuntal 176:fusion genre 172:baroque rock 171: 167: 166: 135:Other topics 61:Baroque rock 29: 4935:Baroque pop 4822:Style brisé 4758:Chamber pop 4753:Baroque pop 4697:grand motet 4670:passacaglia 4481:lautenwerck 4476:harpsichord 4446:double bass 4413:Instruments 4371:Mondonville 4203:A. Marcello 4133:F. Couperin 4080:Vejvanovský 4030:J. Playford 4010:J.-B. Lully 3975:Charpentier 3930:d'Anglebert 3815:Frescobaldi 3779:and early ( 3717:WikiProject 3610:Light music 3595:Baroque pop 3590:Avant-garde 3545:Performance 3310:Renaissance 3297:Early music 3017:Modern rock 2992:Active rock 2972:New Zealand 2800:Bangladeshi 2795:Azerbaijani 2430:Costa Rican 2386:Viking rock 2376:Stoner rock 2295:Gothic rock 2118:Occult rock 2093:Heavy metal 2083:Garage rock 2053:Comedy rock 2043:Chamber pop 2038:Boogie rock 1371:October 25, 1328:November 8, 971:December 5, 966:Masterclass 865:the Zombies 825:chamber pop 803:Chamber pop 765:The Beatles 635:progressive 580:Rubber Soul 557:Rubber Soul 508:the Beatles 495:chamber pop 475:Along with 470: 1965 459:The Beatles 430:the Zombies 382:harpsichord 344:Bob Stanley 247:chamber pop 212:the Beatles 168:Baroque pop 127:chamber pop 65:chamber pop 55:Other names 35:Baroque pop 27:Music genre 18:Baroque Pop 4929:Categories 4836:Background 4722:recitative 4630:concertato 4598:canzonetta 4461:fortepiano 4436:clavichord 4386:Sammartini 4366:Mysliveček 4326:Boccherini 4316:W. F. Bach 4311:J. C. Bach 4108:J. S. Bach 4035:H. Purcell 3955:Cabanilles 3870:Monteverdi 3845:Kapsberger 3835:O. Gibbons 3830:C. Gibbons 3825:V. Galilei 3805:J. Dowland 3795:G. Caccini 3630:Film score 3625:Soundtrack 3564:Conducting 3483:Birmingham 3419:By country 3268:Definition 3177:Rock opera 3132:Beatlesque 2967:Australian 2886:Rock kapak 2869:Visual kei 2849:Indonesian 2692:Portuguese 2677:Macedonian 2672:Lithuanian 2551:Belarusian 2530:Venezuelan 2515:Ecuadorian 2498:Tropicália 2493:Samba rock 2325:Rock kapak 2315:Jangle pop 2310:Indie rock 2264:Yacht rock 2259:Visual kei 2249:Shock rock 2189:Dance-rock 2179:Arena rock 2163:Swamp rock 2158:Space rock 2143:Samba rock 2138:Roots rock 2113:Noise rock 2033:Blues rock 2028:Beat music 1997:Surf music 1992:Rockabilly 1970:Latin rock 1907:Distortion 1895:Components 1888:Rock music 1769:August 10, 1608:White 2015 1559:The Record 1343:Perný 2014 928:References 797:See also: 787:Nick Drake 776:" (1968), 772:' single " 740:Mark Wirtz 732:Edwardiana 728:music hall 699:For No One 662:" (1967). 644:The Record 630:Pet Sounds 572:See also: 552:In My Life 391:the Jamies 320:J. S. Bach 303:media help 216:In My Life 4868:Sculpture 4785:ensembles 4780:festivals 4675:sarabande 4603:capriccio 4545:Ensembles 4376:L. Mozart 4278:de Zumaya 4213:Pergolesi 4193:Locatelli 4178:Heinichen 4163:Gorczycki 4158:Geminiani 4138:Delalande 4060:Stradella 4015:M. Marais 3995:Froberger 3960:Carissimi 3950:Buxtehude 3905:Sweelinck 3675:Festivals 3574:Orchestra 3426:Australia 3391:Modernism 3383:New music 3354:Classical 3275:Art music 2915:Taiwanese 2898:Pakistani 2881:Malaysian 2809:1959–1975 2805:Cambodian 2767:Post-punk 2732:Ukrainian 2712:Slovenian 2682:Norwegian 2652:Icelandic 2647:Hungarian 2610:Nederbeat 2525:Uruguayan 2510:Colombian 2483:Brazilian 2478:Argentine 2440:Dominican 2381:Sufi rock 2371:Post-rock 2366:Math rock 2340:Trop rock 2290:Dream pop 2285:Deathrock 2254:Soft rock 2244:Punk rock 2229:Power pop 2224:Post-punk 2199:Glam rock 2194:Funk rock 2184:Cock rock 2148:Soft rock 2133:Raga rock 2108:Krautrock 2103:Jazz rock 2088:Hard rock 2078:Folk rock 1943:Genres by 1912:Rock band 1826:April 12, 1458:March 21, 1141:March 21, 908:the Kinks 622:Beethoven 584:Lady Jane 535:Yesterday 316:art music 239:hard rock 231:punk rock 153:avant-pop 85:classical 4904:Category 4881: ← 4863:Painting 4727:ricercar 4702:madrigal 4682:fantasia 4650:courante 4635:concerto 4608:chaconne 4501:recorder 4426:carillon 4396:Telemann 4341:Corrette 4336:F. Brixi 4321:F. 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Index

Baroque Pop

electric harpsichord
chamber pop
Rock
classical
pop
orchestral pop
Baroque
Philadelphia soul
chamber pop
List of baroque pop artists
art pop
avant-pop
progressive rock
fusion genre
Baroque
contrapuntal
functional harmony
Harpsichords
oboes
French horns
string quartets
the Beatles
In My Life
the Left Banke
Walk Away Renée
punk rock
disco
hard rock

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