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Barbara Jordan's second collection, while more syntactically scumbled and abstract than her first, proceeds in a similar manner. Like a botanist crossed with a postulant, Jordan maps onto the natural world the disquieted speculations of a religious contemplative. In "Meander," Jordan calls on the
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The consciousness that permeates Jordan's landscapes, however, is of a decidedly more modern, Poundian variety.
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This biographical article about an
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Augustine was mindful of it. `The caverns of memory,' /
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319:"Search : The New Yorker"
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209:. Spring 1992. Archived from
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