252:, including the one on Ravel. The study covers the musical development and aesthetics of Milhaud between 1912 and the composer's emigration at the outbreak of World War II, with insights into his early works, national and religious influences, and rarely performed compositions. The book has been hailed as "a magnificent contribution to the study of the work and aesthetics of Darius Milhaud, and enlarging it in concentric circles, it helps to better understand the group
33:
901:"L'ouvrage de Barbara Kelly constitue une magnifique contribution à l'étude de l'œuvre et de l'esthétique de Darius Milhaud, et par un élargissement selon des cercles concentriques, il aide à mieux comprendre le groupe des Six, l'émergence du néoclassicisme en France, et la musique de l'entre-deux-guerres."; François de Médicis, review in
194:(2004–8), and the University of Leeds (2005–9), and acted as a Specialist Postgraduate External at the RNCM (2007–13). Other doctoral examining roles have led her to a wide range of universities in Australia, Canada, France, England, and Malta. She is a member of a number of research groups, including the international steering group of
174:
where she was promoted to Senior
Lecturer (2002–8), Programme Director for Music (2007–11), and finally Professor of Music in March 2008. In addition, she was Head of Humanities Research at the Research Institute for the Humanities and Social Sciences (2012–4) and Faculty Research Director, Faculty
271:. By also including the views of opinion-leading music critics of the period, the "book provides a detailed survey of how French music was presented in the press. By interrogating the contemporaneous discourse, including writing by composers, Kelly adds to the dynamic understanding of the period".
92:(born 2 June 1966) is a musicologist specializing in 19th- and early 20th-century French music, an area in which she is widely regarded as a leading authority. She has dual UK and Irish citizenship. She is the Head of School of Music and Professor of Music at the
309:
was shaped by contemporary and near-contemporary music critics. The volume was welcomed as "the first detailed study of its kind a thought-provoking and highly variegated impression of the roles and activities of French music criticism in the 1920s and 30s".
750:
493:"Henri Busser"; "Paul Claudel"; "Raoul Gunsbourg"; "Tibor Harsanyi"; "Jean Huré"; "André Jolivet"; "E. L. T. Mesens"; "Maurice Ravel"; "Jean Rivier"; "Jean Roger-Ducasse"; "Antoine Tisné"; "Marguerite Béclard d’Harcourt"; in:
282:, including twelve essays in three sections resulting from a conference she had organized at Keele University, described as "a distinguished collection of essays that will support and influence research on the
886:
1032:
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267:(founded 1936). The book has been lauded for the attention it pays to composers beyond the Debussy–Ravel–Satie narrative, including, beyond the members of those groups,
1042:
421:(with Sarah Collins and Laura Tunbridge) "A 'Musical League of Nations'? Music Institutions and the Politics of Internationalism between the Wars", roundtable in
1097:
838:
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179:(RNCM) in Manchester in April 2015. In November 2022, she took up the post of Head of School of Music and Professor of Music at the University of Leeds.
133:
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1022:
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175:
of
Humanities and Social Sciences (2014–5) at Keele. Remaining a visiting professor at Keele, Kelly was then appointed Director of Research at the
293:(2018), edited by Kelly together with Canadian musicologist Christopher Moore, the various authors describe how the reception of composers like
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and early 20th-century French and
Russian music. This motivated her to study with French music experts, initially with David Grayson at the
1057:
248:(2003), was preceded by a number of articles in books and journals, not least important biographical entries in the 2001 edition of the
166:
In
September 1993, Kelly was appointed Lecturer in Music and Senior Course Tutor at University College Scarborough (today part of the
632:, eds. François de Médicis, Michel Duchesneau and Steven Huebner (Rochester, NY: Rochester University Press, 2018), pp. 559–579.
1077:
1052:
621:(with Rebecca Thumpston) "Maintaining the Entente Cordiale. Musicological Collaboration between the United Kingdom and France", in:
515:, ed. Jean-Christophe Branger and Alban Ramaut (St. Etienne: Publications de l'Université de Saint-Etienne, 2004), pp. 271–284.
313:
As a form of public engagement, Kelly is also active as a radio broadcaster in programmes for the BBC focusing on French art music.
217:
Kelly specializes in late 19th- and early 20th-century French music and cultural history. She has published on composers including
646:, ed. by William Brooks, Christina Bashford and Gayle Magee (Champaign, IL: University of Illinois Press, 2019), pp. 58–72.
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176:
125:
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682:"Between Salzburg and London: The 1923 and 1924 Festivals / Zwischen Salzburg und London: Die Feste 1923 & 1924", in:
274:
In three (co-)edited volumes, Kelly has further strengthened her research profile. Together with
Australian musicologist
275:
263:(2013), deals with three generational groupings of French composers: Ravel and his circle, Les Six in the 1920s, and
457:"Time Present, Past and Future in the Writings and Practice of Milhaud; Comparisons with Stravinsky and Eliot", in:
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187:
129:
97:
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649:"Musical Innovation and Collaboration during the First World War: Jane Bathori at the Vieux-Colombier", in:
191:
156:
278:, she produced a 2007 publication comparing the impact of Berlioz and Debussy. 2008 saw the publication of
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241:
as well as on issues such as music and war, national and religious identity, and anti-Semitism in France.
148:
112:, the youngest of four children of parents of Irish and Scottish heritage. Her father's family came from
140:
1007:
684:
Achtung
International! Salzburg & 100 Years of the International Society for Contemporary Music
576:, ed. Denis Herlin, Sylvie Douche and Christopher Branger (Lyon: Symétrie, 2012), pp. 113–124.
465:
vol. 5) ed. Patrick F. Devine and Harry White (Dublin: Four Courts Press, 1996), pp. 294–320.
639:, ed. Barbara L. Kelly and Christopher Moore (Woodbridge: Boydell Press, 2018), pp. 121–149.
167:
604:, ed. Myriam Chimènes, Florence Gétreau et Catherine Massip (Lyon: Symétrie, 2015), pp.v311–328.
586:"Enjeux de mémoire après la mort de Debussy. Débats entre Prunières, Vallas et Vuillermoz", in:
202:; she is on the Scientific Advisory Board of the Institut de Recherche en Musicologie (IReMus).
618:, ed. Gordon McMullan and Sam Smiles (Oxford: Oxford University Press, 2016), pp. 158–173.
561:"Une étude de Ravel: époque, place et heritage, ou Ravel et "l'esthétique de l'imposture", in:
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816:
635:"Common Canon, Conflicting Ideologies: Music Criticism in Performance in Interwar France" in:
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Créer, jouer, transmettre la musique de la IIIe République à nos jours. Pour Myriam Chimènes
642:"Reflecting the Public Appetite in Text and Music: Debussy's Act of Wartime Propaganda", in
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679:, ed. Timothée Picard (Rennes: Presses Universitaires de Rennes, 2020), pp. 1045–1054.
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where she started with the violin, followed by four years in the junior department of the
593:"Milhaud et Ravel: affinités, antipathies et les esthétiques musicales françaises", in:
547:"Guerrières, reines et collaborateurs: religion, politique et images et la France", in:
558:, ed. Peter Kaminsky (Rochester, NY: Rochester University Press, 2011), pp. 41–62.
459:
The
Maynooth International Musicological Conference 1995. Selected Proceedings Part Two
222:
218:
152:
590:, ed. Myriam Chimènes and Alexandre Laederich (Paris: Fayard, 2013), pp. 401–420.
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597:, ed. Jacinthe Harbec and Marie-Noelle Lavoie (Paris: Vrin, 2015), pp. 133–152.
256:, the emergence of neoclassicism in France, and the music of the inter-war period".
551:, ed. Sylvain Caron and Michel Duchesneau (Lyon: Symétrie, 2009), pp. 271–295.
529:, ed. B. Kelly (Rochester, NY: University of Rochester Press, 2008), pp. 1–14.
468:(with Silvano Levy) "Dangerous Music: Belgian Theories of Musical Surrealism", in:
978:
812:
504:, ed. Simon Trezise (Cambridge: Cambridge University Press, 2003), pp. 25–42.
32:
490:, ed. Deborah Mawer (Cambridge: Cambridge University Press, 2000), pp. 7–26.
668:, ed. Michael Allis and Paul Watt (Woodbridge: Boydell, 2020), pp. 115–146.
579:"Remembering Debussy in Interwar France: Authority, Musicology and Legacy", in:
244:
Based on her 1994 doctoral thesis and subsequent research, her first monograph,
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782:
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Over Here, Over There: Transatlantic
Conversations on the Music of World War I
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Among her external activities, in 2016, she was a "Professeur invité" at the
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611:, ed. Lucie Kayas and Hervé Lacombe (Lyon: Smétrie, 2016), pp. 159–172.
109:
63:
124:. A talented child singer who sang a solo before Queen Elizabeth II on her
656:"French Connections: Debussy and Ravel's Orchestral Music in Britain from
602:
Henry Prunières (1886–1942): un musicologue engagé de l'entre-deux-guerres
522:, ed. B. Kelly and K. Murphy (Aldershot: Ashgate, 2007), pp. 167–180.
554:"Re-presenting Ravel: Artificiality and the Aesthetic of Imposture", in:
686:, ed. Matthew Werley (Vienna: Hollitzer Verlag, 2023), pp. 112–122.
607:"Poulenc et Stravinsky: influence musicale, crise ou complicité?", in:
253:
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vol. 56 no. 2 (April–June 2009), pp. 226–227; here: p. 227.
525:"The Roles of Music and Culture in National Identity Formation", in:
117:
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Music and Ultra-Modernism in France: A Fragile
Consensus (1913–1939)
261:
Music and Ultra-Modernism in France: A Fragile
Consensus (1913–1939)
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Music and Ultra-Modernism in France: A Fragile Consensus, 1913-1939
588:
Regards sur Debussy: Actes du colloque international Claude Debussy
357:
Accenting the Classics: Editing European Music in France, 1915–1925
637:
Music Criticism in France: Authority, Advocacy, Legacy (1918–1939)
450:(with Silvano Levy) "E. L. T. Mesens' Renouncement of Music", in:
408:
Music Criticism in France: Authority, Advocacy, Legacy (1918–1939)
291:
Music Criticism in France: Authority, Advocacy, Legacy (1918–1939)
931:
vol. 17 no. 3 (March 2015), pp. 509–512; here: p. 512.
653:, ed. Alexandra Laedrich (Lyon: Symétrie, 2019), pp. 69–81.
565:, ed. Pascal Terrien (Paris: Delatour, 2011), pp. 161–172.
666:
The Symphonic Poem in Britain, c.1850–1940: Texts and Contexts
563:
Musique française, esthétique, identité en mutation, 1892–1992
518:"Ravel after Debussy: Inheritance, Influences and Style", in:
428:(with Anaïs Fléchet, Martin Guerpin, and Philippe Gumplowicz)
328:
Tradition and Style in the Works of Darius Milhaud (1912–1939)
246:
Tradition and Style in the Works of Darius Milhaud (1912–1939)
874:
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Music and Postwar Transitions in the 19th and 20th Centuries
905:
vol. 25 (2005) no. 1–2, pp. 245–249; here p. 249.
572:
et la bataille pour la musique française (1902–1920)", in:
93:
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vol. 155 (2014) no. 1926, p. 99–103; here: p. 99–100.
139:
From 1984 to 1988, Kelly studied music and English at the
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French Music, Culture, and National Identity, 1870–1939
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French Music, Culture, and National Identity, 1870–1939
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French Music, Culture, and National Identity, 1870–1939
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French Music, Culture, and National Identity, 1870–1939
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Composer of the Week: Germaine Tailleferre (1892-1983)
395:(Rochester, NY: University of Rochester Press, 2008),
355:(with Deborah Mawer, Rachel Moore, and Graham Sadler)
151:(Master's in Musicology, 1992), and subsequently with
753:, retrieved 11 January 2021 (registration required).
609:
Du Langage au style: singularités de Francis Poulenc
170:). In January 1995, she became Lecturer in Music at
628:"Fashioning Early Debussy in Interwar France", in:
556:
Behind the Masks: New Perspectives on Ravel's Music
549:
Musique, arts et religion dans l'entre-deux-guerres
520:
Berlioz and Debussy: Sources, Contexts and Legacies
379:
Berlioz and Debussy. Sources, Contexts and Legacies
96:and is currently the first female President of the
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71:
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23:
120:, and her mother's came a generation earlier from
697:Pavane pour une infante défunte, by Maurice Ravel
190:College (1999–2003), the University of Limerick,
1033:Academics of the Royal Northern College of Music
583:, vol. 93 no. 2 (August 2012), pp. 374–392.
507:"Vies parasites du poète: art et recyclage dans
186:. Kelly has been a regular external examiner at
495:The New Grove Dictionary of Music and Musicians
161:Darius Milhaud and the French Musical Tradition
497:, ed. Stanley Sadie (London: Macmillan, 2001).
8:
957:vol. 76 no. 4 (June 2020), pp. 609–611.
625:, vol. 103 (2017), no. 2, pp. 615–640.
250:New Grove Dictionary of Music and Musicians
540:, the Press and the First World War", in:
205:In October 2020, Kelly was elected to the
128:visit to Edinburgh in 1977, Kelly entered
31:
20:
1083:People educated at St Mary's Music School
841:of the University of Leeds, 6 March 2023.
134:Royal Scottish Academy of Music and Drama
903:Intersections. Canadian Journal of Music
481:Journal of the Royal Musical Association
423:Journal of the Royal Musical Association
359:(Woodbridge: Boydell and Brewer, 2023),
344:(Woodbridge: Boydell and Brewer, 2013),
743:
727:Tales from the Staves: Debussy's La Mer
865:rncm.ac.uk; retrieved 5 November 2020.
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1043:Alumni of the University of Liverpool
887:New Members of Academia Europaea 2020
851:France: Musiques, Cultures, 1789–1918
196:France: Musiques, Cultures, 1789–1918
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1098:Academics of the University of Leeds
853:fmc.ac.uk, retrieved 5 November 2020
807:
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200:Music and Nation (Musique et nation)
1038:Alumni of the University of Glasgow
513:Le Naturalisme sur la scène lyrique
159:(PhD, 1994), writing her thesis on
1028:21st-century British musicologists
1018:20th-century British musicologists
677:La Critique musicale au XXe siècle
671:"Une entente cordiale en musique:
600:"L'Affaire Prunières-Vallas", in:
595:Regards croisés sur Darius Milhaud
502:The Cambridge Companion to Debussy
483:(December 1996), pp. 229–245.
479:Manuscripts (1913 and 1931)", in:
432:(New York: Berghahn Books, 2023),
14:
658:Prélude à l'après-midi d'un faune
143:, where she developed a love for
675:dans l'entre-deux-guerres", in:
488:The Cambridge Companion to Ravel
425:vol. 147 no. 2 (2022).
1048:British people of Irish descent
1023:21st-century British historians
1013:20th-century British historians
953:Alexander Carpenter, review in
787:Royal Northern College of Music
454:(October 1994), pp. 13–15.
177:Royal Northern College of Music
927:Helen Julia Minors, review in
616:Late Style and its Discontents
472:(Spring 1996), pp. 72–85.
1:
1093:University of Illinois alumni
717:Twenty Minutes: Ravel's Paris
532:"Debussy and the Making of a
410:(Woodbridge: Boydell, 2018),
1073:Members of Academia Europaea
940:Keith E. Clifton, review in
892:; retrieved 5 November 2020.
877:; retrieved 5 November 2020.
381:(Aldershot: Ashgate, 2007),
330:(Aldershot: Ashgate, 2003),
184:Université de Paris-Sorbonne
1058:British women musicologists
614:"Ravel's Late Styles", in:
568:"Originalité et tradition:
544:(as above), pp. 58–76.
500:"The Paris of Debussy", in
16:Scottish-Irish musicologist
1114:
914:Andrew Thomson, review in
486:"History and Homage", in:
259:Kelly's second monograph,
406:(with Christopher Moore)
188:Liverpool Hope University
98:Royal Musical Association
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1078:Musicians from Edinburgh
1053:British women historians
452:French Studies Bulletin
192:Mary Immaculate College
157:University of Liverpool
981:Academy of Europe 2020
149:University of Illinois
130:St Mary's Music School
511:de Charpentier", in:
463:Irish Musical Studies
317:Selected publications
141:University of Glasgow
942:Fontes Artis Musicae
623:Revue de musicologie
574:Pelléas et Mélisande
377:(with Kerry Murphy)
630:Debussy’s Resonance
94:University of Leeds
984:Barbara L. Kelly:
213:Research interests
168:University of Hull
108:Kelly was born in
90:Barbara Lucy Kelly
47:Barbara Lucy Kelly
916:The Musical Times
890:Academia Europaea
839:book announcement
817:Academy of Europe
581:Music and Letters
534:musicien français
438:978-1-80073-894-2
416:978-1-78327-251-8
401:978-1-58046-272-3
387:978-1-13826-298-0
365:978-1-83765-032-3
350:978-1-84383-810-4
336:978-0-75463-033-3
207:Academia Europaea
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122:County Mayo
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738:References
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