Knowledge (XXG)

Bariba people

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celebrated and parental and fraternal links between dynasties are nurtured. Everyone brings presents, however modest, to contribute to the magnificence of the festivities. The Gaani is the second festival in the Baatonu calendar, following the fire festival or Donkonru, that takes place at the New Year. The Gaani is associated with the notion of nasara, evoking joy, victory and freedom and is a time for ecstasy and communion. By animating and perpetrating the memories that unite them, it nourishes and re-news solidarity and fraternity within the Baatonu people, endorsing their values of welcome and sharing. An animistic tribal ceremony, it was later incorporated into the
663:. Since all sacred instruments are the property of the king, only a few kings and chiefs have the privilege of owning one. Its manufacture and use are exclusive to initiated members of the royal court. The Kankangi ancestor of trumpeters was himself a member of the royal family. The Kankangi trumpet comprises two parts that fit together. The male trumpets are longer than the female ones (171 cm as opposed to 158 cm on average). The trumpets are played to the glory of the Emperor or to accompany his travels, but also to announce the holy day Friday and during grand ceremonies (Gaani or the Shaving of princes). Despite their sacred status, these 636:
the year. To parade before the illustrious drums is a privilege granted by the clan. Two noteworthy sacred instruments are the imposing male and female sacred drums, the Barabakaru and the Barapiibu, which are between 125 and 127 centimetres high and made of baobab wood and beef hide. They are played at the Emperor’s entrance by initiates and used during the Gaani, but also for other events during the year: enthronement, Friday prayers, etc. Another drum, the Bara Kaaru, which is still kept in a small temple on the Baro Kpira farm in the Banikuara region, is played by the Bara Yogo who is a member of the ancient family of
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Muslims. Furobakuro hats are worn by ordinary citizens, whereas village chiefs and horsemen have the privilege of wear-ing brimmed bowl-shaped or cone-shaped Keseru. The subtleties to wear-ing hats comprise a language unto itself. A hat folded at the front evokes a prince who aspires to a superior status. The braggart wears a mounted hat. A hat sitting on the back of the head indicates bravado: this man fears nothing and no-one! Ordinarily, the hat would sit on the right or the left.
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trousers, has a matching fabric belt. The ber-muda-style demberu is made from fabric for the Wasangari or animal skin for the hunters and farmers. Luxury attire for important days takes the form of the more elegant tako with its tasteful colours. A Tako-gonna, which is the same colour as guinea fowl, can be worth as much as three oxen. Generally speaking, the Baatonu favour dyed loincloths as opposed to the
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populations. The Baatonu allow the Fulbe to use pasture lands, particularly fallow or recently-harvested land, and frequently entrust them with their own livestock in exchange for payment in meat and milk from the Fulbe; thus the populations cohabit in harmonious complicity. When visiting a village,
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who will be responsible for raising him until he grows up. In no case will he return to his family whether he is a prince's son or a peasant's son. And it is all these children who form the third component of the population, namely the Gando. The Gando are gathered in a neighborhood outside the city
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Sabi Sime, the youngest son of Sounon Sero, later became Sime Dobidia, and through marriages with the native clans Baatonu, Boko and Hausa, founded the dynasties of the Empire of Nikki. His sons, endowed with the royal emblems of trumpets and white spurs, took control of villages of their respective
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and often use opposites to illustrate their messages – generosity and rapacity, bravery and cowardice, fidelity and infidelity, etc. – to encourage virtuous behaviour; thus, some of the songs are aimed at in-stilling a responsible attitude towards sexuality in young people, especially girls. Others
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Fabric hats, whether ecru or brightly coloured, are primordial for the men; indeed, wearing hats in public used to be compulsory. The white Furogomba and the black-and-white Furogona are worn by princes and dignitaries. Dawani caps wrapped in long white or red turbans are used by Baatonu chiefs and
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symbolize the power of the Empire and are the embodiment of its memory and continuity. The dense, nonchalant sound of the drums and the suave timbre of the trumpets, as well as the myths the instruments perpetuate, accompany the Gaani festivities and resound in the hearts of the faithful throughout
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The horse, a central element in Baatonu tradition, is a prevailing symbol of the Empire, and festivals are greatly enhanced by their presence. The majestic horses’ harnesses and richly-coloured riders’ costumes are meticulously prepared several months in advance. The horsemen, mainly from the class
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According to a Bariba custom, a child who is born abnormally or who goes out by the shoulder, or by the feet or other, or a child who pushes the teeth from the top is a child of misfortune. If he stays in the family, she will endure enough suffering through her fault. Instead of killing this child,
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The Wuru dance, which used to be performed during funeral ceremonies for native Baatonu families, remains a prestigious ritual dance also performed at popular celebrations. The dancers’ costumes, made from animal skins and native fabrics covered with several rows of cowrie shells and amulets, make
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and Sandiro provinces, assembles all the provincial chiefs and their populations, who come to renew allegiance to the Emperor and receive his blessing. More than 150,000 persons converge to Nikki from all over to participate in the spectacular ceremony where the vitality of the Baatonu culture is
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Compared with the richness of the men’s clothing, women’s outfits can appear more modest, simply comprising a loincloth, skirt and head-scarf. The clothes correspond to their ages: young girls wear long loincloths or short skirts whereas married women wear two loincloths and a headscarf. Their
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The men’s costumes are varied and indicate their social status. Their day-to-day outfit, the Turu, is a large ankle-length, generally sleeve-less tunic made from thick ecru cotton hessian. The knee-length Dansigi or shirt is sometimes used as an under-garment. The Sokoto or large-waisted tapered
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After the Wassangari, come the Bariba natives or Baatonu natives who constitute the pure people. They are also farmers and artisans, they descend from pre-existing populations. They are still represented by "chiefs of land", the most notable of which, The Ministers and the Sinadunwiru, hold high
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The popular Teke dance, which has no sacred function, is carried out by mature men using 40-centimetre cylindrical sticks. In this dance, rival groups or villages compete with each other. The Teke is danced in pairs and in general, six to eight couples confront each other on the floor. The many
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and Maria Fortuny. The horsemen, astride richly harnessed mounts and carrying rifles loaded with black powder, simulate a cavalry charge, the culminating point of which is the simultaneous shooting of their firearms. In some regions camels are used instead of horses and in others the attack is
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have been featuring the fantasia for the Gaani since the days of Sime Dobidia, as well as on the occasion of important events such as wed-dings, births and religious festivals. Due to increasing interest, demonstrations or parades in the equestrian tradition can also be organized for visitors
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Singing is extremely important to the Baatonu and they have repertoires covering all aspects of daily life in the Empire. Wuru songs retrace the life of hunters and daily scenes, but can sometimes branch out into more erotic subject matter. Teke songs celebrate the typical values of Baatonu
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the Fulbe, nicknamed Pullo by their hosts, are the guests of the Baatonu. The Fulbe are also represented at the court of the Baatonu chiefs who guarantee their protection against livestock pillaging. The Fulbe contribute to the Gaani economy by providing livestock and milk to their Emperor.
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The Gbangba, danced by young Wasangari aged between 18 and 25, is identified by its solemn, mournful rhythm. It was for-merly used to announce the death of a king and to accompany the preparations for burial ceremonies. A war dance, it also an-nounces the start of a conflict. The
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relatively simple outfits are enhanced by the numerous items of jewellery acquired since the development of the caravan trade: earrings, silver bracelets, necklaces with carved porcelain or glass pendants and mirrors contribute to the women’s style and seductiveness.
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of the dignitaries, compete in dexterity and audacity in powerful demonstrations of strength and mastery with their audacious stunts and dazzling processions. The equestrian tradition began when Sunon Sero, a resident of Nikki-Wenu, rode to
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quite an impression on the assembly, sometimes to the point of fright-ening them. The rapid pace of the dance is set by the pounding rhythm of their accessories: a gravel-filled gourd in one hand and a piece of animal skin in the other.
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and do not have to marry Bariba. Marriages are between Gando except during a particular circumstance that we will explain later. The Gando are responsible for supplying the Royal Grain Court. The Gando are Baribas who talk the
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on horseback to visit his son Sime Dobidia during the Gaani. Sime Dobidia established the tradition and transformed the Gaani into an equestrian demonstration assembling horsemen from throughout the empire.
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The Bariba people hold an important place in the history of the country. During the late 19th century, Baribawas known to constitute independent statesand dominate with kingdomsin cities like
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varying rhythms are associated with specific dance steps. The Sinsennu dance is carried out by young men. Its name refers to the chains of balls made from the leaves of
1082: 240:. There are perhaps a million Bariba, 70% of them in Benin, where they are the fourth largest ethnic group and comprise approximately 1/11 of the population (9.2%). 499:
The fourth caste is the caste of the Fulbe. The Baribas are excellent farmers and are closely linked to the Fulbe, who farm livestock on their territory. The
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are also eaten pureed (Pereku) or ground and dried (Yennu). The traditional dish of millet paste is now sometimes replaced by corn paste mixed with manioc.
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equestrian art tradition. Recorded since the 16th century, it was formally recognized in the 18th century and became a popular subject for artists from
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are the queen of cultures in Baatonu gastronomy. Their traditional dish is Sokuru, prepared from yams and served with different types of sauce:
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is also used to make gari. Although the Baatonu regularly consume corn and bean-based dishes in their daily life, they generally only sell
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office. They are members of the Council of Ministers and the second is called to the regency at the death of the King. The
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shoots decorated with small stones that the dancers wrap round their calves, making a sound similar to that of
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The Wassangari are the first component of the population. It is the aristocracy of the riders originating from
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The yearly Gaani festival, presided over by the Emperor of Nikki, or in his absence the chiefs of the Bouay,
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and a drum contribute to the sound of the Sinsennu, producing the particular harmony specific to the dance.
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and some poultry and livestock. Religion plays an important role in the Bariba tribe and they are primarily
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Like spurs, trumpets were introduced to the Baatonu country by the Wasangari under the influence of the
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One of their noted festivals is the annual Gani festival of which horse riding is a prominent element.
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The Bariba are concentrated primarily in the north-east of the country, especially around the city of
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mothers. Those parental ties were the basis of the political structure established by the Wasangari.
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who entrusted Mansa Doro with the education of Sero. Before leaving the region again to join
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According to some versions of their history, the Wasangari first settled in the region of
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around 1480, it having been occupied from 1350 by the Baatonu natives. Coming from the
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who are happier wearing white loin-cloths, sometimes with brightly-coloured stripes.
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carry out the Sinna which imitates flagellation, and the Gesegesere.
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being placed under the authority of one of the Wasangari sub-clans.
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Agriculture is the dominant occupation for the Bariba. They grow
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Kpe Gounon Kaba Wouko, the ancestor of the dynasty of the Gbassi
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accentuate courage and persistence when faced with an enemy.
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Kpe Lafia Gamabrou, the ancestor of the dynasty of Lafiarou
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Ourou, a 20-year-old Bariba from the state of Nikki, 1920.
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Sero Kpera I, the ancestor of the dynasty of the Makararou
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Sero Kora Bakarou, the ancestor of the dynasty of Korakou
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Sero Baguiri, the ancestor of the dynasty of the Karawe
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and others Baribas take part integrally of this caste.
232:. In Nigeria, they are found spread between western 149: 132: 90: 72: 54: 49: 39: 667:are now reproduced in a somewhat anarchic manner. 974:Houngnikpo, Mathurin C.; Decalo, Samuel (2013). 261:in the northeast of the country. In the town of 378:for Nikki-Wenu with his groom Sero, the son of 511:Finally, there are foreigners who are usually 448:typical of the West African region. There are 1226: 1076: 8: 374:had formed an alliance with Mansa Doro left 19: 1233: 1219: 1211: 1083: 1069: 1061: 1047:The Cultural Context of Therapeutic Choice 18: 1040: 1038: 1008:Asante, Molefi Kete; Mazama, Ama (2009). 980:. Rowman & Littlefield. p. 74. 370:, the legendary Wasangari horseman from 946: 944: 918: 803: 615:Trumpets and drums, attributes of power 550:calendar and thus coincides with the 398:Sime Dobidia, father of the dynasties 7: 907:Rulers of the Bariba state of Kwande 406:The royal dynasties are founded by: 50:Regions with significant populations 14: 208:are the principal inhabitants of 1620: 1049:. D. Reidel Publishing Company, 1045:Sargent, Carolyn Fishel (1982). 1011:Encyclopedia of African Religion 866: 854: 842: 830: 818: 806: 592:to Orientalist painters such as 558:to commemorate the birth of the 444:The Bariba society features the 74: 56: 31: 977:Historical Dictionary of Benin 1: 793:(mixture of rice and beans). 142:, with a minority practicing 837:Ceremonial Bariba clay lamp. 488:he will be entrusted to the 358:, they initially settled in 144:traditional African religion 515:. Originally from northern 1672: 959:, The Globe Pequot Press, 527:are traders and merchants. 315: 1617: 1248: 1098: 597:carried out on foot. The 236:and the Borgu section of 224:of what is now northeast 154: 137: 95: 44: 30: 1656:Ethnic groups in Nigeria 1242:Ethnic groups in Nigeria 713:A group of Kirikou with 537:The origins of the Gaani 390:as Sounon Sero, King of 220:, and cofounders of the 951:Butler, Stuart (2006). 937:Encyclopædia Britannica 554:which is celebrated by 1092:Ethnic groups in Benin 718: 624: 431: 1014:. SAGE. p. 107. 961:Guilford, Connecticut 879:Notable Bariba people 813:Bariba warrior, 1900. 712: 622: 429: 150:Related ethnic groups 957:Bradt Travel Guides 769:, climbing leaves, 430:A Wassangari prince 214:Alibori Departments 200:, self designation 27: 1651:Languages of Benin 1627:Nigeria portal 895:StĂ©phane Sessègnon 873:A Bariba horseman 719: 625: 432: 24:Baatonu / Baatombu 1633: 1632: 1208: 1207: 1021:978-1-4129-3636-1 987:978-0-8108-7171-7 849:A group of Bariba 318:Baatonum language 228:and west-central 194: 193: 1663: 1625: 1624: 1623: 1235: 1228: 1221: 1212: 1085: 1078: 1071: 1062: 1055: 1054: 1042: 1033: 1032: 1030: 1028: 1005: 999: 998: 996: 994: 971: 965: 964: 948: 939: 934: 928: 923: 870: 858: 846: 834: 822: 810: 692:Songs and Dances 623:Kankangi player. 594:Eugene Fromentin 329:(also Baatombu, 325:, also known as 80: 78: 77: 62: 60: 59: 40:Total population 35: 28: 26: 1671: 1670: 1666: 1665: 1664: 1662: 1661: 1660: 1636: 1635: 1634: 1629: 1621: 1619: 1613: 1244: 1239: 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Retrieved 976: 969: 952: 932: 921: 890:Steve MouniĂ© 800: 753: 740: 734:, a talking 724:Palmyra palm 720: 704: 695: 686: 682: 674: 642: 629:sacred drums 626: 604: 571: 567:The Fantasia 540: 462:Nikki Empire 443: 440:Caste system 405: 401: 349: 326: 322: 321: 267: 252: 249: 242: 205: 201: 197: 195: 23: 16:Ethnic group 1051:Netherlands 717:, Kankangui 478:blacksmiths 472:, severals 288:(tapioca), 238:Niger State 234:Kwara State 1640:Categories 913:References 631:and royal 388:Nikki-Wenu 352:Nikki-Wenu 206:Baatombu), 190:and others 138:Primarily 885:Odo Chabi 759:aubergine 728:castanets 590:Delacroix 482:musicians 91:Languages 1532:Mambilla 1472:Itsekiri 1440:Kalabari 1258:Anlo Ewe 1133:Anlo Ewe 901:See also 715:trumpets 699:humanism 665:trumpets 633:trumpets 574:Fantasia 523:and the 495:Fulfulde 474:horsemen 366:, where 323:Baatonum 312:Language 298:palm oil 204:(plural 133:Religion 112:Fulfulde 1572:Tangale 1537:Mandara 1522:Longuda 1430:Engenni 1413:Ukwuani 1408:Ikwerre 1268:Afusari 1185:Tammari 797:Gallery 779:chicken 736:tom-tom 653:Atacora 649:Nigeria 599:Baatonu 582:Turkish 560:Prophet 556:Muslims 532:Culture 517:Nigeria 513:Muslims 435:Society 364:Nigeria 346:Origins 341:History 331:Baatonu 306:Islamic 302:peanuts 286:cassava 274:sorghum 263:Pehunko 230:Nigeria 202:Baatonu 168:Gurunsi 160:Dagomba 124:English 82:Nigeria 1602:Yoruba 1587:Urhobo 1542:Mumuye 1512:Kotoko 1507:Kofyar 1492:Kanuri 1487:Kamuku 1455:Nkoroo 1398:Ekpeye 1373:Ibibio 1363:Goemai 1358:Gbagyi 1308:Djerma 1298:Defaka 1293:Chamba 1288:Buduma 1278:Bariba 1263:Anaang 1253:Afemai 1195:Yoruba 1160:Kurtey 1118:Bariba 1018:  984:  791:Waakye 787:Manioc 775:mutton 763:bissap 661:Borgou 638:griots 586:Berber 552:Mawlid 548:Muslim 519:, the 501:Borgou 470:griots 372:Persia 327:Bariba 282:cotton 210:Borgou 180:Yoruba 120:French 116:Yoruba 100:Bariba 79:  61:  20:Bariba 1607:Ijebu 1577:Tarok 1557:Ogoni 1517:Kuteb 1502:Kirdi 1497:Kilba 1482:Jukun 1467:Isoko 1460:Obolo 1450:Nkoro 1435:Ibani 1425:Bille 1403:Etche 1388:Igede 1383:Igala 1378:Idoma 1368:Hausa 1338:Eleme 1313:Ebira 1303:Dendi 1283:Berom 1273:Atyap 1200:Zarma 1180:Somba 1165:Lamba 1155:Hausa 1150:Gurma 1123:Dendi 1027:6 May 993:6 May 953:Benin 750:Foods 744:Fulbe 732:flute 678:Fulbe 671:Dress 657:Donga 645:Hausa 608:Nikki 525:Dendi 521:Hausa 490:Fulbe 458:Bussa 392:Nikki 384:Kisra 380:Kisra 376:Bussa 368:Kisra 360:Bussa 335:Borgu 294:beans 259:Kandi 255:Nikki 245:Nikki 226:Benin 218:Benin 188:Dendi 176:Somba 172:Mossi 164:Gurma 140:Islam 108:Hausa 104:Dendi 64:Benin 1597:Yakö 1592:Waja 1567:Tera 1562:Saro 1552:Ogba 1547:Nupe 1527:Mafa 1445:Kula 1420:Ijaw 1393:Igbo 1353:Fula 1343:Esan 1333:Ekoi 1328:Eket 1323:Efik 1175:Mahi 1145:Fula 1108:Akan 1029:2024 1016:ISBN 995:2024 982:ISBN 783:Yams 771:beef 755:Yams 730:. 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Index


Benin
Nigeria
Bariba
Dendi
Hausa
Fulfulde
Yoruba
French
English
Islam
traditional African religion
Gur
Dagomba
Gurma
Gurunsi
Mossi
Somba
Yoruba
Nupe
Dendi
Borgou
Alibori Departments
Benin
Borgu kingdom
Benin
Nigeria
Kwara State
Niger State
Nikki

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