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show a certain analogy with Bach's treatment of chorales. ... Another method ... is the following: the composer does not make use of a real peasant melody but invents his own imitation of such melodies. There is no true difference between this method and the one described above. ... There is yet a third way ... Neither peasant melodies nor imitations of peasant melodies can be found in his music, but it is pervaded by the atmosphere of peasant music. In this case we may say, he has completely absorbed the idiom of peasant music which has become his musical mother tongue.
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1344:, in his 1949 review of Bartók's string quartets, criticized Bartók for using tonality and non-tonal methods unique to each piece. Babbitt noted that "Bartók's solution was a specific one, it cannot be duplicated". Bartók's use of "two organizational principles"—tonality for large scale relationships and the piece-specific method for moment to moment thematic elements—was a problem for Babbitt, who worried that the "highly attenuated tonality" requires extreme non-harmonic methods to create a feeling of closure.
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1177:, all for solo piano, and all of which prominently utilize clusters. He increasingly found his own voice in his maturity. The style of his last period – named "Synthesis of East and West" – is hard to define let alone to put under one term. In his mature period, Bartók wrote relatively few works but most of them are large-scale compositions for large settings. Only his voice works have programmatic titles and his late works often adhere to classical forms.
842:, the society paid for any medical care he needed during his last two years, to which Bartók reluctantly agreed. The first symptoms of his health problems began late in 1940, when his right shoulder began to show signs of stiffening. In 1942, symptoms increased and he started having bouts of fever. Bartók's illness was at first thought to be a recurrence of the tuberculosis he had experienced as a young man, and one of his doctors in New York was Edgar Mayer, director of
552:
954:. György Sándor was the soloist in the first performance of the Third Piano Concerto on 8 February 1946. Ditta Pásztory-Bartók later played and recorded it. The Viola Concerto was revised and published in the 1990s by Bartók's son; this version may be closer to what Bartók intended. Concurrently, Peter Bartók, in association with Argentinian musician Nelson Dellamaggiore, worked to reprint and revise past editions of the Third Piano Concerto.
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1318:. There, the primary theme is on the black keys in the left hand, while the right accompanies with triads from the white keys. In measures 50–51 in the third movement of the Fourth Quartet, the first violin and cello play black-key chords, while the second violin and viola play stepwise diatonic lines. On the other hand, from as early as the Suite for piano, Op. 14 (1914), he occasionally employed a form of
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collect Magyar peasant melodies, later extending to the folk music of other peoples of the
Carpathian Basin, Slovaks, Romanians, Rusyns, Serbs and Croatians. His compositional output would gradually prune away romantic elements in favour of an idiom that embodied folk music as intrinsic and essential to its style. Later in life he would have this to say on the incorporation of folk and art music:
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790:. After the Nazis came to power in 1933, Bartók refused to give concerts in Germany and broke away from his publisher there. His anti-fascist political views caused him a great deal of trouble with the establishment in Hungary. In his will recorded on 4 October 1940, he requested that no square or street be named after him until the Budapest squares
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1043:. Following his matriculation into the Budapest Academy in 1890 he composed very little, though he began to work on exercises in orchestration and familiarized himself thoroughly with the operas of Wagner. In 1902 his creative energies were revitalized by the discovery of the music of Richard Strauss, whose tone poem
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supporters to ensure that there was sufficient money and work available for him to live on. Bartók was a proud man and did not easily accept charity. Despite being short on cash at times, he often refused money that his friends offered him out of their own pockets. Although he was not a member of the
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folk songs in
Columbia's libraries. Bartók's economic difficulties during his first years in America were mitigated by publication royalties, teaching and performance tours. While his finances were always precarious, he did not live and die in poverty as was the common myth. He had enough friends and
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Although he became an
American citizen in 1945, shortly before his death, Bartók never felt fully at home in the United States. He initially found it difficult to compose. Although he was well known in America as a pianist, ethnomusicologist and teacher, he was not well known as a composer. There was
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in Timișoara, Romania. This park has an "Alley of
Personalities", set up in 2009 and featuring busts of famous "Romanians". Sânnicolau Mare (Nagyszentmiklós in Hungarian), the small town where Bartók was born in 1881, is situated some 58 kilometres north-west of Timișoara, and is just inside Romania
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The question is, what are the ways in which peasant music is taken over and becomes transmuted into modern music? We may, for instance, take over a peasant melody unchanged or only slightly varied, write an accompaniment to it and possibly some opening and concluding phrases. This kind of work would
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serving as Opus 1. Driven by nationalistic fervor and a desire to transcend the influence of prior composers, Bartók began a lifelong devotion to folk music, which was sparked by his overhearing nanny Lidi Dósa's singing of
Transylvanian folk songs at a Hungarian resort in 1904. Bartók began to
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His pessimistic attitude towards composing was lifted by the stormy and inspiring contact with Klára
Gombossy in the summer of 1915. This interesting episode in Bartók's life remained hidden until it was researched by Denijs Dille between 1979 and 1989. Bartók started composing again, including the
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Debussy's great service to music was to reawaken among all musicians an awareness of harmony and its possibilities. In that, he was just as important as
Beethoven, who revealed to us the possibilities of progressive form, or as Bach, who showed us the transcendent significance of counterpoint. Now,
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After his disappointment over the Fine Arts
Commission competition, Bartók wrote little for two or three years, preferring to concentrate on collecting and arranging folk music. He found the phonograph an essential tool for collecting folk music for its accuracy, objectivity, and manipulability. He
814:, where he served in the Pacific during the remainder of the war and later settled in Florida, where he became a recording and sound engineer. His elder son, by his first marriage, Béla Bartók III, remained in Hungary and later worked as a railroad official until his retirement in the early 1980s.
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for solo piano, containing 80 folk tunes to which he wrote accompaniment. Bartók's style in his art music compositions was a synthesis of folk music, classicism, and modernism. His melodic and harmonic sense was influenced by the folk music of
Hungary, Romania, and other nations. He was especially
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through the medium of an Edison machine, on which they would study classification possibilities (for individual folk songs) and record hundreds of cylinders. Bartok's compositional command of folk elements is expressed in such an authentic and undiluted a manner because of the scales, sounds, and
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and publicly converted to the
Unitarian faith in 1916. Although Bartók was not conventionally religious, according to his son Béla Bartók III, "he was a nature lover: he always mentioned the miraculous order of nature with great reverence". As an adult, Béla III later became lay president of the
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The cataloguing of Bartók's works is somewhat complex. Bartók assigned opus numbers to his works three times, the last of these series ending with the Sonata for Violin and Piano No. 1, Op. 21 in 1921. He ended this practice because of the difficulty of distinguishing between original works and
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A statue of him was installed in front of the house in which Bartók spent his last eight years in Hungary, at Csalán út 29, in the hills above Budapest. It is now operated as the Béla Bartók Memorial House (Bartók Béla Emlékház). Copies of this statue also stand in
299:, Slovakia). Béla gave his first public recital aged 11 in Nagyszőlős, to positive critical reception. Among the pieces he played was his own first composition, written two years previously: a short piece called "The Course of the Danube". Shortly thereafter,
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on the piano while touring western Europe. Bartók happened to be present at one of these concerts and would later request Cowell's permission to use his technique without causing offence, which Cowell granted. In the preparation for writing his
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In 1909, at the age of 28, Bartók married Márta Ziegler (1893–1967), aged 16. Their son, Béla Bartók III, was born the next year. After nearly 15 years together, Bartók divorced Márta in June 1923. Two months after his divorce, he married
1314:–E in the accompaniment (strings) while the remaining pitch classes are used in the melody (violin 1) and more often as 7–35 (diatonic or "white-key" collection) and 5–35 (pentatonic or "black-key" collection) such as in no. 6 of the
1501:, the first ever complete compilation of all of Bartók's compositions, including new recordings of never-before-recorded early piano and vocal works. However, none of the composer's own performances are included in this 32-disc set.
526:, dedicated to Márta. He entered it for a prize by the Hungarian Fine Arts Commission, but they rejected his work as not fit for the stage. In 1917 Bartók revised the score for the 1918 première and rewrote the ending. Following the
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music. Between 1890 and 1894 (9 to 13 years of age) he wrote 31 piano pieces. Although most of these were simple dance pieces, in these early works Bartók began to tackle some more advanced forms, as in his ten-part programmatic
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received only one revival, in 1936, before Bartók emigrated. For the remainder of his life, although devoted to Hungary, its people and its culture, he never felt much loyalty to the government or its official establishments.
4415:, second English edition, edited by Benjamin Suchoff, translated by Michel D. Calvocoressi, with annotations by Zoltán Kodály. The New York Bartók Archive Studies in Musicology 13. Albany: State University of New York Press.
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in Hartsdale, New York. During the final year of communist Hungary in the late 1980s, the Hungarian government, along with his two sons, Béla III and Péter, requested that his remains be exhumed and transferred back to
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Although Bartók claimed in his writings that his music was always tonal, he rarely used the chords or scales normally associated with tonality, and so the descriptive resources of tonal theory are of limited use.
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argues that inversional symmetry is often a byproduct of another atonal procedure, the formation of chords from transpositionally related dyads. Atonal pitch-class theory also furnishes resources for exploring
1065:, a symphonic poem in ten tableaux on the subject of the 1848 Hungarian war of independence, reflecting the composers growing interest in musical nationalism. A year later he renewed his opus numbers with the
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little American interest in his music during his final years. He and his wife Ditta gave some concerts, although demand for them was low. Bartók, who had made some recordings in Hungary, also recorded for
896:, a graceful and almost neo-classical work, as a surprise 42nd birthday present for Ditta, but he died just over a month before her birthday, with the scoring not quite finished. He had also sketched his
810:, in October 1940. They settled in New York City after arriving on the night of 29–30 October by a steamer from Lisbon. After joining them in 1942, their younger son, Péter Bartók, enlisted in the
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that she played on the piano before he learned to speak in complete sentences. By the age of four he was able to play 40 pieces on the piano, and his mother began formally teaching him the next year.
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1194:(1936), the Concerto for Orchestra (1943) and the Third Piano Concerto (1945). He made a lasting contribution to the literature for younger students: for his son Péter's music lessons, he composed
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that one can use all twelve tones and still remain tonal". More thoroughly, in the first eight measures of the last movement of his Second Quartet, all notes gradually gather with the twelfth (G
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ethnographic arrangements, and between major and minor works. Since his death, three attempts—two full and one partial—have been made at cataloguing. The first, and still most widely used, is
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exclaim: "At last something truly new!" Until 1911, Bartók composed widely differing works which ranged from adherence to romantic style, to folk song arrangements and to his modernist opera
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folk melodies. Their growing interest in folk music coincided with a contemporary social interest in traditional national culture. Magyar folk music had previously been categorised as
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premiered the work in December 1944 to highly positive reviews. The Concerto for Orchestra quickly became Bartók's most popular work, although he did not live to see its full impact.
865:(Reiner had been Bartók's friend and champion since his days as Bartók's student at the Royal Academy). Bartók's last work might well have been the String Quartet No. 6 but for
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1302:) sounding for the first time on the last beat of measure 8, marking the end of the first section. The aggregate is partitioned in the opening of the Third String Quartet with C
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system of harmony that had served composers for the previous two hundred years; and the revival of nationalism as a source for musical inspiration, a trend that began with
3531:, translated by Péter Balabán and István Farkas; translation revised by Elisabeth West and Colin Mason (London: Faber and Faber Ltd.; New York: St. Martin's Press, 1971).
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In 1926, Bartók needed a significant piece for piano and orchestra with which he could tour in Europe and America. He was particularly inspired by American composer
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He rarely used the simple aggregate actively to shape musical structure, though there are notable examples such as the second theme from the first movement of his
1130:(where he was born), and Bratislava (Pozsony, where his mother had lived). Additionally, the political relations between Hungary and other successor states to the
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Bartók, Béla (1881–1945) Plaque erected in 1997 by English Heritage at 7 Sydney Place, South Kensington, London SW7 3NL, Royal Borough of Kensington and Chelsea
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1972:
1098:. The negative reception of his work led him to focus on folk music research after 1911 and abandon composition with the exception of folk music arrangements.
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3547:, selected and edited by Benjamin Suchoff. The New York Bartók Archive Studies in Musicology, No. 8. London: Faber & Faber; New York: St. Martin's Press.
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In 1888, when he was seven, his father, the director of an agricultural school, died suddenly. His mother then took Béla and his sister, Erzsébet, to live in
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1411:. Compilations of Bartók's field recordings, interviews, and original piano playing have been released over the years, largely by the Hungarian record label
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what I am always asking myself is this: is it possible to make a synthesis of these three great masters, a living synthesis that will be valid for our time?
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in the last half of the 19th century. In his search for new forms of tonality, Bartók turned to Hungarian folk music, as well as to other folk music of the
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806:, as they did at the time he wrote his will. Having first sent his manuscripts out of the country, Bartók reluctantly emigrated to the U.S. with his wife,
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Jyrkiäinen, Reijo. 2012. "Form, Monothematicism, Variation and Symmetry in Béla Bartók's String Quartets". Ph.D. diss. Helsinki: University of Helsinki.
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Bartók and Kodály set about incorporating elements of such Magyar peasant music into their compositions. They both frequently quoted folk song melodies
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Martins, José António Oliveira. 2006. "Dasian, Guidonian, and Affinity Spaces in Twentieth-century Music". Ph.D. diss. Chicago: University of Chicago.
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130:
1372:; this is a chronological index with works identified by BB numbers 1 to 129, incorporating corrections based on the Béla Bartók Thematic Catalogue.
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language territories. At first they would transcribe the melodies by hand, but later they began to use a wax cylinder recording machine invented by
991:, which he used mostly in slow movements of multi-movement ensemble or orchestral compositions in his mature period. It is characterised by "eerie
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origin, but considered herself Hungarian. Bartók's father (1855–1888) was also named Béla. Bartók's mother, Paula (née Voit) (1857–1939), spoke
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2002:
1047:, according to Bartók, "stimulated the greatest enthusiasm in me; at last I saw the way that lay before me". Bartók also owned the score to
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372:, strongly influenced his early work. When visiting a holiday resort in the summer of 1904, Bartók overheard a young nanny, Lidi Dósa from
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and even of Algeria and Turkey; in so doing he became influential in that stream of modernism which used indigenous music and techniques.
1578:, inscribed: "The Great Hungarian Composer / Béla Bartók / (1881–1945) / Made His Home In This House / During the Last Year of His Life".
339:, who made a strong impression on him and became a lifelong friend and colleague. In 1903, Bartók wrote his first major orchestral work,
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Dille, Denijs. 1990. Béla Bartók: Regard sur le Passé. (French, no English version available). Namur: Presses universitaires de Namur.
923:) on 26 September 1945. His funeral was attended by only ten people. Aside from his widow and their son, other attendees included
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and Richard Strauss. Though started in 1918, the story's sexual content kept it from being performed until 1926. He next wrote his two
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As his body slowly failed, Bartók found more creative energy and produced a final set of masterpieces, partly thanks to the violinist
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3434:"Statuia compozitorului Béla Bartók, dezvelită în fața castelului din Sânnicolau Mare. Ce personalități au luat parte la eveniment"
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Also to be noted, in the same park, a sculptural transcription of the composer's research on tonal harmony, the fountain/sculpture
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4138:, foreword by Oliver Knussen, introduction by David Headlam, 189–205. Monographs in Musicology. Stuyvesant, NY: Pendragon Press.
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Bartók became first acquainted with Debussy's music in 1907 and regarded his music highly. In an interview in 1939 Bartók said:
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after he came to the US; many of these recordings (some with Bartók's own spoken introductions) were later issued on LP and CD.
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Béla displayed notable musical talent very early in life. According to his mother, he could distinguish between different dance
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900:, but had barely started the scoring at his death, leaving completed only the viola part and sketches of the orchestral part.
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subsequently reorganised the juvenilia (Sz. 1–25) thematically, as DD numbers 1 to 77. The most recent catalogue is that of
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rhythms that were so much a part of his native Hungary that he automatically saw music in these terms. He also collected in
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A compilation of field recordings and transcriptions for two violas was also recently released by Tantara Records in 2014.
496:(1903–1982), a piano student, ten days after proposing to her. She was aged 19, he 42. Their son, Péter, was born in 1924.
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Kasparov, Andrey. 2000. "Third Piano Concerto in the Revised 1994 Edition: Newly Discovered Corrections by the Composer".
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Bartók's music reflects two trends that dramatically changed the sound of music in the 20th century: the breakdown of the
843:
383:, whose compositions Kodály had brought back from Paris. Bartók's large-scale orchestral works were still in the style of
241:, Romania) on 25 March 1881. On his father's side, the Bartók family was a Hungarian lower noble family, originating from
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3527:, ed. János Demény, 2 vols. A Muvészeti Tanács könyvei, 1.–2. sz. Budapest: Magyar Muvészeti Tanács. English edition, as
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The works of Bartók's youth were written in a classical and early romantic style touched with influences of popular and
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Nelson, David Taylor (2012). "Béla Bartók: The Father of Ethnomusicology", Musical Offerings: Vol. 3: No. 2, Article 2.
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and European art music, and his changing attitude toward (and use of) tonality, but without the use of the traditional
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947:, next to the remains of Ditta, who died in 1982, one year after what would have been Béla Bartók's 100th birthday.
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Gollin, Edward. 2007. "Multi-Aggregate Cycles and Multi-Aggregate Serial Techniques in the Music of Béla Bartók".
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in Transylvania, sing folk songs to the children in her care. This sparked his lifelong dedication to folk music.
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666:(written in 1921 and 1922, respectively), which are among his most harmonically and structurally complex pieces.
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Loxdale, Hugh D., and Adalbert Balog. 2009. "Béla Bartók: Musician, Musicologist, Composer, and Entomologist!."
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providing a backdrop to sounds of nature and lonely melodies". An example is the third movement (Adagio) of his
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folk music. The developmental breakthrough for Bartok arrived when he collaboratively collected folk music with
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Composers on Music: Eight Centuries of Writings: A New and Expanded Revision of Morgenstern's Classic Anthology
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Hooker, Lynn. 2001. "The Political and Cultural Climate in Hungary at the Turn of the Twentieth Century". In
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bands of the time. In contrast, Bartók and Kodály discovered that the old Magyar folk melodies were based on
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Bartók, Hungary, and the Renewal of Tradition: Case Studies in the Intersection of Modernity and Nationality
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lists as the most prominent characteristics of Bartók's music from late 1920s onwards the influence of the
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701:, above all, the freshness, spontaneity and life of our music he wanted to know the mechanism of the
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1563:, unveiled in 1997, now commemorates Bartók at 7 Sydney Place, where he stayed when performing in London.
1395:, Bartók embarked on an extensive programme of field research to capture the folk and peasant melodies of
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4280:(Why is the music of the Twentieth century so beautiful?), edited by György Kroó, . Budapest: Gondolat
4122:, episode 3. Istanbul: Bir Yudum İnsan Prodüksiyon LTD. ȘTİ. Turkish CNN television documentary series.
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3952:. : Unitarian Universalist Historical Society. Archive from 7 December 2013 (accessed 24 October 2017).
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1485:. Hungaroton HCD32790-91. Two CDs. Works by Bartók, Domenico Scarlatti, Zoltán Kodály, and Franz Liszt.
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in Budapest. This position freed him from touring Europe as a pianist. Among his notable students were
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1190:(1930), which Bartók declared was the work he felt and professed to be his most personal "credo", the
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from the opera, as Balázs was of Jewish origin, was blacklisted, and had left the country for Vienna.
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and Richard Strauss, but he wrote a number of small piano pieces which showed his growing interest in
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Bartók felt the result of World War I as a personal tragedy. Many regions he loved were severed from
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Zomieral s pocitom, že jeho práca bola daromná. Našťastie nebula. Bartók zanechal monumentálne dielo
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based on compound interval cycles, some of which are maximally distributed, multi-aggregate cycles.
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and wrote pieces derived entirely from authentic songs. An example is Bartok's two volumes entitled
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in A minor (1908), which contains folk-like elements. He began teaching as a piano professor at the
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1571:(the closest Hungarian city to his birthplace, which is now in Romania), Paris, London and Toronto.
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Finding aid to Béla Bartók manuscripts at Columbia University. Rare Book & Manuscript Library.
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1994:
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724:, after which his compositions demonstrated his mature style. Notable examples of this period are
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Bartók plays Bartók for Don Gabor's Continental record label later reissued on Remington Records
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2376:: "He became a U.S. citizen in 1945, but by then had developed leukemia, and he soon died...".
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seven-note scales, and less often the whole tone scale and the primary pentatonic collection.
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1024:("The Course of the Danube", 1890–1894), which he played in his first public recital in 1892.
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The Belgian Bartók Archives, housed in the Brussels Royal Library and founded by Denijs Dille
4623:
Martins, José Oliveira. 2015. "Bartók's Polymodality: the Dasian and other Affinity Spaces".
4431:
3958:
2720:"Problems of the Chronological Organization of the Béla Bartók Thematic Index in Preparation"
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478:. Most of his early compositions offer a blend of nationalist and late Romanticism elements.
204:
are regarded as Hungary's greatest composers. Through his collection and analytical study of
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Lendvai, Ernő. 1972. "Einführung in die Formen- und Harmoniewelt Bartóks" (1953). In his
4530:". Welcome to Decca Classics: Catalogue, www.deccaclassics.com (accessed 19 August 2016).
3996:
3767:. Historical Dictionaries of Literature and the Arts. Lanham, Maryland: Scarecrow Press.
3277:
1323:
999:. His music can be grouped roughly in accordance with the different periods in his life.
242:
4176:. California Studies in 20th-Century Music 5. Berkeley: University of California Press.
4164:
4136:
The Right Notes: Twenty-Three Selected Essays by George Perle on Twentieth-Century Music
3480:
The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music
2300:
1134:
prohibited his folk music research outside of Hungary. Bartók also wrote the noteworthy
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3641:
Cohn, Richard, 1988. "Inversional Symmetry and Transpositional Combination in Bartók."
3495:
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A statue (seated) of Bartók is also situated in front of Nako Castle, in his hometown,
1641:
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forced him to stop the expeditions, but he returned to composing with a ballet called
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In 1908, Bartok and Kodály traveled into the countryside to collect and research old
428:
348:
246:
108:
104:
46:
38:
4651:
Sluder, Claude K. 1994. "Revised Bartók Composition Highlights Pro Musica Concert".
4205:. Ernest Bloch Lectures in Music 9. Berkeley : University of California Press.
3506:, edited by Stephen Peles, with Stephen Dembski, Andrew Mead, and Joseph N. Straus,
766:
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Bartók's signature on his high-school-graduation photograph, dated 9 September 1899
200:. He is considered one of the most important composers of the 20th century; he and
6148:
3222:
2091:"Christmas Wishes Silver Coin Father Christmas Santa Stocking Filler Tree Magical"
1326:
analyses Bartók's works as being based on two opposing tonal systems, that of the
4259:
4231:, third edition, prepared by Malcolm Gillies. New York: Oxford University Press.
3915:
2581:
21, no. 5 (February) (archive from 6 September 2010; accessed 10 June 2020).
1363:
1269:, and large set types used as source sets such as the equal tempered twelve tone
1027:
In Catholic grammar school Bartók took to studying the scores of composers "from
5777:
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4798:
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Bartók, Béla. 1976. "The Influence of Peasant Music on Modern Music (1931)". In
3507:
1560:
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915:
Béla Bartók died at age 64 in a hospital in New York City from complications of
850:, but medical examinations found no underlying disease. Finally, in April 1944,
783:
622:
457:
424:
324:
201:
4521:
Béla Bartók: Complete Works: Int. Release 18 Mar. 2016: 32 CDs, 0289 478 9311 0
3982:". Tired of London, Tired of Life blog site (8 October) (accessed 4 July 2014).
1249:. Others view Bartók's axes of symmetry in terms of atonal analytic protocols.
1208:
5983:
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5520:
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3991:". Béla Bartók Centre for Musicianship website (accessed 27 September 2018).
3583:
1090:
Debussy's influence is present in the Fourteen Bagatelles (1908). These made
5812:
5732:
5615:
4004:
3680:
1574:
A bust and plaque located at his last residence, in New York City at 309 W.
1319:
774:
In 1940, as the European political situation worsened after the outbreak of
670:
614:
288:
4315:
Voices From The Past: Béla Bartók's 44 Duos & Original Field Recordings
3633:
778:, Bartók was increasingly tempted to flee Hungary. He strongly opposed the
196:; 25 March 1881 – 26 September 1945) was a Hungarian composer, pianist and
4498:
Cohn, Richard, 1992. "Bartók's Octatonic Strategies: A Motivic Approach."
3988:
1035:", his compositions then advancing in style and taking on similarities to
798:, or in fact any square or street in Hungary, no longer bear the names of
311:
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focus on his alternative methods of signaling tonal centers, via axes of
1036:
969:
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610:
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373:
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254:
5441:
4130:. 1955. "Symmetrical Formations in the String Quartets of Béla Bartók".
4019:
1568:
1514:
1119:
698:
636:
618:
504:
5910:
4845:
Interactive scores of Bartók's works for piano with Sir András Schiff.
4418:
Bartók, Peter. 2002. "My Father". Homosassa, Florida, Bartók Records (
3965:, edited by Herbert Vetter, 21–22. Cambridge: Harvard Square Library.
2719:
2145:
829:, for several years, Bartók and Ditta worked on a large collection of
474:
fond of the asymmetrical dance rhythms and pungent harmonies found in
269:, Slovakia), she had German, Hungarian and Slovak or Polish ancestry.
17:
4222:, second edition. New York: Oxford University Press. ASIN: B000NZ54ZS
1688:
1526:
1040:
1032:
743:
273:
3684:
3280:. Brussels Remembers: Memorials of Brussels (accessed 17 June 2014).
2544:"Bartók's Concerto for Orchestra: a journey from darkness to light"
5456:
4739:
1612:
1531:
1508:
1207:
1127:
1006:
911:
banknote (printed between 1983 and 1992; no longer in circulation)
902:
839:
779:
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682:
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391:. The first piece to show clear signs of this new interest is the
379:
Beginning in 1907, he came under the influence of French composer
310:
226:
3765:
Historical Dictionary of Modern and Contemporary Classical Music
1457:
Bartók Sonata for 2 Pianos & Percussion, Suite for 2 Pianos.
1028:
5914:
5460:
4853:
4849:
3702:
The Early Years of Folk Music: Fifty Founders of the Tradition
1053:, which he transcribed for the piano and committed to memory.
943:
for him on 7 July 1988. He was re-interred at Budapest's
4769:
4044:
Bartók's Viola Concerto: The Remarkable Story of His Swansong
1687:
Bartok has star on the Walk of Fame on Karlsplatz-Passage in
1611:
A statue of Bartók, sculpted by Varga, stands near the river
559:
to record Slovak folk songs sung by peasants in Zobordarázs (
530:, in which he actively participated, he was pressured by the
4309:". Bohemian Ink blog site (2 August) (accessed 4 July 2014).
4165:
String Quartet No. 1 in A minor, Op. 7/Sz 40: About the Work
3867:
3599:
3482:. Berkeley and Los Angeles: University of California Press.
1893:". Boosey & Hawkes website (accessed 27 September 2018).
1552:
A statue stands outside Malvern Court, London, south of the
448:
for piano, which he based on popular art songs performed by
170:
4794:
4276:
Szabolcsi, Bence. 1974. "Bartók Béla: Cantata profana". In
4167:". The Kennedy Center website (accessed 27 September 2018).
950:
The two unfinished works were later completed by his pupil
159:
153:
4478:. Budapest: Balassi Kiadó: Vávi Kft., Alföldi Nyomda Zrt.
4191:
In the Wake of Bartók in Anatolia 1: Collection Near Adana
3422:" Eutouring.com website (2 August) (accessed 4 July 2014).
176:
4612:. Lanham, MD, Toronto, Oxford: The Scarecrow Press, Inc.
4203:
Béla Bartók: Composition, Concepts, and Autograph Sources
3989:
Kodály, Bartók, and Fiddle Music in Bartók's Compositions
3675:(liner notes). Béla Bartók. Eroica Classical Recordings.
2246:"La Cobla Barcelona (1922–1938). Un projecte noucentista"
2239:
2237:
2235:
1061:
Under the influence of Strauss, Bartók composed in 1903
4781:
4559:, translated by Fred MacNicol. Budapest: Corvina Press.
4535:
The Naked Face of Genius: Béla Bartók's American Years.
4036:". Feast of Music website (accessed 26 September 2018).
3389:"Retracing Bartók's footsteps: a statuesque world-tour"
3307:". English Heritage website (Accessed 19 October 2012).
2819:
2817:
2575:
Gyorgy Sandor, Pianist and Bartók Authority, Dies at 93
2250:
Doctoral Thesis, PHD, Universitat Autònoma de Barcelona
854:
was diagnosed, but by this time, little could be done.
713:
and extension and characteristics of each instrument".
460:, such as those of Central Asia, Anatolia and Siberia.
4446:. Cambridge and New York: Cambridge University Press.
3923:. Cambridge and New York: Cambridge University Press.
6369:
1716:
1714:
1712:
1710:
685:. During the same stay, he attended a concert by the
520:
In 1911, Bartók wrote what was to be his only opera,
423:. After Bartók moved to the United States, he taught
179:
6608:
Members of the Romanian Academy elected posthumously
2724:
Studia Musicologica Academiae Scientiarum Hungaricae
173:
167:
156:
150:
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4943:
4918:
4900:
4734:
4724:
4507:
Családfa: honnan jövünk, mik vagyunk, hová megyünk?
4271:– via Google Books. (2001) (accessed 29 July 2019).
750:. He worked in collaboration with Turkish composer
164:
147:
126:
115:
97:
75:
56:
6523:Academic staff of the Franz Liszt Academy of Music
4740:Etelka Freund collection on Béla Bartók, 1904–1950
4373:". Arcanum.hu website (accessed 30 December 2019).
3950:Dictionary of Unitarian and Universalist Biography
1788:"Béla Bartók | Hungarian Composer & Innovator"
1662:A statue of him also stands in the city centre of
1600:, 273 Bloor Street West, Toronto, Ontario, Canada.
1200:, a six-volume collection of graded piano pieces.
4610:Other Planets: The Music of Karlheinz Stockhausen
3611:. 20th-Century Composers. London: Phaidon Press.
1640:An expressionist sculpture by Hungarian sculptor
1431:Bartók Plays Bartók – Bartók at the Piano 1929–41
4047:. Oxford and New York: Oxford University Press.
2726:. T. 34 (Fasc. 3/4): 345–366 – via JSTORE.
1549:in a public square, Spanjeplein-Place d'Espagne.
1292:, of which he commented that he "wanted to show
1180:Among Bartók's most important works are the six
5145:Eight Improvisations on Hungarian Peasant Songs
3852:The New Grove Dictionary of Music and Musicians
3654:. New Haven and London: Yale University Press.
3510:. Princeton: Princeton University Press, 2003.
1137:Eight Improvisations on Hungarian Peasant Songs
709:, and requested data on the composition of the
212:, which later became known as ethnomusicology.
4633:Honismeret: A Honismereti Szövetség folyóirata
4630:Móser, Zoltán. 2006b. "Bartók-õsök Gömörben".
4381:, edited by Benjamin Suchoff, 340–44. London:
1581:A bust of him is located in the front yard of
1375:On 1 January 2016, Bartók's works entered the
1184:(1909, 1917, 1927, 1928, 1934, and 1939), the
503:, by his early adulthood Bartók had become an
319:From 1899 to 1903, Bartók studied piano under
5926:
5472:
4865:
4500:Journal of the American Musicological Society
3382:
3380:
1357:'s chronological Sz. numbers, from 1 to 121.
30:"Bartok" redirects here. For other uses, see
8:
6603:Members of the Hungarian Academy of Sciences
4489:Boys, Henry. 1945. "Béla Bartók 1881–1945".
2921:"The Miraculous Mandarin Suite, Béla Bartók"
1626:, 26 place de Brazzaville, in Paris, France.
782:and Hungary's alliance with Germany and the
742:(his last) in 1939. In 1936 he travelled to
442:music. The classic example is Franz Liszt's
4154:. 1982. "Kodaly Was More Than a Composer".
1391:Together with his like-minded contemporary
1102:Inspiration and experimentation (1916–1921)
6473:Anton Rubinstein Competition prize-winners
5933:
5919:
5911:
5507:
5479:
5465:
5457:
4872:
4858:
4850:
4721:
4712:
1951:
1774:
1440:Bartók Recordings from Private Collections
1242:
1146:in 1923, the year of his second marriage.
64:
53:
5032:Music for Strings, Percussion and Celesta
4827:International Music Score Library Project
3750:. Boston: Northeastern University Press.
3498:. 1949. "The String Quartets of Bartók".
3227:Center for the Study of the Public Domain
3088:
2663:
2627:
2274:
1852:
1467:. Membran/Documents 223546. CD recording.
1192:Music for Strings, Percussion and Celesta
1107:Suite for piano opus 14 (1916), and
997:Music for Strings, Percussion and Celesta
987:One characteristic style of music is his
727:Music for Strings, Percussion and Celesta
6548:Hungarian emigrants to the United States
4134:16, no. 4 (November 1955). Reprinted in
3862:. London: Macmillan Publishers. Also in
3598:, ed. L. Macy (Accessed 29 April 2008),
3387:Liscia-Beaurenaut, Pierre (5 May 2021).
3371:
2639:
2603:
2591:
2530:
2077:
1903:
1520:
1230:associated with major and minor scales.
1150:"Synthesis of East and West" (1926–1945)
930:Bartók's body was initially interred in
825:Supported by a research fellowship from
762:World War II and final years (1940–1945)
6376:
4715:
3850:Gillies, Malcolm. 2001. "Béla Bartók".
3290:
3251:
3208:
3196:
3184:
3160:
3136:
3046:
3034:
2980:
2895:
2883:
2871:
2808:
2796:
2784:
2772:
2470:
2458:
2119:
1927:
1915:
1876:
1864:
1840:
1720:
1706:
1592:A bronze statue of Bartók, sculpted by
6503:Deaths from cancer in New York (state)
4094:
3866:, ed. L. Macy (Accessed 23 May 2006),
3525:Levelek, fényképek, kéziratok, kották.
3504:The Collected Essays of Milton Babbitt
3440:from the original on 28 September 2021
3329:
3239:
3172:
3148:
3124:
3112:
3100:
2992:
2859:
2847:
2823:
2760:
2748:
2736:
2705:
2615:
2518:
2506:
2494:
2482:
2446:
2131:
2065:
2053:
1828:
1816:
1762:
1603:A bronze bust of Bartók stands in the
1596:in 2005, stands in the front lobby of
1585:, Ankara, Turkey, next to the bust of
1536:Statue at South Kensington, London SW7
6463:20th-century Hungarian male musicians
4600:Royal Entomological Society of London
4573:. New York: Oxford University Press.
4336:Richard Strauss: An intimate Portrait
4263:. Lanham, Maryland: Scarecrow Press.
4001:Béla Bartók: An Analysis of His Music
3963:Notable American Unitarians 1936–1961
3353:from the original on 30 November 2021
3317:
3263:
2962:from the original on 6 September 2023
2931:from the original on 6 September 2023
2907:
2554:from the original on 18 February 2022
2369:
2286:
1556:, and just north of Sydney Place. An
1238:
939:for burial, where Hungary arranged a
884:In 1944, he was also commissioned by
221:Childhood and early years (1881–1898)
191:
7:
6573:Hungarian people of Croatian descent
5063:Sonata for Two Pianos and Percussion
4770:Bartók Béla Memorial House, Budapest
4347:. New Haven: Yale University Press.
4252:online (accessed 27 September 2018).
2835:
2651:
2397:from the original on 28 January 2021
2321:from the original on 24 January 2023
1975:from the original on 28 January 2021
1939:
1744:from the original on 7 February 2022
1608:today, near the border with Hungary.
1253:
654:, another ballet, was influenced by
6518:Franz Liszt Academy of Music alumni
4729:Music Division, Library of Congress
4300:70 (July) (accessed 10 March 2019).
2428:from the original on 16 August 2022
2256:from the original on 5 January 2022
964:List of compositions by Béla Bartók
635:in (1915–1917), both influenced by
482:Middle years and career (1909–1939)
6623:People from Saranac Lake, New York
6578:Hungarian people of German descent
4692:Wells, John C. 1990. "Bartók", in
2387:"Bela Bartok – Music Appreciation"
2244:Fontelles-Ramonet, Albert (2020).
2150:. W. W. Norton. pp. 567–569.
1965:"Bela Bartok | Music Appreciation"
333:Royal Academy of Music in Budapest
25:
6593:Hungarian male classical pianists
5270:Three Rondos on Slovak Folk Tunes
5012:Divertimento for String Orchestra
4668:. DECCA Records (liner notes for
4432:The Cambridge Companion to Bartók
4229:The Life and Music of Béla Bartók
4220:The Life and Music of Béla Bartók
3959:Béla Bartók: Composer (1881–1945)
3919:, edited by Amanda Bayley, 7–23.
3916:The Cambridge Companion to Bartók
3908:. London: JM Dent & Sons Ltd.
3889:A Concise History of Modern Music
3436:(in Romanian). 6 September 2015.
3399:from the original on 18 July 2022
2005:from the original on 14 June 2023
1442:. Hungaroton 12334. CD recording.
732:Divertimento for String Orchestra
697:, "he was very interested in the
534:to remove the name of librettist
249:. His paternal grandmother was a
6458:20th-century Hungarian musicians
6453:20th-century classical composers
6415:
6403:
6391:
6379:
5894:
5885:
5884:
5440:
5431:
5430:
4696:, 63. Harlow, England: Longman.
4694:Longman Pronunciation Dictionary
4495:86, no. 1233 (November): 329–31.
3502:35 (July): 377–85. Reprinted in
3070:from the original on 4 July 2023
3016:from the original on 4 July 2023
2687:from the original on 4 July 2023
2351:from the original on 4 July 2023
2299:Szabó, Ferenc (September 1950).
2220:from the original on 27 May 2022
2190:from the original on 4 July 2023
2147:The lives of the great composers
2101:from the original on 4 July 2023
2035:from the original on 4 July 2023
1798:from the original on 14 May 2023
1459:Apex 0927-49569-2. CD recording.
1158:'s controversial use of intense
1068:Rhapsody for Piano and Orchestra
307:Early musical career (1899–1908)
208:, he was one of the founders of
143:
5152:Fifteen Hungarian Peasant Songs
4305:Tudzin, Jessica Taylor. 2010. "
4246:Béla Bartók: Hungarian Composer
3784:. SME.sk (accessed 9 May 2020).
1598:The Royal Conservatory of Music
1499:Béla Bartók: The Complete Works
1212:Béla Bartók memorial plaque in
907:Béla Bartók's portrait on 1000
892:. In 1945, Bartók composed his
716:In 1927–1928, Bartók wrote his
507:. He later became attracted to
6598:Hungarian male opera composers
6558:Hungarian folk-song collectors
6483:Burials at Farkasréti Cemetery
5758:Modes of limited transposition
4591:, 105–49. Kassel: Bärenreiter.
4163:Rodda, Richard E. 1990–2018. "
4007:. London: Kahn & Averill.
3837:(pbk); New York: Hal Leonard.
3817:Gillies, Malcolm (ed.). 1993.
3704:. Jefferson, N.C.: McFarland.
1465:Bartók: Contrasts, Mikrokosmos
738:was composed in 1934, and the
27:Hungarian composer (1881–1945)
1:
6538:Hungarian classical composers
6488:Burials at Ferncliff Cemetery
5363:Béla Bartók Music High School
4761:Works by or about Béla Bartók
4627:59, no. 2 (October): 273–320.
4444:Cambridge Companions to Music
4193:. Budapest: Ethnofon Records.
3921:Cambridge Companions to Music
3891:. London: Thames and Hudson.
3673:Béla Bartók: Solo Piano Works
2144:Schonberg, Harold C. (1997).
1554:South Kensington tube station
1541:A statue of Bartók stands in
1424:. Hungaroton 12326. 6-CD set.
844:Will Rogers Memorial Hospital
362:, whom he met in 1902 at the
6553:Hungarian ethnomusicologists
6543:Hungarian classical pianists
4811:Virtual Exhibition on Bartók
4752:How to use archival material
4429:Bayley, Amanda (ed.). 2001.
4338:. London: Thames and Hudson.
4278:Miért szép századunk zenéje?
4104:Szavak, feliratok, kivonatok
4072:. London: The Harvill Press.
3854:, second edition, edited by
3628:. Paris: Editions du Seuil.
2579:The Juilliard Journal Online
919:(specifically, of secondary
512:Hungarian Unitarian Church.
353:Hungarian Revolution of 1848
49:when mentioning individuals.
6628:Pupils of Hans von Koessler
6618:People from Sânnicolau Mare
6493:Columbia University faculty
5808:Quartal and quintal harmony
5497:List of modernist composers
4806:Gallery of Bartók portraits
4679:Tizennyolc Bartók-tanulmány
3478:Antokoletz, Elliott. 1984.
3420:Square Béla Bartók in Paris
1505:Statues and other memorials
1476:. Urania 340. CD recording.
1433:. Pearl 9166. CD recording.
1338:as a structural principle.
691:Palau de la Música Catalana
101:26 September 1945 (aged 64)
6659:
6528:Columbia University people
6468:20th-century musicologists
5309:Twenty Hungarian Folksongs
4823:Free scores by Béla Bartók
4294:Bartókék Nagyszentmiklóson
4260:Béla Bartók: Life and Work
4189:Sipos, János (ed.). 2000.
4172:Schneider, David E. 2006.
4120:Türkiye'nin Hatıra Defteri
4055:(accessed 19 October 2017)
3746:Fisk, Josiah (ed.). 1997.
3683:. JDT 3136. Archived from
3669:"Béla Bartók: A Biography"
3229:(accessed 15 October 2018)
2416:yalepress (30 June 2015).
1605:Anton Scudier Central Park
1451:. Pearl 179. CD recording.
1057:New influences (1903–1911)
961:
693:. According to the critic
669:In March 1927, he visited
547:Folk music and composition
36:
29:
6568:Hungarian opera composers
6563:Hungarian music educators
6246:Charles Villiers Stanford
5872:
5494:
5426:
5295:Eight Hungarian Folksongs
5263:Three Hungarian Folktunes
5218:Romanian Christmas Carols
4887:
4775:12 September 2007 at the
4681:. Budapest: Zeneműkiadó.
4585:Béla Bartók: Weg und Werk
4571:Inside Bluebeard's Castle
4569:Leafstedt, Carl S. 1999.
4564:Hungarian Music Quarterly
4537:Boston: Houghton Mifflin.
4292:Szekernyés János. 2017. "
4110:60, no. 3 (March): 41–45.
4097:. New York: Vienna House.
3879:29, no. 2 (Fall): 143–76.
3741:. New York: W. W. Norton.
3739:Music in the Romantic Era
3607:Chalmers, Kenneth. 1995.
3460:"Bela Bartok-Gedenkstern"
3064:courses.lumenlearning.com
3060:"Bela Bartok | Music 101"
3010:courses.lumenlearning.com
3006:"Bela Bartok | Music 101"
2681:courses.lumenlearning.com
2677:"Bela Bartok | Music 101"
2391:courses.lumenlearning.com
2345:courses.lumenlearning.com
2341:"Bela Bartok | Music 101"
2210:"Bela Bartok (1881–1945)"
2184:courses.lumenlearning.com
2180:"Bela Bartok | Music 101"
2029:courses.lumenlearning.com
2025:"Bela Bartok | Music 101"
1995:"Béla Bartók (1881–1945)"
1969:courses.lumenlearning.com
1734:"Bela Bartok (1881–1945)"
1583:Ankara State Conservatory
894:Piano Concerto No. 3
879:Boston Symphony Orchestra
633:String Quartet No. 2
303:accepted him as a pupil.
63:
6638:String quartet composers
5410:Suite paysanne hongroise
5302:Five Hungarian Folksongs
5187:Nine Little Piano Pieces
4636:34, no. 2 (April): 9–11.
4557:Bartók's String Quartets
4345:The Music of Béla Bartók
4257:Suchoff, Benjamin. 2001
4244:Stevens, Halsey. 2018. "
4032:Matthews, Peter. 2012. "
2418:"Béla Bartók in America"
1111:(1919) and he completed
327:, and composition under
193:[ˈbeːlɒˈbɒrtoːk]
139:Béla Viktor János Bartók
58:Béla Viktor János Bartók
45:. This article uses
43:Bartók Béla Viktor János
37:The native form of this
6633:Pupils of István Thomán
6159:Nikolai Rimsky-Korsakov
5050:44 Duos for Two Violins
4927:The Miraculous Mandarin
4645:6 December 2013 at the
4625:Journal of Music Theory
4533:Fassett, Agatha, 1958.
4468:Élet-képek: Bartók Béla
4405:The Hungarian Folk Song
4250:Encyclopædia Britannica
4227:Stevens, Halsey. 1993.
4218:Stevens, Halsey. 1964.
4102:Móser, Zoltán. 2006a. "
4041:Maurice, Donald. 2004.
3904:Griffiths, Paul. 1988.
3763:Gagné, Nicole V. 2012.
3624:Citron, Pierre (1963).
3578:. Decca Records. 2016.
3565:(Sheet music), London:
2718:László, Somfai (1992).
1334:, as well as using the
1167:, he wrote his Sonata,
1132:Austro-Hungarian empire
1109:The Miraculous Mandarin
1045:Also sprach Zarathustra
1003:Early years (1890–1902)
651:The Miraculous Mandarin
580:collected first in the
369:Also sprach Zarathustra
287:, Ukraine) and then in
225:Bartók was born in the
32:Bartok (disambiguation)
6513:Former Roman Catholics
6256:Ralph Vaughan Williams
6134:Alexander Dargomyzhsky
5859:Second Viennese School
5852:Schools of composition
5404:Polymodal chromaticism
5068:Sonata for Solo Violin
5002:Concerto for Orchestra
4976:Violin Concerto No. 2
4971:Violin Concerto No. 1
4677:Somfai, László. 1981.
4555:Kárpáti, János. 1975.
4526:20 August 2016 at the
4509:: Kossuth Könyvkiadó.
4505:Czeizel, Endre. 1992.
4473:4 October 2023 at the
4437:4 October 2023 at the
4410:4 October 2023 at the
4334:Wilhelm, Kurt (1989).
3957:Hughes, Peter. 2007. "
3944:Hughes, Peter. 2001. "
3780:Getting, Peter. 2020.
3700:Dicaire, David. 2010.
3667:de Toth, June (1999).
3576:Bartók: Complete Works
3223:Public Domain Day 2016
1635:Jean-Yves Lechevallier
1615:in the public park at
1537:
1529:
1518:
1290:Second Violin Concerto
1259:polymodal chromaticism
1216:
1140:in 1920 and the sunny
1088:
1079:
1012:
912:
890:Sonata for Solo Violin
875:Concerto for Orchestra
771:
722:Fourth String Quartets
576:
564:
456:, similar to those in
397:Liszt Academy of Music
323:, a former student of
316:
261:fluently. A native of
210:comparative musicology
119:composer, pianist and
5843:Twelve-tone technique
4662:A discussion between
4465:Bónis, Ferenc. 2006.
4093:. Partial reprint of
4060:Moreux, Serge. 1953.
3877:Music Theory Spectrum
3868:(subscription access)
3650:Cooper, David. 2015.
3643:Music Theory Spectrum
3600:(subscription access)
2422:Yale University Press
2301:"Bartók nem alkuszik"
1547:central train station
1535:
1524:
1512:
1438:Bartók, Béla. 1995b.
1429:Bartók, Béla. 1995a.
1211:
1083:
1074:
1010:
962:Further information:
906:
769:
746:to collect and study
683:Gran Teatre del Liceu
677:Sz. 26 with the
554:
458:Asian folk traditions
314:
6588:Hungarian Unitarians
6508:Deaths from leukemia
6287:Antônio Carlos Gomes
6039:Carl Maria von Weber
5379:Hungarian folk music
5341:Homage to Paderewski
5225:Romanian Folk Dances
4961:Piano Concerto No. 3
4956:Piano Concerto No. 2
4951:Piano Concerto No. 1
4892:List of compositions
4838:16 June 2018 at the
4795:"Discovering Bartók"
4787:28 June 2011 at the
4402:Bartók, Béla. 1981.
4343:Wilson, Paul. 1992.
4089:, with a preface by
3987:Kory, Agnes. 2007. "
3819:The Bartók Companion
3563:Romanian Folk Dances
3560:Bartók, Béla. 2018.
3543:Bartók, Béla. 1976.
3529:Béla Bartók: Letters
3523:Bartók, Béla. 1948.
3343:"Béla Bartók statue"
1738:mahlerfoundation.org
1545:, Belgium, near the
1513:Statue of Bartók in
1481:Bartók, Béla. 2016.
1472:Bartók, Béla. 2008.
1463:Bartók, Béla. 2007.
1455:Bartók, Béla. 2003.
1447:Bartók, Béla. 2003.
1420:Bartók, Béla. 1994.
1316:Eight Improvisations
1281:), the diatonic and
1247:inversional symmetry
1165:first Piano Concerto
740:Sixth String Quartet
736:Fifth String Quartet
679:Orquestra Pau Casals
631:(1914–1916) and the
588:), where he notated
555:Béla Bartók using a
445:Hungarian Rhapsodies
393:String Quartet No. 1
131:List of compositions
6643:Composers for viola
6613:Modernist composers
6498:Composers for piano
6327:Silvestre Revueltas
6251:Alexander Mackenzie
6104:Stanisław Moniuszko
6024:Camille Saint-Saëns
5942:Musical nationalism
5277:Two Romanian Dances
5173:Fourteen Bagatelles
4660:Smith, Erik. 1965.
3978:Jones, Tom. 2012. "
3278:Statue: Béla Bartók
3211:, pp. 377–378.
2952:"The Wooden Prince"
2910:, pp. 257–277.
2533:, pp. 196–207.
2216:. 16 October 2015.
2001:. 16 October 2015.
1740:. 16 October 2015.
1657:16th arrondissement
1646:Square Henri-Collet
1474:Bartók Plays Bartók
1449:Bartók Plays Bartók
1422:Bartók at the Piano
1267:privileged patterns
945:Farkasréti Cemetery
827:Columbia University
770:Bartok and Pásztory
70:Béla Bartók in 1927
6583:Hungarian refugees
6533:Hungarian atheists
6297:Heitor Villa-Lobos
5389:Musical cryptogram
5316:Five Songs, Op. 15
5018:Hungarian Pictures
4909:Bluebeard's Castle
4671:Bluebeard's Castle
4598:– Bulletin of the
4566:11, nos. 3–4:2–11.
4379:Béla Bartók Essays
4307:Schooled in Bartók
4156:The New York Times
4034:Bartók in New York
3864:Grove Music Online
3596:Grove Music Online
1617:Square Béla Bartók
1587:Ahmet Adnan Saygun
1538:
1530:
1519:
1483:Bartók the Pianist
1283:heptatonia secunda
1228:harmonic functions
1217:
1175:Nine Little Pieces
1096:Bluebeard's Castle
1013:
932:Ferncliff Cemetery
913:
867:Serge Koussevitzky
861:and the conductor
812:United States Navy
772:
752:Ahmet Adnan Saygun
748:Turkish folk music
675:Rhapsody for piano
673:and performed the
621:. The outbreak of
586:Kingdom of Hungary
577:
540:Bluebeard's Castle
523:Bluebeard's Castle
417:Gisela Selden-Goth
317:
235:Kingdom of Hungary
87:Kingdom of Hungary
47:Western name order
6367:
6366:
6292:Francisco Mignone
6277:Alberto Ginastera
6164:Alexander Borodin
6154:Modest Mussorgsky
6109:Henryk Wieniawski
5908:
5907:
5717:
5716:
5454:
5453:
4934:The Wooden Prince
4757:
4756:
4746:
4745:
4702:978-0-582-05383-0
4687:978-963-330-370-2
4618:978-0-8108-5356-0
4602:33, no. 4:175–82.
4579:978-0-19-510999-3
4546:978-952-10-8040-1
4515:978-963-09-3569-2
4492:The Musical Times
4484:978-963-506-649-0
4460:978-0-521-66958-0
4452:978-0-521-66010-5
4424:978-0-9641961-2-4
4391:978-0-571-10120-7
4383:Faber & Faber
4371:Polereczky család
4353:978-0-300-05111-7
4286:978-963-280-015-8
4269:978-0-8108-4076-8
4211:978-0-520-08485-8
4182:978-0-520-24503-7
4144:978-0-945193-37-1
4013:978-0-900707-04-9
3971:978-0-615-14784-0
3937:978-0-521-66958-0
3929:978-0-521-66010-5
3897:978-0-500-20164-0
3843:978-0-931340-74-1
3835:978-0-571-15331-2
3827:978-0-571-15330-5
3821:. London: Faber.
3810:978-0-571-14244-6
3802:978-0-571-14243-9
3796:. London: Faber.
3794:Bartók Remembered
3773:978-0-8108-6765-9
3756:978-1-55553-279-6
3727:978-2-87037-168-8
3723:978-2-87037-168-8
3710:978-0-7864-5737-3
3660:978-0-300-21307-2
3617:978-0-7148-3164-0
3594:. "Modernism",
3553:978-0-571-10120-7
3537:978-0-571-09638-1
3516:978-0-691-08966-9
3500:Musical Quarterly
3488:978-0-520-04604-7
3347:www.trekearth.com
3127:, pp. 24–29.
2886:, pp. 47–49.
2787:, pp. 15–16.
2214:Mahler Foundation
1999:Mahler Foundation
1493:On 18 March 2016
1243:Antokoletz (1984)
1113:The Wooden Prince
877:. Koussevitsky's
776:World War II
660:Arnold Schoenberg
628:The Wooden Prince
454:pentatonic scales
198:ethnomusicologist
136:
135:
121:ethnomusicologist
16:(Redirected from
6650:
6478:Ballet composers
6420:
6419:
6418:
6408:
6407:
6406:
6396:
6395:
6394:
6384:
6383:
6382:
6375:
6352:Edward MacDowell
6206:Enrique Granados
6181:Alexander Moyzes
5974:Bohuslav Martinů
5935:
5928:
5921:
5912:
5898:
5888:
5887:
5864:Darmstadt School
5798:Post-romanticism
5508:
5481:
5474:
5467:
5458:
5444:
5434:
5433:
5256:Three Burlesques
4874:
4867:
4860:
4851:
4802:
4765:Internet Archive
4742:
4722:
4713:
4666:and the producer
4374:
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4116:Özgentürk, Nebil
4111:
4098:
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4003:, introduced by
3992:
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3871:
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3790:Gillies, Malcolm
3785:
3776:
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3735:Einstein, Alfred
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2950:Glass, Herbert.
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1300:
1224:Carpathian basin
1204:Musical analysis
1092:Ferruccio Busoni
982:Carpathian Basin
909:Hungarian forint
820:Columbia Records
623:World War I
617:, and (in 1913)
582:Carpathian Basin
567:, today part of
263:Turócszentmárton
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6386:Classical music
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6363:
6262:
6232:United Kingdom
6211:Joaquín Rodrigo
6201:Manuel de Falla
6099:Frédéric Chopin
5959:Bedřich Smetana
5955:Czech Republic
5944:
5939:
5909:
5904:
5881:
5868:
5847:
5773:New Objectivity
5726:
5724:
5713:
5677:
5499:
5490:
5488:Modernist music
5485:
5455:
5450:
5422:
5367:
5358:Bartók (crater)
5346:
5328:
5282:
5249:Ten Easy Pieces
5232:Slovakian Dance
5212:Rhapsody, Op. 1
5138:Allegro barbaro
5125:
5120:Cantata Profana
5107:
5073:String quartets
5037:
4990:
4966:Viola Concerto
4939:
4914:
4896:
4883:
4878:
4840:Wayback Machine
4793:
4789:Wayback Machine
4777:Wayback Machine
4738:
4711:
4706:
4647:Wayback Machine
4589:Bence Szabolcsi
4528:Wayback Machine
4475:Wayback Machine
4439:Wayback Machine
4412:Wayback Machine
4368:
4364:
4362:Further reading
4359:
4342:
4333:
4319:Tantara Records
4313:
4304:
4291:
4275:
4256:
4243:
4226:
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4114:
4101:
4091:Arthur Honegger
4076:
4059:
4040:
4031:
4026:
3995:
3986:
3980:See Béla Bartók
3977:
3956:
3943:
3912:
3903:
3885:Griffiths, Paul
3883:
3874:
3849:
3816:
3788:
3779:
3762:
3745:
3733:
3716:
3699:
3690:
3688:
3687:on 8 April 2007
3666:
3649:
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3496:Babbitt, Milton
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3219:
3215:
3207:
3203:
3195:
3191:
3183:
3179:
3171:
3167:
3159:
3155:
3147:
3143:
3135:
3131:
3123:
3119:
3115:, pp. 2–4.
3111:
3107:
3099:
3095:
3087:
3083:
3073:
3071:
3058:
3057:
3053:
3045:
3041:
3033:
3029:
3019:
3017:
3004:
3003:
2999:
2991:
2987:
2979:
2975:
2965:
2963:
2949:
2948:
2944:
2934:
2932:
2919:
2918:
2914:
2906:
2902:
2894:
2890:
2882:
2878:
2870:
2866:
2858:
2854:
2846:
2842:
2834:
2830:
2822:
2815:
2807:
2803:
2795:
2791:
2783:
2779:
2771:
2767:
2759:
2755:
2747:
2743:
2735:
2731:
2717:
2716:
2712:
2704:
2700:
2690:
2688:
2675:
2674:
2670:
2662:
2658:
2652:Botstein &
2650:
2646:
2638:
2634:
2626:
2622:
2614:
2610:
2602:
2598:
2590:
2586:
2572:
2571:
2567:
2557:
2555:
2542:
2541:
2537:
2529:
2525:
2517:
2513:
2505:
2501:
2493:
2489:
2481:
2477:
2469:
2465:
2457:
2453:
2445:
2441:
2431:
2429:
2415:
2414:
2410:
2400:
2398:
2385:
2384:
2380:
2368:
2364:
2354:
2352:
2339:
2338:
2334:
2324:
2322:
2318:
2308:Új Zenei Szemle
2303:
2298:
2297:
2293:
2285:
2281:
2273:
2269:
2259:
2257:
2243:
2242:
2233:
2223:
2221:
2208:
2207:
2203:
2193:
2191:
2178:
2177:
2173:
2158:
2143:
2142:
2138:
2130:
2126:
2118:
2114:
2104:
2102:
2089:
2088:
2084:
2076:
2072:
2064:
2060:
2052:
2048:
2038:
2036:
2023:
2022:
2018:
2008:
2006:
1993:
1992:
1988:
1978:
1976:
1963:
1962:
1958:
1952:Rodda 1990–2018
1950:
1946:
1938:
1934:
1926:
1922:
1914:
1910:
1902:
1898:
1888:
1887:
1883:
1875:
1871:
1863:
1859:
1851:
1847:
1839:
1835:
1827:
1823:
1815:
1811:
1801:
1799:
1794:. 6 June 2023.
1786:
1785:
1781:
1775:Szekernyés 2017
1773:
1769:
1761:
1757:
1747:
1745:
1732:
1731:
1727:
1719:
1708:
1703:
1698:
1678:Nagyszentmiklós
1648:
1619:
1507:
1480:
1471:
1462:
1446:
1437:
1428:
1419:
1389:
1361:
1355:András Szőllősy
1350:
1310:
1309:
1304:
1303:
1298:
1297:
1275:octatonic scale
1206:
1187:Cantata Profana
1182:string quartets
1152:
1104:
1059:
1005:
966:
960:
788:Tripartite Pact
764:
695:Joan Llongueras
687:Cobla Barcelona
656:Igor Stravinsky
549:
528:1919 revolution
518:
489:
484:
476:Bulgarian music
405:Sir Georg Solti
385:Johannes Brahms
360:Richard Strauss
335:. There he met
309:
239:Sânnicolau Mare
231:Nagyszentmiklós
223:
218:
188:
163:
146:
142:
111:
102:
93:
91:Austria-Hungary
83:Nagyszentmiklós
80:
71:
59:
50:
35:
28:
23:
22:
15:
12:
11:
5:
6656:
6654:
6646:
6645:
6640:
6635:
6630:
6625:
6620:
6615:
6610:
6605:
6600:
6595:
6590:
6585:
6580:
6575:
6570:
6565:
6560:
6555:
6550:
6545:
6540:
6535:
6530:
6525:
6520:
6515:
6510:
6505:
6500:
6495:
6490:
6485:
6480:
6475:
6470:
6465:
6460:
6455:
6450:
6445:
6440:
6430:
6429:
6425:
6424:
6412:
6400:
6388:
6365:
6364:
6362:
6361:
6360:
6359:
6354:
6349:
6347:Horatio Parker
6344:
6339:
6333:United States
6331:
6330:
6329:
6324:
6319:
6311:
6310:
6309:
6301:
6300:
6299:
6294:
6289:
6281:
6280:
6279:
6270:
6268:
6264:
6263:
6261:
6260:
6259:
6258:
6253:
6248:
6243:
6238:
6230:
6229:
6228:
6220:
6219:
6218:
6216:Joaquín Turina
6213:
6208:
6203:
6198:
6190:
6189:
6188:
6183:
6178:
6170:
6169:
6168:
6167:
6166:
6161:
6156:
6151:
6146:
6144:Mily Balakirev
6136:
6131:
6129:Mikhail Glinka
6123:
6122:
6121:
6113:
6112:
6111:
6106:
6101:
6093:
6092:
6091:
6083:
6082:
6081:
6079:Bernard Zweers
6073:
6072:
6071:
6069:Giuseppe Verdi
6063:
6062:
6061:
6056:
6048:
6047:
6046:
6044:Richard Wagner
6041:
6033:
6032:
6031:
6029:Romain Bussine
6026:
6018:
6017:
6016:
6011:
6009:Leevi Madetoja
6003:
6002:
6001:
5993:
5992:
5991:
5986:
5978:
5977:
5976:
5971:
5966:
5964:Antonín Dvořák
5961:
5952:
5950:
5946:
5945:
5940:
5938:
5937:
5930:
5923:
5915:
5906:
5905:
5903:
5902:
5892:
5878:Romantic music
5874:
5873:
5870:
5869:
5867:
5866:
5861:
5855:
5853:
5849:
5848:
5846:
5845:
5840:
5835:
5830:
5825:
5820:
5815:
5810:
5805:
5800:
5795:
5790:
5785:
5783:Pandiatonicism
5780:
5775:
5770:
5768:New Complexity
5765:
5760:
5755:
5750:
5745:
5740:
5735:
5729:
5727:
5722:
5719:
5718:
5715:
5714:
5712:
5711:
5710:
5709:
5704:
5699:
5694:
5688:United States
5685:
5683:
5679:
5678:
5676:
5675:
5674:
5673:
5668:
5663:
5655:
5654:
5653:
5645:
5644:
5643:
5635:
5634:
5633:
5625:
5624:
5623:
5618:
5610:
5609:
5608:
5603:
5598:
5593:
5588:
5583:
5575:
5574:
5573:
5565:
5564:
5563:
5555:
5554:
5553:
5545:
5544:
5543:
5538:
5533:
5528:
5523:
5514:
5512:
5505:
5501:
5500:
5495:
5492:
5491:
5486:
5484:
5483:
5476:
5469:
5461:
5452:
5451:
5449:
5448:
5438:
5427:
5424:
5423:
5421:
5420:
5413:
5406:
5401:
5396:
5391:
5386:
5381:
5375:
5373:
5369:
5368:
5366:
5365:
5360:
5354:
5352:
5348:
5347:
5345:
5344:
5336:
5334:
5333:Collaborations
5330:
5329:
5327:
5326:
5323:Village Scenes
5319:
5312:
5305:
5298:
5290:
5288:
5284:
5283:
5281:
5280:
5273:
5266:
5259:
5252:
5245:
5240:
5235:
5228:
5221:
5214:
5209:
5204:
5197:
5190:
5183:
5176:
5169:
5162:
5155:
5148:
5141:
5133:
5131:
5127:
5126:
5124:
5123:
5115:
5113:
5109:
5108:
5106:
5105:
5099:
5094:
5089:
5084:
5079:
5070:
5065:
5060:
5053:
5045:
5043:
5039:
5038:
5036:
5035:
5028:
5021:
5014:
5009:
5004:
4998:
4996:
4992:
4991:
4989:
4988:
4986:Rhapsody No. 2
4983:
4981:Rhapsody No. 1
4978:
4973:
4968:
4963:
4958:
4953:
4947:
4945:
4941:
4940:
4938:
4937:
4930:
4922:
4920:
4916:
4915:
4913:
4912:
4904:
4902:
4898:
4897:
4895:
4894:
4888:
4885:
4884:
4879:
4877:
4876:
4869:
4862:
4854:
4848:
4847:
4842:
4830:
4819:
4818:
4813:
4808:
4803:
4791:
4779:
4767:
4755:
4754:
4748:
4747:
4744:
4743:
4736:
4732:
4731:
4726:
4718:
4717:
4710:
4709:External links
4707:
4705:
4704:
4690:
4675:
4664:István Kertész
4658:
4657:(16 February).
4649:
4637:
4628:
4621:
4606:Maconie, Robin
4603:
4592:
4581:
4567:
4560:
4553:
4538:
4531:
4519:Decca. 2016. "
4517:
4503:
4496:
4487:
4463:
4427:
4416:
4400:
4375:
4365:
4363:
4360:
4358:
4357:
4340:
4331:
4311:
4302:
4289:
4273:
4254:
4241:
4224:
4215:
4199:Somfai, László
4195:
4186:
4169:
4160:
4158:(12 December).
4152:Rockwell, John
4148:
4124:
4112:
4099:
4077:Moreux. 1974.
4074:
4057:
4038:
4029:
4024:
3993:
3984:
3975:
3954:
3941:
3910:
3901:
3881:
3872:
3847:
3814:
3786:
3777:
3760:
3743:
3731:
3714:
3697:
3664:
3647:
3638:
3621:
3604:
3592:Botstein, Leon
3588:
3572:
3557:
3540:
3520:
3492:
3474:
3472:
3469:
3466:
3465:
3451:
3425:
3410:
3376:
3364:
3334:
3322:
3310:
3295:
3293:, p. 145.
3283:
3268:
3256:
3244:
3232:
3213:
3201:
3199:, p. 385.
3189:
3177:
3165:
3153:
3141:
3139:, p. 185.
3129:
3117:
3105:
3093:
3091:, p. 186.
3089:Szabolcsi 1974
3081:
3051:
3049:, p. 189.
3039:
3037:, p. 173.
3027:
2997:
2985:
2973:
2942:
2912:
2900:
2898:, p. 405.
2888:
2876:
2874:, p. 404.
2864:
2852:
2840:
2838:, p. 271.
2828:
2813:
2801:
2789:
2777:
2765:
2753:
2741:
2729:
2710:
2698:
2668:
2664:Schneider 2006
2656:
2644:
2642:, p. 332.
2632:
2628:Griffiths 1978
2620:
2608:
2606:, p. 210.
2596:
2594:, p. 214.
2584:
2565:
2535:
2523:
2511:
2499:
2487:
2475:
2463:
2451:
2439:
2408:
2378:
2362:
2332:
2291:
2279:
2275:Özgentürk 2008
2267:
2231:
2201:
2171:
2156:
2136:
2124:
2112:
2082:
2070:
2058:
2046:
2016:
1986:
1956:
1944:
1932:
1920:
1908:
1896:
1881:
1869:
1857:
1853:Griffiths 1988
1845:
1833:
1821:
1809:
1779:
1767:
1755:
1725:
1705:
1704:
1702:
1699:
1697:
1694:
1693:
1692:
1685:
1674:
1660:
1638:
1627:
1609:
1601:
1590:
1579:
1572:
1564:
1550:
1525:Walk of Fame,
1506:
1503:
1495:Decca Classics
1488:
1487:
1478:
1469:
1460:
1453:
1444:
1435:
1426:
1388:
1385:
1381:European Union
1349:
1346:
1342:Milton Babbitt
1336:golden section
1328:acoustic scale
1263:projected sets
1205:
1202:
1151:
1148:
1103:
1100:
1058:
1055:
1022:A Duna folyása
1011:Bartók in 1903
1004:
1001:
978:Antonín Dvořák
974:Mikhail Glinka
959:
956:
898:Viola Concerto
886:Yehudi Menuhin
859:Joseph Szigeti
808:Ditta Pásztory
763:
760:
754:mostly around
664:violin sonatas
548:
545:
517:
514:
494:Ditta Pásztory
488:
485:
483:
480:
381:Claude Debussy
351:, hero of the
347:which honored
345:symphonic poem
329:János Koessler
308:
305:
295:, present-day
222:
219:
217:
214:
134:
133:
128:
124:
123:
117:
113:
112:
103:
99:
95:
94:
81:
77:
73:
72:
69:
61:
60:
57:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
6655:
6644:
6641:
6639:
6636:
6634:
6631:
6629:
6626:
6624:
6621:
6619:
6616:
6614:
6611:
6609:
6606:
6604:
6601:
6599:
6596:
6594:
6591:
6589:
6586:
6584:
6581:
6579:
6576:
6574:
6571:
6569:
6566:
6564:
6561:
6559:
6556:
6554:
6551:
6549:
6546:
6544:
6541:
6539:
6536:
6534:
6531:
6529:
6526:
6524:
6521:
6519:
6516:
6514:
6511:
6509:
6506:
6504:
6501:
6499:
6496:
6494:
6491:
6489:
6486:
6484:
6481:
6479:
6476:
6474:
6471:
6469:
6466:
6464:
6461:
6459:
6456:
6454:
6451:
6449:
6446:
6444:
6441:
6439:
6436:
6435:
6433:
6423:
6413:
6411:
6401:
6399:
6389:
6387:
6377:
6373:
6358:
6355:
6353:
6350:
6348:
6345:
6343:
6340:
6338:
6337:Aaron Copland
6335:
6334:
6332:
6328:
6325:
6323:
6322:Carlos Chávez
6320:
6318:
6315:
6314:
6312:
6308:
6307:Claude Vivier
6305:
6304:
6302:
6298:
6295:
6293:
6290:
6288:
6285:
6284:
6282:
6278:
6275:
6274:
6272:
6271:
6269:
6265:
6257:
6254:
6252:
6249:
6247:
6244:
6242:
6239:
6237:
6234:
6233:
6231:
6227:
6224:
6223:
6221:
6217:
6214:
6212:
6209:
6207:
6204:
6202:
6199:
6197:
6196:Isaac Albéniz
6194:
6193:
6191:
6187:
6184:
6182:
6179:
6177:
6174:
6173:
6171:
6165:
6162:
6160:
6157:
6155:
6152:
6150:
6147:
6145:
6142:
6141:
6140:
6137:
6135:
6132:
6130:
6127:
6126:
6124:
6120:
6119:George Enescu
6117:
6116:
6114:
6110:
6107:
6105:
6102:
6100:
6097:
6096:
6094:
6090:
6087:
6086:
6084:
6080:
6077:
6076:
6074:
6070:
6067:
6066:
6064:
6060:
6059:Zoltán Kodály
6057:
6055:
6052:
6051:
6049:
6045:
6042:
6040:
6037:
6036:
6034:
6030:
6027:
6025:
6022:
6021:
6019:
6015:
6014:Jean Sibelius
6012:
6010:
6007:
6006:
6004:
6000:
5999:Rudolf Tobias
5997:
5996:
5994:
5990:
5987:
5985:
5982:
5981:
5979:
5975:
5972:
5970:
5967:
5965:
5962:
5960:
5957:
5956:
5954:
5953:
5951:
5947:
5943:
5936:
5931:
5929:
5924:
5922:
5917:
5916:
5913:
5901:
5897:
5893:
5891:
5883:
5882:
5880:
5879:
5871:
5865:
5862:
5860:
5857:
5856:
5854:
5850:
5844:
5841:
5839:
5836:
5834:
5831:
5829:
5826:
5824:
5821:
5819:
5816:
5814:
5811:
5809:
5806:
5804:
5801:
5799:
5796:
5794:
5791:
5789:
5786:
5784:
5781:
5779:
5776:
5774:
5771:
5769:
5766:
5764:
5761:
5759:
5756:
5754:
5751:
5749:
5746:
5744:
5743:Expressionism
5741:
5739:
5736:
5734:
5731:
5730:
5728:
5720:
5708:
5705:
5703:
5700:
5698:
5695:
5693:
5690:
5689:
5687:
5686:
5684:
5680:
5672:
5669:
5667:
5664:
5662:
5659:
5658:
5656:
5652:
5649:
5648:
5646:
5642:
5639:
5638:
5636:
5632:
5629:
5628:
5626:
5622:
5619:
5617:
5614:
5613:
5611:
5607:
5604:
5602:
5599:
5597:
5594:
5592:
5589:
5587:
5584:
5582:
5579:
5578:
5576:
5572:
5569:
5568:
5566:
5562:
5559:
5558:
5556:
5552:
5549:
5548:
5546:
5542:
5539:
5537:
5534:
5532:
5529:
5527:
5524:
5522:
5519:
5518:
5516:
5515:
5513:
5509:
5506:
5502:
5498:
5493:
5489:
5482:
5477:
5475:
5470:
5468:
5463:
5462:
5459:
5447:
5443:
5439:
5437:
5429:
5428:
5425:
5419:
5418:
5414:
5412:
5411:
5407:
5405:
5402:
5400:
5397:
5395:
5394:Neoclassicism
5392:
5390:
5387:
5385:
5382:
5380:
5377:
5376:
5374:
5370:
5364:
5361:
5359:
5356:
5355:
5353:
5349:
5343:
5342:
5338:
5337:
5335:
5331:
5325:
5324:
5320:
5318:
5317:
5313:
5311:
5310:
5306:
5304:
5303:
5299:
5297:
5296:
5292:
5291:
5289:
5285:
5279:
5278:
5274:
5272:
5271:
5267:
5265:
5264:
5260:
5258:
5257:
5253:
5251:
5250:
5246:
5244:
5243:Suite, Op. 14
5241:
5239:
5236:
5234:
5233:
5229:
5227:
5226:
5222:
5220:
5219:
5215:
5213:
5210:
5208:
5205:
5203:
5202:
5198:
5196:
5195:
5191:
5189:
5188:
5184:
5182:
5181:
5177:
5175:
5174:
5170:
5168:
5167:
5163:
5161:
5160:
5156:
5154:
5153:
5149:
5147:
5146:
5142:
5140:
5139:
5135:
5134:
5132:
5128:
5122:
5121:
5117:
5116:
5114:
5110:
5103:
5100:
5098:
5095:
5093:
5090:
5088:
5085:
5083:
5080:
5078:
5074:
5071:
5069:
5066:
5064:
5061:
5059:
5058:
5054:
5052:
5051:
5047:
5046:
5044:
5040:
5034:
5033:
5029:
5027:
5026:
5022:
5020:
5019:
5015:
5013:
5010:
5008:
5005:
5003:
5000:
4999:
4997:
4993:
4987:
4984:
4982:
4979:
4977:
4974:
4972:
4969:
4967:
4964:
4962:
4959:
4957:
4954:
4952:
4949:
4948:
4946:
4942:
4936:
4935:
4931:
4929:
4928:
4924:
4923:
4921:
4917:
4911:
4910:
4906:
4905:
4903:
4899:
4893:
4890:
4889:
4886:
4882:
4875:
4870:
4868:
4863:
4861:
4856:
4855:
4852:
4846:
4843:
4841:
4837:
4834:
4831:
4828:
4824:
4821:
4820:
4817:
4814:
4812:
4809:
4807:
4804:
4800:
4796:
4792:
4790:
4786:
4783:
4780:
4778:
4774:
4771:
4768:
4766:
4762:
4759:
4758:
4753:
4750:
4749:
4741:
4737:
4733:
4730:
4727:
4723:
4720:
4719:
4714:
4708:
4703:
4699:
4695:
4691:
4688:
4684:
4680:
4676:
4673:
4672:
4667:
4665:
4659:
4656:
4655:
4650:
4648:
4644:
4641:
4638:
4635:
4634:
4629:
4626:
4622:
4619:
4615:
4611:
4607:
4604:
4601:
4597:
4593:
4590:
4586:
4582:
4580:
4576:
4572:
4568:
4565:
4561:
4558:
4554:
4551:
4547:
4543:
4539:
4536:
4532:
4529:
4525:
4522:
4518:
4516:
4512:
4508:
4504:
4501:
4497:
4494:
4493:
4488:
4485:
4481:
4477:
4476:
4472:
4469:
4464:
4461:
4457:
4453:
4449:
4445:
4441:
4440:
4436:
4433:
4428:
4425:
4421:
4417:
4414:
4413:
4409:
4406:
4401:
4399:
4395:
4392:
4388:
4384:
4380:
4376:
4372:
4367:
4366:
4361:
4354:
4350:
4346:
4341:
4337:
4332:
4328:
4324:
4320:
4316:
4312:
4308:
4303:
4299:
4295:
4290:
4287:
4283:
4279:
4274:
4270:
4266:
4262:
4261:
4255:
4251:
4247:
4242:
4238:
4237:9780198163497
4234:
4230:
4225:
4221:
4216:
4212:
4208:
4204:
4200:
4196:
4192:
4187:
4183:
4179:
4175:
4170:
4166:
4161:
4157:
4153:
4149:
4145:
4141:
4137:
4133:
4129:
4128:Perle, George
4125:
4121:
4117:
4113:
4109:
4105:
4100:
4096:
4095:Moreux (1953)
4092:
4088:
4087:Erik de Mauny
4084:
4081:, translated
4080:
4075:
4071:
4070:Erik de Mauny
4067:
4064:, translated
4063:
4058:
4054:
4053:9780195348118
4050:
4046:
4045:
4039:
4035:
4030:
4025:
4021:
4017:
4014:
4010:
4006:
4002:
3998:
3997:Lendvai, Ernő
3994:
3990:
3985:
3981:
3976:
3972:
3968:
3964:
3960:
3955:
3951:
3947:
3942:
3938:
3934:
3930:
3926:
3922:
3918:
3917:
3911:
3907:
3902:
3898:
3894:
3890:
3886:
3882:
3878:
3873:
3869:
3865:
3861:
3857:
3856:Stanley Sadie
3853:
3848:
3844:
3840:
3836:
3832:
3828:
3824:
3820:
3815:
3811:
3807:
3803:
3799:
3795:
3792:(ed.). 1990.
3791:
3787:
3783:
3778:
3774:
3770:
3766:
3761:
3757:
3753:
3749:
3744:
3740:
3736:
3732:
3728:
3724:
3720:
3715:
3711:
3707:
3703:
3698:
3686:
3682:
3678:
3674:
3670:
3665:
3661:
3657:
3653:
3648:
3644:
3639:
3635:
3631:
3627:
3622:
3618:
3614:
3610:
3605:
3601:
3597:
3593:
3589:
3585:
3581:
3577:
3573:
3568:
3567:Chester Music
3564:
3558:
3554:
3550:
3546:
3541:
3538:
3534:
3530:
3526:
3521:
3517:
3513:
3509:
3505:
3501:
3497:
3493:
3489:
3485:
3481:
3476:
3475:
3470:
3461:
3455:
3452:
3439:
3435:
3429:
3426:
3421:
3414:
3411:
3398:
3394:
3393:bachtrack.com
3390:
3383:
3381:
3377:
3373:
3372:Matthews 2012
3368:
3365:
3352:
3348:
3344:
3338:
3335:
3331:
3326:
3323:
3319:
3314:
3311:
3306:
3299:
3296:
3292:
3287:
3284:
3279:
3272:
3269:
3265:
3260:
3257:
3253:
3248:
3245:
3241:
3236:
3233:
3228:
3224:
3217:
3214:
3210:
3205:
3202:
3198:
3193:
3190:
3186:
3181:
3178:
3174:
3169:
3166:
3162:
3157:
3154:
3151:, p. 25.
3150:
3145:
3142:
3138:
3133:
3130:
3126:
3121:
3118:
3114:
3109:
3106:
3102:
3097:
3094:
3090:
3085:
3082:
3069:
3065:
3061:
3055:
3052:
3048:
3043:
3040:
3036:
3031:
3028:
3015:
3011:
3007:
3001:
2998:
2995:, p. 18.
2994:
2989:
2986:
2982:
2977:
2974:
2961:
2957:
2953:
2946:
2943:
2930:
2926:
2922:
2916:
2913:
2909:
2904:
2901:
2897:
2892:
2889:
2885:
2880:
2877:
2873:
2868:
2865:
2861:
2856:
2853:
2850:, p. 92.
2849:
2844:
2841:
2837:
2832:
2829:
2826:, p. 60.
2825:
2820:
2818:
2814:
2811:, p. 22.
2810:
2805:
2802:
2799:, p. 17.
2798:
2793:
2790:
2786:
2781:
2778:
2775:, p. 12.
2774:
2769:
2766:
2763:, p. 14.
2762:
2757:
2754:
2751:, p. 18.
2750:
2745:
2742:
2739:, p. 11.
2738:
2733:
2730:
2725:
2721:
2714:
2711:
2707:
2702:
2699:
2686:
2682:
2678:
2672:
2669:
2666:, p. 84.
2665:
2660:
2657:
2653:
2648:
2645:
2641:
2640:Einstein 1947
2636:
2633:
2629:
2624:
2621:
2617:
2612:
2609:
2605:
2604:Chalmers 1995
2600:
2597:
2593:
2592:Chalmers 1995
2588:
2585:
2580:
2576:
2569:
2566:
2553:
2549:
2548:bachtrack.com
2545:
2539:
2536:
2532:
2531:Chalmers 1995
2527:
2524:
2520:
2515:
2512:
2508:
2503:
2500:
2496:
2491:
2488:
2484:
2479:
2476:
2472:
2467:
2464:
2460:
2455:
2452:
2448:
2443:
2440:
2427:
2423:
2419:
2412:
2409:
2396:
2392:
2388:
2382:
2379:
2375:
2371:
2366:
2363:
2350:
2346:
2342:
2336:
2333:
2317:
2313:
2309:
2302:
2295:
2292:
2288:
2283:
2280:
2276:
2271:
2268:
2255:
2251:
2247:
2240:
2238:
2236:
2232:
2219:
2215:
2211:
2205:
2202:
2189:
2185:
2181:
2175:
2172:
2167:
2163:
2159:
2157:0-393-03857-2
2153:
2149:
2148:
2140:
2137:
2134:, p. 14.
2133:
2128:
2125:
2121:
2116:
2113:
2100:
2096:
2092:
2086:
2083:
2080:, p. 93.
2079:
2078:Chalmers 1995
2074:
2071:
2067:
2062:
2059:
2056:, p. 22.
2055:
2050:
2047:
2034:
2030:
2026:
2020:
2017:
2004:
2000:
1996:
1990:
1987:
1974:
1970:
1966:
1960:
1957:
1953:
1948:
1945:
1941:
1936:
1933:
1930:, p. 73.
1929:
1924:
1921:
1917:
1912:
1909:
1905:
1904:Rockwell 1982
1900:
1897:
1892:
1885:
1882:
1878:
1873:
1870:
1866:
1861:
1858:
1854:
1849:
1846:
1842:
1837:
1834:
1830:
1825:
1822:
1819:, p. 16.
1818:
1813:
1810:
1797:
1793:
1789:
1783:
1780:
1776:
1771:
1768:
1765:, p. 44.
1764:
1759:
1756:
1743:
1739:
1735:
1729:
1726:
1722:
1717:
1715:
1713:
1711:
1707:
1700:
1695:
1690:
1686:
1683:
1679:
1675:
1672:
1669:
1666:, Romania. (
1665:
1661:
1658:
1652:
1647:
1643:
1639:
1636:
1632:
1628:
1623:
1618:
1614:
1610:
1606:
1602:
1599:
1595:
1591:
1588:
1584:
1580:
1577:
1573:
1570:
1565:
1562:
1559:
1555:
1551:
1548:
1544:
1540:
1539:
1534:
1528:
1523:
1516:
1511:
1504:
1502:
1500:
1496:
1491:
1484:
1479:
1475:
1470:
1466:
1461:
1458:
1454:
1450:
1445:
1441:
1436:
1432:
1427:
1423:
1418:
1417:
1416:
1414:
1410:
1409:Thomas Edison
1406:
1402:
1398:
1394:
1393:Zoltán Kodály
1386:
1384:
1382:
1378:
1377:public domain
1373:
1371:
1370:László Somfai
1365:
1360:
1356:
1347:
1345:
1343:
1339:
1337:
1333:
1329:
1325:
1321:
1317:
1295:
1291:
1286:
1284:
1280:
1276:
1272:
1268:
1264:
1260:
1255:
1252:
1248:
1244:
1240:
1237:
1231:
1229:
1225:
1221:
1215:
1214:Baja, Hungary
1210:
1203:
1201:
1199:
1198:
1193:
1189:
1188:
1183:
1178:
1176:
1172:
1171:
1166:
1161:
1160:tone clusters
1157:
1149:
1147:
1145:
1144:
1139:
1138:
1133:
1129:
1125:
1121:
1116:
1114:
1110:
1101:
1099:
1097:
1093:
1087:
1082:
1078:
1073:
1070:
1069:
1064:
1056:
1054:
1052:
1051:
1050:A Hero's Life
1046:
1042:
1038:
1034:
1030:
1025:
1023:
1018:
1009:
1002:
1000:
998:
994:
990:
985:
983:
979:
975:
971:
965:
957:
955:
953:
948:
946:
942:
941:state funeral
938:
933:
928:
926:
925:György Sándor
922:
918:
910:
905:
901:
899:
895:
891:
887:
882:
880:
876:
872:
868:
864:
860:
855:
853:
849:
845:
841:
836:
832:
828:
823:
821:
815:
813:
809:
805:
801:
797:
796:Kodály körönd
793:
789:
785:
781:
777:
768:
761:
759:
757:
753:
749:
745:
741:
737:
733:
729:
728:
723:
719:
714:
712:
708:
704:
700:
696:
692:
688:
684:
680:
676:
672:
667:
665:
661:
657:
653:
652:
647:
646:
640:
638:
634:
630:
629:
624:
620:
616:
612:
607:
606:Zoltán Kodály
603:
599:
595:
591:
587:
583:
574:
570:
566:
562:
558:
553:
546:
544:
541:
537:
533:
532:Horthy regime
529:
525:
524:
515:
513:
510:
506:
502:
497:
495:
487:Personal life
486:
481:
479:
477:
472:
471:
466:
461:
459:
455:
451:
447:
446:
441:
437:
432:
430:
429:Violet Archer
426:
422:
418:
414:
410:
409:György Sándor
406:
402:
398:
394:
390:
386:
382:
377:
375:
371:
370:
365:
361:
358:The music of
356:
354:
350:
349:Lajos Kossuth
346:
342:
338:
337:Zoltán Kodály
334:
330:
326:
322:
321:István Thomán
313:
306:
304:
302:
298:
294:
290:
286:
283:(present-day
282:
277:
275:
270:
268:
265:(present-day
264:
260:
256:
252:
248:
244:
240:
237:(present-day
236:
232:
228:
220:
215:
213:
211:
207:
203:
199:
194:
184:
140:
132:
129:
125:
122:
118:
116:Occupation(s)
114:
110:
106:
105:New York City
100:
96:
92:
88:
84:
79:25 March 1881
78:
74:
67:
62:
55:
52:
48:
44:
40:
39:personal name
33:
19:
6357:Charles Ives
6342:Henry Cowell
6317:Manuel Ponce
6241:Edward Elgar
6236:Joseph Parry
6186:Eugen Suchoň
6089:Edvard Grieg
6075:Netherlands
6053:
5989:Carl Nielsen
5969:Leoš Janáček
5876:
5838:Tone cluster
5793:Polytonality
5738:Experimental
5640:
5415:
5408:
5384:Magyar Rádió
5339:
5321:
5314:
5307:
5300:
5293:
5275:
5268:
5261:
5254:
5247:
5230:
5223:
5216:
5207:Piano Sonata
5201:Petite Suite
5199:
5194:Out of Doors
5192:
5185:
5178:
5171:
5164:
5159:For Children
5157:
5150:
5143:
5136:
5118:
5055:
5048:
5030:
5023:
5016:
4932:
4925:
4907:
4880:
4693:
4678:
4669:
4661:
4654:The Republic
4652:
4632:
4624:
4609:
4595:
4587:, edited by
4584:
4570:
4563:
4556:
4534:
4506:
4499:
4490:
4466:
4430:
4403:
4378:
4344:
4335:
4314:
4297:
4277:
4258:
4249:
4228:
4219:
4202:
4190:
4173:
4155:
4135:
4132:Music Review
4131:
4119:
4107:
4083:G. S. Fraser
4078:
4066:G. S. Fraser
4061:
4042:
4000:
3962:
3949:
3914:
3905:
3888:
3876:
3863:
3860:John Tyrrell
3851:
3818:
3793:
3764:
3747:
3738:
3701:
3689:. Retrieved
3685:the original
3672:
3651:
3642:
3625:
3608:
3595:
3575:
3562:
3544:
3528:
3524:
3503:
3499:
3479:
3454:
3442:. Retrieved
3428:
3413:
3401:. Retrieved
3392:
3367:
3355:. Retrieved
3346:
3337:
3325:
3313:
3298:
3291:Dicaire 2010
3286:
3271:
3259:
3252:Tantara 2014
3247:
3235:
3216:
3209:Babbitt 1949
3204:
3197:Babbitt 1949
3192:
3185:Lendvai 1971
3180:
3168:
3161:Martins 2006
3156:
3144:
3137:Gillies 1990
3132:
3120:
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3084:
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3063:
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3047:Gillies 1993
3042:
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3009:
3000:
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2981:Stevens 1993
2976:
2964:. Retrieved
2955:
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2924:
2915:
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2896:Gillies 1993
2891:
2884:Stevens 1964
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2809:Stevens 1993
2804:
2797:Stevens 1993
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2773:Stevens 1993
2768:
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2680:
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2647:
2635:
2630:, p. 7.
2623:
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2459:Bartók 1995a
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2028:
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1968:
1959:
1947:
1935:
1928:Wilhelm 1989
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1916:Stevens 2018
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1884:
1879:, p. 8.
1877:Stevens 1964
1872:
1865:de Toth 1999
1860:
1848:
1843:, p. 6.
1841:Gillies 1990
1836:
1831:, p. 6.
1824:
1812:
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1791:
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1737:
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1721:Gillies 2001
1671:Márton Izsák
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1359:Denijs Dille
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1232:
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301:László Erkel
292:
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6448:1945 deaths
6443:1881 births
6438:Béla Bartók
6226:Hugo Alfvén
6054:Béla Bartók
5788:Polyrhythms
5763:Neotonality
5651:Szymanowski
5399:Night music
5180:Mikrokosmos
5166:Four Dirges
5007:Dance Suite
4944:Concertante
4881:Béla Bartók
4799:BBC Radio 3
4716:Archives at
4079:Béla Bartók
4062:Béla Bartók
3946:Béla Bartók
3652:Béla Bartók
3609:Béla Bartók
3357:30 November
3330:Tudzin 2010
3240:Bartók 2018
3173:Gollin 2007
3149:Wilson 1992
3125:Wilson 1992
3113:Wilson 1992
3101:Cooper 2015
2993:Somfai 1996
2966:6 September
2935:6 September
2860:Bartók 1948
2848:Moreux 1953
2824:Moreux 1974
2761:Cooper 2015
2749:Moreux 1974
2737:Cooper 2015
2706:Citron 1963
2616:Somfai 1996
2558:18 February
2519:Bartók 2016
2507:Bartók 2008
2495:Bartók 2007
2483:Bartók 2003
2447:Bartók 1994
2314:(4): 3–12.
2132:Bartók 1976
2066:Hughes 2001
2054:Hughes 2007
1979:18 February
1891:Béla Bartók
1829:Cooper 2015
1817:Hooker 2001
1763:Móser 2006a
1682:Google Maps
1668:Google Maps
1664:Târgu Mureș
1649: [
1642:András Beck
1620: [
1576:57th Street
1561:blue plaque
1387:Discography
1362: [
1332:axis system
1279:alpha chord
1254:Cohn (1988)
1220:Paul Wilson
1197:Mikrokosmos
1143:Dance Suite
993:dissonances
989:Night music
952:Tibor Serly
888:to write a
784:Axis powers
730:(1936) and
536:Béla Balázs
425:Jack Beeson
413:Ernő Balogh
325:Franz Liszt
202:Franz Liszt
6432:Categories
6273:Argentina
6176:Ján Cikker
5984:Niels Gade
5833:Surrealism
5828:Stochastic
5818:Sound mass
5753:Microtonal
5725:techniques
5723:Genres and
5671:Stravinsky
5631:Skalkottas
5536:Schoenberg
4995:Orchestral
3318:Jones 2012
3264:Decca 2016
2956:laphil.com
2908:Dille 1990
2401:22 January
2370:Gagné 2012
2325:24 January
2287:Sipos 2000
2166:1248953993
1792:Britannica
1748:7 February
1696:References
1594:Imre Varga
1413:Hungaroton
1348:Catalogues
1294:Schoenberg
871:commission
786:under the
584:(then the
557:phonograph
421:Lili Kraus
389:folk music
297:Bratislava
285:Vynohradiv
281:Nagyszőlős
206:folk music
189:Hungarian:
6410:Biography
6172:Slovakia
6149:César Cui
5813:Serialism
5733:Atonality
5661:Prokofiev
5504:Composers
5351:Namesakes
5057:Contrasts
4454:(cloth);
4327:868907693
4298:Művelődés
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1701:Citations
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1497:released
1320:serialism
1271:aggregate
800:Mussolini
671:Barcelona
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615:Wallachia
602:Bulgarian
590:Hungarian
289:Pressburg
259:Hungarian
216:Biography
6267:Americas
6139:The Five
6115:Romania
6050:Hungary
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5995:Estonia
5980:Denmark
5890:Category
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