20:
122:
70:
66:
night. The three other painters including
Appelman stayed in The Hague until each of them set off on their study trip to Italy. The bailiff only started his proceedings against the foursome in 1653. Codde who was the only one who had come back to The Hague could quickly prove his innocence and was let go. The three others residing abroad were not even aware that proceedings had been commenced against them. Vignois was locked up upon his return from Italy in 1656. Appelman was then still residing in Italy.
251:
65:
were strolling through The Hague when two men started following and harassing them. Despite the painters' entreaties for them to back off, they were forced to draw their swords. In the ensuing scuffle de Jode injured one of the men so badly that he died immediately. De Jode fled The Hague the same
57:(Court of Holland, at that time the highest judicial authority in the Dutch Republic) from the jail in The Hague where he was locked up. In his petition Vignois recounts the events that had led to his arrest. On the evening of 25 August 1647 he and his fellow painters Bartholomeus Appelman,
102:
and as somebody, who 'for weeks had the habit of putting his feet under another man's table.' In 1671 he is recorded in
Amsterdam on the occasion of his renting of a room with a widow. He is further recorded in connection with a disturbance of the peace. He is mentioned in Rotterdam.
52:
Not much is known about the early life of the artist. He was born in The Hague in 1628 or 1629. It is not recorded with whom he trained. The earliest documented reference to the artist dates to 1656. On 10 July of that year the painter Petrus
Vignois addressed a petition to the
19:
44:– 1686 in The Hague) was a Dutch painter and draughtsman. After training in his native country, he travelled to Italy where he continued his studies. He is known for his Italianate landscapes.
131:
He was a landscape painter who created landscapes in the
Italianising style which was then popular in his country. He made paintings and drawings of landscapes and views of Rome. In
79:
He likely arrived around 1650 in Italy. In 1657 he is mentioned in Rome together with
Philips le Petit and Willem Doudijns. In Rome he joined the
191:
280:
121:
290:
98:
After his return from Italy he seems to have led a wandering existence as a mercenary. He is mentioned as a friend of the painter
285:
255:
69:
92:
295:
205:
Künstler-Inventare. Urkunden zur
Geschichte der holländischen Kunst des XVIten, XVIIten und XVIIIten Jahrhunderts
136:
270:
223:
275:
202:
151:
84:
147:
107:
106:
He finally moved back to The Hague in 1676, where in the same year he became a master in the local
62:
87:
artists working in Rome. His nickname in the
Bentveughels was 'Hector'. He also spent time in
155:
227:
132:
142:
He collaborated with other painters. He painted the landscape backgrounds in portraits of
54:
264:
88:
139:, he decorated a large room with landscapes, which were widely admired in his time.
80:
58:
143:
99:
24:
River landscape with shepherds and herdsmen and the Apuan Alps in the background
41:
250:
187:
232:
De groote schouburgh der
Nederlantsche konstschilders en schilderessen
68:
146:. He also made collaborative works with painters such as
110:. In 1677 and 1681 he was a dean of the guild.
8:
126:Hill landscape with a chapel by a bridge
120:
18:
167:
91:where he produced a landscape drawing (
32:, sometimes erroneously referred to as
192:Netherlands Institute for Art History
183:
181:
179:
177:
175:
173:
171:
83:, an association of mainly Dutch and
7:
208:, vol. 7, The Hague 1921, pp. 2-6
14:
249:
1:
93:Museum Boijmans van Beuningen
74:View of a Mediterranean port
281:Members of the Bentvueghels
312:
291:Dutch Golden Age painters
224:Barend Appelman Biography
286:Painters from The Hague
203:Abraham Bredius (ed.),
135:, the residence of the
128:
76:
26:
258:at Wikimedia Commons
256:Bartholomeus Appelman
188:Bartholomeus Appelman
124:
72:
30:Bartholomeus Appelman
22:
152:Adriaen van de Velde
296:Dutch male painters
148:Johannes Lingelbach
108:guild of Saint Luke
129:
77:
27:
254:Media related to
156:Philips Wouwerman
113:He died in 1686.
303:
253:
238:
237:
228:Arnold Houbraken
221:
215:
214:
211:
200:
194:
185:
137:Prince of Orange
133:Soestdijk Palace
311:
310:
306:
305:
304:
302:
301:
300:
261:
260:
247:
242:
241:
235:
222:
218:
212:
209:
201:
197:
186:
169:
164:
119:
55:Hof van Holland
50:
34:Barend Appelman
17:
12:
11:
5:
309:
307:
299:
298:
293:
288:
283:
278:
273:
263:
262:
246:
245:External links
243:
240:
239:
216:
195:
166:
165:
163:
160:
118:
115:
95:, Rotterdam).
49:
46:
15:
13:
10:
9:
6:
4:
3:
2:
308:
297:
294:
292:
289:
287:
284:
282:
279:
277:
274:
272:
269:
268:
266:
259:
257:
252:
244:
233:
229:
225:
220:
217:
207:
206:
199:
196:
193:
189:
184:
182:
180:
178:
176:
174:
172:
168:
161:
159:
157:
153:
149:
145:
140:
138:
134:
127:
123:
116:
114:
111:
109:
104:
101:
96:
94:
90:
86:
82:
75:
71:
67:
64:
60:
56:
47:
45:
43:
39:
35:
31:
25:
21:
16:Dutch painter
271:1620s births
248:
231:
219:
204:
198:
141:
130:
125:
112:
105:
97:
81:Bentvueghels
78:
73:
59:Hans de Jode
51:
40:(1628/29 in
37:
33:
29:
28:
23:
276:1686 deaths
213:(in German)
144:Jan de Baen
100:Jan de Baen
63:Carel Codde
36:, nickname
265:Categories
236:(in Dutch)
210:(in Dutch)
42:The Hague
234:, 1718
190:at the
85:Flemish
89:Tivoli
38:Hector
162:Notes
226:in:
154:and
117:Work
61:and
48:Life
267::
230:,
170:^
158:.
150:,
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
