Knowledge (XXG)

Battle in Heaven

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279:), an event that Marcos had earlier shown disdain for. Marcos seems to agree with his wife. Marcos' mental state seems to worsen. Instead of driving back with his party, he treks through the countryside. He reaches a peak with Christian crosses, overlooking a valley. Marcos buries his face in his hands. 274:
Marcos, Berta, their son, and a few friends (including the mother of the dead baby, who does not know who took her child, nor that it has died) go out to the countryside. Marcos tells Berta that he is going to turn himself in. She asks him to wait until after the pilgrimage (which is in honor of the
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Back home, Marcos has sex with his wife, Berta. They seem united in their sorrow regarding the dead baby. Marcos tells Berta that he told Ana about the kidnapped baby, indicating that the confession brought him relief. Berta, upset, demands that he make sure that "the princess" does not tell anyone.
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Lisa Schwarzbaum gives the film a grade of D+. "Between those two attention grabbers on a theme of flagpoles, languorously performed and indifferently observed, Mexican filmmaker/provocateur Carlos Reygadas pitches his own fight for the aesthetic tolerances of viewers, goading us to react to images
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Jonathan Romney says that "To a degree, Battle in Heaven might seem like another warmed-over example of a familiar movie myth: a fairly repellent no-hoper redeemed by hot sex with a quasi-virginal prostitute," but that "it's finally hard to know whether Reygadas takes his transcendental, religious
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Ana invites Marcos into the "boutique" so that he can have sex with one of her "friends." Marcos is apparently not aroused by the "friend." The friend tells Ana that Marcos would prefer her instead. Ana goes to talk to Marcos, and reminds him that they have known each other since her childhood.
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Eventually the pilgrims are gone, and the Basilica is vacant. The police allow Berta to go in to see her husband. She touches him on the head and he collapses. The film ends with a scene of Ana giving a fellatio to Marcos as he says "I love you, Ana". She replies "I love you too, Marcos".
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as she sells clocks and sweets at a stand. He travels to the airport to meet the "general's" upper-middle class daughter, Ana (Anapola Mushkadiz) whom he has known since she was a child. Ana orders Marcos to take her to the "boutique" where she works in the
251:, employed by "the general." Marcos learns that the baby that he and his wife kidnapped for ransom had accidentally died. The remainder of the film follows a despondent Marcos, seemingly haunted by the moral and/or legal implications of his actions. 290:, at first on foot, and then on his knees. Someone places a hood over his face, but Marcos continues to hobble forward. The hood becomes increasingly stained with blood as he makes his way into the Basilica during the church service. 282:
Marcos visits Ana at her home. He tells her that he will turn himself into the police that day. She gives him a goodbye kiss. Marcos leaves the apartment. He urinates his pants, goes back to the apartment and fatally stabs Ana.
356:). Unlike Bresson, Reygadas puts explicit sex scenes in his films. The sex scene between Hernández and Ruiz was simulated at Ruiz's husband's request, according to Reygadas on an interview included on the DVD. 263:. While driving, Marcos is very distracted, and at one point stalls the car. Ana recognizes that something is wrong, but Marcos claims he's distracted only because of his wife's supposed ill health. 545: 271:
The next day, Marcos visits Ana. She seems annoyed by his visit, but drives him to her place where they have sex. Ana advises Marcos to turn himself in to the police.
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Marcos then reveals that he and his wife kidnapped a baby but the baby died before they could collect any ransom. Ana seems to remain composed at hearing this news.
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The police become aware of both the attack on Ana and the death of the baby, and are in search for Marcos. Marcos seems to have joined the pilgrimage to the
778: 430: 691: 651: 783: 660: 788: 773: 287: 352:, Reygadas prefers to use non-professional actors, while occasionally recycling one (Hernández had a small part as a chauffeur in 579: 516: 562: 605: 684: 478: 359:
Casually, in a scene when Marcos is masturbating in front of the TV screen, he's watching a football league match between
798: 630: 793: 454: 404: 236: 737: 677: 239:. Reygadas has said about this film: "it’s my problem child, and therefore the film of mine I love the most." 635: 276: 374:
Anapola Mushkadiz said that a prosthetic penis was used in the fellatio scenes with Marcos Hernández.
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theme seriously, or is deriding it outright - or even deriding us for taking it seriously."
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about which he himself studiously offers no opinion." Schwarzbaum finds that "for all the
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was later voted one of the 30 best films of its decade in a poll for
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This article is about the 2005 film. For the biblical event, see
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Talking movies: contemporary world filmmakers in interview
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of the movie's clinical carnality, this battle is lost."
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Marcos stands next to his wife Berta (Berta Ruiz) at the
517:"Anapola Mushkadiz : "No tengo tabúes sexuales"" 449: 447: 327:
Francisco 'El Gato' Martínez - Gas Station Attendant
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Marcos (Marcos Hernández) is a working class man in
606:"The 21st Century's 100 greatest films: Who voted?" 200: 192: 182: 158: 142: 132: 116: 108: 96: 80: 72: 62: 46: 28: 371:, which ended with a draw & no goals scored. 636:Official site (Germany) with different pictures 685: 8: 506:London : Wallflower Press (2006) p. 189 692: 678: 670: 431:Rio de Janeiro International Film Festival 34: 25: 580:"Sight & Sound's films of the decade" 413:as the fifth greatest film since 2000 in 229:who previously directed the Mexican film 582:. British Film Institute. Archived from 369:Primera División de México Apertura 2003 443: 330:Diego Martínez Vignatti - Soccer Player 455:"Festival de Cannes: Battle in Heaven" 563:Movie Review: Battle in Heaven (2006) 7: 333:Alejandro Mayar - Police Inspector 14: 779:Films directed by Carlos Reygadas 502:Jason Wood, "Carlos Reygadas" in 479:"BOMB Magazine - Carlos Reygadas" 661:Interview with Anapola Mushkadiz 652:Interview with Anapola Mushkadiz 336:Chavo Nava - Neurotic Conductor 1: 784:2000s Spanish-language films 318:El Abuelo - Chief of Police 815: 789:Mexican erotic drama films 235:. It was entered into the 15: 708: 303:Marcos Hernández - Marcos 237:2005 Cannes Film Festival 58: 42: 33: 774:2000s erotic drama films 403:. It was also ranked by 315:Rosalinda Ramirez - Viky 552:Sunday, 30 October 2005 312:David Bornstein - Jaime 306:Anapola Mushkadiz - Ana 153:Mantarraya Producciones 112:Diego Martínez Vignatti 631:Official Site (France) 608:. BBC. August 23, 2016 321:Brenda Angulo - Madame 220: 546:Battle in Heaven (18) 339:Estela Tamariz - Ines 567:Entertainment Weekly 799:2000s Mexican films 569:Posted Feb 15, 2006 561:Lisa Schwarzbaum, " 459:festival-cannes.com 309:Bertha Ruiz - Berta 222:Batalla en el cielo 53:Batalla en el cielo 700:Films directed by 544:Jonathan Romney, " 527:on 18 October 2007 378:Critical reception 324:El Mago - Preacher 120:Adoración G. Elipe 756: 755: 738:Post Tenebras Lux 663:by Chris Neumer, 654:by Peter Fraser, 586:on March 22, 2019 410:The Village Voice 400:Sight & Sound 277:Lady of Guadalupe 208: 207: 128:Nicolas Schmerkin 102:Anapola Mushkadiz 23:2005 Mexican film 806: 794:2005 drama films 722:Battle in Heaven 694: 687: 680: 671: 665:Stumped Magazine 642:Battle in Heaven 618: 617: 615: 613: 602: 596: 595: 593: 591: 576: 570: 559: 553: 542: 536: 535: 533: 532: 523:. Archived from 513: 507: 500: 494: 493: 491: 490: 481:. Archived from 475: 469: 468: 466: 465: 451: 433:, FIPRESCI Prize 405:Michael Atkinson 395:Battle in Heaven 367:, valid for the 212:Battle in Heaven 174: 172: 122:Benjamin Mirguet 100:Marcos Hernández 38: 29:Battle in Heaven 26: 814: 813: 809: 808: 807: 805: 804: 803: 759: 758: 757: 752: 704: 702:Carlos Reygadas 698: 627: 622: 621: 611: 609: 604: 603: 599: 589: 587: 578: 577: 573: 560: 556: 550:The Independent 543: 539: 530: 528: 515: 514: 510: 501: 497: 488: 486: 477: 476: 472: 463: 461: 453: 452: 445: 440: 427: 380: 346: 300: 245: 227:Carlos Reygadas 185: 178: 170: 168: 161: 154: 152: 147: 145: 127: 125:Carlos Reygadas 123: 121: 103: 101: 92:Joseph Rouschop 91: 89: 88:Carlos Reygadas 87: 85: 76:Carlos Reygadas 67:Carlos Reygadas 24: 21: 12: 11: 5: 812: 810: 802: 801: 796: 791: 786: 781: 776: 771: 761: 760: 754: 753: 751: 750: 742: 734: 726: 718: 709: 706: 705: 699: 697: 696: 689: 682: 674: 668: 667: 658: 649: 638: 633: 626: 625:External links 623: 620: 619: 597: 571: 554: 537: 521:cronica.com.mx 508: 495: 470: 442: 441: 439: 436: 435: 434: 426: 423: 379: 376: 350:Robert Bresson 345: 342: 341: 340: 337: 334: 331: 328: 325: 322: 319: 316: 313: 310: 307: 304: 299: 296: 244: 241: 206: 205: 202: 198: 197: 194: 190: 189: 186: 183: 180: 179: 177: 176: 164: 162: 159: 156: 155: 151:Nodream Cinema 150: 148: 143: 140: 139: 134: 130: 129: 118: 114: 113: 110: 109:Cinematography 106: 105: 98: 94: 93: 90:Jaime Romandia 86:Susanne Marian 84:Philippe Bober 82: 78: 77: 74: 70: 69: 64: 60: 59: 56: 55: 50: 44: 43: 40: 39: 31: 30: 22: 13: 10: 9: 6: 4: 3: 2: 811: 800: 797: 795: 792: 790: 787: 785: 782: 780: 777: 775: 772: 770: 767: 766: 764: 748: 747: 743: 740: 739: 735: 732: 731: 727: 724: 723: 719: 716: 715: 711: 710: 707: 703: 695: 690: 688: 683: 681: 676: 675: 672: 666: 662: 659: 657: 656:Close-Up Film 653: 650: 648: 644: 643: 639: 637: 634: 632: 629: 628: 624: 607: 601: 598: 585: 581: 575: 572: 568: 564: 558: 555: 551: 547: 541: 538: 526: 522: 518: 512: 509: 505: 499: 496: 485:on 2010-09-18 484: 480: 474: 471: 460: 456: 450: 448: 444: 437: 432: 429: 428: 424: 422: 420: 416: 412: 411: 406: 402: 401: 396: 392: 390: 384: 377: 375: 372: 370: 366: 362: 357: 355: 351: 343: 338: 335: 332: 329: 326: 323: 320: 317: 314: 311: 308: 305: 302: 301: 297: 295: 291: 289: 284: 280: 278: 272: 268: 264: 262: 257: 252: 250: 242: 240: 238: 234: 233: 228: 224: 223: 218: 214: 213: 203: 199: 195: 191: 187: 181: 175: (Cannes) 167:May 2005 166: 165: 163: 157: 149: 141: 138: 135: 131: 126: 119: 115: 111: 107: 99: 95: 83: 79: 75: 71: 68: 65: 61: 57: 54: 51: 49: 45: 41: 37: 32: 27: 19: 18:War in Heaven 744: 736: 730:Silent Light 728: 721: 720: 712: 664: 655: 641: 612:December 14, 610:. Retrieved 600: 590:December 14, 588:. Retrieved 584:the original 574: 566: 557: 549: 540: 529:. Retrieved 525:the original 520: 511: 503: 498: 487:. Retrieved 483:the original 473: 462:. Retrieved 458: 408: 398: 394: 393: 388: 385: 381: 373: 365:Atlante F.C. 358: 353: 347: 292: 285: 281: 273: 269: 265: 253: 246: 230: 221: 211: 210: 209: 184:Running time 160:Release date 137:John Tavener 52: 249:Mexico City 81:Produced by 63:Directed by 769:2005 films 763:Categories 531:2022-01-30 489:2010-10-30 464:2009-12-05 438:References 361:Pachuca CF 344:Production 188:98 minutes 144:Production 104:Berta Ruiz 73:Written by 419:2016 poll 261:sex trade 146:companies 117:Edited by 746:Our Time 288:Basilica 201:Language 133:Music by 97:Starring 217:Spanish 204:Spanish 193:Country 171:2005-05 169: ( 48:Spanish 749:(2018) 741:(2012) 733:(2007) 725:(2005) 717:(2002) 425:Awards 256:subway 196:Mexico 714:Japón 389:shock 354:Japón 348:Like 232:Japón 647:IMDb 614:2016 592:2016 363:and 298:Cast 243:Plot 645:at 565:" 417:'s 415:BBC 407:of 765:: 548:" 519:. 457:. 446:^ 421:. 219:: 693:e 686:t 679:v 616:. 594:. 534:. 492:. 467:. 215:( 173:) 20:.

Index

War in Heaven

Spanish
Carlos Reygadas
Carlos Reygadas
John Tavener
Spanish
Carlos Reygadas
Japón
2005 Cannes Film Festival
Mexico City
subway
sex trade
Lady of Guadalupe
Basilica
Robert Bresson
Pachuca CF
Atlante F.C.
Primera División de México Apertura 2003
Sight & Sound
Michael Atkinson
The Village Voice
BBC
2016 poll
Rio de Janeiro International Film Festival


"Festival de Cannes: Battle in Heaven"
"BOMB Magazine - Carlos Reygadas"
the original

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