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Battle of the Bulge (1965 film)

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works. Weaver, Guffy and a few soldiers kill off Schumacher and his disguised MPs at the Fuel Depot before the arrival of Hessler's tanks. A wounded Kiley then staggers out of hiding and urges the men to burn the depot. Desperate, Hessler makes a last ditch effort to capture the depot. In defense, the Americans flood the road leading to it with gasoline and set it alight with grenades, immolating the German tanks and their crews. Hessler's tank takes a fuel drum rolled directly at it, incinerating him. General Grey arrives in time to see the panzers afire.
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retaliation from the air....This is a complete distortion of the weather conditions that made the battle what it was....it is a cruel deception to describe the climax of the Battle of the Bulge as a raging of German tanks against Americans across a broad plain in the manner of a Western movie cavalry-and-Indian charge.... will be a likely irritation to those who have some sober, rueful sense of World War II, and also a respectful regard for the memory of the men who fought and died in the real "Bulge."
865: 818:(the U.S. general who issued the dumbfounding "Nuts!" response to the German request for surrender) and ten others "whose stories have been contributed to the Morgan-Lazzarino version". Early in 1964, the press had announced a $ 1 million award to Columbia from the Warner production, also forbidden from "seeking support from agencies and individuals with whom Columbia Pictures and Gotham Rhodes had already made agreements". 753:. Annakin wrote, "It seemed quite a good narrative account of the German surprise onslaught against the American forces in the Ardennes and how the allied advance was nearly turned at this point, but the dialogue was not remarkable, the character relationships nothing special — it seemed to me just another war picture." However, he decided to take the job on the advice of his colleagues who said it would be a big hit. 711:, although the character of Hessler actually asks General Kohler about the reports of the massacre at Malmedy, which Kohler blames on another SS officer, making the comparison of Hessler and Peiper inaccurate. However, the fictional characters bore marked differences. For example, Peiper did not die in a kamikaze tank attack. He was tried and sentenced to death at the 339:
and lasted nearly a month, into under three hours, and shot parts of the film on terrain, and in weather, that did not remotely resemble the actual battle conditions. That left them open to criticism for lack of historical accuracy, but they claimed in the end credits that they had "re-organized" the
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Meanwhile, Grey's division, the Meuse at their backs, prepare to fight off Hessler's determined effort to capture the fuel depot. In a headlong tank confrontation the Americans employ a gambit to lure the Germans into using up the last of their fuel. The American tanks are savaged, but the strategy
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forest that spans easternmost Belgium, northern Luxembourg, and parts of bordering France and Germany. They locate a German staff car and photograph its occupants, buzzing low enough for a close-up to cause its shell-shocked driver to flee the car without stopping its engine. His commanding officer
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contains virtually no portrayals of actual senior Allied leaders, civilian or military. That is presumably because of controversies surrounding the battle, both during the war and afterward. Allied forces ultimately won the battle, but the initial German counteroffensive caught them by surprise and
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What is offensive about this picture—and offensive is the word—is the evident distortion of the material and of history to suit the wide Cinerama screen....for instance, it is the removal of the heavy fog that actually made it possible for the Germans to carry on their tank attacks without fear of
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of Belgium, Luxembourg and western Germany. Aside from the initial American encounters with the German offensive, the weather during filming was also at odds with the actual battle, which was fought during waves of heavy snow. The film's major tank battle scene, and some other battle scenes, were
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to capture prisoners for interrogation. At the loose disciplined American base, Maj. Wolenski sends callow Lt. Weaver and gung-ho Sgt. Duquesne on patrol. They capture young, green German soldiers. Rather than proof of German desperation, Kiley believes they are keeping their more experienced men
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to confuse and disrupt the Allies. Hessler's orderly and driver, Conrad, remarks upon the staggering losses Germany has sustained during the war, pointing out to his superior that his new young tank commanders are not the men he had trained and led through the campaigns in Poland, France, and the
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As the Americans have improvised a strong defense at Amblève, Kohler orders Hessler to bypass it, but Hessler wishes to break the Americans' will to fight, and Kohler relents. Grey assigns Wolenski to cover an Allied evacuation. Hessler's tanks and infantry lay siege to Amblève, then occupy its
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that can carry heavy tanks, and Hessler continues toward Amblève, secretly observed by Kiley. Guffy meets up with his Belgian girlfriend, Louise, and they split the proceeds of their racket. They also discuss their feelings for each other, implying they will marry when the war is over.
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Despite the dangers of flying in fog and at night, Col. Kiley conducts an aerial reconnaissance. He and Joe find Hessler's tanks through a gap in the fog and radio in the coordinates. German fire causes the plane to crash near an American fuel depot, killing Joe and wounding Kiley.
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There is also no mention of the key turning point in the battle, which was not an armor and infantry effort but rather Allied air power hitting the German spearhead hard at the first sign of clear weather, only the German HQ receiving word that the weather was set to clear.
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and, in the process, lured the enemy off course, which caused them to run out of gas. In reality, they were already stranded. The tanks that were used, despite the claims of the producer in an interview in one of the DVD extras, are not historically accurate. Although the
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as Hitler. Columbia issued a 1964 injunction against Warner's for registering its "Battle of the Bulge" title with the MPAA; to get Columbia to drop it, Warners agreed not to mention actual names such as Eisenhower, Montgomery, Bradley, Patton,
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After the introduction there is no reference to British forces in the area, though they were largely kept behind the Meuse River and thus almost entirely out of the fighting. Consequently, there is no mention of General
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to fight back, but they are overrun. A group of Allied tanks, led by Sgt. Guffy, also attempts to slow the Panzers, but their tanks' weak guns and thin armor make them ineffective. On the trip back to
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With no alternative, the surviving German soldiers abandon their vehicles and begin a long walk back to Germany. Conrad, bringing up the rear, throws aside his weapons, done with the war.
786:, which would have offered authentic winter weather conditions. The proposed Columbia film had the cooperation of many officers who were part of the battle, including Germany's General 835:" technique, which was often used in network telecasts of widescreen motion pictures. The 1992 Laserdisc and 2005 DVD releases feature the full-length film and are presented 377:
Crimea. Upon a review of the Panzer commanders, all of whom are, as Conrad said, young and inexperienced, both men are skeptical until the commanders break into a chorus of
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In Hessler's command caravan, an exasperated Conrad confronts the Colonel, calls him a warmonger, and demands a transfer. Hessler transfers him to the fuel battalion.
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The officer, Col. Hessler, continues on to his new underground base, where General Kohler briefs him on the top secret plan to pierce American lines and recapture
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The film received mixed reviews from critics. Reviewers were impressed by the big-name cast, but they were unafraid to point out historical inaccuracies, as
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Meanwhile, Kiley returns to U.S. headquarters and warns once again that the Germans are planning a new offensive. His superiors, Maj. Gen. Grey and his
2418: 1968: 1830: 778:, to have been called "The 16th of December: The Battle of the Bulge" and co-produced by Tony Lazzarino. The Columbia effort had the cooperation of 797:
As late as December 1965—the month the Warner film was released—there were still plans to make the Columbia film. Casting announcements included
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claims to have rewritten John Melson's original screenplay. Some of the original choices for director were the experienced and successful
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Thompson, Howard. "German General to Aid War Movie: Manteuffel Consultant for Battle of Bulge Drama." New York Times, 19 September 1964.
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In December 1944, Military Intelligence officer Lt. Col. Daniel Kiley and his pilot, Joe, are flying a reconnaissance mission over the
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was indeed to the south it was not tasked in any way with defending the Ardennes. Instead, it was dug in on the west bank of the
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came out of retirement and held a press conference to denounce the film for what he considered its gross historical inaccuracy.
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The original VHS release of the film for home video use was heavily edited to fit on one VHS tape and used a full-screen "
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were used to represent German King Tiger tanks (of which none existed to use), in spite of being over 20 tons lighter.
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Coe, Richard L. "Warner vs. Columbia" 2 'Battle of Bulge' Films Start War.' Long Island Star-Journal, 3 December 1965.
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provided an estimated 500 fully-equipped soldiers and 75 tanks and vehicles, some of which were World War II vintage.
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were introduced during World War II, they were not used in the scale shown in the film but were relatively rare.
651:. The film creates the false impression that large numbers of American tanks sacrificed themselves against heavy 486: 1261: 2213: 1782: 1638: 675: 578: 2378: 1774: 1606: 952: 728: 698: 69: 2352: 2194: 2149: 2105: 1957: 1866: 1790: 1694: 1622: 1590: 1510: 1183:"Most popular star for third time." Times 31 Dec. 1966: 5. The Times Digital Archive. Web. 16 Sept. 2013. 749: 173: 2160: 2127: 1806: 1646: 1470: 1385: 1342: 1291: 414:
goods from a nearby farmhouse. Lt. Schumacher and his disguised troops capture the only bridge over the
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ruins. Although many Americans, including Wolenski, are captured, senior staff safely escapes to the
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tanks, which heavily outclass the Allied tanks. Wolenski leads his men into the wooded area of the
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The film is a highly fictionalized account of the battle. The filmmakers attempted to condense the
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Crowther, Bosley. "Screen: Fonda in 'Battle of the Bulge'." New York Times, 18 December 1965.
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in the northern half of the Bulge. As a result, the film implies an all-American operation.
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inaccurately states, "To the north stood Montgomery's Eighth Army...." In fact, the British
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Schumacher later takes control of a vital intersection of three roads that connect Amblève,
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A contentious matter in 1964-65 was another "Bulge" film—never completed—slated by
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The aviation reconnaissance scenes with Henry Fonda were filmed with one or more
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The characters of Kiley, an American lieutenant colonel, and Hessler, a regular
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back for an offensive, but is again dismissed by his superiors as a "crackpot".
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to regroup for a counterattack. Guffy learns that Louise died in the shelling.
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Bart, Peter. "War Film Plans Stir Hollywood." New York Times, 4 December 1964.
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The film was one of the most popular films at the British box office in 1966.
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scolds him for wasting petrol, extremely precious to the German war effort.
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had its world premiere on December 16, 1965, the 21st anniversary of
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release followed in 2007, also in the original 2.76:1 aspect ratio.
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Hessler launches his attack the next day, leading columns of new
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aircraft, which did not fly until December 1949, instead of the
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Hitler's Warrior: The Life and Wars of SS Colonel Jochen Peiper
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chronological order of events to maximize the dramatic story.
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of Warner Bros. refused to work. Ultimately, the job went to
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The final tank battle is a rough depiction of the Battle of
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battle that stretched across parts of Germany, Belgium and
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light tanks used in the movie in lieu of the ubiquitous
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Hollywood Exile: Or How I Learned to Love the Blacklist
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For an economical price and with no restrictions, the
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(then Col.) 625:fought in flat, bare, arid territory. 343:Unlike most other World War II epics, 608:The film was shot on location in the 7: 2414:Films produced by Dino De Laurentiis 1308:at the Comic Book DB (archived from 2464:Works about the Battle of the Bulge 2449:Western Front of World War II films 14: 1250:Young, Bryan (January 21, 2014). 950:trilogy during the production of 593:poised to cross it into Germany. 370:are dropped behind American lines 2419:Films scored by Benjamin Frankel 984:written by Michael Tabor titled 863: 643:on December 26, 1944, where the 565:The film's opening narration by 2031:It's a Mad, Mad, Mad, Mad World 1419:Marcus Wendel (May 14, 2006), " 1103:University of Texas Press, 1999 1061:"Big Rental Pictures of 1966", 272:produced in Spain, directed by 2318:Cinerama Releasing Corporation 1751:The Biggest Bundle of Them All 999:List of American films of 1965 699:Benjamin Abbott "Monk" Dickson 1: 2409:Films directed by Ken Annakin 2399:Films about armoured warfare 2394:1960s English-language films 2062:The Greatest Story Ever Told 2010:Cinerama's Russian Adventure 1423:". Viewed December 26, 2006. 1409:AFI Catalog of Feature Films 1099:pp. 193-194 Gordon, Bernard 304:and exhibited in 70 mm 300:. The feature was filmed in 2384:American World War II films 1344:So you wanna be a director? 809:as General Montgomery, and 199:December 16, 1965 2485: 1927:Seven Wonders of the World 735:, who turned it down, and 649:German 2nd Panzer Division 18: 2404:Films adapted into comics 1655:Third Man on the Mountain 1599:You Know What Sailors Are 1465: 1138:Lonely Planet, 01/03/2009 1079:. Hachette. p. 225. 969:Movie Classic comic book 40:Theatrical release poster 33: 1783:Murder at the Mardi Gras 1327:. POPULAR. January 1965. 465:as Lt. Col. 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Index

Battle of the Bulge

Ken Annakin
Philip Yordan
Milton Sperling
Bernard Gordon
Henry Fonda
Robert Shaw
Robert Ryan
Dana Andrews
Telly Savalas
William Conrad
Jack Hildyard
Benjamin Frankel
Technicolor
Cinerama Productions
United States Pictures
Warner Bros. Pictures
widescreen
epic
war film
Ken Annakin
Henry Fonda
Robert Shaw
Telly Savalas
Robert Ryan
Dana Andrews
Charles Bronson
Ultra Panavision 70
Cinerama

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